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Discover the Best Private Music Classes in Toulouse

For over a decade, our private Music tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in Toulouse, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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63 music teachers in Toulouse

Jacqueline

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5.0

3 reviews

(3)

233 CNY

60-min

/h

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2Students

Private music theory lessons by professional singer qualified in music theory and pianoTranslate this text using Google Translate.

Private music theory lessons by professional singer qualified in music theory and pianoTranslate this text using Google Translate.

I introduce myself: Classical singer, professional soloist, good level pianist, graduated from conservatories - from Toulouse: 1st prize for singing / 2nd prize for music theory and sight reading - from Paris (CNSM) Certificates of musical and vocal culture and piano - singers On the sidelines, then after a career as a lyrical artist in Paris (Opéra Comique/Théâtre Mogador/Espace Cardin, in the RTLN theaters (including Capitole de Toulouse) and abroad (Switzerland/Belgium/Mauritius) I I have been focused on teaching (singing, beginner piano, music theory) for around 25 years. Experience with children / adults, amateurs / professionals, singers / instrumentalists I teach traditional music theory which differs from FM (Musical Training), I briefly explain here the differences, the interest and the advantages. It is based on tonal music, the progressive study of tones and not intervals outside tonal context. It recommends the separate acquisition of its various components: rhythm, reading notes, intonation it results in these well-integrated bases, sung sight reading and written dictation Why work on music theory as a subject in its own right? Because, in a course "piano / violin / vocals / clarinet ... + music theory", and as I myself have experienced, the pupil and the teacher, accomplices, always favor the instrument and the learning music theory is done in homeopathic doses. The study of the instrument is nevertheless also slowed down because of the multiple interruptions caused by ignorance of music theory. I am not suggesting that you "get rid" of music theory because its study, contrary to its reputation, is very interesting. But to diversify the difficulties that you encounter: those relating to the instrumental technique and those due to music theory. I accompany you on the piano and introduce you to the keyboard. A mini-keyboard allows you to work on your intonation at home also following my instructions. If the level allows it, I also do instrumental and vocal music theory: music theory applied to the study of your pieces, analyzed, deciphered and accompanied on the piano. Levels: for more precision, up to level "medium 2" I recommend a weekly frequency (except possibly school holidays), essential for the effectiveness of the course, as well as a minimum personal work at home.

Arthur

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5.0

1 reviews

(1)

280 CNY

60-min

/h

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1Students

Courses for all levels • Professional Guitarist • Music Academy International • 7 years of experienceTranslate this text using Google Translate.

Courses for all levels • Professional Guitarist • Music Academy International • 7 years of experienceTranslate this text using Google Translate.

First of all, congratulations on getting this far: finding the right teacher is not easy, but the hardest part is behind you. My method is innovative and differs from the classic French system (obsolete and archaic): The student learns to become independent and autonomous by integrating technical principles applicable to different scenarios, somewhat according to the philosophy of Asian martial arts (but rest assured, nothing martial here, everything is done flexibly). My lessons are fun, and are aimed at beginners as well as experienced ones. The first step consists of first validating a few quick theoretical and technical bases. This is a crucial step to progress quickly and efficiently: what is a grade? A deal ? An arpeggio? A range ? How to hold a pick? In what position to play? Once the basics have been acquired, the student can learn pieces of their choice or work on particular playing techniques (picking, alternate picking, tapping, etc.) always in accordance with their needs, and above all their desires! Obviously the content is adapted to each person, the same goes for the style: Rock, Blues, Pop, Variety, Reggae, Metal... the possibilities are endless. For those who wish to risk it, the theme of improvisation is also on the program: Contrary to popular belief, this discipline is not reserved for the elite or the experienced, everyone is capable of it with a little training and an appropriate method. Music is an artistic field, everyone can see a future in it as long as the motivation is there!

Théo

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5.0

1 reviews

(1)

280 CNY

60-min

/h

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2Students

Piano and Musical Training: Children, teenagers, adultsTranslate this text using Google Translate.

Piano and Musical Training: Children, teenagers, adultsTranslate this text using Google Translate.

|Child beginner] Blue Method a method that prepares the child to understand the pitch of sounds, to read the notes, to learn the rhythm through card games and songs, by drawing, coloring, and of course the practice of the piano in a way alternate. [Adult/Teen] Christophe Astie method Built to advance step by step and this from beginner level 0 in the understanding of the practice of the instrument and the music, it combines practice and musical theory, and this, in a very progressive way. A piece or two mastered per week in just 10 to 15 minutes of daily practice are necessary at the start. A rich and varied repertoire: Classical themes, film music, folk music, blues, boogie, ragtime. In the second half of the year, more pop songs are added. [Advanced Pianist | Musicians] After one to three years depending on your development and involvement or for already experienced musicians Develop more advanced concepts if you already have a solid foundation by working on several modules of your choice: - harmony - writing - the arrangement - improvisation - Rhythm - The shade The courses are aimed at all types of students wishing to reach a level equivalent to the 3rd cycle conservatory or moving towards free expression games and improvised music. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - assess your level: BEGINNER You are at Beginner 1 level if you start from zero at the piano Here is what you need to know to consider having acquired this level. Theory: reading notes in central C position, SOL clef and FA clef / understanding the notions of tone and semitone / quickly identifying notes on the piano / distinguishing left hand and right hand on the score / repeat bar / simple rhythms (black, white, round) Technique: knowing the numbers for fingering / playing legato on 5 notes, hands separated and hands together, starting on all the white keys / feeling the pulse while playing Repertoire: pieces whose melody is separated between the 2 hands / many fingerings written so reading notes is optional / rhythms that are simple to read or easy to do by ear because you know the piece / one note at a time in each hand The 2 pieces of Piano Subito (PBD) are good examples of pieces at this level. Amazing Grace (gospel, simplified version) Stand By Me (Ben E. King, simplified version) Several pieces from Hal Leonard Methods vol. 1, preparatory Bastien and preparatory Alfred. Several pieces from the book Favorite Classic Melodies (primer level) by James Bastien INTERMEDIATE Theory: notes can be read anywhere on the staff, in the 2 keys, including additional lines / formation of dominant seventh chords / good understanding of chord inversions / 6/8 as indicator numbers / classification and qualification of intervals (interval name + major, minor, perfect, augmented or diminished) / know the order of sharps and flats Technique: scales on 2 octaves hands together (DO – G – D – A – E major, A – D – E, G, C minor) / chords of 3 notes and inversions in all these keys / arpeggios on 2 octaves in eighth hands separated and hands together, root position (DO – G major and A minor) / sequence of chords I-IV-V7-I in other known keys Repertoire: pieces with arpeggios in the left hand / possible movements in both hands / integrated interpretative elements such as nuances, tempo modifications if requested, playing one hand stronger than the other / rhythm including sixteenth notes / on tackle the ornaments Mia & Sebastian's Theme (La La Land, PBD version) Minuet in G major or that in G minor (JS Bach) Arabesque (Burgmüller) Rhyme from another summer (Tiersen, simplified version) Moonlight (Debussy, simplified version) Soldier's March op. 68 No. 2 (Schumann) All the boys and the girls (Françoise Hardy, PBD version) Several pieces from Hal Leonard's Popular Piano Solos (level 3 and 4) notebooks. Available during our sessions: - Rönisch baby grand piano. - a computer with licensed Ableton live 10 (MAO) - Native Instrument komplete kontrol 13 licensed (MAO) - Licensed Serum (MAO) - 2 MIDI ESR 423 Yamaha Keyboards and Control S-88 Native Instrument. (MAO) e conservatory or moving towards the games of writing and free expression (jazz and improvised music)

Mélanie

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5.0

2 reviews

(2)

373 CNY

60-min

/h

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Flute lessons all levels, all styles!Translate this text using Google Translate.

Flute lessons all levels, all styles!Translate this text using Google Translate.

Flute lessons, for all levels and all styles! ●A flautist since childhood, I have been teaching the transverse flute for over 15 years. ●Initially trained in classical music, I then specialized in contemporary and improvised music in Toulouse and Paris. My background is validated by several diplomas: DEM in classical and jazz musicology, a degree in jazz musicology, MIMA, as well as a DNSPM in Jazz and Improvised Music. ●I teach students of all ages and levels, in individual lessons as well as in ensemble practice, with an approach adapted to the objectives of each (technique, interpretation, improvisation, varied styles). Currently, I work at the Ateliers Musicaux and at Music'Halle, where I teach flute and lead ensembles. ●In parallel, I am involved in stage activities in various projects (jazz, Brazilian music, electronic music, song, free improvisation...). ●I offer flute lessons for all levels and styles: classical, baroque, contemporary, current music, some traditional music, and especially improvisation! With acoustic or amplified practice (knowing how to use a microphone) with or without effects machines..! ●️Duration: minimum 1 hour per lesson. For beginners, this hour can be divided between learning the instrument and an introduction to musical culture. ●️Objective: to rapidly develop autonomy, regardless of age, while cultivating listening skills, curiosity, personality and the joy of playing! clarifications ●Occasional or regular classes. *Some classes may be postponed due to concerts, but they will obviously be rescheduled or made up if possible!

Javier

226 CNY

60-min

/h

DRUM LESSONS. Styles: jazz, funk, soul, neo-soul, world music, computer music. All levels.Translate this text using Google Translate.

DRUM LESSONS. Styles: jazz, funk, soul, neo-soul, world music, computer music. All levels.Translate this text using Google Translate.

First, I always strive to understand the student's motivations and adapt my teaching to help them achieve their goals. Furthermore, in my course I emphasize three aspects that I consider important. The first aspect is the student's technique and physical relationship with their instrument (we discuss posture, how to hold the sticks, rudiments, and coordination...). The objective: to obtain a calm and controlled sound, with relaxed movement. The second aspect is language and repertoire. This involves introducing students to the basic repertoire, linked to the origins of the music that gave rise to contemporary music and the drums (jazz, funk, soul, etc.). This doesn't mean playing jazz or funk perfectly; rather, it's about expanding students' musical knowledge, presenting the evolution of the drums, and introducing them to new groups and styles. With this approach, I try to guide students in the style they want to explore, helping them discover the origins of that particular music. Ultimately, I equip students with the tools and skills to begin transcribing music independently. On the one hand, I teach key concepts for recognizing structures, the beginnings and ends of musical phrases, time signatures, basic rhythms, and so on. This doesn't necessarily involve music theory. Rather, I emphasize the development of active listening, musical memory, and singing, as essential tools for learning new pieces. To enrich this learning, I use software such as Trancribe!, iRrealPo, Moises, loop libraries, Live, Finale, and others. In my opinion, these resources facilitate and empower students in their musical development. Basically, I try to help students become autonomous in their learning, and to make them appreciate and understand musical learning as a fun and motivating journey, with no limits other than their creativity...

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Our students from Toulouse evaluate their Music teacher.

To ensure the quality of our Music teachers, we ask our students from Toulouse to review them.

Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 34 reviews.

“ Stuart quickly assessed my playing level and gave me exercises to work on basic technique. He is fun and interesting to chat with. He has a lot of experience playing with groups. He is very knowledgeable about rhythms and techniques from different regions. I am excited to be learning and improving. ”

“ Henrique was a wonderful accompanist! He was very patient and had lots of interesting and brilliant ideas to improve my performance. Very friendly and hospitable, I felt completely at ease during our time together. I cannot wait to work with Henrique again! ”

“ I'm very happy with Arthur and his style of tutoring. He's extremely patient and encourages questions. A good mix of theory, practice and fun! ”

To ensure the quality of our Music teachers, we ask our students from Toulouse to review them.

Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 34 reviews.

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