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8651 online music teachers

We can start a journey together and find a fun, fulfilling way to learn guitar that’s tailored to your needs. What I Offer: Personalized lessons to suit individual goals Flexible scheduling A variety of genres to explore About Me: I'm from India and moved to Basel to pursue my Bachelor’s in Jazz. I've always had a passion for teaching, and now I’m studying for my Master’s in Pedagogy at Jazzcampus. I’ve performed on stage for many years, learned instruments from different cultures, and taught in an institution both online and in-person. As a freelancer over the past 7 years, I’ve had the chance to teach a wide range of students. Teaching methodology: My goal as a teacher is always to understand the individual needs of each student from multiple perspectives and to build a curriculum that works for them. I strive to recognize the student's relationship with music and gauge how deeply they wish to explore different topics. Additionally, it is important for me to consider the cultural aspect of teaching, as I have worked with both students and teachers from diverse backgrounds. Another key element of my teaching approach is gathering feedback from students, learning from them, and understanding how I can support their growth. Fortunately, I have been surrounded by other teachers with whom I regularly exchange ideas and methods to benefit both myself and my students. I am always interested in meeting new people and exchanging ideas, and always look forward to starting a new journey with each student. I offer lessons in English, German, and Hindi.
Guitar
A very progressive method by ear to develop accuracy, memory and the ability to free up one's playing in order to be able to adapt it to very different or new styles. I focus first on the plasticity of the sound at the same time as the awareness of rhythm takes place, the accuracy comes of itself as well as the obviousness of the good bow strokes which bring this expressiveness, these colours, these accents and these variations of intensity so specific to the violin. Each student has a particular character, some have by nature a nervous tendency, others who have a bow that is too choppy need to make their playing more fluid, still others are naturally hyper relaxed, (as was Stéphane Grappelli, which is why he was praised by the greatest classical virtuosos, who envied him this predisposition). Without sheet music, some people get stuck, unable to organically integrate melodic lines, rhythm, and musicality into the appropriate style. This is very common, which is why it's essential to play primarily by ear. For those who don't know how, it comes gradually; it's always the case, and it's important and reassuring to be aware of this in order to progress more easily. Some have to work on their speed of execution, while others will have to concentrate on the stability of their sound over a longer bow stroke and the different speeds of vibrato... etc... there are so many situations All the necessary synchronizations for playing the violin fully must be acquired, regardless of the students' initial abilities. These are the first steps, which can differ according to individual temperaments. Moreover, it is these temperaments that shape their personality and tastes in a certain way, becoming their hallmark, and sometimes even their Achilles' heel, with which they will always be more or less at odds. This, in fact, represents a very beneficial and invigorating support, serving as powerful reference points for navigating challenging hurdles. Indeed, one often has to encounter obstacles to have the joy of knowing how to overcome them! And mastering the countless techniques of the violin requires facing them, ultimately leading to intense moments of fulfillment!
Violin
Marco Conti (b. 2003) is an Italian clarinetist. He is currently Principal Clarinet and Clarinet Teacher of the Fujairah Philharmonic Orchestra (UAE). He earned both his Bachelor’s and Master’s degrees with the highest honors at the Conservatorio “A. Corelli” in Messina, under the tutelage of Giuseppe F. Corpina. As part of his Master’s studies, he joined the Erasmus Programme, studying at the Conservatorium van Amsterdam (2023-24) with Arno Piters and at the Escola Superior de Música e Artes do Espetáculo (2024-25) in Porto with Nuno Pinto and António Saiote. He further refined his orchestral preparation through a professional traineeship with Jože Kotar at the Akademija za glasbo (2025-26) in Ljubljana. Alongside his formal training, he has gained additional guidance in masterclasses with acclaimed international clarinetists such as Philippe Berrod, Calogero Palermo, Roeland Hendrikx, Eric Hoeprich, Giovanni Punzi, Patrick Messina, Giuseppe Balbi, Nele Delafonteyne, and Pascal Moraguès. At the age of seventeen, his orchestral career began with the Massimo Youth Orchestra of Palermo Opera House. He later held leading roles as principal clarinet of the National Orchestra of Italian Conservatories. In 2024, he marked a decisive step in his orchestral career by being admitted, after successful audition, as a member of the Gustav Mahler Jugendorchester for its spring and summer tours, as well as of the Schleswig-Holstein Musik Festival Orchestra, Teatro alla Scala Academy in Milan and the Wiener Festspiele Academy Orchestra in Vienna. He was further selected for the European Union Youth Orchestra (EUYO) for its 2026 summer tour and for the Grafenegg Festival Orchestra, confirming his presence among the most distinguished young orchestral musicians of his generation. He was invited as guest principal clarinet with the Helsinki Philharmonic Orchestra, the Tuscany chamber Orchestra (ORT), and the Orchestra of Teatro La Fenice. In 2025, Marco was appointed as Co-Principal Clarinet at the State Opera Stara Zagora, in Bulgaria, following a successful audition. Six months later, he returned to Italy after winning a further audition to join the clarinet section of the Teatro di San Carlo in Naples for the 2025-26 season. At beginning of 2026, before leaving Europe, he has also won the audition for a permanent position as Principal Clarinet of the Friuli Venezia Giulia Regional Orchestra (FVGO). Under the baton of legendary conductors such as Kirill Petrenko, Ingo Metzmacher, Christian Blex, Holly Choe, Ion Marin, Diego Matheuz, Andris Poga, Donato Renzetti and Alessandro Cadario, Marco has appeared at the world's most renowned festivals, including the Salzburger Festspiele, Berliner Festspiele, Rheingau Musik Festival, Bolzano Festival Bozen, and the Nervi International Ballet Festival. As a soloist, he has performed Crusell’s Clarinet Concerto Op. 5 No. 2 at the Palacultura in Messina; Artie Shaw’s Clarinet Concerto with the “G. Luporini Philharmonic” in Torgiano and with the National Wind Orchestra of Italy, among others. Conti has received recognition in more than ten international clarinet competitions, including Second Prize at the 2025 Silverstein Clarinet Contest, Second Prize at the Mercadante Clarinet Competition, and Prize winner at the Zac Ligature Competition, Caunes-M
Music theory lessons
Music theory · Guitar
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