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Discover the Best Private Music Classes in Prenzlauer Berg

For over a decade, our private Music tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in Prenzlauer Berg, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

247 music teachers in Prenzlauer Berg

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247 music teachers in Prenzlauer Berg

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(6 reviews)
Lawrence - Gesundbrunnen66€
Voice (music) · Singing · Acting
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(11 reviews)
Toby - Berlin48€
Trusted teacher: Hi there, I'm a professional viola and violin teacher, teaching in person and online, in English, German or Russian. As well as instrumental teaching and ensemble coaching of all ages and levels over the last 12 years, I’ve led numerous professional workshops, including ‘Music First’ and ‘Music Masters’ in London and have taught on the Senior and Primary Arpeggione Viola Courses. As a member of the European String Teachers’ Association, I participated in their conferences across Europe, including at the European Parliament in 2018. I also prepare students for music exams, auditions and competitions at all levels, and work with them on music theory, aural and sight reading skills, and can accompany them the piano. Alongside my teaching I perform internationally as a soloist and chamber musician, including at Kings Place London, Elbphilharmonie Hamburg and Philharmonie Berlin. I am a Hattori Foundation and Villa Musica artist, winner of the Małopolska competition, the Barbirolli Prize at the Lionel Tertis International Viola Competition and the Len Lickorish Memorial Prize at the Royal Overseas League International Strings Competition. I hold a masters degree with first class honours from the class of Tabea Zimmermann at the Hochschule für Musik Hanns Eisler Berlin, and Bachelors with the same distinction from the Royal Academy of Music in London, where I began in the primary department almost 20 years ago. I'm an avid chamber musician, and am a founding member of Ensemble Textura, a string ensemble based in Berlin, performing renowned works alongside experimental arrangements and lesser known masterpieces. I've also performed with Tabea Zimmermann at the Laeiszhalle Hamburg, Gary Hoffman and Antje Weithaas at Kronberg Academy’s ‘Chamber Music Connects the World’, with Claudio Martínez Mehner at Encuentro de Santander, and regularly participate in the Open Chamber Music Seminar at Prussia Cove. ** Reviews Below **
Viola
Playing the drums is both fun and very rewarding, but it also carries a significant amount of responsibility. The drummer is the backbone of any musical community, creating a vital foundation for the other instruments to thrive upon. With a wealth of exercises and content available online at your fingertips to study, I can offer you valuable, personalized advice on three key aspects: technique, time, and touch. I like to call them the 3Ts. Technique: Playing the drums is physically demanding, requiring an awareness of proper posture to safely build the muscles needed to maintain a seamless flow of movement for hours on end. Time: Keeping a steady pulse is the primary focus of being a drummer. We need to build up our confidence to consistently maintain the desired time, even under adverse conditions. Touch: While presenting steady time, we need to open our awareness to make our beat feel good. It’s an attitude. It’s about being musical. This means using dynamics and personalizing our four limbs to create our own unique groove. This is where it gets deep. I love teaching beginners. They usually can jump ahead quickly in a short time. There is no mystery. The way forward means dedicating a little (or a lot) of time daily to the drums. Even just 10 minutes a day can lead to significant improvements. That’s the secret. I recommend using an intensive approach with the classes. Beginners take 5 weeks of 60-minute classes to learn the basics and then continue working on your own, returning for follow-up “check-ups” as needed. For intermediate-level students, I recommend a 90-minute class where I present a comprehensive overview, all tailored to your immediate needs. You then come back for more when the information has been digested. For advanced-level students, the same. There is so much to cover that we can focus on very specific topics. Styles, the rudiments etc... I have a lot of experience with traditional jazz and the rudimental history behind the craft. In the end, it's about creating time to connect with the drums every day. This connection is a wonderfully rewarding and grounding addition to our lives. I look forward to meeting and working with you.
Drums · Jazz music · Self-improvement
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(1 review)
Leandro - Fennpfuhl35€
Trusted teacher: Part One Class 1: - Understanding the basic notions of the machine (Samples, Programs, Sequences) to be able to operate any of the different models and JJOS versions - Sampling (Recording) - Sampling Vinyls - Sort and manage properly all the elements of this area in your HD, CF and your Ram memory (Samples) - Saving your own Samples Class 2: - Sample Edit Mode - Create a Drum program and add your samples - Program Edit Mode Sort and manage properly all the elements of this area in your HD, CF, SD and your Ram memory (Samples and Drum Programs) - Saving your own programs and libraries (Samples and Drum Programs) Class 3: - Sequences - Create a channel and add your own programs - Programing a beat - Sequence edit mode - Sort and manage properly all the elements of this area in your HD, CF, SD and your Ram memory (Sequence, Midi files) - Saving your own Sequences or Midi files. Class 4: - Grid edit view - Differences between sequence and song - Song Mode - Create your first song - Sort and manage properly all the elements of this area in your HD, CF, SD and your Ram memory (.ALLSEQ&SONGS) - Saving your own Song Class 5: - Filters - LFO - ADSR and Filt envelope - Effects - Sound design Class 6: - Pad and Channel Mixer mode - Signal routing and Mix - FX setups - Effects: Insert Effects - Send/Return Effects (New models only) - Sort and manage properly all the elements of this area in your HD, CF, SD and your Ram memory (.PJ) - Saving your own Project Part two Class 7: - Link different effect templates to a Sequence (Old models only) - List edit Mode - Recording Automation - Sort and manage properly all the elements of the MPC in your HD, CF and your Ram memory (effect templates) - Saving your own effect templates Class 8: - Chopping Samples (Converting, Processing and Assigning Slices) - Keygroup Programs (Old models with JJOS or new models only) Plugins programs (New models only) Midi Programs (Old models with JJOS or new models only) Class 9: - A brief introduction to the Midi (Musical Instrument Digital Interface) and General Midi. - Midi channels - Control messages - Program Change/Bank change - Midi CC controllers - Midi implementation chart Class 10: - Midi tracks - Midi clock - Connect, control and send your Midi track’s or Midi parameters to an external midi device like a synth or drum machine - Recording a Midi track’s to control an external midi device like a synth or drum machine - Sync properly your MPC with any DAW - Create, design and save studio sets or/and live sets properly - How to find the best way to build “Projects” and “LiveSets” according to your musical genre Class 11: - Producing one track or live performance with a complete standalone setup (WITHOUT ANY COMPUTER) - Supervised production Class 12: - Presentation of your Final Project in a live performance
Sound (music) · Computer generated music
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Our students from Prenzlauer Berg evaluate their Music teacher.

To ensure the quality of our Music teachers, we ask our students from Prenzlauer Berg to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 121 reviews.

Viola lessons, intermediate - advanced (in English, German or Russian) (Berlin)
Toby
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Toby is an outstanding instructor and works with children very naturally. My 11 year old son has been taking lessons with Toby for over two months and is eager for each lesson. Toby is extremely talented, but beyond that, he engages my son deeply with the music itself, fundamental techniques, music theory, and even the interpretation of the music. Toby is kind, encouraging, and works with students at a level that is appropriate. He has allowed my son to chose music that if fun and interesting to practice, even though the pieces are challenging. We are located many time zones away from Toby, and the virtual lessons do not hinder our experience with him. In fact, I often sit in to listen to the lessons, as they are so good. My son has had a couple of lessons with Toby while company has been over, and everyone has commented on how amazing Toby is as an instructor. I can not recommend Toby enough and hope to continue lessons with him for a long time.
Review by STEPHANIE
Native English piano lessons from an experienced tutor (Berlin)
Jack
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I’m so lucky that I was able to have lessons with Jack during my time in Berlin! He creates such a supportive environment for learning — laid back and calm, yet totally professional. After years of me struggling independently with a few pieces, he was able to show me new ways of approaching the music that transformed even the hardest parts into something accessible. He has a lovely and genuine way of offering encouragement / recognizing progress, while still keeping track of the underlying objective; a more far-reaching arc of improvement. I like how he remembers this larger perspective from week to week (especially when I forget), and finds ways to expertly weave the end goal into incremental, manageable steps. I have learned so much from the tools and techniques he’s shared with me, and am grateful to have enjoyed his teaching.
Review by NATALIE
Guitar lessons (Acoustic and Electric) and music composition (Kreuzberg)
Sam
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Sam is an amazing teacher, patient and open to the student's goals and suggestions. His approach is more technical than theoretical but will nonetheless get anyone willing to learn up to speed on the basics into more advanced notions. He assessed what I was already able to do on the guitar to fill the gaps and help me progress into further fields. So far he's taught me the electric guitar, a bit of bass and piano and I'm very happy about all of it.
Review by ALEXIS
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