Music Theory Lessons for All Levels with a Composer-Conductor

Van 58 € /h

Let's learn music theory at your own pace! Whether you're just starting out or looking to deepen your existing knowledge, my Music Theory for All Levels course is designed to be flexible. I've taught many topics, from the basics of reading music, college level ear-training, Renaissance and Baroque counterpoint, Classical harmonic analysis, Jazz harmony, and 20th century techniques.

We’ll use your prefered music and instruments (or voice!) to make the learning process relevant and enjoyable. Whether you're a curious beginner, a performer looking to refine your knowledge, or a composer aiming for a deeper dive, this course is for everyone.

Locatie

Gebruik Ctrl + muiswiel om in te zoomen

Plaats gekozen door de student :

In de omgeving van Berlijn, Duitsland

Bij de leraar :

Reinickendorfer Straße, Berlin, Germany

Online vanuit Duitsland

Over

American Conductor and Composer Stephen has served as Resident Conductor with the Cincinnati Opera, Associate Conductor with the Atlanta Symphony, and Dudamel Conducting Fellow with the Los Angeles Philharmonic. 2024-25 season highlights include conducting debuts with Ensemble MusikFabrik, the Filarmonica Transilvania, Junges Sinfonie Orchester Wetzlar, and at the Momentum Festival Berlin, alongside return engagements as a guest conductor at the University of North Texas Opera and as an assistant conductor with the New York Philharmonic. As a composer, Stephen will present a new work with Ensemble MusikFabrik at their studio in Cologne and begin a collaboration with percussionist David Moliner and Universal Edition, culminating in the premiere of a new work at the Elbphilharmonie in Hamburg in January 2026.

A passionate advocate for contemporary music, Stephen debuted on the New York Philharmonic’s Sound ON Series in 2022 and their 65th Street Session Series in 2023. In demand as a guest conductor, Stephen has led performances with the Dallas Symphony, Detroit Symphony, Gulbenkian Orchestra, Louisiana Philharmonic, Minnesota Orchestra, National Symphony, Phoenix Symphony, Rochester Philharmonic, San Antonio Philharmonic, San Francisco Symphony, Sarasota Orchestra, St. Louis Symphony, and Virginia Symphony.

Stephen has assisted, prepared stage works, and served as second conductor for many of the world’s top conductors, including Marin Alsop, Karina Canellakis, Gustavo Dudamel, James Gaffigan, Edward Gardner, Manfred Honeck, Jakub Hrůša, Susanna Mälkki, Zubin Mehta, Ludovic Morlot, Peter Oundjian, Matthias Pintscher, David Robertson, Sir Donald Runnicles, Esa-Pekka Salonen, Leonard Slatkin, Robert Spano, Michael Tilson Thomas, and Jaap van Zweden.

As a Dudamel Conducting Fellow with the Los Angeles Philharmonic, Stephen stepped in for Gustavo Dudamel on short notice to conduct an all-Beethoven program and led other notable performances, including Stravinsky’s complete L’Histoire du Soldat and an All-Ravel Toyota Symphonies for Youth Concert. During his first season as Associate Conductor with the Atlanta Symphony, Stephen stepped in for three classical subscription programs over six weeks to critical acclaim.

A native of Baltimore, Stephen began his violin studies with his father, Gregory, and continued with Kyung Yu at Yale University. His conducting teachers include Gustav Meier at the Peabody Institute, Robert Spano at the Aspen Music Festival, and Arturo Tamayo at the Conservatorio della Svizzera Italiana. He has a degree in composition under Jörg Widmann from the Barenboim-Said Akademie in Berlin.

Opleiding

Yale University, Bachelor of the Arts, Violin and Conducting
Peabody Institute, Masters in Music, Orchestral Conducting
Barenboim-Said Akademie (Berlin), Artist Diploma in Composition

Leservaring

Los Angeles Philharmonic, Dudamel Fellow
Atlanta Symphony Orchestra, Assistant/Associate Conductor
Cincinnati Opera, Resident Conductor

Leeftijd

Kleuters (4-6 jaar oud)

Kinderen (7-12 jaar oud)

Tieners (13-17 jaar oud)

Volwassenen (18-64 jaar oud)

Senioren (65+ jaar oud)

Niveau van de leerling

Beginner

Gemiddeld

Gevorderden

Duur

60 minuten

90 minuten

120 minuten

De les wordt gegeven in

Engels

Duits

Vaardigheden

Muziektheorie

Noten lezen

Beoordelingen

Beschikbaarheid typische week

(GMT -05:00)

New York

Bij de leraar en via webcam

Bij de student thuis

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Musical Composition for all Levels with a Composer-Conductor

58 € /h

Are you stuck? I can help!

In our composition lessons, we’ll both learn how to get more from basic elements, like pitch and rhythm, and also the things we can do to help make a composition more poetic. We can work on how to get more music from fewer ideas to create a consistent musical language, and also explore the idea of opposites in your compositions, blending and smearing contrasting elements to add depth and complexity to your work.

Through the analysis of great music, the composition of miniatures, and feedback on your current projects, you’ll both increase your technical fluency and simultaneously learn to love and develop your unique voice. This class is for any level of composer, whether you're a beginner or an experienced composer seeking to enhance your creative skills. Don't wait any longer :)

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Private German Tutoring for Native English Speakers (for levels A1-C1)

58 € /h

As an American with a C1 Goethe-Institut certificate in German, I understand the long journey of learning this difficult language! I can help you wherever you are on your German path, from the basics to complex grammar, from understanding everyday language to working on your pronunciation.

I have spent time carefully collecting resources that help native English speakers...for example, things that help with speech rhythm and accentuation...which not a lot of teachers teach, but which make a huge difference. In any case, I can custom-tailor our lessons based on your needs.

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Philip

5.0

(3)

Hi there! I'm a professional, award-winning guitarist with over 18 years of experience playing Jazz, Blues, Funk, Pop, and Finger-style. I have worked internationally as a bandleader, accompanist, and solo performer.

My approach to teaching is very pragmatic, time-efficient, and fun and I prefer not to overwhelm students with too much information or technical exercises. I believe that the number one priority both in playing and teaching music should be enjoyment, and that's why I tailor each lesson to the uniqueness of each student, making sure that we are learning about things that YOU want to learn about and moving towards YOUR unique goals.
I look forward to hearing from you and learning together!

My teaching is also informed by years of research into areas such as neuroscience, psychology, philosophy, and meditation. This background has allowed me to develop a truly holistic approach to music, one which promises not only faster improvement, but also greater musical EASE, ENJOYMENT, and CREATIVITY.

Philip :)

Erika

5.0

(3)

I view teaching vocals and songwriting as a therapeutic, holistic process, where my students learn techniques and practical tools that help them hone their craft, but also work through psychological blockages that make them into greater artists.

Felix

5.0

(3)

Like with languages, intuition plays a huge part in learning an instrument. Most often in music, the correct choice will the the one that ~feels~ the most natural. This is what my teachers, from when I was a kid, all the way to the end of my studies at the conservatory, have prioritized in lessons; Working less hard to sound better.

I’m here to help you in the same way, to decipher with you certain sounds, certain gestures in recorder playing, so that we can map out together your skill set, and eventually find your own style of play.

When it comes to the grammar part of music, I’m ready to teach you everything about reading notes, intervals, chords, and all the principles of music theory, with examples and fun exercises.

I am a very patient person, and have experience with beginners as well as “matured” amateurs :)

I hold a masters in early music, along with a bachelors in classical composition.

My dream is to live from composition mainly, writing music for concerts, film and ballet. Currently I’m working on a ballet commission from the Schauspielhaus in Zurich, and more original music for a series of concerts next summer in France.

My favorite composers are Bartok... and a bunch of anonymous medieval ones.

How about you?

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