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8375 online music teachers

Do you want to produce your tracks without getting lost in the technical details? I'll teach you Cubase and DAW software the way I learned it myself: without music theory, but with method and creativity. The goal is not to apply formulas, but to develop a working method adapted to each project. This may involve analyzing a piece in progress, resolving technical or creative blocks, optimizing sound, or even organizing a Cubase session. I offer concrete tools, attentive listening, and precise support to move your musical project forward in the right direction. About the course: Composition & Arrangement Musical structure & storytelling: learning to build solid and coherent pieces (intro, bridges, choruses, etc.). Creating guitar riffs and harmonies: rhythmic, melodic and stylistic work according to your level. Text writing & vocal placement: rhythm, phrasing, accuracy of intentions. Organization in the DAW (Cubase): clear structure, tempo, grids, dynamics. Art direction & atmospheres: defining a unique and coherent sound universe, from the riff to the background texture. Pre-production & Sound Design Effective session preparation: choice of tools, sounds, project organization. Custom guitar/bass sound creation: virtual amps, IRs, custom effects chains. Modern recording techniques: layering, harmonies, double-tracking, multiple takes. Sound sculpture & textures: asserting the personality of each instrument. Integration of atmospheres and textures: cinematic, orchestral or electronic textures. Advanced sound design: modulations, automation, unconventional effects. Recording & Editing Effective voice recording: artistic direction, placement, interpretation. Fast & clean editing: assembly, alignment, natural corrections. Collaboration & Communication Knowing how to work with other musicians: conveying ideas, communicating with a mixer or sound engineer, maintaining an overall vision. Mixing & Finalization Clear and productive session organization: routing, buses, colors, naming. Using the main mixing tools: Compression: dynamic management EQ: Frequency balance Delay & Reverb: space and depth Limiting: level control Special FX (ring mods, filters, etc.): to go further with the texture Export preparation: stereo, stems, separate tracks, formats suitable for mixing or mastering. In summary The goal is not to follow a fixed method, but to make concrete progress on a real musical project, regardless of the starting level. The idea is to start with a desire, a sound, a riff, a feeling... and turn it into a solid, inspired, controlled piece. This is what I have been doing for twenty years, and what I pass on here with rigor. Online lessons are available. Cubase is recommended but not required. You can work with other DAWs or directly with stems/audio files as needed.
Computer generated music
53€
Sound (music) · Audio production · Computer generated music
I graduated from the Palermo Conservatory with Professor Dorotea Cei, student of Lazar Berman, Clive Britton (student of Claudio Arrau) and Roberto Caglieri (student of Arturo Benedetti Michelangeli). In addition to a Master's degree in musical psychology in Romania, I also obtained a Master's degree in Advanced Music Performance at the ESMUC in Barcelona with Professor Vladislav Bronevetzky (student of Elisso Virsaladze). I have participated in several Masterclasses, including an annual course with Professor Roberto Plano and thanks to which I was able to acquire valuable teaching experience. Experiences that proved useful for teaching as a piano teacher in Bachelor and Master courses were at the Conservatory of Trapani “A. Scontrino”, at the Conservatory of Ferrara “G. Frescobaldi”, at the Sassari Conservatory “L. Canepa” and at the Palermo Conservatory “A. Scarlatti”. During the lessons I attach great importance to artistic interpretation, emotional and psychological management during the study phase, before and during a performance, precision and respect for the score and the efficiency of the technique applied to the style and historical period. I guide students by providing effective and optimizing study and learning strategies, also correcting factors such as posture and the correct use of the body at the piano and on the piano, the physiology of the hand and other factors such as economy of movement. All of these are factors that I have acquired from the great Russian schools from which I come directly and indirectly, with a very empathetic and organizational side I am able to give very satisfactory results to my students. I recently collaborated as global professor of the Piania Conservatory in South Korea (Seoul) with currently virtual masterclasses and seminars and piano competitions. I recently held masterclasses at the Edward Said Conservatory of Ramallah in Palestine at the college of arts and the Philharmonic theater of Targu Mures in Romania, at the University of Music of Skopje and Sarajevo, at the University of Music in Kaunas (Lithuania) for various Italian associations including the Umbria Classica Association. I am often designated as commissioner in some piano competitions such as, for example, the International Henryk Mercel Piano Competition in Poznan organized by the Polish Calisia Art Foundation, the Malta International Piano Competition and others.
Piano · Music theory lessons · Music teacher training
Passionate about her instrument since the age of 7, she is a high-level artist with a remarkable career. A graduate of the Milan Conservatory in 2017 and holder of two master's degrees from the Lausanne University of Music, she has won numerous prizes at international competitions. A passionate teacher, she is also involved in chamber music and enriching the harp repertoire through arrangements and original compositions. She has pursued advanced studies with renowned professors such as Gabriella Dall'Olio, Park Stickney, Luisa Prandina, Maria Rosa Calvo-Manzano, Gloria Martinez, Olga Shevelevich, Letizia Belmondo, Eleanor Turner, Fabrice Pierre, and Renaud Capuçon in chamber music. These studies, as well as the constant and passionate practice of his instrument, allowed him, from the age of 10, to participate in international competitions and win several prizes, such as second prize at the IX Concorso Internazionale di Esecuzione Musicale Città di Asti, first prize in the solo and chamber music category at the Saluzzo Music Pizzico Competition F. Gatti, first prize at the European Music Competition Città di Moncalieri as well as second prize at the Concorso Internazionale di Esecuzione Musicale-Città di Treviso 2020. In 2022, she won first prize at the Lavaux Classique festival with tenor Leonardo Sanchez for the project Los Ritmos del Amor. This success allowed her to present this program at the 2023 festival, accompanied by a personal creation: an interactive musical tale for children, exploring the sounds of the harp and the world of Harry Potter. Particularly involved in cultural mediation, she collaborates with the Partemus association and participated in a concert for families during the prestigious Easter Festival in Aix-en-Provence. As an orchestral musician, Luna has played with renowned ensembles such as the Orchestre de la Suisse Romande, the Lausanne Chamber Orchestra, the Valéik Philharmonik, the Ensemble de Joux, the Sinfo Romandie Chamber Orchestra, and the Teatro Coccia of Novara. Her passion for chamber music drives her to constantly explore new sounds, as evidenced by her varied projects: her collaboration with singer Floriane Derthe, broadcast on Espace 2 in 2021; her arrangement of Variations on a Theme from Chopin's La Cenerentola for harp and oboe, recorded with Edoardo Pezzini; as well as her contributions to the CD Los Colores de Latinoamérica with tenor Leonardo Sanchez in 2022, for which she wrote several arrangements. Since October 2023, she has actively collaborated with the Opera for Peace association, dedicated to promoting young operatic talent worldwide. It is thanks to Opera for Peace that she has the opportunity to fully dedicate herself to enriching and creating arrangements for her instrument.
Harp · Children's music
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