Opera lessons in Montreuil

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6 opera teachers in Montreuil

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6 opera teachers in Montreuil

Well-singing and well-being are intimately linked. Knowing how to sing requires great vocal flexibility, a free and controlled body and a rigorous work of pleasure and relaxation. Beginner or advanced singer, eager to build a solid vocal technique or in search of relaxation, I propose to help you achieve your goals through simple and fun technical tools, valid for all types of repertoire. Each session breaks down as follows: - vocal warm-up session through a short series of exercises. -Work of breath and posture, control of the air column. -Study of tunes / songs, on a technical and stylistic level. A first evaluation / discovery meeting will allow us to better understand your voice (tessitura, level ...) as well as your objectives. Lyrical Song / Musical Comedy / Song Possibility of home courses Paris and Ile de France This method is also very suitable for young children (from 8 years) About me: Canadian, classical deformation, 1st prize of lyric singing, 1st interpretation prize of the CNR of Saint-Maur des Fossées, B-Mus McGill college, I studied with Mady Mesple, Régine Crespin, Marilyn Horne and Nicole Fallien from whom I developed my passion for teaching and transmitting the Art of Song. At the same time, I pursue a concert career. Feel good, Sing well. Beautiful singing and well being are intimately related. Ompl sing sing sing equally equally equally equally flexibility equally flexibility equally flexibility equally flexibility equally flexibility equally................... Whether you are a beginner, an advanced student, or anger to build and reinforce solid vocal skills or simply in search of some mind / body relaxation, I'll be able to follow you in the pursuit of your goals work with all kind of musical genres. Each session will be divided as follows: -vocal warm-up using a short set of exercises. -breath control and body posture, mastering column of air and pitch. -technical and stylistic arias / songs study. In our first session together, we will do a primary evaluation (tessitura, training level, etc.) and review your goals. Lyrical and operatic singing / musicals / pop songs. At home sessions ok for Dijon / Côte d'Or This method is highly appropriate for young children (8 years +) About me: Canadian, classically trained in CNR of Saint Maur des Dômes, I won first prize in Opera and Stage Performance. I also studied music at McGill College (B-Mus). Some of my most influential teachers were Mady Mesplé, Régine Crespin, Marilyn Horne and Nicole Fallien. Nicole Fallien, who is still my voice coach has been detrimental in my passion for teaching and transmitting the great Art of Singing. In parallel to teaching, I pursue my own performing career.
Opera
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Hi all. I am a musicologist, music editor and opera specialist with 15+ years experience in casting, season planning, YAP design and artistic development in the field of opera, as well as university-level teaching experience and academic publications. I am currently residing in Taiwan under the Employment Gold Card programme, looking for local talent to develop either on an individual basis or with a local institution. Knowing Taiwan very well, I have always wondered why there are so few internationally renowned Taiwanese classical musicians. Let's try and change that situation ! Make me believe in your potential ! I am open to discuss artistic development programmes for upcoming Taiwanese opera singers, and to organise YAP, masterclasses and promotional events for Taiwanese institutions and universities. I can prepare detailed artistic development plans for individual artists and place recommendations with international organizations. I have a large network of international contacts which I can use to promote young Taiwanese artists abroad. I am open to take on editorial projects and international promotional activities for Taiwanese composers. I am open to work as a research advisor for postgraduate students in Musicology. I teach intermediate to advanced topics in my fields of expertise, including Opera Studies, Music Palaeography, Editorial Method, Source Studies and European Music History and Analysis. I am also open to suggestions for teaching or promotional activities according to the specific needs of individual artists, teachers, universities or institutions. Simply let me know what you need and we'll take it from there. ==> Be clear about your professional goals. Embarking on a PhD in performance is NOT the preferred road towards becoming a successful international artist. While I do teach music analysis, I do not dabble in "Music Theory" as taught at many US universities and colleges. Stuff such as Schenkerian analysis that was all the rage in the US some decades ago is an intellectual desert based on a nonsensical proposition of musical universality, with nothing to offer the young aspiring professional performer. Currently I teach and interact in English. I also have professional command of Italian, Japanese, French, Spanish and German. In the past I have taught advanced courses in English, Italian and Japanese. I am able to read Chinese, but I currently do not speak beyond the basics (A2). I may code switch between English and Italian, especially when discussing opera topics and while directing or auditioning singers. I expect students to know music notation and to be able to read vocal and orchestral scores. I will help you with the more advanced technical terminology. == My cv in brief == Qualifications: - PhD in Musicology with Opera Studies and Editorial Method (Leeds, UK, 2003) - Master of Music in Musicology with Opera Studies and Editorial Method (Leeds, UK, 1999) - Licence in Musicology (NOVA University, Lisbon, Portugal, 1996) Professional Experience: - 2008-present: Opera planning, casting and YAP design for opera houses worldwide; artistic development for singers - 2009-2016: Editor for CESEM, CIAO and Bärenreiter: Critical editions of "La testa di bronzo" and "Gabriella di Vergy" (Mercadante), and "Sigismondo" (Rossini). - 2008-2011: CIAO (University of Chicago) Post-doctoral researcher in the operas of Rossini under Philip Gossett; - 2004-2008: Artistic development advisor: Design and implementation of artistic development programmes for young artists in cooperation with casting departments at opera theatres worldwide; - 2004-2008: Independent Scholar (Tokyo University of the Arts) MEXT (文部科学省) scholarship for research in Japanese contemporary music and opera, with a focus on the operas of Miki Minoru (三木稔); - 2000-2002: Assistant Lecturer at the University of Leeds (UK), teaching "Issues in Opera" and "Music Palaeography Source Studies and Editorial Method". Taught advanced courses in Opera and Music Dramaturgy at Tokyo University of the Arts (2007) and University of Rome - La Sapienza (2010). Published academic papers and gave conference presentations on Puccini, Mercadante, opera dramaturgy and Japanese contemporary opera. Led the critical editions of the scores of operas by Rossini and Mercadante. Member of the International Musicological Society. Expert user of music notation software Finale.
Music history · Opera
Opera · Voice (music) · Singing
Trusted teacher: About myself I am Gulnara and I am a professional classical singer. As a soloist I sing leading roles on major international stages such as Mariinsky Theater, Scottish Opera, Opera de Colombia and in the Netherlands for example in De Doelen. I studied classical singing in St. Petersburg (Russia), at the Conservatory of Amsterdam and, among others, at the famous Georg Solti Accademia in Tuscany. At the same time, I have been teaching singing to both children and adults at different levels and with different music styles for many years. For example, I also help with the preparation for an audition. How does the singing lesson go? The singing lesson consists of two parts. During the recording we do singing exercises and you learn the basic singing technique. This consists of breath support, learning to sing pure tones (voicing) and articulation. Then you sing different repertoire (songs, arias, songs, etc.) and we apply what you have just learned. I also pay attention to your presentation and the artistic aspects of singing (emotion and passion!). I accompany my students on the piano. I regularly organize music evenings where the students play for each other. Lesson to children I teach children from 4 years old. Singing pleasure and musical development are central. Bring your favorite song! All music styles are possible. We can also organize sings with other children. If you have ambition to study at the conservatory, I can prepare you for this. Lessons for adults Mature with good motivation and love for music, I like to support their further musical and singing development. We are working hard! Step by step, we push your boundaries and work towards your dream or passion. Info For adults and children from 14 years, I teach in these Corona times in the large space with the necessary distance. I also teach via Skype. I prefer to teach during the day, for adults I can also teach in the evening.
Singing · Voice (music) · Opera
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Singing lessons with an italian lyric-coloratura soprano. From opera to modern and pop. (Masters degree in singing with honours, cum Laude)
Georgia
As someone who loves singing it was very helpful in the very first lesson to begin to understand the muscles I need to use and the "spaces" I need to create to stabilise and improve my sound. I also felt she responded well to each question I raised, or issue she heard in the way I did the excercises. I look forward to future lessons.
Review by JULIETTE
Singing Lesson - Italian Soprano alumna of the Dutch National Opera Academy offers singing lessons (Amsterdam)
Francesca
I really enjoyed my lesson with Francesca. She has a bright appearance and uplifting energy and teaches very clear, practical and gives a lot of great tips in her lesson. She observes well and is on it. I could really feel the change in my singing, during the lesson. Excited to practice more and to book a new lesson.
Review by AURORA ANNE
Classical singing/Opera/Vocal technique/Music Theatre (Cologne)
Maria
Maria is an awsome teacher with a great singing technique and a gorgeous voice! I highly recomend her. After only 1 lesson, I could see a big progress in my voice. She is very well prepared for the lesson, kind, charming with great energy. She is very enthusiastic and passionate about singing and teaching.
Review by KATERINA