Opera lessons in Pantin

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18 opera teachers in Pantin

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18 opera teachers in Pantin

(2 reviews)
Emmanuelle - Paris58€
Trusted teacher: I am a professional lyric soprano graduated from the CNSM of Lyon. I participate in productions with the Concert d'Astrée, the Choir of Namur, Accentus, the Opéra National de Lorraine, Choir de la Chapelle Harmonique. I am also on the lists of the Montpellier Opera, Concert Spirituel, Ensemble Correspondances and Radio France choir. I have just finished a production of Haydn's Die Schöpfung at the Opéra National de Lorraine last January-February, conducted by Marta Gardolinska (Guillaume Fauchère choir director), directed by Kevin Barz. I sang solo and in chorus the role of the Trojan woman in Campra's Idomenée in 2021 at the Lille Opera and the Berlin Staatsoper, staging of the fura dels baus, I also sang the solo of Campra's Requiem at the philharmonies of Luxembourg, Lille, Essen Cologne and Berlin with the Concert d'Astrée in 2019 directed by Emmanuelle Haïm. In 2019, I participated in the production of Les Indes Galantes by Rameau with the Namur Choir at the Opera Bastille, directed by Leonardo Garcia Alarcon and directed by Clement Cogitore. In 2022, I participated in numerous productions, notably with the Accentus choir in Beethoven's 9th symphony, the missa solemnis or even a polyphonic baroque project. In 2022 I participated in the production of Hulda by Cesar Franck with the Namur Choir at the Grand Manège de Namur, the Liège Philharmonic and the Théatre des Champs Elysées. My background as well as my skills in lyrical singing allow me to master my instrument well. I am a very curious and very patient person, and I like to find solutions to problems. Transmitting my passion to students wishing to discover or develop their voices, discover their artistic personality would be a great pleasure for me. If I can transmit this joy that I have from singing as well as my acquired knowledge, it would be a great exploration for them as for me.
Singing · Music theory lessons · Opera
Hi all. I am a musicologist, music editor and opera specialist with 15+ years experience in casting, season planning, YAP design and artistic development in the field of opera, as well as university-level teaching experience and academic publications. I am currently residing in Taiwan under the Employment Gold Card programme, looking for local talent to develop either on an individual basis or with a local institution. Knowing Taiwan very well, I have always wondered why there are so few internationally renowned Taiwanese classical musicians. Let's try and change that situation ! Make me believe in your potential ! I am open to discuss artistic development programmes for upcoming Taiwanese opera singers, and to organise YAP, masterclasses and promotional events for Taiwanese institutions and universities. I can prepare detailed artistic development plans for individual artists and place recommendations with international organizations. I have a large network of international contacts which I can use to promote young Taiwanese artists abroad. I am open to take on editorial projects and international promotional activities for Taiwanese composers. I am open to work as a research advisor for postgraduate students in Musicology. I teach intermediate to advanced topics in my fields of expertise, including Opera Studies, Music Palaeography, Editorial Method, Source Studies and European Music History and Analysis. I am also open to suggestions for teaching or promotional activities according to the specific needs of individual artists, teachers, universities or institutions. Simply let me know what you need and we'll take it from there. ==> Be clear about your professional goals. Embarking on a PhD in performance is NOT the preferred road towards becoming a successful international artist. While I do teach music analysis, I do not dabble in "Music Theory" as taught at many US universities and colleges. Stuff such as Schenkerian analysis that was all the rage in the US some decades ago is an intellectual desert based on a nonsensical proposition of musical universality, with nothing to offer the young aspiring professional performer. Currently I teach and interact in English. I also have professional command of Italian, Japanese, French, Spanish and German. In the past I have taught advanced courses in English, Italian and Japanese. I am able to read Chinese, but I currently do not speak beyond the basics (A2). I may code switch between English and Italian, especially when discussing opera topics and while directing or auditioning singers. I expect students to know music notation and to be able to read vocal and orchestral scores. I will help you with the more advanced technical terminology. == My cv in brief == Qualifications: - PhD in Musicology with Opera Studies and Editorial Method (Leeds, UK, 2003) - Master of Music in Musicology with Opera Studies and Editorial Method (Leeds, UK, 1999) - Licence in Musicology (NOVA University, Lisbon, Portugal, 1996) Professional Experience: - 2008-present: Opera planning, casting and YAP design for opera houses worldwide; artistic development for singers - 2009-2016: Editor for CESEM, CIAO and Bärenreiter: Critical editions of "La testa di bronzo" and "Gabriella di Vergy" (Mercadante), and "Sigismondo" (Rossini). - 2008-2011: CIAO (University of Chicago) Post-doctoral researcher in the operas of Rossini under Philip Gossett; - 2004-2008: Artistic development advisor: Design and implementation of artistic development programmes for young artists in cooperation with casting departments at opera theatres worldwide; - 2004-2008: Independent Scholar (Tokyo University of the Arts) MEXT (文部科学省) scholarship for research in Japanese contemporary music and opera, with a focus on the operas of Miki Minoru (三木稔); - 2000-2002: Assistant Lecturer at the University of Leeds (UK), teaching "Issues in Opera" and "Music Palaeography Source Studies and Editorial Method". Taught advanced courses in Opera and Music Dramaturgy at Tokyo University of the Arts (2007) and University of Rome - La Sapienza (2010). Published academic papers and gave conference presentations on Puccini, Mercadante, opera dramaturgy and Japanese contemporary opera. Led the critical editions of the scores of operas by Rossini and Mercadante. Member of the International Musicological Society. Expert user of music notation software Finale.
Music history · Opera
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Well-singing and well-being are intimately linked. Knowing how to sing requires great vocal flexibility, a free and controlled body and a rigorous work of pleasure and relaxation. Beginner or advanced singer, eager to build a solid vocal technique or in search of relaxation, I propose to help you achieve your goals through simple and fun technical tools, valid for all types of repertoire. Each session breaks down as follows: - vocal warm-up session through a short series of exercises. -Work of breath and posture, control of the air column. -Study of tunes / songs, on a technical and stylistic level. A first evaluation / discovery meeting will allow us to better understand your voice (tessitura, level ...) as well as your objectives. Lyrical Song / Musical Comedy / Song Possibility of home courses Paris and Ile de France This method is also very suitable for young children (from 8 years) About me: Canadian, classical deformation, 1st prize of lyric singing, 1st interpretation prize of the CNR of Saint-Maur des Fossées, B-Mus McGill college, I studied with Mady Mesple, Régine Crespin, Marilyn Horne and Nicole Fallien from whom I developed my passion for teaching and transmitting the Art of Song. At the same time, I pursue a concert career. Feel good, Sing well. Beautiful singing and well being are intimately related. Ompl sing sing sing equally equally equally equally flexibility equally flexibility equally flexibility equally flexibility equally flexibility equally................... Whether you are a beginner, an advanced student, or anger to build and reinforce solid vocal skills or simply in search of some mind / body relaxation, I'll be able to follow you in the pursuit of your goals work with all kind of musical genres. Each session will be divided as follows: -vocal warm-up using a short set of exercises. -breath control and body posture, mastering column of air and pitch. -technical and stylistic arias / songs study. In our first session together, we will do a primary evaluation (tessitura, training level, etc.) and review your goals. Lyrical and operatic singing / musicals / pop songs. At home sessions ok for Dijon / Côte d'Or This method is highly appropriate for young children (8 years +) About me: Canadian, classically trained in CNR of Saint Maur des Dômes, I won first prize in Opera and Stage Performance. I also studied music at McGill College (B-Mus). Some of my most influential teachers were Mady Mesplé, Régine Crespin, Marilyn Horne and Nicole Fallien. Nicole Fallien, who is still my voice coach has been detrimental in my passion for teaching and transmitting the great Art of Singing. In parallel to teaching, I pursue my own performing career.
Opera
Trusted teacher: 🎤 Unlock Your Voice with International Singer with over 15 years stage experience Are you ready to discover the true power of your voice? Get ready for personalized voice lessons that will transform your vocal abilities, no matter your age or skill level. 🌬️ Master Your Breath: Learn the secret to breath control! Strengthen your diaphragm and achieve flawless vocal control. 💃 Perfect Your Posture: Discover how proper posture can elevate your singing performance. I will guide you to a posture that maximizes your vocal range and projection. 🎶 Find Your Authentic Voice: Uncover the unique beauty of your voice with expert guidance. Whether you're a beginner or an experienced vocalist, I will help you tap into your true, authentic sound. 👩‍🎤 All Ages and Levels Welcome: No matter your age or skill level, I welcome you with open arms. Whether you dream of singing on the stage or simply want to sing your heart out, these lessons are for you. I am an international opera singer, and perform leading roles on the world’s most important stages. I offer lessons in vocal technique, with a great emphasis on breathing technique, body work, as well as techniques to deal with performance anxiety. You will learn the key fundamental aspects of breath and body alignment techniques, and will be given vocal exercises that can help you to achieve your goals. We will focus on getting rid of unnecessary muscle tension, and finding a released and projected sound. I have sung at houses such as the Hamburg State opera, English National Opera London, Semperoper Dresden, Opernhaus Zürich, Gran Teatre Liceu Barcelona, Dutch National Opera, Salzburg, Rome in leading roles such as Carmen, Isabella, Adalgisa, Ariodante, Orfeo, Radamisto, Cenerentola, Hermia. I also joined the roster of the Metropolitan Opera for thé first time in 2020.
Voice (music) · Opera · Singing
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 16 reviews.

Voice lessons online with an international singer!
Tamara
I’m so happy I have the chance to take a class with Tamara, she is Great! I had many teachers in my entire life in different fields and Recognize a good one when is in front of me, Tamara is not just an amazing opera singer but a really amazing teacher. Her classes are gold! I get to learn so much in just one session, Thank you Tamara! Till next time❤️🫶
Review by JOHANNA HERRERA
Singing lessons: Vocal technique oriented to diferrent styles. (Opera, Jazz, Pop, Rock) Breath managment, body consciousness, placement.
Felipe
Felipe is a very knowledgeable and experienced artist with a broad understanding of music who quickly identifies the specific needs of his student. His respectful approach and care distinguish him as an excellent teacher.
Review by KONSTANTINOS
Lyrical singer gives singing lessons, vocal technique and interpretation (Paris)
René
Extremely knowledgeable. He knows what he’s doing and he knows how to help you do it to. I look forward to more lessons with René.
Review by BENJAMIN