Music lessons in Bordeaux

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22 music teachers in Bordeaux

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22 music teachers in Bordeaux

Trusted teacher: ​​Hello, my name is Alex and I am a certified Violin teacher of 7 years. Additionally to my teaching passion, I have performed in Carnegie Hall, Chicago Orchestra Hall, Sydney Opera House, among others, with orchestras including Classical Symphony Orchestra, Paderewski Symphony Orchestra and Protege Philharmonic. I have performed with chamber groups including the Cras Trio and 20+ Modern Ensemble. I currently teach violin face-to-face in Bordeaux, France and Angouleme, France. I also work with students online who would like to recieve extra practice prior to orchestra auditions or competitions. I have an active music company Violin Inc. that creates music opportunities and concerts for amateur musicians. It also provides educational lessons specifically for violin learning, using Suzuki and ABRSM methods with a mixture of American and European techniques. * Learning violin online does cause extra obstacles, but I assure you it is possible with the right tools and patience. My teaching methodology is created with a mixture of several music methods that suit each individual independently. We create the music method so that it suits your needs and helps you grow consistently. I enjoy teaching classical music and classic-pop music. I believe in note reading as an essential part of violin training, so reading music and understanding simple theory is always included during lessons. If it has been your dream to pick up the violin again or start from the beginning, I would be happy to help you on your journey. I am opened to your thoughts and ideas about what you would like to learn and your goals with the violin. Then, we will be able to form the best approach to violin lessons that will help you progress in a quick and enjoyable way! Although the violin is an exceptionally challenging instrument to learn, with the right tools and materials, you will be able to learn this instrument in a fast-paced setting.
Violin · Music theory
Trusted teacher: Gilles: Franco-American, born September 01, 1961 in Versailles. Qualifications: Percussionist musician specializing in Afro-Caribbean, Afro-Brazilian and Afro-Cuban music and their African sources. Instruments practiced: conga, bongo, timpani, bata, berimbau, timbaul, repinique, pandeiro, tamborim, reco-reco, chékéré, agogo, gan, Peruvian cajon, Cuban cajon, quijada, surdo, drums. Researcher: work in progress on Yoruba, Fon, Congo ... cultures, their transpositions in Latin America and their interbreeding with Western music of the last century. Experiences and training 1975: Conservatory of the 4th arrondissement of Paris with Francoise Gagneux, specialization in drums. 1976: Gruss circus school mime department. 1978: Diploma of bafa, training course with FCVF and CPCV on Visual Arts. (R.robert internship manager) 1979: Congolese percussions with Lucky ZEBILA at the American Center in Paris (crossing of African cultures). 1980: Traditional Haitian and Cuban Percussion with John AMIRA at the Naropa Center in Boulder Colorado USA. 1982 - 84: Afro-Caribbean percussions with Allan SILVA and his CCO (Celestrial Comunications Orchestra) will teach thereafter in his IACP institute in Paris. 1984: Traditional Brazilian Percussion with Bira ALMEIDA "Mestre accordion" of world renown and instigator of Capoeira in the USA as well as musical director and composer of the famous group corpo santo in Sanfransico. 1985: Cuban Percussion workshop with Jerry GONZALES (Assistant for the workshops in Paris at the rue de Clichy dance center) 1988-89: Afro-Cuban percussions with LOS MUñEQUITOS from MATANZAS in Matanzas, Cuba. Diploma of the 3rd cycle of CONJUNTO FOLKLORICO NACIONAL of Cuba, Havana. 1989-90: Cuban percussions with Roger FIXI, learning the bata drums and the Congo cycle. Experience in vocational education 1995-98: CIAM. (Center of Investigation and Musical Activities-Bordeaux) Afro-Cuban and Afro-Brazilian percussion teacher, instigator of the Latin percussion program and its Instrumentarium. 1997-2001 CFAT (Traditional Arts Training Center-Bordeaux) Afro-Cuban and Afro-Brazilian percussion teacher and Director of the polyrhythmic workshop. 2001-2004 Conservatorio Josafat Roel pineda Lima, Peru, residency on percussions from West African origins in Latin America and the Caribbean, their influences in Afro-Peruvian music of this century. 2002-2005: ENMDT (National Conservatory of Dance and Music GABRIEL FAURE - Angoulême) Teaching teacher of Afro-Caribbean percussions and Latin music in orchestra (see this year's program): Métis music project. In the following groups: - first part at the Olympia with Paul Mindi - Jazz festival in the dunois with the CCO of Allan Sylva - Development of a samba bloco for the Mardi Gras of the San Francisco Carnival invited by Bira Almeida, musician, writer, researcher and founder of WCA (World Capoeira Association). From this experience, he created the first samba "batteria" in Santa -Fé, Nuevo Mexico, USA (banda girasol.) Director of "bateria" in several samba schools in France: "Axé" in Paris, " Sarava "in Tours," Macunaima "in Bordeaux, then formed the group" Timbalada Urbana ", an ethnic-mixed group. - Percussionist musician of the group TUPI-NAGO Samba- Reggae Band. This group took its musical sources in the region of Salvador de Bahia, bastion of Afro-Brazilian culture. This group was sponsored by Etienne Roda-Gil and Rémy Kolpa-Kopoul journalist at "Liberation" specialist in Brazilian music. European tour and opening act of Brazilian artists such as Joao Bosco, Caetano Veloso, Gilberto Gil. Then the group's record production under the label Mélodie Music and caramba productions. - Percussionist musician of the ILU-YENKORI group, Bata drums and songs dedicated to the Afro-Cuban and Yoruba pantheon as well as to the countries belonging to the former kingdoms of Dahomey (Togo, Ghana, Benin.). This troupe of dancers, singers and percussionists were among the first in France to promote the cultures of this pantheon. Accompanist and trainer of the Rhythm and Family theme, in the movement of Reiki activities in Europe (Ibiza, Cologne) and Canada (Vancouver). It deals with the problematic aspect of rhythm in the context of group dynamics in the training courses for future masters in the art of Reiki by Phillys Furumoto. In 2000, joined the Lanaya group in Bordeaux. With a repertoire of Mandingo music, this group included the soloist Ousseman souma of drum and dance from the prestigious national ballet JOLIBA. Gilles is part of this group, bringing the Afro-Cuban and Afro-Brazilian repertoire from which Lanaya will evolve into Métis music. Change also marked by the integration of artists from different cultures such as, Fato Camara, Mathias Agbokou, José Hernandez, patrice banchereau: akpon. Languages: French English (2nd mother tongue) Spanish Discography: "Desert Mirage", CCO Alan Silva (Phonogram) "Dream off the Ground", Future sound ensemble (Future sound ensemble) "Small with big ears", Bill Baxter (Polydor) "Tupi nago", Tupi nago (Music Melody) Accompanies African, Brazilian and Cuban dance since 1980.
Percussion · Drums · Cajon
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Piano lessons - music theory and harmony - for any level (Budapest)
Giorgia
I started my lessons with Giorgia four months ago, and I am so glad to have found her. As a 26-year-old beginner, I was not sure if I should even try to pursue learning an instrument at this point. But now I am so glad I did! I am learning online, and I was a little unsure of how lessons via webcam would go. Despite my prejudice, everything turned out great, even though my setup is quite basic. Her approach to teaching is very creative. She is able to explain things that seem hard to put into words, and she always finds comparisons and descriptions that convey clearly little details of approach that make a lot of difference in the end result. For any difficulty I encountered, she presented methods of exercise that helped correct it. Another thing that I appreciate is that from one lesson to the next, the volume of work is challenging enough that I feel I am making progress, but not to the point that I am overwhelmed. Also, even though I am just beginning and the pieces are not that complex, she explains the musical interpretation in a way that not only helps me advance my skill but also enriches the way I understand and listen to music, and I find great value in that. Her manner of teaching is very organic, and she is a patient teacher with a warm presence. I wholeheartedly recommend her lessons!
Review by IULIANA
Solo Violin of the Bordeaux Opera offers Violin lessons (Bordeaux)
Tristan
My son and I were in Bordeaux for just two weeks, staying with a local family. Unfortunately, we weren't aware that practicing the violin would not be welcomed at home or his language school until the last minute. I must take responsibility for assuming that it wouldn't be an issue and for not clearly expressing my son's desire to practice daily. (BTW, he has been playing the violin for 8 years.) Thankfully, Tristan came to our rescue. Despite his busy schedule, he managed to fit in five lessons for my son during the two weeks, although the last one was canceled due to his illness, which cannot be helped. He even lent my son his mute, allowing him to practice at home. Tristan's flexibility and understanding were invaluable in this situation. Moreover, my son rarely trusts someone so easily, but he immediately felt comfortable with Tristan. He spoke highly of the lessons, where Tristan skillfully combined expression, techniques, and theory, making the learning experience enjoyable. As a result of this positive experience, my son is considering continuing his lessons with Tristan online from the US. This way, he can build on the progress he made during our stay in Bordeaux. We are truly grateful to Tristan for making our time in Bordeaux memorable and musically enriching!
Review by SHINO