Learn to play Bass w/ Brazilian / Portuguese Teacher

Musician since the age of 14, I have been giving lessons for more than 8 years as a private teacher. I focus on your desires, whether it is to improve your vocabulary (jazz or other modern genres), or to learn the basics of double bass and electric bass. Personalized itinerary according to the student's needs and wishes. non-exhaustive list of what we can see: - basic techniques for beginners - learning songs of your choice -develop your knowledge of the neck (scale, arpeggios, triads) -develop your ear and improvisation -develop your sense of rhythm and music theory -musical theory, composition and arrangement

I am Natalia, a piano musician and music writer. I compose my own music pieces on the piano, music tracks in different genres including, for example, film scores, pop songs and classical music. I make and play music for anything that requires music. Movies, TV shows, plays, commercials, songs. Here you will be informed about the offers for the PERFORMANCE and COMPOSING and also about the PIANO LESSONS...

If you've been eager to get better in jazz music and therefore studying all its different styles and drummers, I can help you for sure! Particularly, I've studied in deep Tony Williams' and Elvin Jones' playing, so if you really want to improve that kind of vision and sound I can give you some great hints such as transcriptions, analysis, sound strategies and many video materials. Also, I am specialized in Funk/Hip-Hop music and that kind of groovy world. So, I've been mastering a specific approach to this genre as well. About me: I've been playing drums since I was 6. I got my Master Degree in 2022 at Salerno Music Conservatory (Italy) in Jazz Drums and Percussion. I've been doing the role of Assistant Professor at KCB with Stéphane Galland throughout the 2023.

Do you want to know the register of your voice? Can you sing the higher notes without hurting your voice? Learn how to do pass marks? Getting to have a powerful but also agile voice? I am a songwriter, pop and jazz singer and singing teacher with 20 years of experience in music. I offer singing lessons at all levels. My classes are addressed to the development of body, muscle and vocal awareness which helps to perceive and consider our body as a musical instrument. My teaching method is the result of the synthesis of my experience as a singer and the many and diverse courses of study followed. The lesson is structured in two parts: the first half devoted to vocal technique, the second half to the musical repertoire and the learning of musical language (jazz or pop or other genre). The vocal technique that I propose is a basic technique for all types of modern singing: from postural education to the care of breathing, from the use of the abdominal muscles, to the emission of air up to the cavities of resonance. We will work on the sound, on the extension of the voice, on the high and low notes, on the passage of register, on the control, on the power and the agility. From a repertoire point of view, the course will be modeled on the needs or interests of the student, with an eye to the right attitude to hold while you sing and you are on a stage. I can prepare the student for the entrance exam to the conservatory and any form of audition. If the student wishes, I can give him notions of harmony and reading music. EDUCATION I studied song in Italy with Bruno De Franceschi (conductor and composer of contemporary classical music and musical theatre). I studied vocal technique with the lyric singer David Sotgiu (pupil of Luciano Pavarotti), with the lyric singer Maria Grazia Pittavini (teacher at the Perugia Conservatory) and with Cinzia Spata (one of the most important Italian jazz vocal coaches). I studied jazz singing at the Perugia Conservatory with Marta Raviglia (one of the most important Italian jazz singing teachers) and privately with Cinzia Spata. I studied lyrical singing with Maria Grazia Pittavini. I studied pop and jazz piano with Manuel Magrini (one of the most talented young Italian jazz pianists), I studied jazz piano with Alessandro Bravo, jazz piano master at the Perugia Conservatory. I followed masterclasses and trainings relating to the world of singing and voice held by: Maria Pia De Vito (singer), Alejandro Saorin Martinez (voice craft / Estill method), Albert Hera (singer, vocal coach, circle song) , Erika Biavati (singer), Eleonora Bruni (singer), Catharina Kroeger (lyric singer), Amanda Tiffin (South African jazz singer), JD Walter (American jazz singer), Matteo Belli (actor and one of the most important Italian experts in voice research), Franco Fussi (one of the most important phoniatrists in Italy), Roberta Mazzocchi (speech therapist), one-year training in rhytmics and musical pedagogy at Institut Dalcroze in Brussels, three-month training in Gordon method for children between 0 and 6 years old. EXPERIENCE / QUALIFICATIONS I have 20 years of experience in music with around 200 concerts between festivals, theaters, clubs and premises, an album of songs, an EP, singles, collaborations with the world of theater, organization of musical events . I lead musical projects in the field of jazz and pop. The passion for singing and song has inevitably brought me closer to the world of education in which I work.

This applied music theory course is for any passionate musician, regardless of level. It aims to broaden his musical knowledge and abilities by understanding music as a whole. The goal is to be able to decode and understand how a music (not only of classical style, but also pop, jazz, rock, electro, ...) was composed, and to be able to use interesting harmonies oneself. and solid in a personal composition / production. It is made up of two main topics: * Harmony (building chords, understanding chord diagrams, learning to Harmonize a given melody, the possibility or not of using these Harmonies in a given style, etc.). But also understand the key, how to build a scale, how to navigate between different keys, how to transform a classic chord suite into another style? Harmony is a course open to all and all levels, no prerequisites to have. Any passionate musician will find interest in it, that's guaranteed. * Writing is a much more targeted course, which is already an introduction to classical composition. In this branch, we will develop the rules of classical writing (parallel fifths and octaves, false relations etc, ...) within the framework of an exercise based on a given melody or bass (in the first case it will be necessary to invent harmonization and compose a bass, in the second, it will be necessary to invent the harmonization and the melody). This course can also be used by academy or conservatory students who wish to prepare for the writing exam, or simply to deepen their knowledge.

Have you always been stimulated by jazz and improvisation? Does it tickle to make music together and learn to improvise? Then I would like to help you on your way in the fascinating world of jazz and improvised music, both within the traditional forms based on the so-called 'standards' and by means of exercises for 'free improvisation'. Beginners as well as advanced musicians are welcome!

I teach Classical Piano, Jazz, Pop, Variety, Rock, Solfege and Harmony, for beginners or for more advanced levels and for all ages (children, teenagers, adults). I also work with the singers who need to learn the chords and general bases of Harmony applied to the Piano.

< Learning Piano is not merely about playing the piano > Before starting to learn the piano, it’s essential to recognise that : '' What we are actually learning is "Music", but not only "Piano". '' The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym. < Music is like cooking > When we cook, to make a roast beaf tender, of course it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beaf won’t become tender merely by our tender heart. By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling. To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, notes we write. < Difference between an audience and a musician > There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey. The understanding of the mechanism behind music is essential, as cooking, and that is the difference between an audience and a musician. As an audience, one can simply feel the music. Like a chief who knows how to create a specific flavour to convey, a musician knows how to create the sound which can convey the feeling we want. While knowing which feeling we want is great, it’s merely the first step. Your emotions are not too different from Chopin, Beethoven, Adele or Taylor Swift, otherwise they can’t resonate with you. But they know how to create the sound that conveys the feeling they want to their audience. < Course Content > I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects which are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more. In avoid of confusion, let’s still call my course as "Piano Course”. < Duration > For each course, I will reserve at least 70 minutes in my schedule for you, including 60 minutes of class time and additional 10 minutes for discussion and any questions you may have. This will ensure that your courses are not rushed by the next student. This ensures that there is enough time for you to solve your piano and music problems. < Recording > I highly encourage my students to record their progress. This can provide an objective standard for comparison and help you analyze your playing precisely. In my nine years of experience teaching music, I've found many students, including those advanced, already play certain sections very well, while other sections may not be not well enough. But they still try to improving those fine sections, while not aware of those weak sections. Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals. If you have a digital piano, I can help you produce a video of your performance for each session. This can be a tangible record of your efforts and you can share it with your friends and family via YouTube or other platforms.

Hello everyone, I am a student at the Koninklijk Conservatorium Brussel in bachelor 3 and I would like to give lessons to anyone on the following subjects: - Electric bass - Double bass -Musical training (music theory) - Improvisation lessons (recommended to also take music theory lessons at the same time, so that we can work on the material learned in FM).

I am Ignazio, professional guitarist with a Master in Jazz and an aggregation at the Royal Conservatory of Brussels, a 5 year Diploma at the International Music Academy in Milan, 6 years classical guitar, a Bachelor in General Management specializing in the music market . I have many years of experience in teaching and numerous concerts. I am also sponsored by Ibanez, DV Mark and Gruv Gear. I teach Rock, Jazz, Blues and Acoustic guitar lessons in Brussels. My teaching method is personal, but very organized and accurate. It will allow you to progress quickly and intelligently, and avoid wasting time on boring and unimportant details. You will find yourself in a cheerful and pleasant environment that makes it possible to learn with pleasure. The courses are open to both beginners and professionals who want to improve their skills. I speak English, French and Italian. The lessons take place in my studio in Sint-Agatha-Berchem. Lessons via Skype are also possible.

Musician since the age of 15, I teach for more than 10 years as a private teacher. I focus on your desires, whether to improve your jazz vocabulary, or learn the basics of the guitar, I know how to adapt to your level. non-exhaustive list of what we can see: -techniques and basic chords for beginners -learning pieces of your choice -develop his knowledge of the neck (complex chords and range, arpeggios, triads) -develop his ear and improvise -develop his rhythmic sense and solfeggio -musical theory, composition and arrangement

[français, english, italiano, español] A 27-year-old graduate teacher (ATLA Paris school) gives music lessons in Brussels (Sainte Catherine) or by webcam. All styles, all ages, all levels - Guitar (electric / classical), Vocals, Bass - Solfeggio, jazz harmony, musical theory, improvisation - Musical awakening (experienced with children from 4 to 13 years old and teenagers) Adapting my teaching to my students, to give structure (beginners) and freedom in the playing (advanced). Examples of approaches with my students: (o) GUITAR: study of a solo, funk rhythm, bossa chords, jazz phrasing ... (o) VOICE: improvisation on Indian Râgas, yoga of sound, glissando through vocal registers, overtones and harmonic singing, full voice and belting ... (o) BASS: playing over a chord chart, working on octaves and arpeggios, fingering exercises ... (o) SOLFEGE - HARMONIE: recognize and analyse melody / harmony, composition, EAR TRAINING (!) ... Deepening of technique, harmony skills, improvisation for (future) pros. Development of auditory perception feel - understand - play Regular course / one-off coaching Contact me if you have any questions ... let the music play!

Hello everyone! My name is Noam and I am a professional drummer, drum teacher and music producer, living in Brussels. I am available for drum lessons in Brussels for all levels, beginner to advanced. Learning drums is extremely fun and satisfying! It involves the entire body and the mind, challenging in many different ways and extremely rewarding. While it can be demanding to learn an instrument, it can be as easy as you want it to be. Our lessons can be designed to fit your personal goal. In the lessons we will play songs, study technique and reading and learn different genres of music - all while having fun! I have been teaching for over 12 years. I am very passionate about teaching music, I believe it has the power to change lives, and also helps with just putting a smile on your face :)

(FR au dessous) Music is universal. It's a truth we accepted, but we don't figure out how far it can go. After years of studying and professional activity linked to music, I discovered that the limits among different music genres is a mirage: there are more things in common between hip-hop, for example, and classical music than differences. That's why I offer lessons of harmony, music structure and forms and composition adapted to any concerns and interests. All levels. All ages. - (FR) La musique est universelle. C'est une vérité qu'on accepte, mais on ne peut pas s'imaginer jusqu'a quel point elle l'est. Après des années d'études et d'activité professionnelle dans la musique (classique, avantgarde et jazz) j'ai découvert que les limites entre les différents styles de musique ne sont qu'un mirage: Il y a beaucoup plus de ressemblances entre le hip-hop et la musique classique que de différences. C'est pour cela que j'offre des cours d'harmonie, structure et composition de musique pour tous les niveaux et complètement adaptées aux inquiétudes de l'élève. Si vous cherchez à avoir une visión unifié de la musique et comment être versatile en plusieurs styles, ne doutez pas à me contacter.

Have you ever seen a saxophone and wondered how it feels to play it? It’s never too late to start! I will help you get started with the instrument. Do you already know how the instrument works? Great! Let’s take it to another level! I have plenty of study method books with a big range of different styles, we will find the ones that you enjoy the most and suit you better and combine it in the right way, to help you improve. Plus work on any music that you personally want to learn, name any song and I will help you learn how to play it! I myself had amazing and terrible music teachers during my learning process and believe me, I know what a difference makes… To really enjoy learning music or just to feel a ‘must study’, is the difference between ‘…I have to’ or ‘I want to!’. I finished a Bachelor and a Master's degree in the Music Conservatory (The Hague) and then spent five years in the jazz scene in New York City, which gave me a very wide experience. Whether you are a beginner or preparing to enter a Music Conservatory, I can help you. Classes description: I have different study books we can use depending on the level, Wastall, Klose, Voxman, classic duets, jazz duets, Rubank, Horen, Lezen & Spelen, etc…. Plus I can write for you the songs you want to learn.If you have specific needs of topics to learn I will adapt the lesson and material to it. If what you want is to start or develop further in jazz music and/or improvisation, I’m definitely ready to help you! Beginners: Start finding the sound of the instrument, where the notes are within all those keys, begin with learning how to read music if you don’t read yet, and find easy and fun songs to play to enjoy the instrument already. I can introduce you to the understanding of basic harmony and theory concepts to help understand better inside music that you are playing.  Intermediate: We can get to improve the technique of the instrument, reading skills, get more precision, speed, sound and timing and musical expression. Advance the understanding of harmony, its beauty and its possibilities. If you like to work on improvisation we can get to discover how to enjoy improvising with all the technical tools you already learned in the past and enhance that material according to your taste. If you want to start with playing jazz music I can introduce you to first steps and nice and technically comfortable songs to begin with. Advanced: At an advanced level it’s very important to understand the direction you want to take and what you especially want to improve. However I can help you perfectionate sound and timing, rhythm, vibrato, etc…, work on the accuracy of the reading and at the same time make it sound musical and human. On jazz music and/or improvisation, expand the vocabulary for improvising, the knowledge of harmony, what you can do with the material you know from different perspectives, increase precision and sense of direction when phrasing lines, learn more jazz standards, help on original compositions. And of course share all the better understanding of jazz music I learned during my years in New York City.