Art & music lessons in France

Find your perfect private art & music tutor in France.
Learn art & music with our teachers at home or in their studio.

800 art & music teachers in France

0 teachers in my wish list
+
France
Art & Music
(1 review)
Eric - Lozanne29€
Trusted teacher: I am a professional musician, graduated from the International Music Academy with honors. Dynamic, attentive and passionate, I love music more than anything, regardless of your style and level. My goal is to make you love this instrument that I love, and I hope, facilitate its learning! :-) Above all, I am a guitarist, so I accompanied artists such as Alex Hepburn, Amandine Bourgeois (Nouvelle Star 2008), Madina Lake, Far Plain and others. I had the chance to cross paths or to jam with great masters like Paul Gilbert (Mr. Big), Andy Timmons, Shawn Lane, Joey Tafolla, Laurent Vernerey (Johnny Hallyday), Loïc Pontieux (Julien Clerc), or Variety artists such as Bruno Solo and Yvan Le Bolloc'h (Camera Café), Les Citizens (Lido), Régis Ceccarelli (Carla Bruni), Dale (Nouvelle Star 2009), etc. I had the opportunity to perform in many different places and countries: in France of course but also in Switzerland, England, Algeria .. With an average of 160 dates per year. But above all, I am here to share with you what I have learned. I have always taught, as soon as I could. It starts at the MAI for summer internships and now it's been 20 years of experience in Paris and Lyon, through various organizations: Allegro, ICM, Fasiladom, Hupiagono, etc. I also have a Mix-Master inge-son training at the CFSM under the direction of Nicolas SAFFRAY. Do not be afraid!! My method adapts to you !! We are all different, we have varied possibilities and knowledge, heterogeneous physical and auditory abilities. I try to do with your hands, your fingers, your ears so that you can progress as simply as possible. We can work everything: Technique (Shred & Co.), Harmony, Improvisation, Rhythm, Accompaniment, Composition, MAO And more… ====== 50% off ====== Do not forget!! My organization is approved Service à la Person !! You can enjoy -50% discounts on your taxes !! CESU also accepted. Do not hesitate!! ;-)
Guitar · Music theory · Jazz music
Piano
Trusted teacher: Gilles: Franco-American, born on September 01, 1961 in Versailles. Qualifications: Percussionist musician specializing in Afro-Caribbean, Afro-Brazilian and Afro-Cuban music and their African sources. Practiced instruments: conga, bongo, timbales, bata, berimbau, timba, repinique, pandeiro, tamborim, reco-reco, chékéré, agogo, gan, cajon peruvian, cuban cajon, quijada, surdo, drums. Researcher: Work in progress on the Yoruba, Fon, Congo ... cultures, their transpositions in Latin America and their interbreeding with Western music of the last century. Experiences and training 1975: Conservatory of the 4th arrondissement of Paris with Francoise Gagneux, specialization drums. 1976: Circus School Gruss Department mime. 1978: Diploma of bafa, training course with the FCVF and the CPCV on Visual Arts. (or internship R.robert.) 1979: Congolese percussion with Lucky ZEBILA at the American Center in Paris (crossing of African cultures). 1980: Traditional Haitian and Cuban Percussion with John AMIRA at the Naropa Center in Boulder Colorado USA. 1982 - 84: Afro-Caribbean drums with Allan SILVA and his CCO (Celestrial Comunications Orchestra) will teach later in his institute IACP in Paris. 1984: Traditional Brazilian percussion with Bira ALMEIDA "Mestre accordion" of world renown and instigator of Capoeira in the USA as well as musical director and composer of the famous corpo santo group in Sanfransico. 1985: Cuban Percussion Workshop with Jerry GONZALES (Assistant for internships in Paris at the dance center rue de Clichy) 1988-89: Afro-Cuban drums with LOS MUñEQUITOS from MATANZAS in Matanzas, Cuba. Diploma of the 3rd cycle of CONJUNTO FOLKLORICO NACIONAL of Cuba, Havana. 1989-90: Cuban percussion with Roger FIXI, learning Batas drums and the Congo cycle. Experience in vocational education 1995-98: CIAM. (Center for Investigation and Musical Activities-Bordeaux) Afro-Cuban and Afro-Brazilian percussion teacher, initiator of the Latin percussion program and its Instrumentarium. 1997-2001 CFAT (Training Center for Traditional Arts-Bordeaux) Professor of Afro-Cuban and Afro-Brazilian Percussion and Director of the Polyrhythm Workshop. 2001-2004 Conservatorio Josafat Roel Pineda Lima, Peru, residency on percussion from West African origins in Latin America and the Caribbean, their influences in the Afro-Peruvian music of this century. 2002-2005: ENMDT (National Conservatory of Dance and Music GABRIEL FAURE - Angoulême) Teacher teaching Caribbean Afro Drums and Latin music in orchestra (see this year's program): Métis music project. In the following groups: - first part at the olympia with Paul Mindi - Dunk Jazz Festival with Allan Sylva's CCO - Elaboration of a samba blocko for San Francisco Carnival Mardi Gras invited by Bira Almeida, musician, writer, researcher and founder of WCA (World Capoeira Association). From this experience, he created the first "battery" of samba in Santa Fe, Nuevo Mexico, USA (banda girasol.) Director, "bateria" in several schools of samba in France: "Axé" in Paris, " Sarava "in Tours," Macunaima "in Bordeaux, then form the group" Timbalada Urbana "ethnic-mixed race group. - Percussionist musician of TUPI-NAGO group Samba- Reggae Band. This group has taken its musical sources in the region of Salvador de Bahia, bastion of Afro-Brazilian culture. This group was sponsored by Etienne Roda-Gil and Rémy Kolpa-Kopoul, a journalist for "Liberation", a specialist in Brazilian music. European tour and first part of Brazilian artists such as Joao Bosco, Caetano Veloso and Gilberto Gil.This group record production under the label Melodie Music and caramba productions. - Musician percussionist group ILU-YENKORI, drums and songs dedicated to the Afro-Cuban and Yoruba pantheon as well as countries belonging to the former kingdoms of Dahomey, (Togo, Ghana, Benin.). This group of dancers, singers and percussionists were among the first in France to promote the cultures of this pantheon. Coach and trainer of the theme Rhythm and Family, in the movement of Reiki activities in Europe (Ibiza, Cologne) and Canada (Vancouver). He takes charge of the problematic aspect of rhythm in the context of group dynamics in the training courses of future masters in the art of Reiki by Phillys Furumoto. In 2000, joined the group Lanaya in Bordeaux. With a repertoire of Mandingo music, this group included the soloist Ousseman Souma drum and dance from the prestigious national ballet JOLIBA. Gilles is part of this group, bringing the Afro-Cuban and Afro-Brazilian repertoire from which Lanaya will evolve towards Métis music. Change also marked by the integration of artists from different cultures such as, Fato Camara, Mathias Agbokou, Jose Hernandez, Patrice Banchereau: Akpon. Languages: French English (2nd mother tongue) Spanish Discography: "Desert Mirage", CCO Alan Silva (Phonogram) "Dream off the Ground", Future sound together "Little with big ears", Bill Baxter (Polydor) "Tupi nago", Tupi nago (Melody Music)
Children's music · Drums · Percussion
Showing results 1 - 25 of 8001 - 25 of 800

Our students in France evaluate their Art & Music teacher.

To ensure the quality of our Art & Music teachers, we ask our students in France to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 20 reviews.

Améliorer vos prises de parole avec une professionnelle (Ixelles-Elsene)
Charlotte
Charlotte is a superb instructor. I took classes with her at her home for several months to improve my public speaking skills. During each session, Charlotte helped me work on my tone and delivery through various public speaking exercises. Charlotte asked me to prepare short written assignments before our meetings, so that I could practice delivering my script using various speaking techniques during the class. For these assignments, Charlotte was very engaged and made sure that the assignments would assist me in my specific professional goals. She did this by tailoring the subject matter to my professional work - mostly legal and political matters - and she pushed me to consider what I wanted to achieve from my audience with each speaking opportunity. Charlotte, however, is not only a skilled professional. She is also a tremendously kind, energetic and dynamic person to work with. She made me feel comfortable sharing my vulnerabilities, which made the process of receiving constructive feedback a fun and welcomed experience. She encouraged me to practice my public speaking in French - which is not my first language - and made me feel at ease. She is kind, understanding and an incredibly nice person. If you are looking for a professional who is dedicated to helping you improve, welcomes your goals and ideas, and who is a pleasure to meet with each week - then look no further than Charlotte.
Review by ARIEL
Musicien professionnel donne cours de guitare et de flamenco (Montrouge)
Théo
I tried Théo for spanish guitars. -Technique: He will tell you what to do. Then he will give you similar exercises to enhance the technique. Not intimidating at all. He will give you the time you need and will go back and forth over it at separate stages so you don’t burn out. -Content: He will give you some chords, notes, and tabs of the type of music you want, adjusted to your level. He prefers giving you the content, telling you the technique, and then leaving you to practise (since the content can be found easily on the internet). -Melody: I personally struggle with timing my music right. I must say he made it easier for me. He will have you practice one part of the tabs till you get the beat right. Then he will slowly add the rest of the tabs that come along so you don’t lose the rhythm. -Interaction: punctual (he won’t come 15mins late and leave on time). Honest. Clear. I enjoyed the lesson, I would definitely recommend him.
Review by JINAN
cours de PIANO par une jeune pianiste passionnée diplômée de la HEM à proximité de Genève (Gaillard)
Alicia
Non seulement Alicia est une magnifique interprète, mais encore une pédagogue de première! J'ai 67 ans, et depuis 34 ans je n'ai pas touché un clavier. Avec tact et patience, elle a su d'entrée me donner confiance et m'indiquer quelques "trucs" pour rectifier une mauvaise posture. Professeur magnifique. Merci Alicia!
Review by MICHELE