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Discover the Best Private Guitar Classes in The Netherlands

For over a decade, our private Guitar tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in The Netherlands, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

276 guitar teachers in The Netherlands

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276 guitar teachers in The Netherlands

Are you tired of reading tabs yet not being able to play your favorite songs on the guitar? Are you tired of putting a lot of effort into practice but still not meeting your guitar goals? Or do you just want to pick up a few songs on the guitar to impress your friends/colleagues without the hassle of committing to some serious music theory? If your answers to all of this are a resounding YES! then congratulations, you're in the right place. I believe the biggest lesson I can share with you about playing the guitar is: practice! and inspiration. Practise is critical, and you can't practice if you're uninspired. Do you want to: a. Learn easy songs and entertain people? b. Play live or record? c. Move on quickly to an electric guitar? d. Get the blues/country vibes? e. Get the flamenco (Phrygian) vibes? f. Play percussive guitar? g. Play instrumental guitar (no singing)? h. Cover pop songs? i. Compose?!?!?!? On the very first meeting, we will discuss your desired guitar goals and realize if I'd be able to help you with them. If you do choose to go ahead with me for guitar classes, the curriculum will look something like this: 1. Music appreciation (this is important for being inspired! the more videos you watch the better! I have playlists you can follow for now and develop your own taste in guitar playing). 2. Finding your way on the fretboard. 3. Finger exercises. 4. Fingerstyle picking/ plucking (depending on the genres that inspire you the most now). 5. Scales, arpeggios, chords, and chord families. 6. Cover songs. 7. Music theory. 8. Keeping up with the tempo (not Kardashians 😛 ) 9. Improvisation and play by ear (or eyes) In professional classes, they'll teach you tempo way earlier but I think it kills the mood for learning. Hence, that is something I intend to cover later. Realistically, we can partially complete steps 1 through 6. Steps 7, 8, and 9 will indeed take a lot of time. So, what are you waiting for? If you like my vibe and have a passion for music, feel free to join my classes! Happy guitaring!
Music theory lessons · Music theory · Guitar
Trusted teacher: "Music is a social experience". That's the main thing that, regardless of wanting to be a professional musician or just play to have fun, music can offer to us: we can learn how to be among people, and get to know things about music itself, people and even ourselves! It's also a great way to get our own personality and have fun: it enhances our sensitivity and it's just a fun way to spend time! Anyways, how rude, I'm Enrico, a world-touring guitar player, composer and band leader, and I'm really glad you're reading this presentation. I grew up in a small town in the South of Italy, Crispiano, where I started playing guitar as a game, because it was such a great way to spend my afternoons and get together with my friends, just like playing video games or soccer, and here I am now ... my passion became my life! I like to teach that in my lessons: how fun it is to discover new things on your instrument and share them with all your friends ... starting with me. I'd love you to play with me during our lessons and learn things by doing them, starting with what you already like, playing your favorite songs together so you can go out and do the same with your friends! I've been lucky enough to meet teachers and colleagues that had the same approach with me, starting from my classical guitar studies in Italy, through the Royal Conservatory of The Hague, where I'm currently finishing my jazz guitar Bachelor, till the masters or jazz music in New York City, which I had the luck to study with, like Peter Bernstein, Barry Harris or Dave Kikoski. This led me, despite my young age, to share the stage with great superstars on the international jazz scene such as Joe Magnarelli, Gadi Lehavi, Felix Rossy and many others and recording my first album, "Social Music" out with A.MA Records in July 2019!
Guitar · Jazz music
Historical Plucked string specialist, Matthew focuses on the repertoire of the theorbo, lute, baroque guitar and 19th-century guitar. He has performed extensively throughout the United States, Canada and Italy. He performs on the instrument(s): Renaissance Lute, Baroque Guitar, Baroque Lute, and Theorbo as both a soloist and continuo player. In the spring of 2018, Matthew was invited to perform Vivaldi’s Guitar Concerto in D major RV 93 on Baroque guitar as part of SFCM Baroque Concerto Winner’s concert and again in 2019 with Karl Kohaut’s Baroque Lute Concerto in F major. He has participated with the SF Conservatory Baroque Ensemble to bring to life: Handel’s Atalanta, and Rodelinda, and Tamerlano. Most recently, his performances include a production of Purcell’s The Fairy Queen with Haymarket Opera, Amherst Early Music Festival’s production of #anch'io (#me too): Six Ariadnes tell their tales. Matthew has performed and studied with the most renowned lutenists in the industry which include: Charles Weaver, Lucas Harris, Francesca Torelli, Joachim Held, Paul Odette, Paul Beier, Xavier Diaz LaTorre, and Nigel North. Matthew is an active and familiar face in early music ensembles and festivals which include: Amherst Early Music (AEM), the International Baroque Festival at Longy (IBIL), La Entroterre festival, Oregon Bach Festival (OBI), Oberlin Baroque Festival (OBF), SF Renaissance Voices (SFRV), SienAgosto, Tafelmusik Summer and Winter Institutes, SFEMS, Haymarket Opera Company and American Bach Soloists Academy (ABS). His teachers include John Schneiderman, Richard Savino, Marc Teicholz, and Corey Jamason. Matthew has recently completed a MM program at the San Francisco Conservatory of Music with an emphasis in Historical Plucked Strings, studying under Richard Savino and Marc Teicholz. Matthew earned his BMus in Guitar/Lute performance from UC Irvine. Matthew is currently a 1st year Master’s in Historical Performance Lute/Theorbo at the Koninklijk Conservatorium under the mentorship of Joachim Held and Mike Fentross. Matthew is currently active in the Netherlands as a continuo player, chamber musician, soloist, instructor, and clinician.
Guitar
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