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Discover the Best Private Double Bass Classes in Paris

For over a decade, our private Double Bass tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in Paris, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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9 double bass teachers in Paris

My lessons are personalized and dynamic. They combine instrumental technique with ear training, applied theory, and repertoire that most motivates the student. My goal is to train not only competent bass players, but well-rounded musicians who understand their role within a band and develop their own artistic voice. 🎯 MAIN OBJECTIVES • Mastering right-hand and left-hand techniques (fingerstyle, slap, tapping, etc.). • Develop an active musical ear and improvisation skills. • Understand the role of the bass in different musical styles and contexts. • Acquire tools to play with ease in ensembles and recording sessions. • Stimulate creativity and personal expression through the instrument. 📦 INCLUDED MATERIALS • 📖 PDFs with progressive technical exercises, from beginner to advanced level. • 🎧 Audio files (play-alongs) for practicing in a real context. • 🎼 Customizable repertoire: pieces chosen by the student, adapted to their level. • 📚 Modules of harmony and theory applied to bass. • 🎶 Improvisation material: scales, rhythmic patterns and stylistic language. 🔄 METHOD STRUCTURE 1. Initial assessment: diagnosis of musical level and interests. 2. Personalized plan: selection of the directory and definition of short/medium term objectives. 3. Dynamic lessons: combination of technique, repertoire, ear training and improvisation. 4. Continuous monitoring: progress recordings, personalized feedback and adjustments. 🎸 CONTENT BY LEVEL • Beginner: posture, chords, basic grooves, rhythmic reading, simple pieces. • Intermediate: slap technique, major and minor scales, walking bass, intermediate level repertoire. • Advanced: extensive techniques, modern harmony, free improvisation, complex repertoire. 👨‍🏫 PEDAGOGICAL APPROACH • A flexible method that adapts to the student's tastes and objectives. • Contextual practice: all exercises applied in real musical situations. • Emphasis on musicality, not just technique. • Use of technology to optimize learning (apps, audio, video).
Bass guitar · Jazz music · Double bass
My lessons are personalized and dynamic. They combine instrumental technique with ear training, applied theory, and repertoire that most motivates the student. My goal is to train not only competent bass players, but well-rounded musicians who understand their role within a band and develop their own artistic voice. 🎯 MAIN OBJECTIVES • Mastering right-hand and left-hand techniques (fingerstyle, slap, tapping, etc.). • Develop an active musical ear and improvisation skills. • Understand the role of the bass in different musical styles and contexts. • Acquire tools to play with ease in ensembles and recording sessions. • Stimulate creativity and personal expression through the instrument. 📦 INCLUDED MATERIALS • 📖 PDFs with progressive technical exercises, from beginner to advanced level. • 🎧 Audio files (play-alongs) for practicing in a real context. • 🎼 Customizable repertoire: pieces chosen by the student, adapted to their level. • 📚 Modules of harmony and theory applied to bass. • 🎶 Improvisation material: scales, rhythmic patterns and stylistic language. 🔄 METHOD STRUCTURE 1. Initial assessment: diagnosis of musical level and interests. 2. Personalized plan: selection of the directory and definition of short/medium term objectives. 3. Dynamic lessons: combination of technique, repertoire, ear training and improvisation. 4. Continuous monitoring: progress recordings, personalized feedback and adjustments. 🎸 CONTENT BY LEVEL • Beginner: posture, chords, basic grooves, rhythmic reading, simple pieces. • Intermediate: slap technique, major and minor scales, walking bass, intermediate level repertoire. • Advanced: extensive techniques, modern harmony, free improvisation, complex repertoire. 👨‍🏫 PEDAGOGICAL APPROACH • A flexible method that adapts to the student's tastes and objectives. • Contextual practice: all exercises applied in real musical situations. • Emphasis on musicality, not just technique. • Use of technology to optimize learning (apps, audio, video).
Bass guitar · Jazz music · Double bass
Meet even more great teachers. Try online lessons with the following real-time online teachers:
Trusted teacher: I am an eclectic and curious musician, before any contrabassist. I am also a composer and arranger. After a master of sociology I make the decision to train myself professionally; I return simultaneously to the conservatory of Agen in jazz and conservatory of Bordeaux in classical to learn bass. Then, in 2014, I confirm a National Superior Professional Musician Diploma at the Pole Supérieur Paris Boulogne Billancourt through the training at the Didier Lockwood Music Center. I was trained retrospectively by Jean-Paul Macé, Kent Carter, Gilles Naturel, Marc-Michel Lebevillon, Cristian Diaz, Jean Michel Charbonel, Chris Jennings, Cristophe Dal-sasso, and Carine Bonnefoy (for writing). All these people have nourished my love and passion for music, which remains for me a long way to explore in search of new knowledge. It is the diversity of cultures and the wealth of knowledge that drives me to continue to study everything within my reach. I'm interested in jazz, classical music, Indian music, rock and electronic music ... I hate taboos and separations between the musical worlds and I think that everyone wins to share their knowledge and their modes of operation. My way of thinking about learning Music: I prefer to stay on a principle of pleasure and sharing specific to music. I find it important to adapt to feed the motivation of the student, especially for young people with whom it is very important to have a fun approach. Too many students leave demotivated classes of music schools or conservatory; that I practiced for 5 years (since despite my criticisms I still have a prize of jazz conservatory and I followed the training to obtain the DE of jazz which is a diploma of pedagogy). This involves learning the mechanisms based on improvisation, understanding chords, rhythm and melody. Regarding the repertoire I am based on the culture of the students, after all they are the main concerned! So the choices of the pieces depend on the desires and the tastes. The mode of learning depends on the musical style approached, for example I will not make music theory to someone who wants to play the AC / DC (unless he wishes) conversely a person who wants to address jazz can hardly do without notions about harmony. The purpose of this approach is to develop the independence of the student. The teacher is there to accompany the student at the beginning; he must not become a guardian who can sometimes be transformed over the years into a crutch! This is my way of seeing pedagogy!
Double bass · Guitar · Music theory lessons
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Our students from Paris evaluate their Double Bass teacher.

To ensure the quality of our Double Bass teachers, we ask our students from Paris to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 26 reviews.

MUSIC as you wish! DOUBLE BASS, BASS, THEORY / HARMONY (Brussels)
Francesco
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I have had several lessons with Francesco, and he is an excellent teacher! I am a beginner on the Double Bass but have previously played other instruments and know a bit about theory, so I really appreciate his versatility in expalining different musical aspects. I strongly recommend Francesco if you are looking for a music teacher!
Review by MARCO
Jazz Double Bass, Classical Double Bass, Bass Guitar, Music Theory, Harmony, Solfeggio Private Lessons (Athens)
Yiannis
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He explains everything really good and I'm looking forward to practicing with him in the near future!
Review by PETAR
Private lessons in bass (jazz and improvised music) (Paris)
Claude
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rating green star
I enjoyed music. Great time!
Review by JUDE
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