Double bass lessons in France
Find your perfect private double bass tutor in France.
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9 double bass teachers in France
In these lessons, you will be immersed in a dynamic environment focused on listening, transcribing, reading music, improvising, and theory that will put you on your way to becoming a hireable bass player. We will concentrate on your needs and desires, and will make sure to keep the lessons fresh without going too far beyond your abilities. I will guide your practice as I cannot implant a musical vocabulary in your mind, but will give you the tools to develop that for yourself.
Jazz music · Music theory · Double bass
Nicolas - Strasbourg29€
Trusted teacher: Hello ! I graduated from the conservatory in classical double bass (DEM) and I have a master's degree in musicology. I have participated in many concerts in very different formations and styles, from classical to jazz, through tango, pop-rock ... In Strasbourg, I offer double bass lessons where we can discuss together different styles and playing techniques, for all ages and levels, in order to progress or discover the most pleasant of instruments! See you soon !
Music theory · Double bass
Thomas - Montreuil-sur-Mer34€
Trusted teacher: I am an eclectic and curious musician, before any contrabassist. I am also a composer and arranger. After a master of sociology I make the decision to train myself professionally; I return simultaneously to the conservatory of Agen in jazz and conservatory of Bordeaux in classical to learn bass. Then, in 2014, I confirm a National Superior Professional Musician Diploma at the Pole Supérieur Paris Boulogne Billancourt through the training at the Didier Lockwood Music Center. I was trained retrospectively by Jean-Paul Macé, Kent Carter, Gilles Naturel, Marc-Michel Lebevillon, Cristian Diaz, Jean Michel Charbonel, Chris Jennings, Cristophe Dal-sasso, and Carine Bonnefoy (for writing). All these people have nourished my love and passion for music, which remains for me a long way to explore in search of new knowledge. It is the diversity of cultures and the wealth of knowledge that drives me to continue to study everything within my reach. I'm interested in jazz, classical music, Indian music, rock and electronic music ... I hate taboos and separations between the musical worlds and I think that everyone wins to share their knowledge and their modes of operation. My way of thinking about learning Music: I prefer to stay on a principle of pleasure and sharing specific to music. I find it important to adapt to feed the motivation of the student, especially for young people with whom it is very important to have a fun approach. Too many students leave demotivated classes of music schools or conservatory; that I practiced for 5 years (since despite my criticisms I still have a prize of jazz conservatory and I followed the training to obtain the DE of jazz which is a diploma of pedagogy). This involves learning the mechanisms based on improvisation, understanding chords, rhythm and melody. Regarding the repertoire I am based on the culture of the students, after all they are the main concerned! So the choices of the pieces depend on the desires and the tastes. The mode of learning depends on the musical style approached, for example I will not make music theory to someone who wants to play the AC / DC (unless he wishes) conversely a person who wants to address jazz can hardly do without notions about harmony. The purpose of this approach is to develop the independence of the student. The teacher is there to accompany the student at the beginning; he must not become a guardian who can sometimes be transformed over the years into a crutch! This is my way of seeing pedagogy!
Double bass · Guitar · Music theory lessons
Trusted teacher: Music is a language, a form of expression The basic goal of a teacher My aim is to initiate young people and adults to the magic world of music through this beautiful instrument. To make students capable of playing music, not just the double bass. Music comes from the musician, not the instrument. The first approach with the instrument / proper posture (for beginners). The double bass is a big instrument and one might think that it needs a lot of effort and power in order to handle/play it. But the key is to find the proper body positioning as soon as possible in order to play effortlessly. This is a key that will enable the student to unlock many doors in his musical future. There are no wrong notes. I think it is very important to learn how we can embrace our mistakes instead of correcting them as if there are no wrong notes. Music is a language, a form of expression, so in my view, we should preserve the environment of freedom and enjoyment especially for beginners. Notes are only one of the many elements of music. All of us, when we look at a musical notation, the first thing that we focus on, are the notes. Notes represent the pitch and duration of a sound, but that’s all... What about all the other elements that music consists of? Discussion and research on rhythm, dynamics, phrasing, the timbre of the sound, articulation, harmony and many others, will give/enhance student’s interpretation with a professional musical character and it will open up her/his horizon in order to collaborate in a higher level with other musicians in the future. Practicing efficiently This is one of the most important aspects and I feel very responsible as a teacher to help my students find their formula/way of efficiently practicing in order to achieve the best possible results in the shortest possible time. Formulate together a daily practice routine can be very helpful to my experience. Saving time and energy is crucial in our days/world. My ultimate goal from one point onwards is the same as that of the parent. To make my students independent, to be able to teach themselves. Creativity I believe that each of us has a lot of creativity hidden inside. I really enjoy exploring my student’s creative potential and encourage her/him to find their own inner musical voice. Uniqueness Adaptability to the individual needs and dreams of each student is one of the principals I follow in my teaching. This concerns the formulation of the daily practice routine, repertoire, proper posture, technique and many more. Suggested reading & discography There are many books and musical compositions that have changed my musical life in a better way and I wish I had read/listened to all these earlier. I would love to share some of them with my students, in the right timing (which is not the same for everyone!). Method The vehicle for my pedagogical approach is the ABRSM which is a widespread examination system. About Mihalis Mihalis comes from a musical family whose roots spread from Northern Greece to Asia Minor. As influenced by his origins as he may be, his own sound has a clear urban context, a combination that makes him one of the most aspiring and creative musicians of the new generations. As a double bass player, he is a member of the Athens Symphony Orchestra and he is participating also as a guest player to concerts of the Athens State Orchestra, which is the orchestra with the greatest reputation in Greece. His own music is a contemporary art form, blending jazz and classical influences with both electronic and Greek traditional elements in an atmospheric and groovy urban context. His first album “ Scarborough Tales” (2010) reminds a soundtrack and was the final project for his Master’s degree (MRes in Creative Music Technology - University of Hull, UK). His most recent album “World Echoes in Athens” began with a year-round field recording in open or hidden places in Athens serving as temples where immigrants went to pray. After the compositions completed, the album was used as the soundtrack of the acclaimed photographer Tassos Vrettos’s exhibition titled “Wor(th)ship”, at the Benaki Museum (2015). His band has already performed in many festivals in and outside of Greece. He was selected as “2018 Upcoming Artist” in the Athens Technopolis Jazz Festival, and last June he performed at the Summer Nostos Festival in a special performance with video art and narration and the Siberian multi-instrumentalist and composer Nadishana as a guest. In October his band performed at Fira B Festival of Spain, and the next big event is scheduled for this summer at the historical “Little Theatre of Ancient Epidaurus” for the Athens Festival.
Neda - Paris46€
Trusted teacher: Lessons of music will help you to relax, to awake your artistic side and share your talent the pressure with other people. In music is important to use your own creativity, imagination and help make better and faster progress.
Music theory lessons · Double bass · Piano
Trusted teacher: The Oud is an instrument rich in culture, you will discover this world of traditional music, learn pieces in different forms of oriental music, and discover the world of oriental modes and improvisation. The double bass is one of the most important instruments in all music of different styles (Jazz, Classical music ...) You will discover the double bass in pizzicato and its functioning and the richness in Jazz and classical music.
Oud · Double bass
Lara - Paris29€
Trusted teacher: I offer private lessons of classical double bass and jazz as well as electric bass and guitar lessons on all styles of music for children and adults of all ages and all levels. My priority is that everyone takes pleasure in playing while progressing. My teaching is based on personalized musical follow-up: Discovery, Leisure, Methodical learning and Improvement. The repertoire will be chosen according to the desires of each student. I am convinced that the theoretical fundamentals, remain essential to be accomplished as a musician. However, it remains obvious to me that the practice of the instrument goes hand in hand with a more theoretical teaching. It is for this reason that my students touch the instrument from the first lesson. My teaching allows to acquire the musical fundamentals while having fun, without demotivation.
Guitar · Bass guitar · Double bass
Le monde de l’enseignement m’est familier. En effet, je travaille en tant que professeur particulier de musique en France depuis 5 ans. De plus, au Venezuela, j'ai exercé le métier d’enseignant de musique dans des écoles, à l’université et au conservatoire. Capable de m’adapter rapidement à de nouveaux environnements professionnels, j’éprouve un intérêt particulier pour l’enseignement et l’éducation, et j’octroie une grande importance à la pédagogie. Selon la motivation des élèves et leur âge, je suis en mesure de trouver des méthodes susceptibles de s’adapter à chaque expérience. Je dispense mes cours de façon ludique pour bien comprendre le langage musical à travers le travail d’ear training (ou formation de l'oreille), la lecture, le piano en tant qu’outil pour comprendre l’instrument étudié. Je dédie également une partie du temps aux aspects techniques (très importants pour éviter des effets indésirables de posture). Pour moi c’est très important de bien faire comprendre la technique de l’instrument, de promouvoir l’éveil musical de chaque élève et développer la capacité de que chacun afin de marcher sur son propre chemin musical et ses envies.
Bass guitar · Double bass · Piano