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Discover the Best Private Double Bass Classes in France

For over a decade, our private Double Bass tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in France, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

Private lessonsDouble Bass

12 double bass teachers in France

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12 double bass teachers in France

Javier - Paris48€
48€ELECTRIC BASS LESSONS Original and Dynamic Method — All Levels
My lessons are personalized and dynamic. They combine instrumental technique with ear training, applied theory, and repertoire that most motivates the student. My goal is to train not only competent bass players, but well-rounded musicians who understand their role within a band and develop their own artistic voice. 🎯 MAIN OBJECTIVES • Mastering right-hand and left-hand techniques (fingerstyle, slap, tapping, etc.). • Develop an active musical ear and improvisation skills. • Understand the role of the bass in different musical styles and contexts. • Acquire tools to play with ease in ensembles and recording sessions. • Stimulate creativity and personal expression through the instrument. 📦 INCLUDED MATERIALS • 📖 PDFs with progressive technical exercises, from beginner to advanced level. • 🎧 Audio files (play-alongs) for practicing in a real context. • 🎼 Customizable repertoire: pieces chosen by the student, adapted to their level. • 📚 Modules of harmony and theory applied to bass. • 🎶 Improvisation material: scales, rhythmic patterns and stylistic language. 🔄 METHOD STRUCTURE 1. Initial assessment: diagnosis of musical level and interests. 2. Personalized plan: selection of the directory and definition of short/medium term objectives. 3. Dynamic lessons: combination of technique, repertoire, ear training and improvisation. 4. Continuous monitoring: progress recordings, personalized feedback and adjustments. 🎸 CONTENT BY LEVEL • Beginner: posture, chords, basic grooves, rhythmic reading, simple pieces. • Intermediate: slap technique, major and minor scales, walking bass, intermediate level repertoire. • Advanced: extensive techniques, modern harmony, free improvisation, complex repertoire. 👨‍🏫 PEDAGOGICAL APPROACH • A flexible method that adapts to the student's tastes and objectives. • Contextual practice: all exercises applied in real musical situations. • Emphasis on musicality, not just technique. • Use of technology to optimize learning (apps, audio, video).
Bass guitar · Jazz music · Double bass
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Javier - Paris48€
48€ELECTRIC BASS LESSONS Original and Dynamic Method — All Levels
My lessons are personalized and dynamic. They combine instrumental technique with ear training, applied theory, and repertoire that most motivates the student. My goal is to train not only competent bass players, but well-rounded musicians who understand their role within a band and develop their own artistic voice. 🎯 MAIN OBJECTIVES • Mastering right-hand and left-hand techniques (fingerstyle, slap, tapping, etc.). • Develop an active musical ear and improvisation skills. • Understand the role of the bass in different musical styles and contexts. • Acquire tools to play with ease in ensembles and recording sessions. • Stimulate creativity and personal expression through the instrument. 📦 INCLUDED MATERIALS • 📖 PDFs with progressive technical exercises, from beginner to advanced level. • 🎧 Audio files (play-alongs) for practicing in a real context. • 🎼 Customizable repertoire: pieces chosen by the student, adapted to their level. • 📚 Modules of harmony and theory applied to bass. • 🎶 Improvisation material: scales, rhythmic patterns and stylistic language. 🔄 METHOD STRUCTURE 1. Initial assessment: diagnosis of musical level and interests. 2. Personalized plan: selection of the directory and definition of short/medium term objectives. 3. Dynamic lessons: combination of technique, repertoire, ear training and improvisation. 4. Continuous monitoring: progress recordings, personalized feedback and adjustments. 🎸 CONTENT BY LEVEL • Beginner: posture, chords, basic grooves, rhythmic reading, simple pieces. • Intermediate: slap technique, major and minor scales, walking bass, intermediate level repertoire. • Advanced: extensive techniques, modern harmony, free improvisation, complex repertoire. 👨‍🏫 PEDAGOGICAL APPROACH • A flexible method that adapts to the student's tastes and objectives. • Contextual practice: all exercises applied in real musical situations. • Emphasis on musicality, not just technique. • Use of technology to optimize learning (apps, audio, video).
Bass guitar · Jazz music · Double bass
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Mihalis - Saint-Julien-en-Genevois83€
83€Exploring music with double bass lessons from a professional player
Trusted teacher: Music is a language, a form of expression The basic goal of a teacher My aim is to initiate young people and adults to the magic world of music through this beautiful instrument. To make students capable of playing music, not just the double bass. Music comes from the musician, not the instrument. The first approach with the instrument / proper posture (for beginners). The double bass is a big instrument and one might think that it needs a lot of effort and power in order to handle/play it. But the key is to find the proper body positioning as soon as possible in order to play effortlessly. This is a key that will enable the student to unlock many doors in his musical future. There are no wrong notes. I think it is very important to learn how we can embrace our mistakes instead of correcting them as if there are no wrong notes. Music is a language, a form of expression, so in my view, we should preserve the environment of freedom and enjoyment especially for beginners. Notes are only one of the many elements of music. All of us, when we look at a musical notation, the first thing that we focus on, are the notes. Notes represent the pitch and duration of a sound, but that’s all... What about all the other elements that music consists of? Discussion and research on rhythm, dynamics, phrasing, the timbre of the sound, articulation, harmony and many others, will give/enhance student’s interpretation with a professional musical character and it will open up her/his horizon in order to collaborate in a higher level with other musicians in the future. Practicing efficiently This is one of the most important aspects and I feel very responsible as a teacher to help my students find their formula/way of efficiently practicing in order to achieve the best possible results in the shortest possible time. Formulate together a daily practice routine can be very helpful to my experience. Saving time and energy is crucial in our days/world. My ultimate goal from one point onwards is the same as that of the parent. To make my students independent, to be able to teach themselves. Creativity I believe that each of us has a lot of creativity hidden inside. I really enjoy exploring my student’s creative potential and encourage her/him to find their own inner musical voice. Uniqueness Adaptability to the individual needs and dreams of each student is one of the principals I follow in my teaching. This concerns the formulation of the daily practice routine, repertoire, proper posture, technique and many more. Suggested reading & discography There are many books and musical compositions that have changed my musical life in a better way and I wish I had read/listened to all these earlier. I would love to share some of them with my students, in the right timing (which is not the same for everyone!). Method The vehicle for my pedagogical approach is the ABRSM which is a widespread examination system. About Mihalis Mihalis comes from a musical family whose roots spread from Northern Greece to Asia Minor. As influenced by his origins as he may be, his own sound has a clear urban context, a combination that makes him one of the most aspiring and creative musicians of the new generations. As a double bass player, he is a member of the Athens Symphony Orchestra and he is participating also as a guest player to concerts of the Athens State Orchestra, which is the orchestra with the greatest reputation in Greece. His own music is a contemporary art form, blending jazz and classical influences with both electronic and Greek traditional elements in an atmospheric and groovy urban context. His first album “ Scarborough Tales” (2010) reminds a soundtrack and was the final project for his Master’s degree (MRes in Creative Music Technology - University of Hull, UK). His most recent album “World Echoes in Athens” began with a year-round field recording in open or hidden places in Athens serving as temples where immigrants went to pray. After the compositions completed, the album was used as the soundtrack of the acclaimed photographer Tassos Vrettos’s exhibition titled “Wor(th)ship”, at the Benaki Museum (2015). His band has already performed in many festivals in and outside of Greece. He was selected as “2018 Upcoming Artist” in the Athens Technopolis Jazz Festival, and last June he performed at the Summer Nostos Festival in a special performance with video art and narration and the Siberian multi-instrumentalist and composer Nadishana as a guest. In October his band performed at Fira B Festival of Spain, and the next big event is scheduled for this summer at the historical “Little Theatre of Ancient Epidaurus” for the Athens Festival.
Double bass
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Thomas - Montreuil-sur-Mer, France35€
35€Music Class, Double Bass, Guitar, Harmony, Arrangement.
Trusted teacher: I am an eclectic and curious musician, before any contrabassist. I am also a composer and arranger. After a master of sociology I make the decision to train myself professionally; I return simultaneously to the conservatory of Agen in jazz and conservatory of Bordeaux in classical to learn bass. Then, in 2014, I confirm a National Superior Professional Musician Diploma at the Pole Supérieur Paris Boulogne Billancourt through the training at the Didier Lockwood Music Center. I was trained retrospectively by Jean-Paul Macé, Kent Carter, Gilles Naturel, Marc-Michel Lebevillon, Cristian Diaz, Jean Michel Charbonel, Chris Jennings, Cristophe Dal-sasso, and Carine Bonnefoy (for writing). All these people have nourished my love and passion for music, which remains for me a long way to explore in search of new knowledge. It is the diversity of cultures and the wealth of knowledge that drives me to continue to study everything within my reach. I'm interested in jazz, classical music, Indian music, rock and electronic music ... I hate taboos and separations between the musical worlds and I think that everyone wins to share their knowledge and their modes of operation. My way of thinking about learning Music: I prefer to stay on a principle of pleasure and sharing specific to music. I find it important to adapt to feed the motivation of the student, especially for young people with whom it is very important to have a fun approach. Too many students leave demotivated classes of music schools or conservatory; that I practiced for 5 years (since despite my criticisms I still have a prize of jazz conservatory and I followed the training to obtain the DE of jazz which is a diploma of pedagogy). This involves learning the mechanisms based on improvisation, understanding chords, rhythm and melody. Regarding the repertoire I am based on the culture of the students, after all they are the main concerned! So the choices of the pieces depend on the desires and the tastes. The mode of learning depends on the musical style approached, for example I will not make music theory to someone who wants to play the AC / DC (unless he wishes) conversely a person who wants to address jazz can hardly do without notions about harmony. The purpose of this approach is to develop the independence of the student. The teacher is there to accompany the student at the beginning; he must not become a guardian who can sometimes be transformed over the years into a crutch! This is my way of seeing pedagogy!
Double bass · Guitar · Music theory lessons
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Our students from France evaluate their Double Bass teacher.

To ensure the quality of our Double Bass teachers, we ask our students from France to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 27 reviews.

MUSIC as you wish! DOUBLE BASS, BASS, THEORY / HARMONY (Brussels)
Francesco
rating star
rating green star
I have had several lessons with Francesco, and he is an excellent teacher! I am a beginner on the Double Bass but have previously played other instruments and know a bit about theory, so I really appreciate his versatility in expalining different musical aspects. I strongly recommend Francesco if you are looking for a music teacher!
Review by MARCO
Jazz Double Bass, Classical Double Bass, Bass Guitar, Music Theory, Harmony, Solfeggio Private Lessons (Athens)
Yiannis
rating star
rating green star
He explains everything really good and I'm looking forward to practicing with him in the near future!
Review by PETAR
Private lessons in bass (jazz and improvised music) (Paris)
Claude
rating star
rating green star
I enjoyed music. Great time!
Review by JUDE

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