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Discover the Best Private Computer Generated Music Classes in 1190 Forest

For over a decade, our private Computer Generated Music tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in 1190 Forest, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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18 computer generated music teachers in 1190 Forest

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18 computer generated music teachers in 1190 Forest

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Jérémie - Forest36€
36€Learn Ableton Live | Learn Ableton Live | MAO (Computer Assisted Music)
Trusted teacher: EN This course is designed to provide you with the essential skills to master Ableton Live, an essential tool for music production. Whether you're a beginner or already have experience with digital music, this course will support you on your journey to becoming an accomplished producer. COURSE CONTENT : Session 1: Introduction to Ableton Live - Software overview - Initial setup: audio settings, adding a MIDI keyboard - Navigation between Session view and Arrangement view - Essential keyboard shortcuts Session 2: Home Studio Equipment - Configuration of a home studio: sound card, monitors, acoustic treatment - Positioning of monitors and optimization of the room - Importance of acoustic neutrality and absorbent panels Session 3: Ableton Live Arrangement View - Using the Arrangement view - Difference between audio, MIDI, auxiliary and master tracks - Recording and editing MIDI and audio clips - Volume management, panning, solo and mute Session 4: Ableton Live Session View - Exploring the Session view for live performances - Creation and manipulation of loops - Transition between clips and live scenes Session 5: Basics of Music Theory - Introduction to major and minor chords - Composition of melodies on chord charts - Understand key, measures and tempo - Using the metronome Session 6: Audio Effects - Introduction to reverb, delay and EQ effects - Application of effects to enrich your compositions Session 7: Automations - Use of automations to add dynamics and variation - Practice of automation on different parameters Session 8: Arrangement and Musical Structure - Understanding the different sections of a song (intro, verse, chorus, bridge) - Techniques for structuring a coherent musical piece Session 9: Audio Recording and Microphone Types - Audio recording techniques - Presentation of the different types of microphones and their use - Gain adjustment for optimal sound recording Session 10: Introduction to Mixing - Mixing basics: balancing levels, panning, EQ - Techniques to improve mix clarity and depth Session 11: Exporting a Musical Piece - Export settings (bitrate, sample rate) - Preparation of files for different distribution platforms Session 12: Final Project - Composition of a 1min30s piece using all the skills acquired - Presentation and constructive criticism of each participant's projects PREREQUISITES No technical prerequisites are necessary. A passion for music and the desire to learn are the only conditions to get the most out of this course. EXPECTED RESULTS At the end of this course, you will be able to: - Navigate Ableton Live efficiently - Configure a basic home studio - Compose and arrange musical pieces - Apply audio effects and automations - Record, mix and export your compositions -------------------------------------------------- -------------------------------------------------- -------------------------------------------------- ------------------------------------- ENG GOAL This course is designed to equip you with the essential skills to master Ableton Live, a crucial tool for music production. Whether you are a beginner or already have some experience with digital music, this course will guide you on your journey to becoming a proficient producer. THRILLED Session 1: Introduction to Ableton Live - Overview of the software - Initial setup: audio settings, adding a MIDI keyboard - Navigating between Session View and Arrangement View - Essential keyboard shortcuts Session 2: Home Studio Equipment - Setting up a home studio: audio interface, monitors, acoustic treatment - Positioning monitors and optimizing your room Importance of acoustic neutrality and sound-absorbing panels Session 3: Ableton Live's Arrangement View - Using the Arrangement View - Differences between audio tracks, MIDI tracks, auxiliary tracks, and the master track - Recording and editing MIDI and audio clips - Managing volume, panning, solo, and mute Session 4: Ableton Live's Session View - Exploring Session View for live performances - Creating and manipulating loops - Transitioning between clips and live scenes Session 5: Basics of Music Theory - Introduction to major and minor chords - Composing melodies over chord progressions - Understand key signatures, measures, and tempo - Using the metronome Session 6: Audio Effects - Introduction to reverb, delay, and equalization effects - Applying effects to enhance your compositions Session 7: Automations - Using automations to add dynamics and variation - Practicing automation on various parameters Session 8: Arrangement and Musical Structure - Understanding different sections of a song (intro, verse, chorus, bridge) - Techniques for structuring a coherent musical piece Session 9: Audio Recording and Microphone Types - Audio recording techniques - Introduction to different types of microphones and their uses - Setting the gain for optimal sound recording Session 10: Introduction to Mixing - Mixing basics: balancing levels, panning, equalization - Techniques to improve mix clarity and depth Session 11: Exporting a Musical Piece - Export settings (bitrate, sample rate) - Preparing files for different distribution platforms Session 12: Final Project - Composing a 1min30s piece using all the skills learned - Presentation and constructive criticism of each participant's project PREREQUISITES No technical prerequisites are required. A passion for music and a willingness to learn are the only conditions to make the most of this course. EXPECTED OUTCOMES - Navigate Ableton Live efficiently - Set up a basic home studio - Compose and arrange musical pieces - Apply audio effects and automations - Record, mix, and export your compositions
Music composition · Computer generated music · Ableton live
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Lionel - Anderlecht58€
58€DJing and Music Production Course With Lio - Beginner, Intermediate and Advanced
I started making music as an adult. I always had that drive as a kid, but my family could not afford the lessons. Then life kicked in and there was always a good reason not to get into it. Until one day this old dream popped back up, and I stepped into a music store and got my first DJ controller. This completely changed my life, and a few years later I moved to Berlin to start a full course as a music production student. Fast forward a decade or so and I completely changed carreers and deep delved into sound engineering. Making music is a place of joy and fulfillment. The only regret I have is to have kept myself from doing it for such a long time. DO NOT WAIT, there is a great deal of happiness on the other side. I have a tried and true method that I tested on dozens of students, both in workshops and one on one sessions. It's designed to let you access the "having fun" parts in the least amount of time. This approach actually makes the learning curve much smoother, and lets you experiment on your own very quickly. Theory becomes more and more relevant as you go and perfect your skills, but I strongly believe that unlocking the joy potential early while building good habits is the key to any learning experience. Wether you are interested to get into DJing, Music Production or Mix Engineering, wether you are a complete beginner or have started to develop those skills on your own, I can help you streamline the process, avoid the pitfalls, debunk the myths, and accompany as you grow as a musician, regardless of the genres you're into.
Djing · Computer generated music
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Simon - Cassel27€
27€Professional Composer & Producer, Cubase Music Production Lessons (Metal Rock, Guitar, No Music Theory)
Do you want to produce your tracks without getting lost in the technical details? I'll teach you Cubase and DAW software the way I learned it myself: without music theory, but with method and creativity. The goal is not to apply formulas, but to develop a working method adapted to each project. This may involve analyzing a piece in progress, resolving technical or creative blocks, optimizing sound, or even organizing a Cubase session. I offer concrete tools, attentive listening, and precise support to move your musical project forward in the right direction. About the course: Composition & Arrangement Musical structure & storytelling: learning to build solid and coherent pieces (intro, bridges, choruses, etc.). Creating guitar riffs and harmonies: rhythmic, melodic and stylistic work according to your level. Text writing & vocal placement: rhythm, phrasing, accuracy of intentions. Organization in the DAW (Cubase): clear structure, tempo, grids, dynamics. Art direction & atmospheres: defining a unique and coherent sound universe, from the riff to the background texture. Pre-production & Sound Design Effective session preparation: choice of tools, sounds, project organization. Custom guitar/bass sound creation: virtual amps, IRs, custom effects chains. Modern recording techniques: layering, harmonies, double-tracking, multiple takes. Sound sculpture & textures: asserting the personality of each instrument. Integration of atmospheres and textures: cinematic, orchestral or electronic textures. Advanced sound design: modulations, automation, unconventional effects. Recording & Editing Effective voice recording: artistic direction, placement, interpretation. Fast & clean editing: assembly, alignment, natural corrections. Collaboration & Communication Knowing how to work with other musicians: conveying ideas, communicating with a mixer or sound engineer, maintaining an overall vision. Mixing & Finalization Clear and productive session organization: routing, buses, colors, naming. Using the main mixing tools: Compression: dynamic management EQ: Frequency balance Delay & Reverb: space and depth Limiting: level control Special FX (ring mods, filters, etc.): to go further with the texture Export preparation: stereo, stems, separate tracks, formats suitable for mixing or mastering. In summary The goal is not to follow a fixed method, but to make concrete progress on a real musical project, regardless of the starting level. The idea is to start with a desire, a sound, a riff, a feeling... and turn it into a solid, inspired, controlled piece. This is what I have been doing for twenty years, and what I pass on here with rigor. Online lessons are available. Cubase is recommended but not required. You can work with other DAWs or directly with stems/audio files as needed.
Computer generated music
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Zied - Tunisia53€
53€
Sound (music) · Audio production · Computer generated music
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App - Jyvaskyla, Finland48€
48€Private course of Piano/Composition/Computer Music with AppMuse
Trusted teacher: < Learning Piano is not merely about playing the piano > Before starting to learn the piano, it’s essential to recognize that : '' What we are actually learning is "Music", but not only "Piano". '' The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym. < Music is like cooking > When we cook, to make roast beef tender, of course, it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beef won’t become tender merely by our tender heart. By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling. To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which the piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, and notes we write. < Difference between an audience and a musician > There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey. The understanding of the mechanism behind music is essential, as cooking, and that is the difference between an audience and a musician. As an audience, one can simply feel the music. Like a chief who knows how to create a specific flavor to convey, a musician knows how to create the sound which can convey the feeling we want. While knowing which feeling we want is great, it’s merely the first step. Your emotions are not too different from Chopin, Beethoven, Adele or Taylor Swift, otherwise, they can’t resonate with you. But they know how to create the sound that conveys the feeling they want to their audience. < Course Content > I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects that are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more. In avoid of confusion, let’s still call my course as "Piano Course”. < Duration > For each course, I will reserve at least 70 minutes in my schedule for you, including 60 minutes of class time and an additional 10 minutes for discussion and any questions you may have. This will ensure that your courses are not rushed by the next student. This ensures that there is enough time for you to solve your piano and music problems. < Recording > I highly encourage my students to record their progress. This can provide an objective standard for comparison and help you analyze your playing precisely. In my nine years of experience teaching music, I've found many students, including those advanced, already play certain sections very well, while other sections may not be not well enough. But they still try to improving those fine sections, while not aware of those weak sections. Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals. If you have a digital piano, I can help you produce a video of your performance for each session. This can be a tangible record of your efforts and you can share it with your friends and family via YouTube or other platforms.
Piano · Music composition · Computer generated music
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Our students from 1190 Forest evaluate their Computer Generated Music teacher.

To ensure the quality of our Computer Generated Music teachers, we ask our students from 1190 Forest to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 27 reviews.

Piano lessons in French // Piano lessons in English. (Forest)
Jérémie
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Jeremie is a perfect piano teacher with a lot of patience :)
Review by ERMIONI
Office automation courses with Microsoft Office or Open / LibreOffice (Saint-Gilles)
Corinne
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Excellente prestation. Grande disponibilité.
Review by ALAIN
Jazz piano and classical piano in SAINT-GILLES by qualified professional PIANIST/COMPOSER/PEDAGOGUE (Saint-Gilles)
Yannick
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Great lesson!
Review by MARTIN

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