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This teacher has a fast response time and rate, demonstrating a high quality of service to their students.
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Since December 2025
Instructor since December 2025
Violin, Viola, Piano and music theory/solfege lessons for all ages and levels in Den Haag
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From 56.46 $ /h
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Dear friends who love music. Would you like to enjoy music even more with me? - Violin, Viola, Piano and music theory/solfege lessons for all ages and levels in Den Haag.
In my lessons, I carefully teach you how to hold the instrument, the shape of your hands, make a good sound, and how to practice to improve, all tailored to your levels. I believe that improving your instruments requires steady practice and patience at first. Even five minutes a day is better than not touching the instruments at all. If you make it a daily habit for a week, two weeks, a month, six months, or a year, your level will definitely improve, you will be able to play the songs you want to play, and you will experience the joy of playing. Even if you cannot touch an instrument, singing loud out or in your head can still practice, and you will realize how important it is for improving your musical ability and expressing yourself. Why not try expressing the words of your heart that you normally cannot put into words through the sound of the instruments? I would be happy to help you improve your musical life.

My name is Sakura. I am a baroque violinist, graduated with a master of early music department at Koninglijk Conservatorium in Den Haag. I play the modern violin, viola, medieval fiddle and keyboard instruments as well.
Happy to share the music with you with all of my experiences of my music life and what I learned. Started playing the piano at 3 years old and the violin at 7 years old, then went to the music high school and Tokyo university of the Art in Japan. Also, I have learned classical ballet, traditional Japanese dance, playing the Koto, etc. All of that experience and fun are in my music. I hope to help you enjoy music even more.
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At student's location :
  • Around The Hague, Netherlands
About Me
My music education started from the piano and the modern violin, and I studied hard but I was fascinated by the sound and performing style of period instruments orchestra at 16 years old, and up to now. I enjoy exploring and performing the instrumental techniques and performance expressions of 16th to 19th century music on the baroque violin / viola and the medieval fiddle.
In 2017, I received 3rd prize in the ensemble competition “Maurizio Pratola” (Italy) with Les Petit Riens, and 2nd prize in the “Premio Bonporti International Baroque Violin Competition” (Italy).
I am currently performing and recording with international period instrument ensembles in The Netherlands, Germany, Spain, Italy, Belgium, Taiwan, China and Japan, including Bremer Barock Orchester, Le Concert des Nations orchestra and Bach Collegium Japan, Castello Consort, Luthers Bach Ensemble, Dutch Baroque, La Sfera, La Sorpresa etc.
Education
Tokyo University of the Arts
- Bachelor degree, Baroque Violin, 2015
Koninklijk Conservatorium Den Haag
- Artist Diploma, Baroque Violin, 2018
- Master of Music in Historical Performance, Baroque Violin, 2020
Experience / Qualifications
I am happy to be involved with music lovers and share music with you all. Music enriches our lives. I would like to enjoy the musical life together with you.
Age
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
30 minutes
45 minutes
60 minutes
The class is taught in
English
Japanese
Skills
Musical styles:
Baroque
Classical
Fiddle
Contemporary
Playing techniques:
Bowing techniques
Intonation
Scales & arpeggios
Vibrato
Availability of a typical week
(GMT -04:00)
New York
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At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Shintaro
First of all, I am glad that you found my information here. Unfortunately I'm not pleased that I often find some very bad amateurs try to fake themselves as they are professional pianist or teacher. They display themself fancy as they want since this labor isn't required a certification when it's private lessons. Beginners can not really decide if they are good or not. It is risky for motivated students. I have got some students through this site after having lessons by those fake teachers and I had to do so much work to re-start from the beginning with them.


Personally I was struggling to play the piano as well due to my first piano teacher who couldn't teach me properly at all. Several years later, I had rare luck to found better teachers who have certain experiences as concert pianists. I started trying to get rid of my bad behaviors and rebuild new technique over 10 years on the piano. It takes so much time to get rid of.. It was tough work but now I can really tell you what it was and you can see some results on my videos here. I got very conscious of using my body proper way while practicing and I got more flexibilities on the piano. Let me share what I can do with you.


Biography
Shintaro is considered a unique pianist as performing modern and historical pianos parallel. He spent his childhood and student years in Japan. He already received first prizes at several known national piano competitions in Japan while he was studying at Kyoto City University of Arts. In the year of his master's graduation, he gave a solo recital in Kyoto, and his recital was considered as one of the best performances of over 200 concerts in the year by the AOYMA Music Foundation. He earned The AOYAMA Music Awards in 2010 and graduated master of piano performance in KCUA with summa cum laude. He continued his career as a soloist with several professional orchestras in Japan. Some of those concerts were broadcast on TV and radio. Shintaro continued studying the piano at Lucerne Conservatory with Konstantin Lifschitz supported by Hella Siegrist Fonds and AOYMA Music Foundation. He performed the Left-hand concerto by Ravel with the Lucerne Symphony Orchestra and James Gaffigan in KKL Lucerne Concert Hall in 2014.

"A brilliant pianist with solid technique and sensitivities" - Luzerner Zeitung 2014
“Elegantly and with creative power, Shintaro presented Mozart's Piano Concerto in E-flat Major KV 449, the layers of sound always audible, the dynamics balanced. It was surprising that the jury awarded him second prize. “ - Freiburger Nachrichten 2015

At the same time, his interests carried forward him to play chamber music, Lied duo, and historical practices on historical fortepianos. He received the first prize at the Orpheus-Swiss Chamber Music Competition participated by master students of all Swiss conservatories in 2014, and the second prize at The Rotary International in Lugano. Shintaro moved to the Netherlands in 2015, and he completed his master of fortepiano (historical pianos) at The Hague Royal Conservatory. He has worked as an accompanist and ensemble pianist for the Rotterdam Philharmonic orchestra, Opera2day, Residentie Orkest in Den Haag, Noord Nederlands Orkest. He also performed Brahms's “Deutsch Requiem” with Shuann Chai on historical piano and Luthers Bach Choir on the tour in 2020, "Mad King" by Maxwell Davies in New European Ensemble on the tour in 2021, a chamber music concert with François Fernandez and Yun Kyung Kim at the Beethoven Festival in 2022.
Shintaro is a member of the New European Ensemble for the new opera “Don Quichot” by Vanni Moretto (composer) and Stefano Pintor (Librettist) collaborated with Opera2day and La Fonte Musica in the tour 2023.
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Dominyka
Dominyka is a professional singing and piano teacher that teaches at her music school or at student’s home. She has over 8 years of experience in teaching. Dominyka taught over 400+ students from 4 years old to 70+ years old. As a teacher, her mission goes beyond teaching you how to sing or play; she instills confidence and encourages individuality.

Important to mention that as a musician: a singer, singing and piano teacher that is currently based in The Hague - she also graduated a music school in violin and writes music.
Over the past decade she graduated from the Royal Conservatory in The Netherlands with Bachelor's and Master's degree in jazz singing and in pedagogical minor studies. In addition - completed a certificate of good conduct (VOG).

I am very communicative and patient. As I hear from my students, they say that they enjoy my classes very much! And I promise you, that you will learn a lot in engaging and fun manner!

I believe that each student should embrace what they would love to play, and I would consider to be open to what student wishes to play. I am very adaptable with my teaching methods to each individual because everybody process information differently. You can expect to have a great time, and learn each lesson something new. I adapt quickly and I am really good at what I do. 🎶

👇

In my lessons:
✅ You will learn how to read the notes
✅ You will learn how to read the chord symbols
✅ You will learn how to play chord progressions
✅ You will learn how to play melodies with both hands
✅ You will develop the rhythm sense
✅ You will learn how to connect your emotions into your playing
✅ You will be confident on how to practise on your own
✅ You will learn how to control dynamics
✅ You will be able to accompany yourself
✅ You will increase your memory
✅ You will be fluent in music notation
✅ You will learn to improvise
✅ You will feel freedom while playing

See you soon !
verified badge
Cristiano
String instruments are often associated with written classical music and, because of their technical complexity, many players rarely dare to move beyond the safety of the score. But improvisation is not a mysterious talent we are born with. It requires as much discipline as freedom and develops through a specific set of skills that can be understood, practiced, and ultimately transformed into performance.

After more than ten years of teaching improvisation to professional string players at conservatory level, I have developed an approach that rethinks fingerboard visualization and the relationship between the ear, the hand, and the instrument, making improvisation more accessible to string players from all backgrounds.

In these lessons, I will help you understand the logic of the fingerboard, transpose effortlessly in any key, and visualize the shapes of any chord, expanding its harmonic possibilities for accompaniment. I will also show you how to create effective grooves through chops and percussive techniques, while developing a melodic language that goes beyond scales and patterns. We will explore styles including Jazz, Blues, Fusion, Pop, Rock, Brazilian, and World Music. (According to the style, we can also work with loops and effects.)

This class is intended for musicians with a solid technical command of their instrument who want to develop their improvisation skills, whether they are taking their first steps in improvised music or already have previous experience.

The lessons will be tailored to each student. I will adapt to your learning rhythm while keeping you challenged at the same time. You will receive regular feedback, advice, guidance, and learning materials.
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Contact Sakura
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Similar classes
arrow icon previousarrow icon next
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Shintaro
First of all, I am glad that you found my information here. Unfortunately I'm not pleased that I often find some very bad amateurs try to fake themselves as they are professional pianist or teacher. They display themself fancy as they want since this labor isn't required a certification when it's private lessons. Beginners can not really decide if they are good or not. It is risky for motivated students. I have got some students through this site after having lessons by those fake teachers and I had to do so much work to re-start from the beginning with them.


Personally I was struggling to play the piano as well due to my first piano teacher who couldn't teach me properly at all. Several years later, I had rare luck to found better teachers who have certain experiences as concert pianists. I started trying to get rid of my bad behaviors and rebuild new technique over 10 years on the piano. It takes so much time to get rid of.. It was tough work but now I can really tell you what it was and you can see some results on my videos here. I got very conscious of using my body proper way while practicing and I got more flexibilities on the piano. Let me share what I can do with you.


Biography
Shintaro is considered a unique pianist as performing modern and historical pianos parallel. He spent his childhood and student years in Japan. He already received first prizes at several known national piano competitions in Japan while he was studying at Kyoto City University of Arts. In the year of his master's graduation, he gave a solo recital in Kyoto, and his recital was considered as one of the best performances of over 200 concerts in the year by the AOYMA Music Foundation. He earned The AOYAMA Music Awards in 2010 and graduated master of piano performance in KCUA with summa cum laude. He continued his career as a soloist with several professional orchestras in Japan. Some of those concerts were broadcast on TV and radio. Shintaro continued studying the piano at Lucerne Conservatory with Konstantin Lifschitz supported by Hella Siegrist Fonds and AOYMA Music Foundation. He performed the Left-hand concerto by Ravel with the Lucerne Symphony Orchestra and James Gaffigan in KKL Lucerne Concert Hall in 2014.

"A brilliant pianist with solid technique and sensitivities" - Luzerner Zeitung 2014
“Elegantly and with creative power, Shintaro presented Mozart's Piano Concerto in E-flat Major KV 449, the layers of sound always audible, the dynamics balanced. It was surprising that the jury awarded him second prize. “ - Freiburger Nachrichten 2015

At the same time, his interests carried forward him to play chamber music, Lied duo, and historical practices on historical fortepianos. He received the first prize at the Orpheus-Swiss Chamber Music Competition participated by master students of all Swiss conservatories in 2014, and the second prize at The Rotary International in Lugano. Shintaro moved to the Netherlands in 2015, and he completed his master of fortepiano (historical pianos) at The Hague Royal Conservatory. He has worked as an accompanist and ensemble pianist for the Rotterdam Philharmonic orchestra, Opera2day, Residentie Orkest in Den Haag, Noord Nederlands Orkest. He also performed Brahms's “Deutsch Requiem” with Shuann Chai on historical piano and Luthers Bach Choir on the tour in 2020, "Mad King" by Maxwell Davies in New European Ensemble on the tour in 2021, a chamber music concert with François Fernandez and Yun Kyung Kim at the Beethoven Festival in 2022.
Shintaro is a member of the New European Ensemble for the new opera “Don Quichot” by Vanni Moretto (composer) and Stefano Pintor (Librettist) collaborated with Opera2day and La Fonte Musica in the tour 2023.
verified badge
Dominyka
Dominyka is a professional singing and piano teacher that teaches at her music school or at student’s home. She has over 8 years of experience in teaching. Dominyka taught over 400+ students from 4 years old to 70+ years old. As a teacher, her mission goes beyond teaching you how to sing or play; she instills confidence and encourages individuality.

Important to mention that as a musician: a singer, singing and piano teacher that is currently based in The Hague - she also graduated a music school in violin and writes music.
Over the past decade she graduated from the Royal Conservatory in The Netherlands with Bachelor's and Master's degree in jazz singing and in pedagogical minor studies. In addition - completed a certificate of good conduct (VOG).

I am very communicative and patient. As I hear from my students, they say that they enjoy my classes very much! And I promise you, that you will learn a lot in engaging and fun manner!

I believe that each student should embrace what they would love to play, and I would consider to be open to what student wishes to play. I am very adaptable with my teaching methods to each individual because everybody process information differently. You can expect to have a great time, and learn each lesson something new. I adapt quickly and I am really good at what I do. 🎶

👇

In my lessons:
✅ You will learn how to read the notes
✅ You will learn how to read the chord symbols
✅ You will learn how to play chord progressions
✅ You will learn how to play melodies with both hands
✅ You will develop the rhythm sense
✅ You will learn how to connect your emotions into your playing
✅ You will be confident on how to practise on your own
✅ You will learn how to control dynamics
✅ You will be able to accompany yourself
✅ You will increase your memory
✅ You will be fluent in music notation
✅ You will learn to improvise
✅ You will feel freedom while playing

See you soon !
verified badge
Cristiano
String instruments are often associated with written classical music and, because of their technical complexity, many players rarely dare to move beyond the safety of the score. But improvisation is not a mysterious talent we are born with. It requires as much discipline as freedom and develops through a specific set of skills that can be understood, practiced, and ultimately transformed into performance.

After more than ten years of teaching improvisation to professional string players at conservatory level, I have developed an approach that rethinks fingerboard visualization and the relationship between the ear, the hand, and the instrument, making improvisation more accessible to string players from all backgrounds.

In these lessons, I will help you understand the logic of the fingerboard, transpose effortlessly in any key, and visualize the shapes of any chord, expanding its harmonic possibilities for accompaniment. I will also show you how to create effective grooves through chops and percussive techniques, while developing a melodic language that goes beyond scales and patterns. We will explore styles including Jazz, Blues, Fusion, Pop, Rock, Brazilian, and World Music. (According to the style, we can also work with loops and effects.)

This class is intended for musicians with a solid technical command of their instrument who want to develop their improvisation skills, whether they are taking their first steps in improvised music or already have previous experience.

The lessons will be tailored to each student. I will adapt to your learning rhythm while keeping you challenged at the same time. You will receive regular feedback, advice, guidance, and learning materials.
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Contact Sakura