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Discover the Best Private Music Composition Classes in Canada

For over a decade, our private Music Composition tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in Canada, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

7 music composition teachers in Canada

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7 music composition teachers in Canada

Trusted teacher: Do you or your child want to broaden your musical horizons? Learn how to integrate technology into your music learning? Want to know how to turn a song idea into an audio file professionally? Maybe just introduce you to music in general? Or deepen your knowledge of computer composition? YOU'VE COME TO THE RIGHT PLACE! ☺♫ What I offer: → Complete training in DAW software (Ableton Live and others!) → In-depth exploration of electronic instruments (synthesizers, MIDI controllers) → Instrumental recording techniques and construction of audio models → Hearing training and awareness of the different characteristics of sound (timbre, pitch, audio effects) → Experimental sound creation and sound design (eg: reproducing the roar of the T-REX) → Introduction to music theory and composition → Support and coaching for your musical project → What you think is relevant to your journey! The course will be adapted to your needs and all subjects are adaptable to your level! Simple, fun and enriching! But why learn all this? → Computers today have an essential and central role in music in general. No matter what musical style you listen to, it is necessary that these artists have used DAW technologies to deliver their piece to you. Also, the accessibility of software today allows anyone with an artistic intention to be able to exploit it and offer it to the general public. ¤ Computer access is ideal for taking classes, but I am open to discussing alternative options! ¤
Computer generated music · Music composition · Children's music
-- I also teach in english -- My lessons are for anyone wishing to approach the piano in a personalized way, regardless of the style and level targeted. I divide my teaching into equal parts between theory (melody, harmony and rhythm) and practice (all pieces of your choice), the aim being to offer you a grid of global understanding of writing and musical interpretation. I start from the principle that you have to have fun from the start, while looking for a high level of autonomy. -- About me -- Having grown up abroad (in the Central African Republic then in Saudi Arabia), I had the chance to learn the piano through an eclectic teaching. In particular, I was a student of Gulmira Abdukhalikova, a Kazakh concert artist now based in Abu-Dhabi, who made me progress by applying the famous "Russian method". At 13, I won 3rd place in the International Piano Competition of Île de France at Maisons-Lafitte. At the end of my adolescence, I participated in the Big Band of the Children of Jazz, within the framework of a festival organized each year in Barcelonette by Stéphane Kochoyan (who was also, at the time, artistic director of the Jazz Festival in Vienna). Subsequently, I set sail for Canada where I lived for six years. I co-animated several Open-Mics of poetry, as a pianist-improviser, and I produced two albums: "Fragments" (2018) and "Echoes of space-time" (2019), the latter having been 100% improvised and recorded "one-shot" in the studio. At the end of 2020, three years after having started giving piano lessons in Canada and France, I publish "The method of the self-taught pianist" as well as my own sight-reading manual.
Piano · Music composition · Music theory lessons
Trusted teacher: Who is this workshop for? For anyone curious about sound, all music, music in general, who wants to manufacture, build, examine ... (from 12 or 13 years old). Do you need to know music theory? No. But familiarity with music of various styles can be of great help. DJ? "Electro" music? No ! We will not learn here to be a DJ or to compose “dance-music”, “electro” music in the commonly understood sense, not even songs. Do you need to know the computer? It is better if it is, but learning can be done at the same time as musical research. Is this course a software learning course? No. I give the basics (only on Logic Pro X or Garageband) to be able to compose but I do not teach the deep use of software. Is it necessary to have a computer? Yes ! A "workshop" rather than a class? The course takes the form of a practical workshop, listening sessions, criticism of works. By computer? Everything happens on a computer once sound elements of all kinds have been recorded. Editing, transformation, mixing on software designed for this. No software required. The proposed route can be adapted to any multitrack sequencing software. The computer is only a tool, it is the composer who makes the music. Practically what do we do? The composer works “from the sounds” that he has most often recorded himself. He chooses them, assembles them, deforms them, mixes them according to his project, at will. of his intuition, his ideas and desires, gradually builds a music. For those who wish and need it, exercises are offered which allow to approach at the same time techniques of realization and precise musical proposals. Composition / Invention It is not a question of declaring themselves all composers, but of affirming that we can all ask ourselves composers' questions, with both seriousness and imagination. To confront the game of a free invention. What musical orientation? What style ? This is a “musical research” process: seek to invent a music beyond traditional values - note pitches, regular pulsations, instrumental timbres - without forbidding all that. A “music of sounds”, in the broadest possible sense, a “music of all sounds “as opposed to what one could obviously call too simplified“ a music of notes ”. This choice, which apparently seems to shake up musical uses, is nevertheless part of a tradition of more than a century and rich in a repertoire that is too little known and which has had various names: - Electroacoustic music - Concrete music - Acousmatic music - Contemporary music Finally, we each have a precious tool to never forget: our ear, and a fascinating and rewarding job to lead, questioning about oneself.
Music composition · Computer generated music · Sound (music)
Meet even more great teachers. Try online lessons with the following real-time online teachers:
Trusted teacher: Hi, my name is Jim. I'm an electronic music producer with a Master’s degree in Music from the Fontys Academy of Arts (Rockacademie) in Tilburg, Netherlands. Music has always been my way of exploring the world — through raw field recordings, synthesis, and emotional storytelling. Over the past 12 years, I’ve developed a complete, self-sufficient creative process: from concept to composition, sound design to vocal production, mixing, mastering, and live performance. I’m passionate about helping others gain those same end-to-end technical skills — so they can bring their own musical vision fully to life. As Malvae, I’ve written, sung, recorded, produced, mixed, mastered, and performed all of my work. My music reached #17 in the Spotify Viral 50 charts in the USA, gathered millions of streams, and featured in international film productions including King of the Streets and Netflix’s Terrace House Japan. One of the most formative moments in my career was my Amazonas album project, where I traveled into the Amazon rainforest to record and manipulate natural sounds. 90% of that album was created entirely from these field recordings, reshaped through granular synthesis and advanced sound design into a cohesive sonic journey. That experience deeply shaped how I approach my music and how I teach sound design and composition. I’ve headlined shows at iconic venues like Melkweg Amsterdam with immersive, self-built audiovisual live sets using Ableton Live, modular gear, sequencers, and Resolume for live integrated visuals. I curated my own events and performed at venues like A’dam Tower, OT301. I also teach at studios such as Wisseloord in Hilversum, guiding students through the technical and creative intersections of sound and performance. Selected Works & Collaborations: My EP Like Bees to a Hive began as a soundscape for fashion brand Lobomar’s collection Final Orders, Please, presented at the Amsterdam World Museum. I collaborated with South African poet Julia-Beth Harris, integrating her spoken word into a seamless, atmospheric release. From sequential Prophet 6 textures to ADX1 drum machine layers and detailed field recordings, I handled every layer, from concept through multitrack production to the final live performance in London. My Chrysalis EP, released as a limited-edition heavyweight red vinyl, pushed that even further, combining ethereal vocals, analog grit, and unique textures to craft an emotionally rich release. I personally led every part of the project’s technical and creative execution, from arrangement and vocal production to final mixing, mastering and vinyl press preparation. In addition to my own projects, I’ve worked as a vocal producer and mixing engineer, including on Esther Veen’s EP Before I Go, where I handled recording, complex vocal layering, creative processing, production, multivocal arrangement and final mixing to deliver a polished, high-impact sound. About the lessons: My sessions are fully customised to your experience level, goals and grounded in real-world music production. Whether you’re just getting started or want to deepen your technical ability, you’ll learn how to develop professional workflows and the creative independence to finish what you start. We can explore: - Building advanced music production workflows and creative strategies - Recording, Composition, arrangement, and storytelling through sound - Full-stack mixing and mastering — from bedroom setups to pro-level delivery - Synthesis and sampling — from sound shaping basics to high-level manipulation - Multi vocal production, vocal recording, editing, layering, FX, and creative processing techniques - Translating your music into a compelling live set with Ableton Live - Applying music theory practically in electronic, cinematic, and contemporary music Lessons are available online or in-person at my studio in Amsterdam. For online students, I use high-quality real-time tools that allow us to collaborate with full-resolution audio directly from your DAW — no screen sharing limitations, just real work in real time. My own musical path often started by blending the sounds I encountered in the world, whether from distant rainforests or my own voice , into something personal and expressive. I found my sound that way, and I’d love to help you find yours. (And don’t worry — we won’t have to go to the ends of the earth to do it. I’ll show you how to turn the sounds you already have into something truly your own.) Whether you're just starting out or ready to go deeper, I look forward to helping you grow through structured, creative, and technically grounded electronic music education.
Ableton live · Music composition · Audio production
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Our students from Canada evaluate their Music Composition teacher.

To ensure the quality of our Music Composition teachers, we ask our students from Canada to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.8 out of 5 based on 13 reviews.

Electronic Music Production – Ableton Live, Synthesis, Sound Design, Composition, Mixing, Mastering, and Live Performance (Amsterdam)
Jim
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I had been searching for electronic music production lessons for my son, who loves creating music on FL Studio, for some time. When I saw Jim's ad, I was impressed by his credentials and experience in the field, so I decided to book a lesson for my son. My son really enjoyed the lesson and found Jim's teaching style engaging and interactive. Jim was able to explain complex concepts in a way that was easy to understand, and he tailored the lesson to my son's interests, which made the learning experience even more enjoyable. My son left the lesson feeling inspired and motivated to continue with Jim as his tutor. As a parent, I am pleased to have found such a skilled and dedicated tutor, and I would highly recommend Jim to anyone looking for high-quality electronic music production lessons.
Review by SVETLANA
Classical and modern cello classes in Barcelona (Barcelona)
Andrea López
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The teacher was warm, attentive, and very clear in her explanations. She quickly identified areas I could improve and gave me practical tips to work on. Highly recommended!
Review by JIAN
Composition and Arranging in jazz, classical and contemporary styles (Amsterdam)
Sofiia
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rating green star
Very friendly and knowledgeable. Highly recommended.
Review by MIKE
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