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Cello lessons / Cours de violoncelle / Lekcje wiolonczeli

Cello/ chamber music lessons given by the artist in residence at the Queen Elisabeth Music Chapel,
Giving regularly masterclasses (Courchevel International Chamber music festival, Princeton University summer festival...)
Collaboration with Julliard School teachers.
Experience with teenagers, young adults.

Location

At teacher's location: Avenue Sleeckx, 1030 Schaerbeek, Belgium
At student's location: Around Brussels, Belgium

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General info

suitcase iconSkills:
Age:
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level:
Beginner
Intermediate
Advanced
Duration:
30 minutes
60 minutes
90 minutes
The class is taught in:English, French, Polish

About Me

Born in Poland, Kacper began playing the cello at the age of eight. A year later, he was the laureate of the Liezen Cello Competition in Austria and entered the Fryderyk Chopin School in Poznan, in the class of D. Taczanowska.

Having won several national and international competitions, he became amember of the National Foundation for Gifted Children. In 2005 he won first prize at the Concours de Woluwé St-Pierre in Brussels and the following year he entered the Royal Conservatory of Brussels in the class of D. Poskin. In 2010 he joined the class of M. Kliegel in Cologne and won both the Van Cutsem prize and the Fely Wasselle prize. He subsequently pursued his studies with J. Grimm at the Royal Conservatory of Antwerp and in 2012 won the grand prize of the Prix Edmond Baert competition. In 2014 Kacper obtained his master’s degree summa cum laude and was awarded the Oranjebeurs scholarship from the Netherlands. He has participated in a number of master classes with musicians such as G. Caussé, B. Vodenitcharov, F. Springuel, G. Capuçon, the Danel Quartet and J. G. Queyras. Since September 2014 Kacper has been studying at the Queen Elisabeth Music Chapel in Belgium, under the direction of GaryHoffman where he received a full scholarship by Haas-Teichen.

In August 2015 Kacper wins the first prize and the public prize at ISolisticompetition in Belgium, and in September he becomes a laureate of the 22nd Johannes Brahms Competition in Austria.

Il Summer 2017 he will be giving a masterclass at the prestigious Princeton University among professors of the Juilliard School.

Education

Conservatoire Royal de Bruxelles

Royal Conservatory of Antwerp

Hochschule für Musik und Tanz Köln/Cologne

Résidence Artistique Chapelle Musicale Reine Elisabeth

Experience / Qualifications

Giving Masterclasses in Belgium, France, United States,
Concerts in US, Europe and Asia
Solo performances with Klagenfurt Symphony Orchestra ( Austria), OSEL, Orchestre Royal de chambre de Wallonie (Belgium), Orchestre du Conservatoire Royal de Mons.
Laureate of I Solisti competition, prix Van Cutsem, Felly Waselle, Liezen International Cello Competition, Prix Edmond Baert, International Johannes Brahms Competition...

Reviews (1)

very good

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Availability of a typical week

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from 52€At teacher's location
from 56€At student's home

Good-fit Instructor Guarantee


If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.

Online reputation

  • Instructor since January 2017
  • Phone number verified

Availability of a typical week

(GMT -04:00) New York
MonTueWedThuFriSatSun
0              
1              
2              
3            Saturday at 3:00  
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from 52€At teacher's location
from 56€At student's home

Good-fit Instructor Guarantee


If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.

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Ana Maria
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Aleksandra
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Sebastian
cello lessons for those who wish to know the beautiful and deep world of music
For beginners, a form of instrument approach is used in a natural way, body / instrument relationship, the basic technique is worked a lot, always with a focus on the sensitivity of the music and in a creative way. the goal of mastering a work that is musically and technically correct For intermediaries, the technique has been perfected and any bad habits have been corrected. and the musical potential begins to be exploited, the technique is worked on with an interpretive approach. start preparing the directory For the advanced, the musicality and the search for their own musical discourse are worked on, the technical details continue to be worked on but more centered on their own musical idea. always with a concert repertoire approach