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Since January 2024
Instructor since January 2024
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Lyric Studio vocal coaching
From 57.57 $ /h
I welcome you to my lyrical studio to offer you real vocal coaching.
During our session we will discover all of your vocal possibilities, approach your repertoire and concentrate our efforts on your objectives.
From the hobby to the conservatory student wanting to perfect their vocal technique, to the professional who wants to go further in working on their voice or working on their repertoire, preparing for auditions, exams and competitions. under the ear of a true professional, all are welcome.
Trained by several great Italian masters, heirs of a singing tradition that is too little taught today, the educational approach that I propose takes place in two stages.
The work of vocal technique and the in-depth work of your voice.
The work of lyrical singing requires rigor and diligence in order to achieve objectives leading to mastery of the vocal instrument.
The second step is to approach your repertoire, to place the technique on the tunes or roles that you are approaching.
However, depending on your objectives, it may be interesting to sometimes concentrate on the technical side, other times to concentrate on the repertoire covered.
Possibility of being accompanied by a pianist when working on the repertoire (by reservation).
During our session we will discover all of your vocal possibilities, approach your repertoire and concentrate our efforts on your objectives.
From the hobby to the conservatory student wanting to perfect their vocal technique, to the professional who wants to go further in working on their voice or working on their repertoire, preparing for auditions, exams and competitions. under the ear of a true professional, all are welcome.
Trained by several great Italian masters, heirs of a singing tradition that is too little taught today, the educational approach that I propose takes place in two stages.
The work of vocal technique and the in-depth work of your voice.
The work of lyrical singing requires rigor and diligence in order to achieve objectives leading to mastery of the vocal instrument.
The second step is to approach your repertoire, to place the technique on the tunes or roles that you are approaching.
However, depending on your objectives, it may be interesting to sometimes concentrate on the technical side, other times to concentrate on the repertoire covered.
Possibility of being accompanied by a pianist when working on the repertoire (by reservation).
Location
At teacher's location :
- Liège, Belgique
About Me
Qualified teacher and lyrical artist (dramatic tenor), having trained with great Italian masters, it was with Giuseppe Giacomini, Marcelo Giordani and Bonaldo Giaiotti that I learned my skills.
Education
I began my studies at the Maastricht Conservatory, then continued with an Erasmus at
Santa Cecilia Conservatory in Rome, then completed my course at
Luxembourg Conservatory.
Santa Cecilia Conservatory in Rome, then completed my course at
Luxembourg Conservatory.
Experience / Qualifications
On stage, in the roles of Canio (Pagliacci) in 2021, Don José (Carmen), Lenski (Eugene Onegin) Bacchus (Ariadne auf Naxos).. Also in several German Lied cycles such as Mahler's Rückert Lieder, the Dichterliebe of Schumann., Rachmaninov, Mussorgsky, Duparc, Strauss, Puccini, Verdi and Wagner.
Or to the oratorio in The Childhood of Christ and the Te Deum by Berlioz, the Requiem by Verdi and Mozart, The Messiah and Samson by Handel.
Among my future projects we can cite Samson (Samson et Dalila), Radames (Aida), Manrico (Il Trovatore), Lohengrin by Wagner and Fritz (L'Amico Fritz by Mascagni).
In addition to a didactic master's degree in lyrical singing and musical training, I perfected my pedagogy with teachers such as David L. Jones (New York), Nicolai Martinucci, Salvatore Fisichella, Anna Maria Chiuri, Annick Massis (Paris) and Mirella Freni.
And vocal technique during masterclasses with Deborah Voigt (Minnesota, USA), Renée Fleming (New York), Jonas Kaufmann (Munich) and Siegfried Jerusalem (Geneva).
In this complete training, I can also add having worked under the Baguette of Jesus Lopez-Cobos, Speranza Scapucci, Felix Underwood and Phillip Jordan.
Or to the oratorio in The Childhood of Christ and the Te Deum by Berlioz, the Requiem by Verdi and Mozart, The Messiah and Samson by Handel.
Among my future projects we can cite Samson (Samson et Dalila), Radames (Aida), Manrico (Il Trovatore), Lohengrin by Wagner and Fritz (L'Amico Fritz by Mascagni).
In addition to a didactic master's degree in lyrical singing and musical training, I perfected my pedagogy with teachers such as David L. Jones (New York), Nicolai Martinucci, Salvatore Fisichella, Anna Maria Chiuri, Annick Massis (Paris) and Mirella Freni.
And vocal technique during masterclasses with Deborah Voigt (Minnesota, USA), Renée Fleming (New York), Jonas Kaufmann (Munich) and Siegfried Jerusalem (Geneva).
In this complete training, I can also add having worked under the Baguette of Jesus Lopez-Cobos, Speranza Scapucci, Felix Underwood and Phillip Jordan.
Age
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
90 minutes
120 minutes
The class is taught in
French
English
Availability of a typical week
(GMT -05:00)
New York
At teacher's location
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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