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Discover the Best Private Music Composition Classes in U.S. 1

For over a decade, our private Music Composition tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in U.S. 1, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

Private lessonsMusic Composition

25 music composition teachers in U.S. 1

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25 music composition teachers in U.S. 1

Louis-Thomas - Montreal, 1034€
34€Private lessons in MAO/Synthesizers/Recording/Hearing training/Experimental sound creation
Trusted teacher: Do you or your child want to broaden your musical horizons? Learn how to integrate technology into your music learning? Want to know how to turn a song idea into an audio file professionally? Maybe just introduce you to music in general? Or deepen your knowledge of computer composition? YOU'VE COME TO THE RIGHT PLACE! ☺♫ What I offer: → Complete training in DAW software (Ableton Live and others!) → In-depth exploration of electronic instruments (synthesizers, MIDI controllers) → Instrumental recording techniques and construction of audio models → Hearing training and awareness of the different characteristics of sound (timbre, pitch, audio effects) → Experimental sound creation and sound design (eg: reproducing the roar of the T-REX) → Introduction to music theory and composition → Support and coaching for your musical project → What you think is relevant to your journey! The course will be adapted to your needs and all subjects are adaptable to your level! Simple, fun and enriching! But why learn all this? → Computers today have an essential and central role in music in general. No matter what musical style you listen to, it is necessary that these artists have used DAW technologies to deliver their piece to you. Also, the accessibility of software today allows anyone with an artistic intention to be able to exploit it and offer it to the general public. ¤ Computer access is ideal for taking classes, but I am open to discussing alternative options! ¤
Computer generated music · Music composition · Children's music
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Mathias - Montreal, 1037€
37€Studio musician gives piano (and composition) lessons in Montreal
-- I also teach in english -- My lessons are for anyone wishing to approach the piano in a personalized way, regardless of the style and level targeted. I divide my teaching into equal parts between theory (melody, harmony and rhythm) and practice (all pieces of your choice), the aim being to offer you a grid of global understanding of writing and musical interpretation. I start from the principle that you have to have fun from the start, while looking for a high level of autonomy. -- About me -- Having grown up abroad (in the Central African Republic then in Saudi Arabia), I had the chance to learn the piano through an eclectic teaching. In particular, I was a student of Gulmira Abdukhalikova, a Kazakh concert artist now based in Abu-Dhabi, who made me progress by applying the famous "Russian method". At 13, I won 3rd place in the International Piano Competition of Île de France at Maisons-Lafitte. At the end of my adolescence, I participated in the Big Band of the Children of Jazz, within the framework of a festival organized each year in Barcelonette by Stéphane Kochoyan (who was also, at the time, artistic director of the Jazz Festival in Vienna). Subsequently, I set sail for Canada where I lived for six years. I co-animated several Open-Mics of poetry, as a pianist-improviser, and I produced two albums: "Fragments" (2018) and "Echoes of space-time" (2019), the latter having been 100% improvised and recorded "one-shot" in the studio. At the end of 2020, three years after having started giving piano lessons in Canada and France, I publish "The method of the self-taught pianist" as well as my own sight-reading manual.
Piano · Music composition · Music theory lessons
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Brian - Brookhaven, NY62€
62€Viola, violin and music theory lessons with a Peabody-trained violist
Hello! I am a Long Island-based viola and violin teacher currently working towards a Master's degree in viola performance at Stony Brook University. I have taught more than a dozen violin and viola students ages 6-70 over the past 5 years, and I continue to maintain a hybrid studio in Northern Virginia in addition to lessons online and on Long Island. I hold a Bachelor of Music degree in viola from the Peabody Institute of Music in Baltimore. I care deeply about the quality of my lessons, and I continuously improve my teaching materials to meet the needs of each student and to reflect each new insight I gain about string playing. My approach in lessons is based on having a long term plan for each student of becoming an excellent all-around musician, while achieving satisfying results in the short term. The most important skill I focus on with every student, young and old, is being able to analyze a technical or musical problem, break it down into a set of realistic steps, and work with efficiency to gain and retain the results. In other words: understanding how to practice in a rewarding but challenging way. In my viola and violin lessons, music theory work is vital to making musical progress, whether through understanding chords and tonal harmony, or simply reading music fluently. I was the recipient of the Azalia H. Thomas Prize for Music Theory in my graduating class at Peabody, and I regularly compose and arrange music for my students and peers. I am glad to teach theory and composition independently of instrumental instruction for interested students, but know that if you would like to study an instrument with me, you will build a great base knowledge of theory.
Viola · Music theory lessons · Music composition
Adrian - Williamsburg, NY85€
85€Piano, Composition, Theory, Guitar with Yale-educated Composer and Multi-instrumentalist
Trusted teacher: I offer lessons in guitar/bass, piano/keyboard (classical/experimental/pop/jazz), composition/songwriting, production/recording (DAWs, mixing, editing etc). No matter what level we're on, as musicians and artists we're all part of a wonderful and strange ongoing human project, and I believe that it's my duty to share the knowledge and skills that I've accumulated throughout the course of my life and career. Over the years, my work has branched out in many different stylistic directions but I am firmly rooted in avant-garde/classical music. I hold two degrees in composition: a Master of Music '11 from the Yale School of Music where I also taught undergraduate lessons in composition; and a BA in Music Composition from the Royal College of Music in Stockholm, Sweden ('09). I've written large scale works for orchestra, chamber pieces, solo music for a variety of instruments, works with multichannel electronics, and works for theater and dance. For those interested, my recorded work is easily accessible online on a variety of labels and my scores are available from Schott Music New York. As a pianist, I began formal training at age 6 and worked through much of the classical repertoire before deciding to focus fulltime on composition. I am also an accomplished studio musician, improviser (jazz/free/experimental), and a member of several groups/ensembles. A firm believer in the use of intuition as a primary tool in music making of all kinds, I would like our lessons to be shaped according to your needs and interests. No matter what level you are on, my goal will always be to offer you exactly what you need at each given step. I treat each student as a unique collaborative effort. Apart from technical and aesthetic approaches, it is usually very difficult and takes a long time to find one's 'voice' as a performer, writer or producer; this is inevitable except in rare cases, and I will endeavour to teach you to trust in your own abilities, overcome insecurities and doubts, and connect your artistic practice with a more unified mindset that goes beyond imagined technical and stylistic limitations and aesthetic policing. The main point is to eradicate unnecessary obstacles to your creativity and learn to trust your intuition and choices.
Music composition · Music theory lessons · Piano
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Barbara - Montreal, 1036€
36€Learn electroacoustic composition - sound creation and sound techniques
Trusted teacher: Who is this workshop for? For anyone curious about sound, all music, music in general, who wants to manufacture, build, examine ... (from 12 or 13 years old). Do you need to know music theory? No. But familiarity with music of various styles can be of great help. DJ? "Electro" music? No ! We will not learn here to be a DJ or to compose “dance-music”, “electro” music in the commonly understood sense, not even songs. Do you need to know the computer? It is better if it is, but learning can be done at the same time as musical research. Is this course a software learning course? No. I give the basics (only on Logic Pro X or Garageband) to be able to compose but I do not teach the deep use of software. Is it necessary to have a computer? Yes ! A "workshop" rather than a class? The course takes the form of a practical workshop, listening sessions, criticism of works. By computer? Everything happens on a computer once sound elements of all kinds have been recorded. Editing, transformation, mixing on software designed for this. No software required. The proposed route can be adapted to any multitrack sequencing software. The computer is only a tool, it is the composer who makes the music. Practically what do we do? The composer works “from the sounds” that he has most often recorded himself. He chooses them, assembles them, deforms them, mixes them according to his project, at will. of his intuition, his ideas and desires, gradually builds a music. For those who wish and need it, exercises are offered which allow to approach at the same time techniques of realization and precise musical proposals. Composition / Invention It is not a question of declaring themselves all composers, but of affirming that we can all ask ourselves composers' questions, with both seriousness and imagination. To confront the game of a free invention. What musical orientation? What style ? This is a “musical research” process: seek to invent a music beyond traditional values - note pitches, regular pulsations, instrumental timbres - without forbidding all that. A “music of sounds”, in the broadest possible sense, a “music of all sounds “as opposed to what one could obviously call too simplified“ a music of notes ”. This choice, which apparently seems to shake up musical uses, is nevertheless part of a tradition of more than a century and rich in a repertoire that is too little known and which has had various names: - Electroacoustic music - Concrete music - Acousmatic music - Contemporary music Finally, we each have a precious tool to never forget: our ear, and a fascinating and rewarding job to lead, questioning about oneself.
Music composition · Computer generated music · Sound (music)
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Lou-Indigo - Brussels, BelgiumRecently active42€
42€Guitar / Bass / Ukulele / Theory
Trusted teacher: The course that I propose is BILINGUAL FRENCH / ENGLISH, as well as 2 BOOKS. Age and musical taste are not restrictive when in the program, you can with qualitative daily work (not quantitative) quickly observe your progress. Here the pleasure of playing music is put forward. The kind of music you love most will be the focus of the course, their codes and secrets will be the focus of our study, that's what I want to share with you. We can do technical lessons and simply learn together how to play one or more songs of your choice or mine, enrich your game with this approach and your repertoire! (For example, We can re-arrange the pieces and make them more original by approaching the system (CAGED), and enriching their chords, resulting in new positions, new techniques and new sounds, using arpeggio techniques rather than strumming for 4-chord pieces, voicing and fingerstyle techniques, in short, expanding the instrument's playing fields and playing skills to keep progressing in your game and improve your rehearsals ...) If you make a request, this program is obviously accompanied by the pleasure of learning more in theory and being able to directly apply new knowledge on its instrument and identify its common or rare use in the pieces discussed in class. In this case, the theory is translated to be accessible to anyone, both for those who are connoisseurs and for those who discover everything from absolute zero. The exercises, songs, and theoretical explanations offered throughout the program are organized in an order of progressive difficulty. I wrote and produced 2 books of my method to learn the guitar and the music, that I sell to accompany my course and your apprenticeship in the best conditions and so that you can continue the course even at home and to review etc ... . There is ONE BOOK OF COURSES containing all the theoretical and practical program of the year, as well as a BOOK OF EXERCISE on the ranges and the modes that you can obtain directly. You can find here an indicative list of objectives that I propose in my theoretical program, which can of course adapt to your request. The general theoretical objectives of the course: --- Tuning / tuning and knowing his guitar: * Standard Tuning * Drop Tuning * Open Tuning * Adjust the optimal tension of the strings * Adjust the shaft axis * Adjust the action of the strings * Choose the strings adapted to the style of play / tuning * Change his strings -Know his chords: * Triads: Fundamental State & Inversions * Tetrads: Fundamental State & Inversions * The chord progressions of the Range * Arpeggio techniques (tapping, sweep, 1/2/4 fing.shape, etc ...) --- Know his scales and his modes * The Mode of the Major scale * 3 Modes of the Minor scale: Natural / Melodic / Harmonic * Modes of the Pentatonic range: 5 positions * Modes of the Blues range: 5 positions Etc ... --- Technique to the Pick / Plectrum / Tab / Pick (Electric Guitar): * Alternate Picking * Fast Picking / Tremolo Picking * Hybrid Picking * Palm Mute * Natural Harmonics * Pinch Harmonics * Artificial Harmonics * Shredding * Tapping * Sweep Picking * Legato Picking --- Strumming / Hand Picking (Acoustic Guitar) * "SnareDrum" percussion on the guitar * Arpeggios pinched with 4 fingers + thumb * Rasgueado (Flamenco Technique) * Generic Strumming * Fingerstyle Picking * Two-finger picking + Legato for fast melodies (eg a solo) -Play the metronome * exercises on click * practice on song riffs -Learn his favorite songs * without thinking about the difficulty, nothing is impossible with the right methodology -Improvise * choose ranges and positions * to place oneself rhythmically, to finish on the judicious notes -Theory of Harmony * Understand harmonization and its practice -Theory on the Melody -Theory of Rhythm
Guitar · Music composition · Music theory
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Our students from U.S. 1 evaluate their Music Composition teacher.

To ensure the quality of our Music Composition teachers, we ask our students from U.S. 1 to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 136 reviews.

Guitar / Bass / Ukulele / Theory (Brussels)
Lou-Indigo
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Lou-Indigo is hands-down the best teacher I have ever had the pleasure of learning music from. Having been taught by a number of music teachers for a variety of different instruments, I have experienced a range of different teaching styles and personalities, yet nobody has been able to keep me focused and captivated by music in the way that Lou-Indigo does. In the past, music lessons would always bore me, as I found that my perspective of music being an outlet of creativity would often be tarnished by previous teachers who took too much of a strict, structural approach to music. On the other hand, some other teachers would be too relaxed, often leading to me becoming frustrated by a lack of progress and direction. Lou-Indigo manages to skillfully combine structure, creativity and a relaxed atmosphere into a 60-minute lesson. I am the complete opposite of bored and genuinely look forward to every lesson. Instead of feeling drained after sessions, I feel inspired to learn more. In my opinion, Lou-Indigo does this by crafting just the right amount of challenge into each exercise, enough to give you a sense of progress and achievement, but not too much to make you feel frustrated or overly daunted. Furthermore, his clear explanation of music theory and guitar techniques, evidently backed by years of experience, gives you a deeper insight into music, uncovering the medium's potential for creative expression. I could not recommend Lou-Indigo more.
Review by SOPHIE CHRISTINE
Music Lessons (Including: SINGING-, PIANO-, SONGWRITING-, PRODUCTION LESSONS) – Online or in-person (Amsterdam)
Lucy
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rating green star
Marloes does an excellent job of understanding the student's needs and goals. Always attentive during the lessons, she provides clear/targeted feedback on areas of improvement and actively listens to your singing. Most importantly, she creates a comfortable/safe environment to experiment with your voice. As a beginner in singing, I highly recommend anyone who wants to get started singing to take lessons with her!
Review by ANDREW
Electric & Acoustic Guitar Lessons ♫ Let's bang out! (Friedrichsfelde)
Ryo
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rating green star
My Guitar classes with Ryo has been great so far. He tailors them as per your skill level and interests. My classes have a good mix of warm up exercises, learning new techniques and playing songs. He is patient and cheerful during the lessons. I highly recommend Ryo if you are looking to learn Guitar in a fun and engaging way.
Review by AJITESH

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