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Vocal training: Technique, conventional singing, improvisation and experimentation
From 30 € /h
Depending on what you need and want to work on, we will address the following surubís:
-Vocal technique: anatomy, functioning, breathing, acoustics and resonators. Understanding how the speech apparatus works is essential to be able to work on its sound and expressiveness.
-Conventional singing and improvisation: in addition to singing the songs that you like and/or that you compose yourself, you will learn to listen more deeply and improvise using melodic, harmonic and dynamic tools. This includes notions of harmony (chords, harmonic extensions, tonal and modal axes) and rhythmics (pulse, subdivision, irregular rhythmic figurations, accentuation, etc.)
-The experimental voice: discover unconventional universes and expand the sound possibilities of your voice through exploration and improvisation. The possibilities are endless!
-Vocal technique: anatomy, functioning, breathing, acoustics and resonators. Understanding how the speech apparatus works is essential to be able to work on its sound and expressiveness.
-Conventional singing and improvisation: in addition to singing the songs that you like and/or that you compose yourself, you will learn to listen more deeply and improvise using melodic, harmonic and dynamic tools. This includes notions of harmony (chords, harmonic extensions, tonal and modal axes) and rhythmics (pulse, subdivision, irregular rhythmic figurations, accentuation, etc.)
-The experimental voice: discover unconventional universes and expand the sound possibilities of your voice through exploration and improvisation. The possibilities are endless!
Extra information
Classes can be in person in my studio, at home or via webcam
Location
At teacher's location :
- Passatge de Bocabella, Barcelona, España
About Me
A vocal artist, turntablist, free improviser, composer, and sound artist born in Uddevalla, Sweden, she has lived in Buenos Aires, Argentina, since her teens. She studied bass at Walter Malosetti's Jazz School, the López Buchardo Conservatory of Music, and the Avellaneda Conservatory of Popular Music. In the early 1990s, she began exploring free and experimental music and free improvisation, delving into the sonic possibilities of the voice, turntablism, and electronics.
Education
2022 and 2020: Eugene Rabine online workshop
1997 :David Moss workshop (International Experimental Music Festival), BsAs
Shelley Hirsch workshop (International Experimental Music Festival), BsAs
1990 Double Bass Maestro Rasquelli, Lopez Bouchard Conservatory
1989 Electric bass teacher, Walter Malosetti Higher School of Jazz, Buenos Aires
1989 Harmony and Ensemble, School of Popular Music of Avellaneda, Buenos Aires
1984 Bilingual Baccalaureate, Franco-Argentine Lycée Jean Mermoz
1997 :David Moss workshop (International Experimental Music Festival), BsAs
Shelley Hirsch workshop (International Experimental Music Festival), BsAs
1990 Double Bass Maestro Rasquelli, Lopez Bouchard Conservatory
1989 Electric bass teacher, Walter Malosetti Higher School of Jazz, Buenos Aires
1989 Harmony and Ensemble, School of Popular Music of Avellaneda, Buenos Aires
1984 Bilingual Baccalaureate, Franco-Argentine Lycée Jean Mermoz
Experience / Qualifications
He has played and collaborated with a large number of musicians such as Otomo Yoshihide, Julián Galay, Enrique Norris, Christoff Kurzmann, VIU, Manolo Rodriguez, Carlos Costa, Larry Polansky, Chris Mann, Shelley Hirsch, La Bomba de Tiempo, Dieb13, Walter Malosetti, Norberto Minichilo, Santi Vazquez, Joan Monné, Paul Pignon, among many others
Dokkhuset (Trondheim), Kafé Haeverk (Oslo), Roulette (NY), Il Conserieri (Milan), Centro de Experimentación del Teatro Colón (Arg), Roseti, Teatro General San Martin, Teatro Cervantes, Festival Internacional de Jazz de Buenos Aires, M3 Festival (NYC), Air Festival, Mínim Festival and Festival 30nits in Barcelona, Der Bloede critte Mittwoch Series and Smallforms in Vienna, Vicente el Absurdo, Prez, Virasoro Bar, Thelonious, Uppsala (Swe), VII Festival Internacional de Improvisación Hurta Cordell, Madrid, Experimenta'97 and Experimenta'98, are just some of the stages and festivals in which she has performed both as a band leader and as a collaborator.
His albums to date are Perccontrvozcorn (2001), MBM Trio (2004), Lovemanual (2007), The MuniMuni Xperience (2009) and Discado Internacional (2015) in duo with Enrique Norris, Come Ranas, FOTO (2014), NANCY (2019) and Cinco, ett, två (2021) and MuniMuni's 33 (2022).
Between 2005 and 2022 she actively worked in the theater scene composing the music and doing the sound design for several works, being nominated for the ACE 2010 awards (Buenos Aires) for best original music for King Lear (Dir. R. Szuchmacher).
As a teacher, she gives classes in vocal experimentation and improvisation, both individually and in free improvisation workshops for voices and other instruments.
More than 30 years of experience as a musician and 20 years as a teacher
Dokkhuset (Trondheim), Kafé Haeverk (Oslo), Roulette (NY), Il Conserieri (Milan), Centro de Experimentación del Teatro Colón (Arg), Roseti, Teatro General San Martin, Teatro Cervantes, Festival Internacional de Jazz de Buenos Aires, M3 Festival (NYC), Air Festival, Mínim Festival and Festival 30nits in Barcelona, Der Bloede critte Mittwoch Series and Smallforms in Vienna, Vicente el Absurdo, Prez, Virasoro Bar, Thelonious, Uppsala (Swe), VII Festival Internacional de Improvisación Hurta Cordell, Madrid, Experimenta'97 and Experimenta'98, are just some of the stages and festivals in which she has performed both as a band leader and as a collaborator.
His albums to date are Perccontrvozcorn (2001), MBM Trio (2004), Lovemanual (2007), The MuniMuni Xperience (2009) and Discado Internacional (2015) in duo with Enrique Norris, Come Ranas, FOTO (2014), NANCY (2019) and Cinco, ett, två (2021) and MuniMuni's 33 (2022).
Between 2005 and 2022 she actively worked in the theater scene composing the music and doing the sound design for several works, being nominated for the ACE 2010 awards (Buenos Aires) for best original music for King Lear (Dir. R. Szuchmacher).
As a teacher, she gives classes in vocal experimentation and improvisation, both individually and in free improvisation workshops for voices and other instruments.
More than 30 years of experience as a musician and 20 years as a teacher
Age
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
The class is taught in
Spanish
English
French
Swedish
Skills
Availability of a typical week
(GMT -04:00)
New York
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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