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Joy - United Kingdom304 SAR
304 SARActing and Playwriting Coaching
Are you ready to bring your acting and writing to life in ways you never imagined? Whether you’re an actor looking to deepen your performance skills or a playwright aiming to craft powerful narratives, I offer coaching that is tailored to your individual creative journey. I am Joy, a director, writer, and musician with a passion for storytelling that explores themes of Black Femininity and postcolonial imagination. Originally from Dallas, Texas, and currently based in London, my work has been featured in The Irish Times and The Sunday Times as part of their “Ones to Watch in 2024” list. As a director and playwright, I’ve received recognition from prestigious bodies including the Verity Bargate Award, Theatre503 International Playwriting Award, and the Louis Sudler Prize in the Arts from Harvard University. Having honed my craft through experiences such as being a Director SEED at Rough Magic Theatre and a writer under Enda Walsh’s mentorship for Theatre For One, I bring a wealth of expertise and artistic vision to my coaching sessions. Whether you're working on character development, stage presence, script analysis, or developing original plays, I create a space where you can grow as both an artist and a storyteller. My coaching is deeply rooted in real-world industry experience, informed by my directing work with actors, as well as my work as a writer for theatre and film. Together, we’ll explore your craft with the intention of unlocking the authentic, dynamic performance or powerful, evocative writing that is uniquely yours. Whether you're just beginning your creative journey or you're an experienced artist looking to push the boundaries of your work, I offer guidance that is personalised, nurturing, and challenging. I’ll help you sharpen your technique, discover new approaches to storytelling, and find the confidence to truly bring your artistic voice to the stage or page.
Acting · Playwriting · Filmmaking
Kamil - Brixton Hill, United Kingdom215 SAR
215 SARActing Lessons for Experienced and New Actors from a Bristol Old Vic Theatre School Graduate
My lessons are primarily for adults. You can be needing a coach for an audition or a full production, maybe you want to find that spark again by trying a different method, or you might want to try acting out, great! I can adjust to whatever you need. My lessons are at least an hour or more. I have a vocal/light physical warm-up that I like to do at the beginning of subsequent lessons. I remember one of my first teachers saying "An actor should be a blank canvas." And this made sense at first. So I went up on our small stage to do a monologue and it was terrible. My teacher said, "Kamil, you didn't really do anything." "Well, yeah? I am a blank canvas" As a neurodiverse person, I am overanalytical, literal, incredibly anxious and have difficulty speaking with full confidence. However, my Master's level education from Bristol Old Vic Theatre School has given me a toolkit where I can work towards placing my self-doubt and uncertainty behind 'The Work.' The Work is the hours you've spent in the text, the pencil markings in the script, the crinkled pages from taking it in and out of your backpack. It's the objective truth that you can rely on when your self-awareness doesn't want you to be the character, when you can feel an audience member looking at you, when the person behind the camera laughs at something you didn't inherently think was funny. It's your character's lifesaver. For those that may require more structure when they receive text, I can help you deconstruct that overwhelming building into its key components. Whether it's from a play you've been newly cast in, a voiceover script you can't wrap your head around, or just a simple self-tape, we can work to break down text that lets BE that blank canvas on the day, but you know what paints you've used, what strokes you can utilise, you know the feel of the paintbrush from all the canvases you've practised on. Also, it's a good way to memorise lines. And that's just a nice bonus.
Acting
Elisabeth - Macclesfield, United Kingdom183 SAR
183 SARDrama, English Literature, and Philosophy Sessions (Exam & Performance Skills)
Subjects Covered: ✅ Acting/Drama: Acting techniques, audition preparation, public speaking, and confidence-building. ✅ English Literature: Mastering textual analysis, simplifying complex concepts, and bridging gaps in knowledge. ✅ Philosophy: Developing clear, critical thinking and demystifying philosophical theories. I can assist with preparing student for exams, essay writing and critical thinking across: - GCSE (Drama, English Literature, Philosophy) - A-Levels (Drama, English Literature, Philosophy) - Undergraduate Degrees (Drama/Theatre, Philosophy) - Postgraduate Degrees (Drama/Theatre, Philosophy) Performance & Creative Development: - Acting Technique Classes: Hone your craft with professional training in performance techniques, informed through various practitioners guidance. - Audition Prep: Build confidence and refine your monologues for drama school, auditions and self-tapes. - Public Speaking: Deliver impactful presentations and speeches with poise and clarity. Assistance in writing and delivering. - Dramaturgy: Get tailored support for new writing and performance projects. I have been working in creative education for the last ten years, and have experience working with ages 4 to adults! I currently hold a Lead Lecturer Position at a UK University and specialise in Critical Theory for Drama, Literary and Philosophy Studies. I own a dance and drama school where students have been prepared successfully for auditions, performances and exams. I focus on building confidence and refining techniques by making complex ideas feel accessible. I tailor each session to the individual and their specific needs and goals. I have extensive experience working one on one with students and always create excellent working relationships. Whether you’re aiming for academic excellence, preparing for the next big audition, or seeking to sharpen your performance skills, I am here to help you succeed.
Literature · Philosophy · Acting
Irene - Guildford, United Kingdom335 SAR
335 SARPrivate Coaching for Accents, Voice and Confidence in Presentation
Ready to Shine Brighter? Do you ever feel like your voice isn't heard? Or maybe your presentations aren't quite hitting the mark? Or there are times when people say you are doing well but inside you are a bag of nerves and you long to feel good in the moment? Or are you a performer that needs to nail that script for the role? I can help. I work with accents and dialects as well as performance from the board-room to treading the boards, from classroom to casting. As a seasoned coach with 8 years of experience working with tech, theatre and business leaders at companies like GoCardless, Italia Conti, and Ocado, I know firsthand the challenges you face. What makes me different? Focussed on you: I understand the importance of expressing your unique voice no matter your industry. Proven Results: My clients have seen significant improvements in everything from conference calls to high-stakes presentations. A Holistic Approach: I combine acting techniques with communication psychology to give you a powerful edge. Flexible & Engaging: Whether it's in-person or virtual, I tailor my coaching to your specific needs. Let's elevate your communication together I offer personalised coaching packages to help you: Command the Room: Project confidence and authority. Captivate Your Audience: Master the art of storytelling and vocal power. Connect Deeply: Develop active listening and compelling communication skills.
Acting · Presentation skills · Public speaking
Mylo - United Kingdom283 SAR
283 SARBecome the relatable, truthful and touching actor you were always meant to be !
What is acting ? Acting does seem like a nebulous and abstract art form to many people, including many of its practicioners. Why do we sometimes get on stage and feel so alive, yet other times we try and replicate our idea of what great acting is, or a memory of how it once felt, and we cannot help but fall flat on our faces ? How do we reliably access our innermost expression within our performance and touch our audience in a meaningful way ? These are questions that an actor/performer should ask themselves every single day. And the truth is that the answer is ever-changing. There is no magic trick to enhancing the expression of our soul, but we certainly can continually learn to understand ourselves better, so that every time we perform, something miraculous and unexpected happens. Warning : I do not pretend to teach a fool-proof "method". My approach is the result of countless years of searching for truth, honesty and athenticity within performance and acting. Drama clubs, Acting drop ins, Conservatoires, Private coaching... You name it, I've done it. All have its perks but I have found that more tailored training is by far the most beneficial. I now want to start giving back and sharing all that I've been learning. Let us explore together the limitless capabilities of your self-expression. NB : This class is by no means a set answer to all of your worries and doubts. It is instead a range of questions that will ever keep you moving forward.
Acting
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