Jazz theory divided on three different levels for any musician and teacher
من 227.41 AED /س
The jazz theory courses is divided on three different levels
for musicians and teacher who wants to improve their teaching skills and get new materials
·0 Level Beginner
Theory and Harmony Vol 1, vol 2 by Barrie Nettles BERKLEE COLLEGE OF MUSIC ed. USA ; This theory course is thought to be used for students who still need to focus on basic of Jazz (and musical) Theory. At the same time is also about basic harmony concept easy to be develop in parallel.
·1 Level Intermediate
Jazz theory by Mark Levine Sher music Corp. edition, USA . This theory method gives a full complete way of acknowledgement on the music theory. Filled with important harmony concept it is supposed to be taught at the piano individually in order to keep continuous references between theory and sound.
·2 Level Advance
Theory And Harmony Vol 3 by Barrie Nettles BERKLEE COLLEGE OF MUSIC ed. USA
Theory And Harmony vol 4 by Alex Ulanowsky BERKLEE COLLEGE OF MUSIC ed. USA
This two books complete the course with advanced modules about theory and harmony thought for student already used to jazz/contemporary music concepts. They develop and introduce on the way several fundamental arranging ideas.
for musicians and teacher who wants to improve their teaching skills and get new materials
·0 Level Beginner
Theory and Harmony Vol 1, vol 2 by Barrie Nettles BERKLEE COLLEGE OF MUSIC ed. USA ; This theory course is thought to be used for students who still need to focus on basic of Jazz (and musical) Theory. At the same time is also about basic harmony concept easy to be develop in parallel.
·1 Level Intermediate
Jazz theory by Mark Levine Sher music Corp. edition, USA . This theory method gives a full complete way of acknowledgement on the music theory. Filled with important harmony concept it is supposed to be taught at the piano individually in order to keep continuous references between theory and sound.
·2 Level Advance
Theory And Harmony Vol 3 by Barrie Nettles BERKLEE COLLEGE OF MUSIC ed. USA
Theory And Harmony vol 4 by Alex Ulanowsky BERKLEE COLLEGE OF MUSIC ed. USA
This two books complete the course with advanced modules about theory and harmony thought for student already used to jazz/contemporary music concepts. They develop and introduce on the way several fundamental arranging ideas.
المكان
عبر الانترنت من الدنمارك
من أنا؟
I'm a musician based in Denmark.
I've been into music since my childhood and i always wanted to play as well as get into music theory and its rules. For me it have always been like dealing with magic.
Everybody can learn about music just as learning about him/herself.
Teaching and sharing this know-how is a beloved activity of mine and it's a real pleasure when i can find people interested in learning this wonderful art.
Feeling and passion are basically required.
And not being too much serious about.
Music is fun, moreover sharing.
I've been into music since my childhood and i always wanted to play as well as get into music theory and its rules. For me it have always been like dealing with magic.
Everybody can learn about music just as learning about him/herself.
Teaching and sharing this know-how is a beloved activity of mine and it's a real pleasure when i can find people interested in learning this wonderful art.
Feeling and passion are basically required.
And not being too much serious about.
Music is fun, moreover sharing.
المستوى التعليمي
Master trombone jazz @ Codarts, Rotterdam
Artistic research Internship @ UNO university, New Orleans
Bachelor trombone jazz @ Royal Conservatory, The Hague
Bachelor jazz guitar @ Conservatory G. Verdi, MIlano
Artistic research Internship @ UNO university, New Orleans
Bachelor trombone jazz @ Royal Conservatory, The Hague
Bachelor jazz guitar @ Conservatory G. Verdi, MIlano
الخبرة / المؤهلات
Trombone player and , the Netherlands
Bajonet Brass Band, music arranger/conductor Rotterdam
New Orleans Internship
50° Tumba festival , Curacao
Jazz big band
Jazz combo
Afrobeat/Funk/Disco/Steady
Guitar&Brass teacher
Bajonet Brass Band, music arranger/conductor Rotterdam
New Orleans Internship
50° Tumba festival , Curacao
Jazz big band
Jazz combo
Afrobeat/Funk/Disco/Steady
Guitar&Brass teacher
السن
الأطفال (7-12 سنة)
شباب (13-17 سنة)
الكبار (18-64 سنة)
الكبار (65 سنة فأكثر)
مستوى الطالب
مبتدئ
متوسط
متقدم
المدة
60 دقيقة
الدرس يدور باللغة
الإنجليزية
الإيطالية
الفرنسية
الإسبانية
المراجعات
الجاهزية في الأسبوع العادي
(GMT -04:00)
نيويورك
على الانترنت عبر كاميرا ويب
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
The course focus on concepts that will make any student of any level developing their own approach to improvisation. It can be designed depending on the instrument played by student and his/her atttude.
Books and materials used in the course.
How to improvise by Al Crook ed Advance Music, for horn players,
This book describes a nice way of approaching improvisation through specific exercises that can be tested on students of any kind of level. It divides in 4 section and requires a minimum knowledge of scales, chords and familiarity with musical vocabulary
Hearing the Changes by jerry Cooker, Bob knapp, Larry Vincent, ed advance Music, for all musicians
With this book the student will learn how to recognize progressions by ear thanks on a selection of jazz tunes chosen from the standard repertoire. It will be taught at the piano and it will let students of any level to deal with harmony and theory progressively but starting codifying harmonic traits that will clarify the reader's understanding of how progressions and improvisation "work".
Books and materials used in the course.
How to improvise by Al Crook ed Advance Music, for horn players,
This book describes a nice way of approaching improvisation through specific exercises that can be tested on students of any kind of level. It divides in 4 section and requires a minimum knowledge of scales, chords and familiarity with musical vocabulary
Hearing the Changes by jerry Cooker, Bob knapp, Larry Vincent, ed advance Music, for all musicians
With this book the student will learn how to recognize progressions by ear thanks on a selection of jazz tunes chosen from the standard repertoire. It will be taught at the piano and it will let students of any level to deal with harmony and theory progressively but starting codifying harmonic traits that will clarify the reader's understanding of how progressions and improvisation "work".
253.65 AED /س
Course proposal
Blues Guitar, by Keith Wyatt ed. Musician Institute
From the origin of Chicago to most complex jazz Blues, 15 units of progressive difficulty suitable for any guitar from basic level. Included transcription of J. Hendrix, S. R. Vaughan, A. King, E. Clapton.
Funky Guitar by Ross Bolton ed. Musician Institute
Thecniques in this class, divided in 10 units, are relate to traditional old “school”funk guitar playing and the groove guitar. Developing funk skills will make the student a better overall rhythm guitarist and generally it will improve the time feel. Transcription from JB's,Parliament, Funkadelic, Sly and the family stones, Fela Kuti
Jazz Guitar
Thecniques in this class are related to jazz repertoiore history and vocabulary. This course is suitable for intermediate/advanced guitarist who want to go deeper in the knowledge of the jazz guitar tradition.
Studying materials are taken from 10years period lessons had with: R Cecchetto, F. Cerri G. Monteforte, R. Bianchi, C.de cicco.
Books from S. Henderson, “Jazz guitar chord system the essential guide to jazz chord voicings and Substitutions”, ed Hal Leonard corp. and M. Goodrick”The advanced guitar player”
Blues Guitar, by Keith Wyatt ed. Musician Institute
From the origin of Chicago to most complex jazz Blues, 15 units of progressive difficulty suitable for any guitar from basic level. Included transcription of J. Hendrix, S. R. Vaughan, A. King, E. Clapton.
Funky Guitar by Ross Bolton ed. Musician Institute
Thecniques in this class, divided in 10 units, are relate to traditional old “school”funk guitar playing and the groove guitar. Developing funk skills will make the student a better overall rhythm guitarist and generally it will improve the time feel. Transcription from JB's,Parliament, Funkadelic, Sly and the family stones, Fela Kuti
Jazz Guitar
Thecniques in this class are related to jazz repertoiore history and vocabulary. This course is suitable for intermediate/advanced guitarist who want to go deeper in the knowledge of the jazz guitar tradition.
Studying materials are taken from 10years period lessons had with: R Cecchetto, F. Cerri G. Monteforte, R. Bianchi, C.de cicco.
Books from S. Henderson, “Jazz guitar chord system the essential guide to jazz chord voicings and Substitutions”, ed Hal Leonard corp. and M. Goodrick”The advanced guitar player”
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