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Discover the Best Private Jazz Music Classes in Les Lilas

For over a decade, our private Jazz Music tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in Les Lilas, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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2 jazz music teachers in Les Lilas

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2 jazz music teachers in Les Lilas

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(2 reviews)
Félix - Les Lilas253 CNY
Trusted teacher: While creating a repertoire, we will work the ear, rhythm, technique. I focus on practice, improvisation, and the relationship between you and your instrument in order to have fun on your bass. Okay, but what are we doing? The basics: - the silence - harmony (scales, chords, intervals) - rhythm (binary, ternary, swing, shuffle) - the sound (technique, nuance) - the coding of the English chords (A = la, E- = E minor, etc.) - the musical culture and the different ways of listening to music A choice: - improvisation (learning to play without partition, becoming able to play with anyone, anytime) - group music in general (the modern bass, the different roles of the instruments in a group) - jazz (standards, swing, notions of harmonies and improvisation) - rock, funk (notions of groove, rhythmic placement, search for sounds, pentatonic scales) - music games for children The instrument remains a tool to make music, so we will work to become a MUSICIAN (with the help of a bass guitar). Any age, any level (to be evaluated during the first class) I preferably receive at home, or at least near my home (Paris EST). Having a busy musical life moves are to be avoided as far as possible. Do not hesitate to contact me for further information! Additional Information: It is important for your teacher to match you musically (unless otherwise, if you want to fill in gaps, or discover a new genre). That's why I present myself in a few lines, so that you get an idea of ​​the kind of bassist that I am: I started bass more than ten years ago, I first discovered the instrument alone (self-taught training). I later played in several Rock formations. Rock I was interested in Funk (style in which the bass plays a key role). I then became more and more interested in improvisation and therefore Jazz music. I took two years of classes at the Conservatoire du 9ème arrondissement in Paris before joining the IMEP (formerly American School of Modern Music). Currently, I play in several bands: a jazz / funk band and a jazz / rock band. My influences (in bulk): Jaco Pastorius, Weather Report Herbie Hancock, Chick Corea, George Duke, Miles Davis, Funkadelic / Parliament, James Brown, Prince, George Benson, John Scofield, Hendrix, Zappa, Stanley Clarke, Al di meola, Paco de lucia, Bob marley, Marcus Miller, Kenny Garett, Bill Evans, Lettuce, Brecker Brothers, Return to Forever, Mahavishnu, Led Zep, Dire Straits, Rolling Stones, The Aphex Twin, Squarepusher, Munir Hossn, Matthew Garrisson , Hadrien Feraud, Ron Carter, Linley Martha, Maceo Parker, Paul Chambers, Mike Stern, Bob Berg and many more!
Bass guitar · Children's music · Jazz music
Meet even more great teachers. Try online lessons with the following real-time online teachers:
Trusted teacher: PROFESSIONAL GUITARIST, COMPOSER, MUSIC AND GUITAR TEACHER Beginner-Advanced Level Experience: I am a professional musician and have been teaching students of all ages for over 20 years. My experience as a teacher and my pursuit of self-improvement as a musician have led me to develop an effective method that I have already tested with over a hundred students. Throughout my career I had the satisfaction of studying with great masters of different specialties or styles, each one emphasizing different aspects of flamenco, classical or modern guitar and each one has given me their approach (technique, rhythms, accompaniment, harmony, etc.), which has led me after years of study and compilation to take the best from each one to develop my method. My role in my classes is more that of a personal trainer than a teacher, where I will be very attentive to bringing out the best in my students, finding the right technique to help them develop a good rhythm, working on their rhythm, etc. For me, the role of a teacher, in addition to teaching, is to be part of a team, to maintain morale and constantly improve oneself while always maintaining a love for music. Methodology: I tailor the lessons to the student's level, style, or goals. Generally, the first half of the lesson is dedicated to technique, focusing on proper placement, execution, and relaxation, which will result in a good sound. Over time, I've realized that it's also a way to connect with the guitar, concentrate, and warm up. So, little by little, we'll develop our routine, which will begin by working on basic rhythmic aspects. The second half is dedicated to playing, trying to put into practice what we learned about the technique with the sticks or studying other concerns of the student, which may be a theme, harmony, falsetas, improvisation, or even other styles, etc., always obviously taking into account the search or interest of the student. FLAMENCO - Flamenco technique - Palos (Tangos, Bulerías, Alegrías, Soleá, Taranta...) - Accompaniment to singing and dancing - Clapping and rhythms MODERN GUITAR - Harmony - Improvisation - Repertoire (rumbas, pop, jazz, rock, etc.) CLASSIC - Reading, solfège and interpretation. - Works - I work with progressive learning books
Guitar · Jazz music · Flamenco music
Trusted teacher: Most jazz piano teachers offer you a weekly video call and wish you luck until next week. I offer something different. Over the past six years, I've built a structured teaching system for adults who are serious about learning jazz piano properly — whether you're a working professional who's always loved jazz and finally has time to learn, or a classically trained musician ready to break free from the page and start improvising. What makes my approach different: Every student gets access to an interactive practice platform with exercises you can work through between lessons — tension identification, voicing construction, ear training, and more. These aren't PDFs or YouTube links, they're purpose-built tools that track your progress and adapt to your level. On top of that, I design personalised weekly practice routines for each student. You'll always know exactly what to practise, how long to spend on it, and what "ready to move on" sounds like. No guessing, no wasted practice time. My methodology is ear-first. We build strong harmonic foundations through shell voicings before moving to complex concepts. You learn to hear the music before you theorise about it. This is how jazz was always meant to be learned — by listening, not just reading. Who I work with best: — Professionals in other fields who love music and want to learn jazz piano for the pure enjoyment of it. You have limited time but real ambition. I respect that and structure everything to make your practice hours count. — Classically trained pianists who want to understand jazz harmony, stop depending on sheet music, and develop the confidence to improvise. I know this transition well and I have a clear path for it. What a typical month looks like: Weekly lessons via video call (frequency and duration would be according to students needs), tailored to your current goals and level. Between lessons, you have your practice routine and full access to the exercise platform. I track your activity and adjust the plan based on what I see. It's not a course you follow passively — it's an ongoing, personalised programme.
Jazz music · Piano · Music theory
Piano · Jazz music · Music theory
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Our students from Les Lilas evaluate their Jazz Music teacher.

To ensure the quality of our Jazz Music teachers, we ask our students from Les Lilas to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.8 out of 5 based on 22 reviews.

(LIVE or ONLINE) Piano, improvisation, composition and music theory lessons (Rotterdam)
David
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I had previously played some classical for a few years, but was looking to learn jazz piano and improvisation as well. For this David is ideal, as he studied both as a classical and jazz musician, and has a deep understanding of each. About half the lessons we focus on jazz improvisation. During the lessons I improvise over a few songs, and each session he gives feedback, while adding a new layer of difficulty. We've also worked a lot on rhythm, which has really helped me bridge the gap between classical and jazz. We spent a few lessons on classical pieces as well, to refine technique and musicality. My playing feels much more fluid and musical already, and he's really helpful/knowledgeable with the details. Also, on the weeks where I did have not had much time to practice, we do a more (jazz) theory oriented lesson, which has also helped alot with my improvisation. Overall, I only have positive things to say about the lessons! David is a very easy-going teacher, and from the first lesson I felt very comfortable asking him questions. He's very versatile as well, and easily adapts the lesson according to what suits us best that week.
Review by EDWARD
Flamenco, Classical and Modern Guitar lessons with or without theory (Madrid)
Leandro
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I've been thoroughly enjoying my online music lessons with Leandro. What stands out to me the most is his thoughtful approach and attention to detail in every aspect of each class and exercise. Leandro goes beyond just providing material; he teaches how to practice it effectively. I particularly appreciate the well-laid-out assignments he provides after each class, which help me stay focused and motivated.
Review by BORIS
Jazz/pop singing lessons in Groningen - all ages and levels (Groningen)
Daniel
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Very knowledgeable and nice too.
Review by HUGO
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