Voice (music) lessons in Belgium

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66 voice (music) teachers in Belgium

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66 voice (music) teachers in Belgium

(21 reviews)
Danny - Antwerp34€
Trusted teacher: English Translation: contact me please SONGS generally consist of chord and text lines. But where does that information come from and how do you make something out of nothing? How do you make that one great hIT or how strongly does your new song affect your love? Well, that's called "inspiration processing" and how does that work? Well, I'll tell you that in my course. If you already play the guitar or piano, you are one step ahead. Your instrument is like a trampoline that offers you more options to go further and higher. Most 'songs' are born at the craziest moments. A good songwriter his / her antennas are always open :-) and for some it is a continuous activity. During my course I teach you through all sorts of tips and tricks (including: Travel Chord Duo Method - One Four Five and minor input - Key Word Designation and Relative Chord Progressions etc.) how you can achieve strong songs. For me it is a daily activity and I have been writing all my life for others and sometimes for myself. All in all I have sold more than a million copies worldwide as an author / composer / performer. Is that little or is that a lot? I do not know. It doesn't interest me that much anymore. I want to share my knowledge about how to write a song with motivated people who want to go further than just replaying others' songs. Whether they get stuck somewhere during composing and who are not afraid to seek advice. Music is a life flirt. There are only two types of music: good and bad ... Do you have a foundation of chords, do you want to know how to make a good song .....? Just book an hour to get started. That is the scan hour. Are we lying together and is there a click? If you book and I confirm, then you also know who I am and where I hide :-) Not satisfied after the first 'lesson'? Money Back. Danny
Voice (music) · Music composition
Trusted teacher: With the Complete Vocal Technique, you have the possibility of widening the register of the notes that you sing up to at least 3 octaves, with characters of varied sounds (powerful, soft, dark, with or without effects…), to maintain in any circumstance your voice in good health and develop your artistic expression. It is so opposed to the traditional vision and to what people say about song in general ... If you want to shake things up a bit, the following may be of interest to you! Do you always find yourself stuck around a certain note in the upper or lower part of your voice? When you try to reproduce the sound of the artists you like, do you feel incapable of such prowess? Do you find your voice too soft or too loud, not dark enough, not enveloping enough, too linear or too unstable, too much this or too little that? To evolve, you tried to self-correct and redo approximately 300 million tries of this song. To progress, you watched tutorials on the internet, downloaded exercise programs. To evolve, you followed the advice of your entourage, one or more singing teachers to the letter. In short, if you happen to feel like a thong surfer preparing to climb Everest, you are a singer! Personally, I alone count thousands of hours of frustrations and failures. I participated in courses and internships of all kinds, dissected books on the voice, methodically tested exercise programs ... I often came out with the following questioning: "Am I normal if I have learned things but that I haven't evolved that much? " For the anecdote, one day a professor of conservatory said to me "You, whatever you do, in 5 years you will always be at the same point! " The story would end there if I had not received a book a few years ago from Catherine Sadolin, a Danish woman who created a method which is now recognized worldwide and which is called "Complete Voice Technique". This approach to singing has so profoundly changed my pedagogical and practical approach to singing that I went to train in Denmark to participate in its dissemination. In a few words, the Complete Voice Technique differs from the usual approaches because it is based on the assertion that everyone can learn to sing and relies on physiology / anatomy to allow everyone to develop extended voice capabilities. This affirmation is made possible by the application of the 3 fundamental principles for a sound vocal technique and 4 vocal modes which correspond to 4 main types of sound characters that are found in all cultures and all styles of music. To produce any sound, you use a specific setting of the vocal tract (area between the vocal cords at the mouth) which creates the character of the sound (soft, powerful, restrained, with or without effects) and which refers to one of the 4 modes. Once you master the limits and benefits of these modes, you are actually able to sing exactly what you want! Concretely, here is what the Complete CVT Voice Technique brings you: -Learning the 3 fundamental principles to keep your voice healthy. -The training of the 4 voice modes for increased vocal flexibility. -Knowledge of the 6 places that you can use to influence the color of the sound. -The possibility of adding effects to the service of personality and emotion. you have access to several tools to acquire these new skills and this deep understanding of your voice: –Tours of 1, 5 and 10 private lessons. To register: -Book your first lesson on the apprentices site. -I will contact you within 48 hours to set an appointment or send you practical information. Before committing, I would like you to think about your motivation. Whether you are a beginner, amateur or professional, I work exclusively with people who are involved in their learning process. SEE YOU SOON ! 4 proposals coexist in order to meet your objectives as closely as possible: 1) In detail: a personalized discovery or work meeting on a specific point in your voice, on a song, a chorus, an effect, a note… that you wish to improve. 2) "Development" course, cycle of 5 personalized meetings: -A better knowledge of your voice and its possibilities. -Quick and concrete solutions to achieve your current goals. -An increase in your comfort and vocal flexibility. -More effective use of your support (breathing). - Lodges to keep your voice healthy. - Greater confidence in you and your voice. -Autonomy in your singing practice. 3) "Ambition" course: Cycle of 10 personalized meetings -The benefits of the "development" course -Practical means to develop your personal artistic identity. - An opening on the infinite possibilities of your voice. -A very great comfort in your vocal practice. - Interpretation tools and stage presence. -An increased vocal flexibility.
Voice (music) · Singing
Technical work focused on your vocal health: improving posture and breathing, expansion of the vocal range, elimination of all tensions. Exercises and interpretation of songs: opera, lied, song, musical theater, pop, rock etc. Private lessons in French, English, Portuguese and German. My name is Priscila I am a singer, I have a Master's degree in singing at the Royal Conservatory of Brussels, I obtained my bachelor's degree in classical singing at the Dramatic and Music Conservatory of São Paulo in Brazil. Also in Brazil, I continued my musical studies at the Opera Studio of the Escola de Música do Estado de São Paulo and I studied the repertoire at the Escola Municipal de Música with CaioFerraz, Marizilda Hein and Gilberto Chaves. I took part in the master classes of José van Dam (Belgium), Christine Schweitzer (France), Juan Pons (Spain), Graciela Araya (Chile), Luiz Lima (Argentina), Luiza Giannini (Italy), Alicia Nafé (Argentina) and CesarTello (Argentina) I also attended Nadine Denize's classes in Paris. I started as a professional in the "Amsterdam Chamber Opera", I sang in the opera "The Human Voice" of Francis Poulenc and "Herzog BlaubartsBurg" of Bela Bartok and I also sang Richard Wagner Wesendonck Lieder in Argentina with the Argentinian driver Cesar Tello. After a lot of high class competitions, I won the first prize in the "Maria Callas" contest in 2009 in Sao Paulo, Brazil and was semi-finalist in the competition "Competizione dell'Opera" (2014). ) in Linz, Austria. Since my arrival in Europe (2012), I have played Maddalena in Verdi's Rigoletto (2013), Zita in Puccini's Gianni Schicchi (2014) and other concerts as a soloist. Priscila
Voice (music)
(2 reviews)
Matteo - Forest30€
Trusted teacher: I am a songwriter, pop and jazz singer, and voice teacher with 20 years of music experience. I offer singing lessons at all levels. My courses are addressed on the development of bodily and vocal awareness which helps to perceive and consider our body as a musical instrument. My teaching method is the result of the synthesis of my experience as a singer and the many and diverse study paths followed. The lesson is structured in two parts: the first half devoted to vocal technique, the second half to musical repertoire. The vocal technique that I propose is a basic technique for all types of modern singing: from postural education to the care of breathing, from the use of the abdominal muscles, to the emission of air to the cavities of resonance. From a repertoire perspective, the course will be modeled after the student's needs or interests, with an eye for the right attitude to hold while you sing and you are on a stage. I prefer pop and jazz, but I can work with any other modern genre. If the student wishes, I can give him notions of harmony and reading music. EDUCATION I studied song with Bruno De Franceschi (conductor and composer of contemporary classical music and musical theater). I studied vocal technique with lyric singer David Sotgiu (pupil of Luciano Pavarotti) and with Cinzia Spata (one of the most important Italian vocal coaches). I studied jazz singing at the Perugia Conservatory with Marta Raviglia (one of the most important Italian jazz vocal coaches) and privately with Cinzia. I studied pop and jazz piano with Manuel Magrini (one of the most talented young Italian jazz pianists), I studied jazz piano with Alessandro Bravo, jazz piano master at the Perugia Conservatory. I attended masterclasses relating to the world of singing and voice held by: Maria Pia De Vito (singer), Alejandro Saorin Martinez (voice craft method), Albert Hera (singer, vocal coach, circle song), Erika Biavati ( singer), Eleonora Bruni (singer), Amanda Tiffin (South African jazz singer), JD Walter (American jazz singer), Matteo Belli (actor and one of the most important Italian experts in vocal research), Franco Fussi ( one of the most important speech therapists in Italy), Roberta Mazzocchi (speech therapist). EXPERIENCE / QUALIFICATIONS I have 20 years of experience in music with around 200 concerts between festivals, theaters, clubs and premises, an album of songs, an EP, singles, collaborations with the world of theater, organization of musical events . I lead musical projects in the field of jazz and pop. The passion for singing and singing inevitably brought me closer to the world of teaching that I have been practicing for five years.
Voice (music) · Singing
Trusted teacher: Graduated in composition and Orchestration and in the art of theater and directing, having a Master in Musical Theater at the Sorbonne University Paris and a doctorate of advanced research in the art of singing and musical interpretation , I propose singing and interpretation lessons, based on the understanding and implementation of the Belt technique (breathing, voice placement, flexibility of diaphragmal pressure, diction) and a practical application of the theatrical method from Stanislavski for a thorough understanding and discovery of the theatrical interpretation of songs. The course consists of two or three parts: 1. A warm-up with various exercises, with the aim of widening the range, developing the breathing and understanding the mechanism of the phonator device. 2. Practical work on a song with eclectic choice. 3. A part of learning music theory and reading of score, if necessary. I work with you, putting a lot of emphasis on discovering or developing your voice at your own pace. I can also propose: 2. Music interpretation course (we work on the game and the construction of a character, the emotion of the song, the nuances) 3. Theater course (Actor's Studio method) - (we work on the body expression, the scenic presence, the connection between thought and action on stage), 4. Course of musical theory and solfege (the bases of the musical theory to be able to read and follow a partition), 5. Preparation course for castings and auditions (work on psychological preparation, stress management, choice of pieces and cutting, etc.). The price quoted is per course
Voice (music)
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Our students from Belgium evaluate their Voice (Music) teacher.

To ensure the quality of our Voice (Music) teachers, we ask our students from Belgium to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 4.9 out of 5 based on 77 reviews.

Singing and piano Lessons With A Professional Singer. (Brussels)
Juliett
Juliett is a very warm and professional teacher. She not only know her singing very well and you can hear it, she also doing it herself with much passion that makes you admire her. She will know how to correct you help you and explain to you how to produce the best of your voice. She is also warm hearted and very pleasent to learn with. I highly recommend her to whoever want to take singing seriously.
Review by YODFAT
Singing lesson in English - location: center of Brussels (Saint-Josse-ten-Noode)
Ivan
Excellent teacher! Already a first lesson significantly improved my singing. Ivan is very good at being constructive and focusing on the positive things, which gives confidence to deal with the more difficult and challenging things. Very much looking forward to more lessons!
Review by WIM
Vocal Course & Coaching with Maggy (Rock / Metal Special) (Namur)
Maggy
Maggy is a wonderful teacher. She knows a lot about voice, and she is able to transmit that knowledge effectively. I am happy that I can follow lessons with her and learn how to growl. And at the same time I am improving my clean vocal technique too. It's just wonderful.
Review by DAVID