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Private lessonsComputer Generated MusicComputer Generated Music in Wroclaw

1 computer generated music teacher in Wroclaw

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1 computer generated music teacher in Wroclaw

Mohammed - Morocco102 QAR
102 QARLearn how to make Your OWN Music from Scratch. Practical Theory is the Goal.
I do not claim to be a professional or the best teacher or anything of that sort. I grew very fond of music, but never started learning in classes, so I started struggling and started collecting puzzle pieces, when I got enough pieces, some started fitting together, some I tried to fit on my own. The puzzle is still fitting in new ways everyday and I love getting new puzzle pieces whenever I can, because just one piece can sometimes link between 4 different other ones. I'd be happy to show you my puzzle and let you see how magical it is. Now concretely, we'll learn about notes, chords, scales, how to fit them, how to harmonize, how to look for sounds you might like better and a lot more than I can just list here. Music comes from within, but understanding it might help orientate you in this world full of possibilities, the simplest changes can change the whole character of your song. My way of teaching will I hope be entertaining, I'm looking forward to instantly use creatively anything we can work with so that we're left with a lot of little ideas coming out of nothing. If you learn how to use your tools, you'll be able to learn on your own in no time. I do also teach you how to use a DAW and the basics of mixing your songs if you're up to it. I'm sorry for the long description, looking forward to meet you soon !
Music theory lessons · Music composition · Computer generated music
Youcef - Paris, France206 QAR
206 QARElectronic music production - Ableton Live 10
Trusted teacher: Do you want to train in computer music and electronic music production (House Music, Deep House, Tech House, Techno, Electro ...) on the Ableton Live software or simply to produce music? Whether you are a beginner or an intermediate, my lessons will allow you to acquire the best techniques in your computer music practice. I am a professional trainer, but also a DJ and producer under the name of Versus 5, with many years of experience in the creative and educational fields, I would be happy to adapt to your needs and thus make you progress even more quickly on Ableton Live software. You will benefit from my experience as well as production tips ... Teacher-trainer Ableton Live and DJ-ing but also responsible for training (Electronic Music Producer) for almost 10 years in one of the largest training school in the world (SAE Institute Paris), I have thus trained nearly 1000 students of this school. ==================== On the program (depending on your needs): - Presentation of Ableton Live (Session and arrangement modes) - The basics of music theory (scales, chords, etc.) - Program a beat (rhythmic music theory) - The different possibilities for programming a rhythm - Composition of the bass and these variants - Pads and other synth parts - Creative parts and import of audio files (Working with samples) - The arrangements - Automations and additions of effects (Delay, EQ, Compression...) - Flat lay & balance And much more... For more information, don't hesitate to contact me.
Computer generated music · Music composition · Music theory
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Nigel - Chelmsford, United Kingdom169 QAR
169 QARElectronic Music Composition, Production and Songwriting
Trusted teacher: In this progressive course you will be shown how to compose music of various styles either at the keyboard or computer. The aim is to give you a range of options to write songs or compose music for film, TV and Media. This course is graded from beginner to advanced level. I also produce a certificate and exam report at exam stage of grading in which you can use on your CV. At each level you will be taught how to compose three contrasting pieces of music for a range of instruments and styles. Here is the course Outline Composing Electronic Music Graded Exams Beginner Graded Exam (1 to 2) - Compose 3 pieces of differing music as follows: • No more than two original 2 minute pieces using drums, bass and synth in an EDM style. Styles to be included Drum & Bass, Hip Hop, House and similar genres. • A re worked cover of a contemporary electronic artists work, no longer than 2 minutes. This must include examples of samples and original interpretations. - A written 150 word summary of what, how and why the pieces were composed. Intermediate Graded Exam Lower (3 to 4) - Compose 3 pieces of differing music as follows: • No more than two original 2 to 3 minute pieces using drums, bass, samples and synths in an contemporary electronic style. Styles to be included • A re worked cover of a contemporary electronic artists work, no longer than 3 minutes. This must include examples of sampling and looping and basic elements of sound production such as basic mixing techniques including panning and effects. An understanding of mastering would also improve student marks. - A written 200 word summary of what, how and why the pieces were composed. Intermediate Graded Exam Higher (5 to 6) - Compose 3 pieces of differing music as follows: • One original 3 to 4 minute pieces using drums, bass, samples, loops and synths in an contemporary electronic style. Styles to be included EDM, Electronica, Downtempo and Electronic Rock. • A re worked cover of a contemporary electronic artists work, no longer than 3 1/2 minutes. This must include examples of sampling and looping and elements of sound production such as mixing techniques including panning, EQ and effects. An understanding of mastering would also improve student marks. • One original 3 minute pieces using drums, bass and synth in an experimental electronic artists style such as minimalism, ambient, hauntology. This should include examples of original sounds developed using subtractive synthesis and originally created rhythms and sample manipulations such as stretching. - A written 300 word summary of what, how and why the pieces were composed. Advanced Graded Exam (7 to 8) - Compose 4 pieces of differing music as follows: • No more than two original 5 minute pieces using drums, bass and synth in an experimental electronic artists style such as minimalism, ambient, hauntology. This should include examples of original sounds developed using subtractive synthesis and originally created rhythms and sample manipulations. • One original 3 to 4 minute pieces using drums, bass, samples and synths in an contemporary electronic style. Styles to be included. • A re worked cover of a contemporary electronic artists work, no longer than 4 minutes. This must include examples of sample manipulation, looping and sound production techniques such as mixing and mastering using panning, EQ, compression and automation. A written 500 word summary of what, how and why the pieces were composed. Screen shots of software or photos of hardware used would greatly improve your mark. Basic understanding of the piano keyboard, controllers, synths and music theory needs to be integrated into the exams.
Music composition · Computer generated music · Music theory
Arthur - United Kingdom179 QAR
179 QARAbleton Live Music Production Private Tuition (Online Zoom)
Trusted teacher: Music production nowadays starts with the complete control of the tools in hand. I offer tuition that serves both beginners and those who already have some notion of Ableton Live. Starting from the basic domain of DAW, we travel through the infinite world of Sound Design, Sequencing and Beat Composition, Edits, and Remixes to the Final Arrangement. I offer a tailored program for each student, looking at your own projects and developing them as we go along. Here's a description of what can be covered during sessions: 1) Introduction to Live Layout, Routes, Audio, and Midi. 2) Qualities of Sound: The basic characteristics of any sound and how we synthesize sounds electronically. 3) Sound synthesis - what is a synthesizer? Wave types. Analog: oscillator, filters (HPF, LPF, BPF, Notch, Formant, Envelope), pitch envelope, amplifier, LFO, envelopes, and timbre movements. 4) FM synthesis: Another type of sound synthesis. Operator: OSCs, harmonic designers, envelopes, LFOs, fills and mapping, pitch envelope, algorithms. Applied specific exercise: kick, snare, hi-hat, grave, pad (practical examples) - FM8 and others ... 5) Massive and the world of Wavetable Synths. What is wavetable: OSCs, filters, FMOSC, FX, envelopes, and routing. (LFO, STEPPER, PERFORMER - SIDECHAIN ​​MODE - MACROS) 6) Synthesis of Physical Modeling. Electric (Rhodes) - collision (mallet, resonators, corpus) - tension (modes, resonators, string, body, pickup, termination) physical modeling differences. 7) DRUM RACK SAMPLING Internal Routing, Channels, Internal Mixer, Choke Groups, Drum Sequencing, Straight vs. Trio, Sample Selection and Replacement, Drum Layers, Kick Isolation. 8) SAMPLING / WARPING History of sampling, old apparatus, sampler / simpler / impulse, zones in the midi map/velocity/automation warp points/pitch manipulation Exercises applied: - slice to new midi track - Kontakt - envelopes on clips Sampling and legal issues. 9) Edits and Remixes: Reinterpreting songs. How to cut, isolate, and rename elements, the construction of an edit. 10) Fx and other Vsts and Hardware KONTAKT / REAKTOR / SERUM / DIVA / CS80 / SH-01a 11) Max for Live / Arrangement Max for live fx, max for live routing, max for live video, max for live developing 12) Arrangement 2 The program can be done individually, with 12 classes in total. The sessions are two hours long. I also offer Mixing and Mastering services which can be combined with lessons so that we have mastered pieces of work at the end, ready to release!
Ableton live · Computer generated music
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