How to learn to sing? To sing just and well? To answer these complex questions, I was interested in phonatory mechanisms, with speech therapists and phoniatres, I studied singing with a dozen singing teachers, I participated in many Masterclasses and trained myself in different institutions: first at the conservatories of Vaulx-en-Velin and Mâcon, then at the Regional Conservatory of Montpellier, and finally at the Haute Ecole de Musique in Lausanne where I am currently studying with Leontina Vaduva. It is first of all through passion that I want to convey what I have learned. This is felt, according to the words of my students, in my way of teaching which reconciles the rigor of art and the pleasure of singing. In my pedagogical approach, I clearly separate the vocal technique and the art of singing, that is to say the management of an objective mechanism, physical and physiological, of sound production (articulation of the language, management of the pressures subglottic and supra-glottic to achieve a pneumo-phono-resonantial balance), and the shaping of this sound to achieve musical beauty (make a beautiful "legato" line, tempo variations, nuances, etc.). ). When I start with a new student, I first make a diagnosis to determine the range of the voice, the level of resonantial passages, and check the health of the larynx (tonicity, endurance, flexibility). The typical course begins with vocal technique exercises and ends with the work of a musical piece. I adapt my course according to the needs of each one (for example, I can start with a Feldenkreis or Alexander technique exercise, relaxation, breath, or a physical warm-up), but also according to the desires and tastes of the student (the technical part will last more or less long). Considering that the stage is important for personal fulfillment and to set goals in music, I propose to my students to participate in the auditions and group lessons of the music school where I work in Lutry.

Whether you are a beginner or already advanced in your practice of singing, whether you want to sing alone or in chorus, I propose to work your voice, with attention to the breath, posture, specific exercises, to put a good and healthy technique serving your pleasure of singing. You can bring the pieces you like, classic or not, and / or I will propose a repertoire adapted to your voice and your desires. I can also help you decipher the pieces or your choral scores, give you notions of music theory singer in order to be more autonomous in your choral practice for example.Work on the connection to the breath, the opening of the body and the resonators, the accuracy and the interpretation, discovery of the repertoire adapted to each voice, exploration of the tessitura, preparation for entrance exams for conservatories, choir parts for choristers. But also for all the other styles (variety, gospel, soul, pop), learning techniques that will allow you to expand your expressive palette: voice of chest / voice of head ..., all supported on a solid technique of breath . The work on the breath and the voice also allows you to better place your spoken voice, to manage your stress, the public speaking, to gain confidence.

Italian lyric singer (soprano) with a Master of Lyrical Singing from the Royal Irish Academy of Music in Dublin offers classical, pop / current and dictionary classes in Italian, English and Spanish in Paris. Ten years of experience. Work on breathing, posture, vocalizations, technique, music theory, interpretation. For all ages and all levels. At home in Paris.

Discover, develop and maintain your voice! I offer singing lessons for all ages, from beginners to those wishing to join the professional singing classes in various styles of music, from opera to variety, to traditional singing and pop music. I also practice vocal coaching for actors, teachers, lawyers ... or any other person wishing. My pégagogie develops first on the work of the body with excercises that are inspired by Qi-Qong, Yoga or martial arts that I have practiced for more than fifteen years. These are excellent ways to develop the muscles necessary for the proper functioning of the voice and the breath. Then, the work of the voice is exercised with a multitude of simple singing to speak and sing with the greatest ease and the least effort possible. This can be applied to any style of vocal music since the base remains the same: the voice and the body. I have been practicing opera singing as a tenor for many years now. I started my studies in France at the National School of Music of Villeurbanne before finishing my training in Switzerland with the Swiss tenor Jörg Dürmuller. I am graduated from an Opera Master's degree at the Bern University of the Arts. I perform regularly on stage at the opera or in concert, in Switzerland and France.

Professional pianist and pianist conductor at the opera offers vocal coaching on lyric repertoire, variety ... as well as piano lessons or accompaniment for performances, concerts, auditions ... and also, can be led to lead a vocal ensemble or orchestral.

Hi, My name is Berkcan and I am a professional Opera Singer based in Ankara. I'm also a vocal coach and the Vice-chairman of Baskent University State Conservatory of Performing Arts. I specialize in Opera singing, Lied, Chanson, Vocal development/technic, Repertoire/interpretation and preparation for Conservatory exams.

I am a professional singer. I received my Masters of Music in Vocal Performance from Juilliard, where I studied on a full scholarship. I've been performing since the age of 7, so I've been on stage in some form or another for 25+ years now. I teach based on personal experience. So you know that what you're learning is not just academic nonsense, it's stuff that actually works. I focus on good, healthy technique and proper, diaphragmatic breathing. Once you've got that down, then there's nothing you can't do.

Graduate of the Royal Conservatory of Liege, Soloist, Professor for 10 years, Member of the jury of singing since 2015, offers courses of all levels singing, classical and variety, in-depth work of the voice, preparation competitions stylistic work and languages Also a pianist since the age of 8 I offer piano lessons for all ages. I also offer musical awakening lessons for children from 3 years :)