Singing: Interpretation, repertoire and vocal technique - Paris

Translated by GoogleSee original

Singing: Interpretation, repertoire and vocal technique

From 46.13 $ /h

I give singing lessons and I teach:
- the vocal technique
- jazz improvisation
- the jazz, lyric, variety, pop etc repertoire ...

In my class, I rely on the vocal technique of the old Italian school. That is to say .... I do not push your voice to do anything else. I remove bad habits, I ban your involuntary effects that you do not control ...

The goal is to make you discover your natural tone, thanks to my vocal technique acquired with Thalia Carouza, director of the school of the natural voice and professional lyric singer.

For more information, do not hesitate to ask me your questions!

Location

Use Ctrl + wheel to zoom!

At student's location :

Around Paris, France

At teacher's location :

Rue Vincent Compoint, Paris, France

About Me

I want to share what I've had the chance to learn, and I'm very open to new things that teaching allows me to discover. My classes are adapted to the personality of the students, with a pedagogy based on the dynamism, the joy, the discovery and the natural work of the voice.

Education

I started lyrical vocal technique at the age of 11 in a Catholic choir at Sainte Anne d'Auray. In parallel I took private lessons with Thalia Carouza who taught me the art of mastering her voice NATURALLY.

Experience / Qualifications

I spent my Bac TMD (Technique of Music and Dance) option current music (rock, pop, funk, Afro-Cuban ...) at the Conservatory of Brest.
I did 2 years of professional studies at the American School of Modern Music to meet today at the IMEP Paris College of Music.

Age

Preschool children (4-6 years old)

Children (7-12 years old)

Teenagers (13-17 years old)

Adults (18-64 years old)

Seniors (65+ years old)

Student level

Beginner

Intermediate

Advanced

Duration

45 minutes

60 minutes

The class is taught in

French

English

Skills

Singing

Opera

Jazz music

Availability of a typical week

(GMT -04:00)

New York

At teacher's location

At student's home

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Géraldine

5.0

(11)

State-certified and trained in Richard Cross training. Trained in CVT (Complete Vocal Technique).

This course is for anyone wishing to better use their voice in a professional or personal context:

Singers, actors, storytellers...

A professional singer and choir member with 30 years of experience (Y. NOAH, KASSAV, ALLIANCE ETHNIC, MAD IN PARIS, M. FUGAIN, STOMY BUGSY...) in singing, has decided to share her passion for music by offering her experience and vocal technique to people wishing to approach this beautiful discipline.

My role: to detect your tensions in order to teach you how to correct them, all while prioritizing listening to the body and the voice...

My goals in a few words:

- Give you the confidence that is in you (break down the barriers) and allow you to find the vocal well-being through concrete situations
- Teach you to breathe properly as part of the vocal gesture or the spoken voice
- Give you the keys to support and support essential to the proper development of your song
- Help you to place your voice, to make it resonate
- Teach you to speak clearly without haste by holding the attention of the audience
- Allow you to move while expressing yourself without tension or apprehension
- To accompany you in the preparation of your auditions, speeches and castings
- You help to let your voice live, to lighten it
- Teach you to be in the pleasure and not only in the performance
- Help you get back in touch with the rhythm

Specific exercises to bring you:

Accuracy, vocal stability, volume, intensity, nuances, articulation, diction, good interpretation of your song, improvisation...

Concepts addressed:

Respiratory work, Rhythm, Timbre, Resonances, Twang, Belting, Vibrato, Support and support, Melism (riffs and runs, vibes) ...

Camille

5.0

(11)

Our teacher using, if necessary, an electro-acoustic guitar to better accompany your voice and guide some of its subtleties, the teaching philosophy is adapted to each level, according to the pace of work and motivation.

Program :
- musical techniques: theory (examples: support, modes, colors, effects such as vibrato, etc.) automatically followed, for each of the exercises, by practice (examples: exercises focusing on accuracy, sound production, "mountains Russian ", time, note hold, diction, vowels etc.)
- work on breathing and breathing management
- body awareness
- stability
- resonance
- improvisation / free expression
- improved vocal comfort
- varied repertoire (adapting to your preference)
- well-being by the vibration of the voice
- personal or artistic development - accuracy, note keeping and precision - vocal modes including timbre
- volumes: softness and power - sound colors: from dark to light - vocal effects, range requirements - nuances: volumes, mimics, attitudes, sound quality - exploration of musical styles (folk, pop, classical, blues, rock, song, World music ...)
- improvisation, effects and vocal games, harmonies
-interpretation: work on emotions, body language, stage presence.

Objective: acquire a solid vocal technique allowing you to sing with accuracy, ease and expressiveness.

Musical learning meanwhile, will develop your ability to listen and reproduce music, your sense of rhythm, your expressiveness, your creativity and musicality as well as reading sheet music.

The work is focused on multidisciplinarity: voice, vocal health, music and bodily expressiveness, with an emphasis on the acquisition of an optimal vocal placement, on stress management in public and on interpretation.

This progressive and tailor-made method aims to develop your voice:
-Breathing techniques
-Vocalises and technical exercises adapted to needs;
- Repertoire work
- Accompaniment for studio recording and scenic performance
-dynamic exploration, diversification and release of one's voice while having fun and going beyond one's limits.

As other people do regularly, you can also please your loved ones by offering gift vouchers, available all year round.

TEACHER / TRAINER

Trained in Grandes Ecoles in France and the United States (Ivy League University), our teacher has specialized and has been working for more than 15 years, in North America and Europe, in the field, in international establishments renowned, and oriented on one axis: effective training with pedagogy and meticulous methodology as the watchwords.

PLACES, FEES
- Locations: Geneva-Lausanne-Friborg-Neuchâtel-Montreux-Bâle-Sion-Sierre-Morges-Bienne. But currently, only by videoconference in accordance with national recommendations on Covid. These sessions also seem to be perfectly unanimous since they have the advantages of direct (example: quality of the interaction), without its disadvantages (ex: loss of travel time), with additional advantages (ex: of notes on the chat, which can be reread afterwards). In this context, these videoconference sessions for which you have requested me, seem to arouse a certain enthusiasm (and a certain enthusiasm). At your request, I therefore continue to offer them.

Karine

5.0

(11)

Singing lessons allow you to work on vocal technique: posture, breathing and breathing, evolution of sound, vocal support, articulation, interpretation...
There is therefore a theoretical phase, and a practical phase by learning these techniques on a given repertoire.
WORKING AXES :
Be able to better understand the voice and vocal intentions to:
Fully master the vocal tool
Avoid any type of vocal forcing
Knowing how to use them for artistic purposes (interpretation)

Knowing and understanding vocal effects

All levels
- Beginner wanting to discover his voice
- Amateur having
- Professional needing support in his artistic project.

Any musical repertoire

Current Amplified Music, song, French and international varieties, jazz, amplified music (pop/rock...), musical comedy...

Mia

5.0

(11)

My teacher's credo

As an opera singer, I have had the opportunity to perform on international stages while continuing to teach, which is a true vocation for me.

In vocal pedagogy, I believe that each student is the bearer of a unique instrument: their voice. This is why it is essential to adapt teaching and methodological tools to the individuality of each student. This approach allows me to conduct my classes in a variety of ways, choosing the most relevant vocal exercises or repertoire pieces to reveal the individual potential of each voice.

My technique is based on:

* in-depth breathing exercises,
* awareness of the whole body as an instrument,
* understanding the biological principles of breathing and its artistic role,
* the development of a free and resonant vocal emission.

My main objectives are to:

* maintain a feeling of high vocal position, awareness of resonant cavities in singing,
* work on the purity and continuity of vowels (legato), work on diction (Italian, German, French, etc.)
* gradually develop the tessitura,
* harmonize and balance the different vocal registers.

Finally, I place great importance on the student's personal development. Building a voice also means supporting an artistic personality: this involves guiding each student toward a repertoire adapted to their stage of vocal development, while nurturing their sensitivity and self-confidence.

Katherine

5.0

(11)

[Please note that lessons are only available for serious students looking to be a professional musician or artist]

Katherine has been vocally trained in contemporary for 25 years and studied classical voice for three years. After developing Muscular Tension Dysphonia in 2010 and not singing for almost two years, she overcame this vocal disorder after working with some of the best voice and voice rehabilitation specialists in the UK. This experience further motivated her interest in teaching the following to her students in contemporary voice* using knowledge and training gained by renowned vocal coaches, ENTs and voice rehabilitation specialists:

- Vocal technique, health and hygiene
- Guidance in voice rehabilitation with students experiencing or recovering from vocal issues
- Managing Performance Anxiety
- Breath control
- Microphone technique and stage performance
- Basic music theory
- Artist development and mentoring

Katherine has over 15 years experience in one-to-one lessons, teaching students aged 4 years old to 50 years old of all levels and has developed programs for small choirs. Please be advised students under the age of 9 years old will be offered 30 min lessons only and will comprise of a combination of music and singing-related games and exercises.

Also offering:
- Live performance workshops

*Contemporary music styles like R&B, soul, neosoul, pop, country. She does not teach classical or jazz.
**Please note, 30 min lessons are only for students aged 10 and under. Adult students will be required to book one-hour lesson times to ensure they get the most out of their lessons and therefore their money's worth. Requests for 30 min lessons from adults will be declined and asked to book a one hour lesson.

Matéo

5.0

(11)

Hello, welcome to my ad!

My name is Matéo and I am 26 years old. I have been playing guitar for 9 years and teaching it for 5 years. After studying at the conservatory and music school, I obtained my Diploma of Musical Studies (DEM) specializing in jazz guitar. Over the years, I have been able to accompany around forty students, both in private lessons, group lessons and at the conservatory where I teach today.

OPTION1) The course I offer is aimed at beginner to intermediate level guitarists, of all ages (children too!), in acoustic and electric guitar.
My goal is to give you the essential basics of the instrument (body position, technique, chords) as well as an understanding of fundamental musical concepts (rhythm, ear, reading tablature and/or music theory) which will be very useful to you as a musician.
We will base our learning as quickly as possible on real pieces of music, if possible suggested by the student because I think that learning by playing the music you like is the most motivating method.
As a teacher, I have always adapted as best I could to each profile to make them learn in the way that suited them best, make them play the music they like, help them with their difficulties and push them to surpass themselves in their abilities.
Finally, I always make sure that the lessons take place in a calm and pleasant atmosphere so that the student progresses at their own pace and learns while having fun.

OPTION 2) This course is for intermediate to advanced guitarists (and musicians in general) who want to acquire a deeper understanding of music theory. What we can cover, depending on your needs: analysis, harmony, composition, transcription, improvisation, music theory, ...

Lessons can take place at my home, in the 15th arrondissement, or at the student's home where I can travel (for an extra) within a reasonable radius.

Declared via CESU (Universal Employment Service Check) or self-employed invoice.

Thomas

5.0

(11)

I teach lyrical singing during a lesson which is broken down into two sequences: first work on pure technique, based on muscular coordination with breath, breathing and posture. Then, depending on the student's level, interpretation work on one or more pieces, putting the technique into practice, to which we add actual musical work.

Alain

5.0

(11)

Graduated with Honors from Berklee College of Music (USA)

Modern Harmony Lessons, Reharmonizations, Chord Scales, Passing/Substitution Chords, Improvisation.

40 years of career, on 4 continents.
Numerous concerts and recording studio sessions.
Compositions/arrangements/orchestrations and orchestral conducting (in particular for Rhythm Section, String Section, Brass Combos and Big Band).
I would like to be able to transfer my knowledge to young and old people who want to improve their knowledge and virtuosity.

I use the Berklee College of Music Methodology where I was trained for 8 semesters.

Pragmatic and very professional approach:
- Quick learning
- Reading and understanding Anglo-Saxon notations
- Reading of “Standard” scores
- Rhythmic/melodic/harmonic analysis techniques
- Construction of triad and tetrad chords
- Use of harmonic voltages (9/11/13)
- Use of passing and substitution agreements
- Modal exchanges
- Jazz Counterpoint
- Construction and use of chord scales
- Improvisation techniques (Jazz/Bebop/Blues)
- Piano and Hammond B3 Organ specialty

Courses intended for all musicians, whatever their level (from beginner to professional).

Also courses in theory, harmony, arrangement and orchestration, intended for non-pianists.

Standard course schedule: 0.5 hours theory + 1.5 hours practical.

Soulayma

5.0

(11)

I offer music lessons for children focused on four main areas: music theory, singing, cello, and rhythm. My approach is playful, caring, and adapted to each child's age and pace.

Through music theory, I help children develop their musical ear, read and understand sheet music in a lively and interactive way. In singing, we explore the voice with gentleness and freedom, working on breathing, expression, and the joy of singing together. Cello lessons are designed to introduce young children to the technique of the instrument, while maintaining an element of play and sensory discovery. Finally, rhythm workshops allow children to move, strike, feel the tempo, and play with rhythm through their body and percussion.

Above all, I seek to transmit a love of music and to offer a space for listening, expression and trust.
Each lesson is a little musical journey, where the child learns while having fun.

Javier

5.0

(11)

My lessons are personalized and dynamic. They combine instrumental technique with ear training, applied theory, and repertoire that most motivates the student. My goal is to train not only competent bass players, but well-rounded musicians who understand their role within a band and develop their own artistic voice.

🎯 MAIN OBJECTIVES
• Mastering right-hand and left-hand techniques (fingerstyle, slap, tapping, etc.).
• Develop an active musical ear and improvisation skills.
• Understand the role of the bass in different musical styles and contexts.
• Acquire tools to play with ease in ensembles and recording sessions.
• Stimulate creativity and personal expression through the instrument.

📦 INCLUDED MATERIALS
• 📖 PDFs with progressive technical exercises, from beginner to advanced level.
• 🎧 Audio files (play-alongs) for practicing in a real context.
• 🎼 Customizable repertoire: pieces chosen by the student, adapted to their level.
• 📚 Modules of harmony and theory applied to bass.
• 🎶 Improvisation material: scales, rhythmic patterns and stylistic language.

🔄 METHOD STRUCTURE
1. Initial assessment: diagnosis of musical level and interests.
2. Personalized plan: selection of the directory and definition of short/medium term objectives.
3. Dynamic lessons: combination of technique, repertoire, ear training and improvisation.
4. Continuous monitoring: progress recordings, personalized feedback and adjustments.

🎸 CONTENT BY LEVEL
• Beginner: posture, chords, basic grooves, rhythmic reading, simple pieces.
• Intermediate: slap technique, major and minor scales, walking bass, intermediate level repertoire.
• Advanced: extensive techniques, modern harmony, free improvisation, complex repertoire.

👨‍🏫 PEDAGOGICAL APPROACH
• A flexible method that adapts to the student's tastes and objectives.
• Contextual practice: all exercises applied in real musical situations.
• Emphasis on musicality, not just technique.
• Use of technology to optimize learning (apps, audio, video).

Sabrina

5.0

(11)

A teaching method that is both demanding and supportive, where vocal technique is at the service of music and interpretation.
Pleasure is paramount.
Singing is the reflection of the soul.
The course is tailored to the singer's request and needs.

Loris

5.0

(11)

My name is Loris, I'm 22 years old, and I'm a student at the Paris Conservatory (CNSMDP) in the jazz department. I've been playing saxophone since I was 14 and previously studied in Germany, where I'm from. Since I started playing, I've performed in various big bands and solo projects, such as the South German Youth Jazz Orchestra. For my own projects, I've toured throughout Germany, France, and the Netherlands. I also taught for a long time in Germany at a music school, where I had students ranging from 11 to 65 years old, and I thoroughly enjoyed teaching all levels and musical styles! Having gained considerable experience, I know what's important for each student and how to best achieve their goals and, above all, make learning enjoyable! I specialize in jazz, but I'm open to anything!

See you soon, I hope.
Loris!

Cindy

5.0

(11)

After 9 years of conservatory training in piano, operatic singing and variety, and 3 cycles of solfège, I offer private lessons to discover or develop your skills in piano (accompaniment, synthesizer and classical pieces), singing (opera, variety) and solfège.

For piano lessons: if you have a piano, I can come to your home. Otherwise, lessons are given at my home using a digital keyboard.
For singing and for music theory: no equipment required, at my place or yours!

The goal: to prepare your pieces, songs, learn the theoretical basics and have fun with it all!

Axel

5.0

(11)

Fundamental Thought:
ANYONE CAN LEARN TO SING!
It's important to know this!
The singing voice is part of our human capabilities, it's just not taught in our culture, but EVERYONE can learn!

FOR WHOM:
This course is for anyone who wants to learn to sing, speak in public, or improve their speaking voice.
Children, teenagers, and adults alike, there's no age limit to start learning ;)
Whether you are a complete beginner (and wish to develop a healthy and solid foundation) or an intermediate (to continue to evolve and develop your technique) this is the right place for you and I would be delighted to accompany you on this exciting journey towards the singing voice!

MINDSET:
- First of all, we always work with gentleness, kindness and joy ; )
Singing is a very intimate act, which puts us in a form of vulnerability, so it is essential to work with confidence to feel free to experiment, to make mistakes and to evolve healthily.
The goal is to develop technically and artistically, at your own pace, and with joy!
- It's important to be kind to yourself: learning vocal technique can take time; it requires patience, perseverance, and confidence to see results ;)

POSITIONING:
My teaching method is simple: find what works for you, in relation to your goals and what challenges you.
I constantly adapt my approach and exercises to the student I have in front of me.
We always start from what the body can do (the spoken voice) to take it towards the singing voice.
We never work by force or against the body's natural processes: we always strive for a healthy vocal technique, free from tension and pain ;)

PROCEDURE:
During the first lesson, we will start by taking stock of the situation, seeing what is already in place and what needs to be worked on.
Afterwards :
- Vocal preparation (warm-up),
- Technical exercises (to progress towards the defined objectives),
- Work on the song of your choice (to put it into practice).

PIANO (Accompaniment):
For those who wish, I also offer lessons on piano accompaniment for singing.
You'll discover the basics of piano and chords (international notation, so no music theory) so you can (eventually) accompany yourself on any song in the world just by reading a chord chart! And that's pretty cool, isn't it? ;)

If you have any questions about the course, the teaching methods, or anything else, feel free to send me a message ;)

Looking forward to working together!
Axel

Leila

5.0

(11)

Does your child love to sing and want to develop their voice, gain confidence or improve their technique? Do you want to start singing yourself or improve your skills?

I offer private singing and vocal technique lessons, fully personalized according to the level and objectives of each student, whether beginner, amateur or already experienced.

Each course is structured in three parts:

1. Physical and vocal warm-up
Body relaxation, diaphragm placement, breathing exercises, posture and grounding, to prepare the voice and avoid any tension.

2. Vocal Technique
Exercises adapted to the student's level: breath control, voice placement, accuracy, articulation, resonance, power without straining.

3. Application to a piece
Putting the technique into practice on a song chosen by the student (or suggested) to work on interpretation and enjoy singing.

The styles are open: pop, variety, French chanson, lyrical... according to desires.

In addition, I offer the basics of music theory and piano for students who wish to learn to read sheet music or accompany themselves while singing.