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Private teachers in Sn Klw

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1492 private teachers in Sn Klw

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1492 private teachers in Sn Klw

Anatole - Boulogne-Billancourt36€
36€Classical piano lessons, by Anatole Comps, student at the Boulogne-Billancourt Conservatory
■ Profile An 18-year-old student at the Boulogne-Billancourt Conservatory, passionate about classical piano and preparing for entrance exams to higher education music institutions. Experience as a soloist, in chamber music and accompaniment, as well as teaching students of all ages and levels. Enthusiastic about the idea of transmitting a demanding and fulfilling musical practice. ■ Training • Boulogne-Billancourt Conservatory – preparatory course for higher education establishments (in progress) • Montpellier Conservatory – support • Conservatoire de Nîmes – initial piano training, musical training, chamber music, culture and analysis ■ Teaching • Private lessons given to children, adolescents and adults • Adaptation to beginner to advanced levels ■Concerts and productions • Soloist at the Maison des Chœurs de Montpellier with the Poco Assai ensemble • The Carnival of the Animals with the Nîmes amateur orchestra • Tribute concert to the president of the bar association Bedos, Nîmes Arena • Participation in the Les Volques festival (Nîmes, December to come) • Numerous auditions and concerts within conservatories (solo piano, accompaniment, chamber music) • Numerous chamber music groups: piano & clarinet, bass clarinet & flute, trumpet, violin & flute, piano 4 hands, piano & cello & clarinet... ■Courses and masterclasses Muriel Bonijol, Marc Woillet, Benoît Tourette, Quartet Diotima, Pierre-Yves Hodique, Violaine Debever, Bernard d'Ascoli, Denis Pascal, Hyun Chan Kye, Leonard Bonne, Duo Yatekok, Cosima Guelfucci.
Piano · Children's music
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Emmanuelle “Emmanuelle Martin” - Gennevilliers65€
65€South Indian song and music (Carnatic music)
Karnatic Song & Music Getting started with Karnatic singing (south Indian music) means discovering a very rich musical world vocally, melodically and rhythmically. What characterizes Emmanuelle's approach is to approach voice work above all else. Whatever the melody, the raga, the composition, there is no point in singing if the voice does not emerge from the right place within oneself. Adopt a correct, grounded, stable and relaxed posture. The voice that sounds fully reflects the dimension of being. What does it really mean to listen? It is becoming aware of the sound space occupied by the tampura*, listening to the swaras (notes), oneself, others in an internal attitude of welcome. Ragas (melodic modes) are like living, dynamic beings, in perpetual change. Discovering a raga is like meeting a new person, little by little their personality is revealed, a dialogue is established. The relationship between the raga, the one who sings it, and also the one who listens to it becomes a living act that continues to evolve. As for the swaras (notes), it is a question of seeking precision and paying attention to their “right place”. Finally, whether it is a vocal exercise, a composition, an improvisation, it is the tala (rhythmic cycle) which gives the essential structure. *Tampura: a plucked string instrument from India that supports the melody of another instrument or singer by providing a continuous harmonic drone. - Text written by Kalpana Métayer
Voice (music)
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