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Since November 2015
Instructor since November 2015
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Théorie de la musique (système français) Theory of Music ABRSM (up to Grade 5)
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From 118.97 € /h
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Je suis une musicienne professionnelle qui travaille dans un orchestre professionnel.
J'enseigne théorie de la musique (solfège) jusqu'au niveau AVCEM.

I also teach Grade 5 theory for International students ABRSM and have a 100% pass rate. I also do crash courses to cover Grade 1 to 5 in 3-4 months depending when the exam date is fixed. (Again 100% pass rate)
Extra information
I provide all the material and past papers for thorough preparation.
Location
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At student's location :
  • Around Cossonay, Switzerland
  • Around Morges, Switzerland
  • Around Yverdon-les-Bains, Switzerland
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At teacher's location :
  • Chemin du Télégraphe, 1306 Daillens, Suisse
About Me
I love sharing my experience at all ages and at all levels, from young children (beginner level) to adults either as amateurs or as music students.
I also teach music theory, either in French or in English
(ABRSM to Grade 5)
Education
Yehudi Menuhin School, Royal Northern College of Music, Robert Schumann Hochschule.
Cello professors include: Maurice Gendron, Joan Dixon, Jennifer Ward-Clarke, William Pleeth, Anner Bylsma, Ralph Kirshbaum and Johannes Goritzki. Chamber music professors include: Sydney Griller, Yehudi Menuhin, Nigel Kennedy, Louis Kentner, Hans Keller, Joyce Rathbone, Chrispoher Bunting, Chris Rowland, Christ Wolfgang, Endellion and Vermeer String Quartets.
Experience / Qualifications
Diplomas
GRNCM, PPRNCM at Royal Northern College of Music
ARCM, Reifeprüfung, Konzertexam Robert Schumann Hochschule
Competitions
1st Prize Taylor Cello Competition London
1st Prize Warren Salon Music Competition
1st Prize Vienna International Competition
Group Finalist International Music Competition Geneva
1st Prize Xenakis Interpretation of Contemporary Music Award, Paris
Scholarships
Scholarship to Royal Northern College of Music
Martin Musical Scholarship Fund
DAAD German Government Scholarship (2 years)
Ian Fleming Award
Munster Trust award
Posts held:
Tutti City of Birmingham Symphony Orchestra (Simon Rattle) Principal Cellist Kammerakademie Neuss, Tutti Essen Philharmonie, Solo Cello Württembergisches Kammerorchester, Heilbronn, Principal Guest Cellist London Symphony Orchestra.
Since 1998 2nd Solo Cello Lausanne Chamber Orchestra.
Age
Preschool children (4-6 years old)
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
45 minutes
60 minutes
90 minutes
The class is taught in
French
German
English
Reviews
Availability of a typical week
(GMT -04:00)
New York
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At teacher's location
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At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
I am the 2nd solo-violoncellist at the Lausanne Chamber Orchestra since 1998. I am passionate not only to play the orchestra and as a soloist but also to share my experience with my students of all ages. (
Recently moved from Pays-d'en-Haut to Gros de Vaud I am looking for new students in the region.
I also give classes to HEMU students who are preparing for their exams or for an orchestra competition.
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Similar classes
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Loïc
This course is aimed at beginners, with or without mastery of music writing. It will be possible to cover:
- The basics of writing music, melodic (notation of pitches and rhythms on the staff) and harmonic (notation of chords);
- The basics of classical and/or jazz harmony: notations, chord compositions, chord functions, modulations, etc.
- Questions of form: what structure should you give to your piece? What are the "classic" forms? How to start/finish a piece?

The course will be structured between:
- on the one hand, the rereading of work composed by the student, in order to suggest avenues for development;
- on the other hand, the teaching of the necessary or desired tools from the list above.


My profile :

I have been studying for a year in the "Performer Jazz" bachelor's degree in transverse flute at the Haute Ecole de Musique de Lausanne. With 20 years of instrumental practice, I began composing on my own by discovering computer-assisted music as a teenager. I then developed a more "written" composition style (on score) over the past 6 years during my studies at the Grenoble Conservatory (France). I obtained a Diploma of Musical Studies there rewarding 5 years of harmony and writing "in styles" which allowed me to appropriate the classical, baroque, romantic styles, of Fauré and Debussy, Bartok and Bill Evans. I also took free composition classes for 5 years.
My experiences include the musical setting of a feature film for a piano-flute duo, the composition of pieces for solo piano, for chamber music ensembles, for small orchestras, for jazz quartet and septet.
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Contact Catherine
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Similar classes
arrow icon previousarrow icon next
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Loïc
This course is aimed at beginners, with or without mastery of music writing. It will be possible to cover:
- The basics of writing music, melodic (notation of pitches and rhythms on the staff) and harmonic (notation of chords);
- The basics of classical and/or jazz harmony: notations, chord compositions, chord functions, modulations, etc.
- Questions of form: what structure should you give to your piece? What are the "classic" forms? How to start/finish a piece?

The course will be structured between:
- on the one hand, the rereading of work composed by the student, in order to suggest avenues for development;
- on the other hand, the teaching of the necessary or desired tools from the list above.


My profile :

I have been studying for a year in the "Performer Jazz" bachelor's degree in transverse flute at the Haute Ecole de Musique de Lausanne. With 20 years of instrumental practice, I began composing on my own by discovering computer-assisted music as a teenager. I then developed a more "written" composition style (on score) over the past 6 years during my studies at the Grenoble Conservatory (France). I obtained a Diploma of Musical Studies there rewarding 5 years of harmony and writing "in styles" which allowed me to appropriate the classical, baroque, romantic styles, of Fauré and Debussy, Bartok and Bill Evans. I also took free composition classes for 5 years.
My experiences include the musical setting of a feature film for a piano-flute duo, the composition of pieces for solo piano, for chamber music ensembles, for small orchestras, for jazz quartet and septet.
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Contact Catherine