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8 private teachers in Vreewijk

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8 private teachers in Vreewijk

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(1 review)
Khorshid - Rotterdam304 QAR
304 QARMusic Performance - Iranian Music - Tar, Tanbur, Tanbour, Setar, World Music, Persian Music
Trusted teacher: Short Musical Biography Born and raised in Iran, Khorshid grew up in an artistic family. When she was seven years old she started her musical journey playing setar with her father. After entering the Conservatory of Tehran she chose Tar. Tanbour was another dimension in her exploration. For her playing, all these instruments happened so naturally. She was just sixteen when she started her professional activities playing with Shams ensemble. During those years she played all around Iran and other countries such as France, Italy, Austria, Morocco, Sweden, Netherlands. She has been teaching from the age of seventeen. After she got her Bachelor from the Conservatory of Tehran, her curiosity led her to Netherlands and got her Master degree at the World Music Department of Codarts Conservatory of Rotterdam Codarts. During her study at Codarts she learned playing Baglama in Turkish department. When I teach, apart from teaching the technique of the instrument is so important to me, I also help them to understand and have more awareness about music and be able to perform all their musical ideas in a successful way. I analyze the student in order to choose which is the best approach in order to motivate him or her. Tar To become a professional Tar player is important for me to have a good technique. I teach all different schools of Tar players by giving repertories and etudes. I also teach about Dastgahi music and in advance level how to improvise based on Dastgahi and Modal music. Setar As this instrument is so delicate is important for me to be aware about every notes you play and in order to reach this point you learn from me proper technique. I teach you Dastgahi music by playing Radif Dastgahi. In advance level we also play together more to learn improvisation. Tanbour As a performer of Tanbour, Sonority is so important to touch the ear. I teach you unique techniques of tanbour with my own method. By playing different compositions and etudes you learn Makams of Tanbour. In the advance level I mostly concentrate on improvisation. Baglama I teach you the basic techniques of this instrument and we play together different repertories of regions in Turkey consist of Anatolian music and Ottoman Music.
Sound (music) · Music theory lessons · Children's music
David - Rotterdam158 QAR
158 QARTrumpet Lessons (Jazz Trumpet - Trumpet Technique - Music Theory)
Trusted teacher: My name is David, I'm a trumpet player, composer, and conductor based in Rotterdam. I started to study music when I was 8 years old and I get the Professional Music degree in the specialty of classical trumpet at the Conservatory of Noia (Galicia, Spain) and I've been playing Jazz since I was a teenager. In my country, I have been a student with teachers such as Paco Charlín or Abe Rábade, whom I have considered my mentors for years, but I have also studied and attended numerous masterclasses and workshops with internationally renowned teachers such as Michael Phillip Mossman, Antonio Hart, Darren Barret, Michel Camilo, Logan Richardson, Orrin Evans ...etc. With 18 years working and studying the trumpet, I have been fortunate to play with numerous artists and projects such as Phillip Dizack, Nelson Cascais, Kyle Poole, Dyna Stephens, Walter White, L.A.R. Legido, Jesús Santandreu, Pontejazz Big Band, CSM Big Band and also with different groups and orchestras of dance and Latin music. As a teacher, I have experience teaching in different schools, teaching trumpet lessons, music theory, and choir and ensemble conduction, working with both young children and adults and the elderly, aged between 4 and 85. My classes are individualized and personal, adapting to the needs and concerns of the student to help him evolve and meet his objectives.
Jazz music · Music theory lessons
Sepand - Rotterdam304 QAR
304 QAROud, Tanbour, and Music Theory Lessons (cognitive approach in the practice of Persian Music) - A Journey into the Iranian Music Modal System
Music is the best skill and tool for traveling to different times and places! Thus, I would like to invite you on an exquisite adventure. Oud and Tanbour are two prominent instruments from the family of stringed instruments that give you the ability to perform a type of music (Gahan music) that we know as Modal/ Maqam music to Dast-Gahi music from the past centuries until today. Our comprehensive approach to this music system, spanning from Central Asia to the Mediterranean, ensures that you will gain a deep understanding of this rich civilization. Through inspiring and amusing lessons, we will cover ear training, reading music scores, techniques, and music theory and history. And, most importantly, you will have the opportunity to develop your playing skills by making music together. - Oud/Ud To become a skilled oud player, it is essential to learn one of the oud playing styles. These lessons will focus on the Iranian oud playing style, which boasts a vast repertoire from Maqam music to Dast-Gah music. Alongside ear training and reading music scores, we will excitingly elevate your playing technique, enabling you to perform a variety of pieces from the masters of this music style. While the oud has a long and diverse historical past, our approach will be thoroughly contemporary, ensuring that you can connect with this instrument in a modern and engaging way. - Tanbour Playing Tanbour is a journey into the heart of Sufi and mystical thought. This instrument demands a high level of technique, Sonority, and Musicality, allowing you to connect deeply with the music and touch your audience's soul. I will guide you through a contemporary approach to playing Tanbour, including improvisation and composition, through a series of classified pieces and exercises. Get ready to be inspired and to inspire others with the epic power of the Tanbour. - Music Theory Lessons (cognitive approach in the practice of Persian Music) Music appreciation is designed to teach students how to understand and describe the contexts and creative processes involved in music composition, recognize what is being heard and what to listen for, and understand sound and melody. What is the time signature? What instruments are being played? What are you feeling while listening to this piece, and why? The term "appreciation" has roots in philosophy, described in this context as the understanding of the value and merit of different styles of music. Our primary focus for this method is a cognitive approach to the practice of Iranian Cultural Civilisation, known as Persian Music.
Sound (music) · Music composition · Music theory
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Davide Guido - Rotterdam114 QAR
114 QARMusic Production, Music Theory, Composition, Cello, Sound Engineering
Trusted teacher: My name is Davide and my music experience started when I was 10 years old during my middle school in Italy. I started playing cello and I kept on studying classical music for 8 years, performing as a soloist and in many orchestras and ensembles. In the meanwhile, I started being interested in electronic music and composition for soundtracks. When I turned 17 I realized that music would have been my passion and my job. I graduated in “Contemporary Writing and Production” at Pescara Conservatory in Italy. During these studies, I dove deeper into Pop and Experimental Electronic Music, orchestration, and orchestral composition. I also had the opportunity to play in different bands and discover different genres such as Post Rock, Progressive Metal, and Heavy Metal. After my bachelor's degree, I finished my studies following a Master's program at Codarts (Rotterdam) in Creative Production. During those two years, I had the opportunity to collaborate with many people and explore different kinds of music (Turkish, Flamenco, Jazz, etc.). I wrote an Artistic Research about electronic unquantized music by analyzing the sound of producers such as Flume, Burial, and Arca. Now that my studies are finished I feel that I want to spread my knowledge and my passion to many people as possible. My class subjects are: - Music Production (from beginners to expert level, mainly Ableton Live and Pro Tools classes) - Cello Lessons (from beginners to intermediate level) - Music Theory (from beginners to expert level) - Composition and Orchestration (explore the world and joy of composing for an orchestra and how to use your DAW as a real symphonic orchestra). As a Producer, I want to let the student feel completely free to ask me whatever he/she wants. I have had many experiences as a producer and I know how to handle many different genres. My first teaching experience was at 17 years old and from that moment on I did not change my teaching set-up. I want the lesson to be an interactive moment in which the teacher and the student are sharing ideas and opinions. Feel free to apply for the lessons. I look forward to meeting you!
Music theory lessons · Music composition · Audio production
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 2 reviews.

Music Performance - Iranian Music - Tar, Tanbur, Tanbour, Setar, World Music, Persian Music (Rotterdam)
Khorshid
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Khorshid is an outstanding teacher!! She is very patient and very thorough and makes things very clear. I am very, very happy that she is my teacher!!
Review by JOSEPH
Bandoneon Lessons - Learning from the instrument's technique (Rotterdam)
Malcolm
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rating green star
Malcolm is helping me futher my technique in a very professional and friendly way. I can highly recommend Malcolm.
Review by PETER

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