Pre-College Music Admission Preparation or Autidion review

Àpd 57 $ /h

This course is designed for students preparing for admission to a music university, conservatory, pre-college program, or undergraduate music program. I help students prepare the theoretical, practical, creative, and portfolio-related components of the admission process. The goal is not only to study more, but to identify the exact gaps that could affect your admission and build a focused preparation plan. My approach is structured, clear, and adapted to the student’s real objective. This course is especially useful for students who feel overwhelmed before admission exams, students with uneven theoretical foundations, self-taught musicians, singers, composers, songwriters, and applicants who need help organizing their musical knowledge before entering formal music studies.

We can work on:

• Music theory
• Harmony
• Ear training
• Sight-reading
• Rhythm
• Melodic dictation
• Basic music analysis
• Composition
• Songwriting
• Portfolio preparation
• Interview preparation
• Repertoire organization
• Study habits and practice planning

In the first session, I assess your current level, your target program, your timeline, and the type of admission test, interview, or portfolio you need to prepare. From there, we create a practical plan. I recommend a minium of 5 to 10 sessions to prepare the admission in depth, but I can also provide a 2-session programm to provide general commentary and review the admission or auditions.

Informations supplémentaires

Please send me the admission requirements of your target program, your deadline, your current level, and any material you already have: exercises, portfolio, compositions, recordings, repertoire list, theory tests, or guidelines.

The first session is diagnostic. We will identify your strengths, gaps, priorities, and preparation plan.

Lieu

En ligne depuis Colombie

Présentation

I am a professional composer, singer, music educator, author, and academic consultant with more than 10 years of experience in music education, composition, artistic research, and one-to-one mentoring.

I teach because I believe music is not only a technical discipline, but also a way of developing attention, memory, creativity, cultural understanding, and self-knowledge. My work combines rigorous musical training with a clear, practical, and human approach to learning.

As a teacher, I work especially well with students who need structure. I have plenty of experience with students preparing for university or conservatory admission, self-taught musicians who want to organize their knowledge, composers who need feedback, and university students working on essays, thesis projects, music analysis, or interdisciplinary research.

My lessons are not generic. In the first session, I assess the student’s current level, objectives, deadlines, strengths, and gaps. From there, I design a focused plan. Depending on the student’s needs, we may work on music theory, harmony, ear training, sight-reading, composition, songwriting, music analysis, research structure, academic writing, portfolio preparation, or admission-test preparation.

We may also work with a 2-session plan to adress one specific problem or to provide feedback on your research text, music piece or artistic portfolio.

My method is based on diagnosis, conceptual clarity, guided practice, and concrete feedback. I explain complex ideas in a clear way, but I also expect students to engage seriously with their own learning process. My goal is to help each student understand what they are doing, why it matters, and how to keep improving independently.

Education

Bachelor’s Degree in Music, Universidad Central, Bogotá, Colombia.

Diploma in Professional Voice, Vocology Center, 2022.

Diploma in Creation and Pedagogy of Musical Artistic Practices in the Regions of Colombia, Universidad Nacional de Colombia, 2023.

Additional training in composition, contemporary music, vocal practice, music pedagogy, artistic research, cultural management, and interdisciplinary creative processes through workshops, festivals, and academic programs in Colombia and abroad.

Expérience / Qualifications

I have more than 10 years of experience as a music educator and more than 8 years of professional experience as a composer for solo instruments, chamber ensembles, theatre, film, animation, and interdisciplinary artistic projects.

I am the author of the music pedagogy book I Got Music, and my work has been performed, commissioned, cited, or consulted in academic and artistic contexts in Colombia, Mexico, Panama, Ireland, Spain, and the United States.

As a composer, I have written for solo instruments, chamber ensembles, experimental formats, voice, theatre, musical theatre, film, animation, and electroacoustic media. My work includes traditional formats such as string quartet, woodwind quintet, and solo pieces, as well as less common formats such as accordion and cello, accordion and clarinet, toy piano and fixed media, and open experimental ensembles.

As an educator and consultant, I have supported students and researchers in music theory, composition, music analysis, academic writing, research structure, music pedagogy, portfolio development, and interdisciplinary projects involving music, education, psychology, sociology, design, archive documentation, and cultural studies.

I have collaborated with institutions and organizations such as Universidad Nacional de Colombia, Círculo Colombiano de Música Contemporánea, Ensamble Vasto, Taller Sonoro, and other artistic and academic projects. I am also associated with the Círculo Colombiano de Música Contemporánea, adn I am the current Treasurer, accumulating experience as a cultural manager, music festival curator and organizer, and academic speaker.

My professional profile combines composition, pedagogy, research, and cultural management, which allows me to support students not only as a music tutor, but also as a mentor for artistic, academic, and professional development.

Age

Enfants (7-12 ans)

Adolescents (13-17 ans)

Adultes (18-64 ans)

Seniors (65+ ans)

Niveau du Cours

Débutant

Intermédiaire

Avancé

Durée

120 minutes

Enseigné en

anglais

espagnol

Compétences

Théorie de la musique

Composition musicale

Solfège

Disponibilité semaine type

(GMT -04:00)

New York

Cours par webcam

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Academic Music Research Consultancy for Thesis, Essays, and Artistic Projects

76 $ /h

This course is for students, artists, musicians, educators, and researchers who need expert guidance for a thesis, essay, article, research project, artistic portfolio, or interdisciplinary academic work related to music, arts, education, humanities, or culture. I can help you clarify your research question, structure your argument, organize your sources, improve your writing, review your theoretical framework, analyze musical or artistic material, and help you prepare your project for academic presentation or thesis disertation.

What we can work on:

• Defining or refining your research question
• Organizing your thesis, essay, or article structure
• Reviewing your argument and theoretical framework
• Improving clarity, coherence, and terminology
• Connecting musical examples with theoretical ideas
• Reviewing sources and bibliography direction
• Preparing presentations or defense materials
• Developing a writing, revision, or research plan

Important: I do not write your thesis or assignment for you. This is an academic support and consultancy service. I help you think, organize, revise, and strengthen your own work.

Composition and Songwriting Lessons with a Professional Composer

76 $ /h

This course is for students, musicians, singers, songwriters, and composers who want to develop their own musical ideas with the guidance of a professional composer. I can help you write, organize, revise, and develop your music, whether you are working on a song, a piano piece, a chamber piece, a vocal work, a composition exercise, or a larger creative project. My approach is practical, analytical, and personalized. I will not impose one single style on you. Instead, I will help you understand your own musical language, identify what your piece needs, and build the technical tools to make your ideas clearer, stronger, and more coherent.

We can work on:

• Composition technique
• Songwriting
• Melody writing
• Harmony and chord progressions
• Form and structure
• Arranging
• Counterpoint basics
• Text setting
• Writing for voice
• Writing for instruments
• Developing musical ideas
• Finishing unfinished pieces
• Score review
• Creative process and artistic direction

The first session works as a diagnosis. We review your current level, musical background, goals, references, and any material you already have. From there, we create a focused plan. You may also book 2 sessions (diagnosis and follow-up) to receive general commentary and a review on your song or music piece.

Lou-Indigo

4.87

(84)

The course that I propose is BILINGUAL FRENCH / ENGLISH, as well as 2 BOOKS.

Age and musical taste are not restrictive when in the program, you can with qualitative daily work (not quantitative) quickly observe your progress.

Here the pleasure of playing music is put forward.

The kind of music you love most will be the focus of the course, their codes and secrets will be the focus of our study, that's what I want to share with you.

We can do technical lessons and simply learn together how to play one or more songs of your choice or mine, enrich your game with this approach and your repertoire!

(For example, We can re-arrange the pieces and make them more original by approaching the system (CAGED), and enriching their chords, resulting in new positions, new techniques and new sounds, using arpeggio techniques rather than strumming for 4-chord pieces, voicing and fingerstyle techniques, in short, expanding the instrument's playing fields and playing skills to keep progressing in your game and improve your rehearsals ...)

If you make a request, this program is obviously accompanied by the pleasure of learning more in theory and being able to directly apply new knowledge on its instrument and identify its common or rare use in the pieces discussed in class.

In this case, the theory is translated to be accessible to anyone, both for those who are connoisseurs and for those who discover everything from absolute zero.
The exercises, songs, and theoretical explanations offered throughout the program are organized in an order of progressive difficulty.

I wrote and produced 2 books of my method to learn the guitar and the music, that I sell to accompany my course and your apprenticeship in the best conditions and so that you can continue the course even at home and to review etc ... .
There is ONE BOOK OF COURSES containing all the theoretical and practical program of the year, as well as a BOOK OF EXERCISE on the ranges and the modes that you can obtain directly.

You can find here an indicative list of objectives that I propose in my theoretical program, which can of course adapt to your request.

The general theoretical objectives of the course:

--- Tuning / tuning and knowing his guitar:
* Standard Tuning
* Drop Tuning
* Open Tuning
* Adjust the optimal tension of the strings
* Adjust the shaft axis
* Adjust the action of the strings
* Choose the strings adapted to the style of play / tuning
* Change his strings

-Know his chords:
* Triads: Fundamental State & Inversions
* Tetrads: Fundamental State & Inversions
* The chord progressions of the Range
* Arpeggio techniques (tapping, sweep, 1/2/4 fing.shape, etc ...)

--- Know his scales and his modes

* The Mode of the Major scale
* 3 Modes of the Minor scale: Natural / Melodic / Harmonic
* Modes of the Pentatonic range: 5 positions
* Modes of the Blues range: 5 positions
Etc ...

--- Technique to the Pick / Plectrum / Tab / Pick (Electric Guitar):
* Alternate Picking
* Fast Picking / Tremolo Picking
* Hybrid Picking
* Palm Mute
* Natural Harmonics
* Pinch Harmonics
* Artificial Harmonics
* Shredding
* Tapping
* Sweep Picking
* Legato Picking

--- Strumming / Hand Picking (Acoustic Guitar)
* "SnareDrum" percussion on the guitar
* Arpeggios pinched with 4 fingers + thumb
* Rasgueado (Flamenco Technique)
* Generic Strumming
* Fingerstyle Picking
* Two-finger picking + Legato for fast melodies (eg a solo)

-Play the metronome
* exercises on click
* practice on song riffs

-Learn his favorite songs
* without thinking about the difficulty, nothing is impossible with the right methodology

-Improvise
* choose ranges and positions
* to place oneself rhythmically, to finish on the judicious notes

-Theory of Harmony
* Understand harmonization and its practice

-Theory on the Melody

-Theory of Rhythm

Ester

4.87

(84)

My goal is to make people of all ages and levels learn not only playing an instrument but how can music help them in their everyday life.
I am an Albanian violinist, with a Bachelor degree in Classical Music (Violin) and Musicologie in Sorbonne University.
Over the years, my experiences with different youth and professional orchestras all around Europe have made me understand that music is important not only for professional musicians but also for everyone.
I can teach in English or French and of course in my mother tongue Albanian.

Denise

4.87

(84)

My name is Denise and I'm a professional singer with a singing master's degree from Catalonia's Music College (ESMUC) specialized in Historical Singing, Musicology and Music Education.
My experience runs mostly in early and chamber music, nevertheless I also have the experience and knowledge of popular musical styles such as Latin-American folk, jazz and musicals.
As a docent or vocal coach I've collaborated with different academic institutions and private artistic projects, focusing mostly on international students or social integration programs.

My main goal is to help the student discover her or his voice while enjoying making music.
No experience is needed, just bring your enthusiasm and favorite music.
Classes can be given either in English, Spanish, French or Deutsch.
There is no limit for styles, bring your favorite music and I will provide a safe environment for your personal and musical growth.

It will be a joy to listen to you.
Denise

App

4.87

(84)

< Learning Piano is not merely about playing the piano >

Before starting to learn the piano, it’s essential to recognize that :

'' What we are actually learning is "Music", but not only "Piano". ''

The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym.

< Music is like cooking >

When we cook, to make roast beef tender, of course, it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beef won’t become tender merely by our tender heart.

By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling.

To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which the piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, and notes we write.

< Difference between an audience and a musician >

There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey.

The understanding of the mechanism behind music is essential, as cooking, and that is the difference between an audience and a musician. As an audience, one can simply feel the music. Like a chief who knows how to create a specific flavor to convey, a musician knows how to create the sound which can convey the feeling we want. While knowing which feeling we want is great, it’s merely the first step. Your emotions are not too different from Chopin, Beethoven, Adele or Taylor Swift, otherwise, they can’t resonate with you. But they know how to create the sound that conveys the feeling they want to their audience.

< Course Content >

I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects that are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more.
In avoid of confusion, let’s still call my course as "Piano Course”.

< Duration >

For each course, I will reserve at least 70 minutes in my schedule for you, including 60 minutes of class time and an additional 10 minutes for discussion and any questions you may have. This will ensure that your courses are not rushed by the next student. This ensures that there is enough time for you to solve your piano and music problems.

< Recording >

I highly encourage my students to record their progress. This can provide an objective standard for comparison and help you analyze your playing precisely. In my nine years of experience teaching music, I've found many students, including those advanced, already play certain sections very well, while other sections may not be not well enough. But they still try to improving those fine sections, while not aware of those weak sections.
Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals.

If you have a digital piano, I can help you produce a video of your performance for each session. This can be a tangible record of your efforts and you can share it with your friends and family via YouTube or other platforms.

Ngoc

4.87

(84)

I am a Vietnamese pianist and I would love to share nice music with you in a friendly environment. I have finished my Master's in piano specialization at the Royal Conservatory of Liège and piano accompaniment at the Royal Conservatory of Brussels. Giving concerts, making some recordings, working in both classical and contemporary music, and with more than 10 years of experience in teaching, I would be happy to share all my knowledge and enjoy the music together!

Gema

4.87

(84)

The most important matter that I could write here about is my passion to teach. I've been teaching already for more than 10 years, from kids to adults. I'm a classical pianist, but I am opened to other musical styles. What I want you to get from your lessons with me, is not only a huge knowledge of theorical stuff or a great technique, I would like to show you my musical world, the imagination and inner exploration that is required to understand and to love music in a whole new level. Once you have found them, it will be very hard to quit playing!

The class duration: You can choose!
20 minutes (Great for the youngest : 3 years old)
30 minutes (Ideal for young beginners from 4 years old)
45 minutes (Intermediate+ adult beginners)
1 hour (Intermediate and combined with some Music Theory)

I use different methods depending on:
1) The goals of my student
2) The language that we will use on class
3) Age and musical preferences: I start to teach children from 3 years old, we make games and they learn to play through musical stories that I have created throughout my pedagogical career.

Martin

4.87

(84)

In my class you learn how to play the guitar either finger style or with a pick (plectrum).
First, you learn the basics, if this is what you need. Then you learn about styles and ways of playing the guitar.
Consequently, you learn how to develop your own style in music and find ways of making yourself and others happy with the means of your guitar!

You also learn how purchase the right guitar and how to set it up for you to be comfortable with.

You save your money on a luthier's shop every month.

You learn the smartest fingerings for any chord changes and scales!

You get to learn the theory in detail so that you fully understand what you play.

You get best deals on guitars from local music stores.

You get to learn how to sightread music and more!

See you soon!
Martin

Mayssa

4.87

(84)

Arab Maqamat
Specialized lessons in understanding and building Arabic maqams (Rast, Bayat, Hijaz, Saba, Kurd, Ajam, etc.), with explanations of musical genres, quarter tones, maqam transitions, and practical application in singing and playing.
Training in maqam listening, distinguishing between maqams, and improvising in a correct manner is provided, from beginner to advanced level.
Oud
Learn the basics and techniques of playing the oud:
Correct sitting posture and holding the feather
Technique (kicking, speed, technical exercises)
Playing Eastern scales and maqams
Reading Musical Notes
Playing traditional and modern pieces and songs
Introduction to improvisation (divisions)
The lessons are suitable for children and adults, from beginner to advanced level.
Organ (Keyboard)
Learn to play the organ in an academic and practical way:
Fundamentals of Music Reading
Chords and accompaniment
Playing with both hands
Playing Arabic and Western songs
Developing rhythmic sense and hand-eye coordination
Preparing the student for solo performance or vocal accompaniment
Vocal solfège
Professional voice training aimed at:
Adjusting the pitch (Intonation)
Strengthening the musical ear
Reading the score while singing
Self-control and voice support
Performing Arabic maqams accurately
Developing acoustic flexibility and oriental motifs
Suitable for beginners and those wishing to pursue a professional career in Arabic singing.
Rhythmic solfège
Developing a sense of rhythm and the ability to read and write musical rhythms:
Reading time values
Clapping and rhythmic drumming exercises
Getting acquainted with Arabic rhythms (Maqsum, Sama'i, Malfouf...)
Practice on the simple and complex scale
Strengthening focus and motor coordination
It is important for every musician and singer to build a sound musical foundation.

Ziad

4.87

(84)

Experienced teacher of Oud and oriental Arabic singing for over 11 years, I am Lebanese and currently residing in Germany. I studied for 8 years at the Lebanese National Conservatory. I taught at the Casa Beethoven Academy in Lebanon and gave private lessons. In addition, I was conductor of the Loubnan Assalam oriental orchestra for over 5 years.

My recommendation for learning the Oud is to start with the study of notes and musical notation before tackling pieces. Although some students prefer to play songs directly, understanding the basics of musical notation allows for faster progress in the long run. With determination and hard work, significant progress can be made in a year, allowing one to play simple melodies.

Please feel free to leave me a message, I will reply as soon as possible.

Hiba

4.87

(84)

🎤 Find Your Voice! Join Our Singing Sessions 🎶

Ready to unleash your inner superstar? Whether you're a shower singer or a stage veteran, our Singing Sessions are the perfect place to explore your voice, build confidence, and have fun!

✨ What to Expect:

Warm-ups and vocal techniques

Group harmonies and solo opportunities

Performance practice and feedback

A fun, supportive environment!

📍 Where: [Online via Zoom"]
🕒 When: [Date/Time or "Weekly Sessions – Join Anytime!

🎶 Don’t just sing—shine. Reserve your spot now and let your voice be heard!

Lucía

4.87

(84)

I hold a Professional Degree in Piano and have several years of experience as a teacher. I offer piano/keyboard lessons at your home in Madrid and online.

✅ All levels, from beginner to advanced.
✅ Flexible hours.
✅ Methodology adapted to each student.
✅ Repertoire chosen based on your goals (classical, modern, chord accompaniment, etc.)
✅ Accompaniment for singers. I'll teach you how to sing and play simultaneously.
✅ Classes for all ages, starting from 5 years old.

Enjoyable and personalized classes, focusing on both technique and musical enjoyment.

Shall we begin? 🎶

Michael

4.87

(84)

Children will learn how to use music for communication, skills to deliver lyrics, singing poems to resonate action heartfelt, passion to advance in music career, practicing music production and using of digital music work station ( DAW) . Children will enhance experience relations with interactive music training, instrumental activation, random demo beat making and random demo vocal mixing.

Sabine

4.87

(84)

Professeur diplomée de piano (et d' orgue) je propose des cours tous niveaux, tous ages :
Classique / Moderne / Jazz (improvisation)
- éveil musical , initiation à la musique
- cours de piano , tous niveaux , tous ages
- cours de claviers, orgue (pédalier)
Enseignante depuis plus de 10 années, les cours sont personnalisés Les cours sont ludiques. L'intéret et l'épanouissement de l'élève est important . La joie et la bonne humeur sont au rende-vous mais tous avancent... !
Sinon, je prépare aussi aux examens musicaux (conservatoires Français autres, , Royal School Music, etc
Préparation au baccalauréat option musique

-

Arwa

4.87

(84)

I offer beginner-friendly lessons that combine music theory and piano, so you don’t just learn how to play, you understand what you’re playing.
These lessons are designed for students starting from zero. We build everything step by step, connecting theory directly to the piano to make learning more natural and effective.
We will cover:
Piano basics (hand position, simple pieces, coordination)
Notes, rhythm, and reading music
Scales and basic chords
Playing simple songs while understanding how they work
My approach is simple: learn, apply, and enjoy the process. I keep lessons interactive and adapted to each student, especially for kids, so progress feels natural instead of overwhelming.

André

4.87

(84)

My name is Andre. I'm a professional musician with more than 10 years living through music. Despite having Jazz as the main focus of my study and practice I've learned to love all genres and absorb each unique values and strengths. Having them integrated in the musical projects I've created or participated on. Projects which revolve around Jazz, Pop, Rock, Psychedelic, Electronic and Reggae.
Throughout my professional career I've worked with music schools and private students (+200). During this years I've encountered a plethora of different kinds of students, all levels ranging from kids to seniors and even a good quantity of autistic or down syndrome students, which always made me more and more interested in the art of teaching and helping people grow, by balancing challenge and empathy.

My lessons are characterized by a practical approach combined with a theoretical component, that always caters to the student's interests, stimulating their musical taste and creativity. For this, I like to go across the board with disciplines such as:
Musical Theory
Technique
Ear training
Performance
Composition
Improvisation
Band/project guidance
Study methodoly
Reportoire

My main objectives as a mentor are:

- To captivate students with music and their learning process

- To stimulate healthy learning methods based on their own goals

- To develop the spirit and discipline of self-learning.

Frequency, duration, and format depend on each student's goals.