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Solfège and musical culture (History, analysis ...).

Translated using Google Translate. Click to view original.
Student of the National Superior Conservatory of Music and Dance in Paris, contributor and critic for the Avant-Scène Opéra, editor for the Luxembourg Philharmonic, I offer the following lessons.

Music theory and musical culture are essential tools for understanding and making music.
Music theory, because it allows you to master the technical tools that allow you to make music, is fundamental for anyone who wants to progress in their instrument.
Musical culture makes it possible to understand what goes on in music beyond the technique. From this knowledge (established over a lot of listening) we can develop an interpretation and go beyond technical issues.

For music theory lessons only, I constantly articulate the different musical parameters (rhythm, intonation, ear, etc.) and draw my training from the repertoire, which has the advantage of making music from the start. Small technical exercises also allow you to focus on one or the other parameter, but the perspective remains mainly that of a global approach placing the music at the center.

As far as musical culture is concerned, I use each of my professional experiences (Musicologist, playwright and music critic) to transmit my knowledge to you.
Thus we will approach the history of music through works (history of forms and languages), interpretation and places of music.
It is mainly through the study of documents (texts of musical criticism, iconography, scores, musical instruments…) that transmission takes place. Knowledge completes and informs this documentary study. Finally the study of document and the erudition have only one goal: to enlighten the listening of the works which I place at the heart of my teaching.

Location

At student's location: Around Paris, France
Online via webcam
At teacher's location: appartements paul, Rue de la Voûte, Paris, France

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General info

Skills:
Age:
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level:
Beginner
Intermediate
Advanced
Duration:
60 minutes
The class is taught in:French, English

About Me

Translated using Google Translate. Click to view original.
Musicologist and musician, music critic for l'Avant-Scène Opéra, editor for the Luxembourg Philharmonic, I am constantly looking for new ways to share my musical experience and pass it on.
Teaching thus ideally complements my other activities, constantly enriching my own experience.
To teach I always try to place the student in the posture of the investigator, whether in music theory or in music history. Thus he realizes which tools he must master and why. The investigation begins again with each piece or document studied, these being proposed according to a progression attentive to the facilities and difficulties of the students.
I deeply believe that one learns better by knowing for what reasons one must master the tools of music theory and musical culture, I thus try to first make the student aware of the need to master these tools.

Education

Translated using Google Translate. Click to view original.
● Classes of aesthetics, analysis and history of
music - master of musicology
National Superior Conservatory of Music and Dance // Paris // since September 2017
● Specialized cycle of CONTREBASS Conservatoire Iannis Xenakis // Evry // since September 2017
● Specialized cycle of ORCHESTRA DIRECTION Conservatory Iannis Xenakis // Evry // 2015-2017
● BACHELOR of Music Goldsmiths College - University of London // London // 2012-2015
● KHÂGNE preparatory class Classical Music Specialty // Lycée Fénelon // Paris // 2009-2012

Experience / Qualifications

Translated using Google Translate. Click to view original.
ACADEMY OF THE FESTIVAL D'ART LYRIQUE D'AIX EN PROVENCE - ENOA
Summer 2019
Masterclass "Opera and Journalism"

NATIONAL CONSERVATORY OF MUSIC AND DANCE OF PARIS
2018-2019
Trainee in the communication department and publishing of the Conservatory

THE PRE-SCENE OPERA
Since September 2018
Music critic and journal contributor

OPERA NATIONAL DE BORDEAUX PHILHARMONIE DU LUXEMBOURG OPERA ORCHESTRE NATIONAL DE MONTPELLIER FESTIVAL “OSEZ HAYDN” -CONCERT DE LA LODGE BANQUE LAZARD FRÈRES
2017-2020
Writing of program notes, DVD booklet and exhibition mediation

OIA-BRENTANO (Paris)
2012
Intern, biography writing, artist suggestions

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Availability of a typical week

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from $41.81At teacher's location
from $41.81Online via webcam
from $41.81At student's home

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If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.

Online reputation

  • Instructor since October 2020
  • Phone number verified
  • Linkedin connected

Availability of a typical week

(GMT -04:00) New York
MonTueWedThuFriSatSun
0              
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3  Monday at 3:00  Tuesday at 3:00    Thursday at 3:00  Friday at 3:00    
4  Monday at 4:00  Tuesday at 4:00    Thursday at 4:00  Friday at 4:00  Saturday at 4:00  Sunday at 4:00
5  Monday at 5:00  Tuesday at 5:00    Thursday at 5:00    Saturday at 5:00  Sunday at 5:00
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from $41.81At teacher's location
from $41.81Online via webcam
from $41.81At student's home

Good-fit Instructor Guarantee


If you are not satisfied after your first lesson, Apprentus will find you another instructor or will refund your first lesson.

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