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SINGING LESSONS - TECHNIQUE, EXPRESSION AND VOCAL FREEDOM
From 64.39 $ /h
My singing lessons are aimed at both beginners and advanced singers who want to further develop their voice in a targeted way, or who are about to change their specialization.
The focus is on sound technical work: breath control, stabilization of the high notes, a balanced legato, and the development of a flexible, resonant sound. I work based on Italian vocal technique and place great emphasis on healthy, sustainable vocal development.
The lessons are focused and precise, yet always leave room for musical enjoyment and artistic expression. In addition to the technical foundation, I support my students in developing their own interpretation and individually unfolding their voices.
For professionals, I recommend 90-minute sessions.
The focus is on sound technical work: breath control, stabilization of the high notes, a balanced legato, and the development of a flexible, resonant sound. I work based on Italian vocal technique and place great emphasis on healthy, sustainable vocal development.
The lessons are focused and precise, yet always leave room for musical enjoyment and artistic expression. In addition to the technical foundation, I support my students in developing their own interpretation and individually unfolding their voices.
For professionals, I recommend 90-minute sessions.
Extra information
I have all the vocal schools, Lütgen, Vaccai, Concone, etc. at home.
Location
At teacher's location :
- Feenstaub Papeterie | personalisierte Geschenke für Hochzeit, Taufe, Geburtstag & Co, Favoritenstraße, Wien, Österreich
About Me
I am a dramatic coloratura soprano with extensive experience on both the opera and concert stage. During my studies, I began my professional career at the Komische Oper Berlin, before deciding early on to pursue a freelance path.
Alongside my performing career, I have been teaching with great passion since the beginning of my studies, and I enjoy sharing my experience with fellow singers.
I am a prizewinner of the Antonín Dvořák Competition and was a finalist at the Klaudia Taev Competition. One of my signature roles is the Queen of the Night (The Magic Flute). I was also awarded a critics’ prize for my interpretation of Amina in La sonnambula.
My operatic repertoire includes roles such as Micaëla (Carmen), Anne Trulove (The Rake’s Progress), Olympia/Antonia/Giulietta (Les Contes d’Hoffmann), and Donna Anna (Don Giovanni).
On the concert stage, my repertoire is equally broad, ranging from Johann Sebastian Bach’s St John Passion to Wolfgang Amadeus Mozart’s Mass in C minor and Requiem, as well as Ludwig van Beethoven’s Missa solemnis, Symphony No. 9, and Christ on the Mount of Olives. It also includes major works such as Felix Mendelssohn Bartholdy’s Elijah, St Paul, and Lobgesang, Carl Orff’s Carmina Burana, and the coloratura soprano concerto by Reinhold Glière.
I have collaborated with conductors such as Peter Altrichter, Reinhard Goebel, Václav Luks, and Manfred Honeck.
Alongside my performing career, I have been teaching with great passion since the beginning of my studies, and I enjoy sharing my experience with fellow singers.
I am a prizewinner of the Antonín Dvořák Competition and was a finalist at the Klaudia Taev Competition. One of my signature roles is the Queen of the Night (The Magic Flute). I was also awarded a critics’ prize for my interpretation of Amina in La sonnambula.
My operatic repertoire includes roles such as Micaëla (Carmen), Anne Trulove (The Rake’s Progress), Olympia/Antonia/Giulietta (Les Contes d’Hoffmann), and Donna Anna (Don Giovanni).
On the concert stage, my repertoire is equally broad, ranging from Johann Sebastian Bach’s St John Passion to Wolfgang Amadeus Mozart’s Mass in C minor and Requiem, as well as Ludwig van Beethoven’s Missa solemnis, Symphony No. 9, and Christ on the Mount of Olives. It also includes major works such as Felix Mendelssohn Bartholdy’s Elijah, St Paul, and Lobgesang, Carl Orff’s Carmina Burana, and the coloratura soprano concerto by Reinhold Glière.
I have collaborated with conductors such as Peter Altrichter, Reinhard Goebel, Václav Luks, and Manfred Honeck.
Education
Vocal studies with Kammersängerin Hilde Rössl-Majdan at the Goetheanistic Conservatory
Initial studies in IGP (Instrumental and Vocal Pedagogy) – Voice with Prof. Margit Klaushofer at the University of Music and Performing Arts Vienna (MDW)
Vocal studies at the University of Ostrava (BcA and Mag.art)
Currently enrolled in a PhD program in vocal studies at the same institution; my research focuses on Mozart’s concert arias for Aloysia Lange, which I will also record as part of the artistic component of my doctorate
Opera Studio of the Komische Oper Berlin
Masterclasses with Kammersängerin Gundula Janowitz, Kammersänger Otto Edelmann, and Henriette Meyer-Ravenstein
I have attended Feldenkrais courses for singers and have explored the relationship between sun and moon voice types
Initial studies in IGP (Instrumental and Vocal Pedagogy) – Voice with Prof. Margit Klaushofer at the University of Music and Performing Arts Vienna (MDW)
Vocal studies at the University of Ostrava (BcA and Mag.art)
Currently enrolled in a PhD program in vocal studies at the same institution; my research focuses on Mozart’s concert arias for Aloysia Lange, which I will also record as part of the artistic component of my doctorate
Opera Studio of the Komische Oper Berlin
Masterclasses with Kammersängerin Gundula Janowitz, Kammersänger Otto Edelmann, and Henriette Meyer-Ravenstein
I have attended Feldenkrais courses for singers and have explored the relationship between sun and moon voice types
Experience / Qualifications
I have been teaching privately since the beginning of my studies
Various workshops (Mozart, vocal technique, German repertoire) at the University of Ostrava
As part of my PhD studies, I have ongoing teaching responsibilities
Lectures on recitative interpretation and on the relationship between analysis and performance
Jury member for a competition awarding a performance opportunity with the Czech Philharmonic Orchestra
Various workshops (Mozart, vocal technique, German repertoire) at the University of Ostrava
As part of my PhD studies, I have ongoing teaching responsibilities
Lectures on recitative interpretation and on the relationship between analysis and performance
Jury member for a competition awarding a performance opportunity with the Czech Philharmonic Orchestra
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
60 minutes
90 minutes
The class is taught in
German
English
Czech
Skills
Availability of a typical week
(GMT -04:00)
New York
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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