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Discover the Best Private Art Classes in France

For over a decade, our private Art tutors have been helping learners improve and fulfil their ambitions. With one-on-one lessons at home or in France, you’ll benefit from high-quality, personalised teaching that’s tailored to your goals, availability, and learning style.

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49 art teachers in France

Students' Choice
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Tiffany

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5.0

33 reviews

(33)

42€

60-min

/h

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1Students

Private Dance class with a professional dancer : Contemporary, Ballet, Modern Jazz

Private Dance class with a professional dancer : Contemporary, Ballet, Modern Jazz

Dear dancers, welcome! Do you love dance and want to improve your technical and artistic skills? I am here to help you surpass yourself! ;) Professional dancer, choreographer and teacher, I am creative, empathic, dynamic, and versatile. Holder of a Bachelor's degree in contemporary dance and creation of multidisciplinary performances from the Iceland University of the Arts, a Master 2 in Art Research & International Creation from the University of Paris 1 Panthéon-Sorbonne, I am an artist member of the International Dance Council at UNESCO. Since 2020, I have been engaged in academic research on medical and spiritual dance whose practice is called Transcendental Dance (Transcendental Embodiment). My professional experience extends internationally where I had the opportunity to work alongside various renowned companies and to organize internships in France, Iceland, Sweden, Mexico, Czech Republic, Spain, Turkey and Asia. Also, I had the opportunity to dance for haute couture houses during Fashion Week in Paris. I teach contemporary dance, technical floorwork (floor work), contact dance and classical dance. My classes focus on mindfulness, musicality, harmonization of energy flows, improvisation, muscle strengthening and coaching in choreographic composition for competitions, exams, galas, and weddings. I remain at your disposal for any information. See you soon, Tiffany

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Cedric

35€

60-min

/h

Screenwriting, film analysis, and genre cinema

Screenwriting, film analysis, and genre cinema

Discover cinema from the inside, deepen your perspective as a spectator and develop your projects with the methods used in the professional world. Do you want to improve your screenwriting skills, develop a film project, understand the mechanisms of your favorite works, or prepare for your future in cinema? Whether you are a film buff, student, aspiring screenwriter or an experienced author, I offer private lessons tailored to your level, interests and ambitions. As a graduate of ESRA Paris and a professional in film production and development, I draw on my experience with authors and my work at Somnivore Films to share the methods of analysis, writing and development that I use daily. Courses tailored to your goals Screenwriting and dramaturgy From the conception of a story to its various rewrites, learn to master the mechanisms of cinematic writing: narrative construction, dramatic structure, character development, conflicts, dialogues, rhythm and progression of the story. We can work on targeted exercises or directly on your own script, whether it's a short film, a feature film, or a series project. For authors who already have a script, I also offer rewriting support: dramaturgical analysis, identification of narrative difficulties, search for solutions and deepening of artistic intentions. Film analysis on demand: choose the films that fascinate you! Have you always wanted to understand why a film moves you, fascinates you, or leaves you perplexed? I offer sessions entirely devoted to the films of your choice. We can explore their storytelling, their characters, their staging, their editing, their themes, or even the artistic choices that shape the viewer's experience. The analysis can focus on an entire work, a particular sequence, or a question that interests you: Why does this scene work? How does the director build emotion? What does a film tell us beyond its plot? The goal is to develop your ability to observe, interpret and argue your analyses, while exploring the works that truly interest you. Analyzing the writing of a film: understanding the mechanisms of a screenplay This approach is particularly aimed at writing enthusiasts, screenwriters, and people who want to understand how a cinematic narrative is constructed. Using a film of your choice, we analyze its narrative architecture: exposition, conflict development, scene construction, character trajectories, dramatic twists and resolution. We can study the intentions of the screenwriters, identify potential difficulties in the narrative and consider other writing possibilities. This method allows you to acquire analytical reflexes directly applicable to your own scenarios. Genre cinema: horror, fantasy, thriller and exploration of film genres Genre cinema is one of my main areas of specialization, with a particular interest in horror, fantasy, and thrillers. I offer sessions dedicated to the analysis of these universes and their narrative mechanisms: construction of suspense, management of fear, creation of an atmosphere, anticipation, surprise, subversion of conventions and spectator expectations. How do you construct a truly terrifying scene? Why do some revelations work better than others? How do you renew the conventions of a genre without losing what makes it unique? We can study existing films, explore a particular subgenre, or work on writing your own project. This specialization is aimed at both film enthusiasts wishing to deepen their knowledge of genre cinema and authors eager to master its dramatic mechanisms. Film development and production How do you transform an idea into a project that can be presented to a production company? Drawing on my experience in production and my work at Somnivore Films, I can help you understand the different stages of film development. We can work on writing a synopsis, a treatment, a statement of intent, an artistic dossier or a pitch, but also address financing mechanisms, the search for producers and the organization of film development. The support can be based on your personal project or take the form of an introduction to professional practices in the sector. Documentary writing and development Thanks to my specialized training in documentary filmmaking and my experience in this field, I also offer courses dedicated to the design of documentary projects. Choosing the subject, research, defining an angle, constructing a point of view, documentary writing, preparing interviews, articulation between narration and filmed reality: we address the particularities of this cinematic form. I can also assist you in writing a documentary development file. Preparation for film schools and university support Do you want to attend a film school or pursue film studies? Having myself completed several university and professional training courses in this field, I can assist you in preparing your applications: compiling a file, presenting your projects, preparing for interviews and training for analysis or writing tests. I also offer support to film students for their film analyses, dissertations, research papers and screenwriting exercises. A teaching method directly informed by my professional experience My approach is based on one conviction: the mechanisms of cinema are best understood when observed in action and when one learns to use them. In my professional activity, I analyze scripts, identify their dramaturgical difficulties, support authors in their rewrites and participate in the development of projects intended to be presented to producers. I apply this approach to my classes, combining explanations, film examples and exercises tailored to each student. What happens during a session ? We begin by identifying your expectations and the difficulties you wish to work on. Each lesson is then structured around a specific objective. For a writing course, we can, for example, examine your storyboard, analyze the dramatic function of several scenes, rework a character, or compare different narrative solutions. For a film analysis, we can start with a sequence, observe its construction and understand how the choices of writing, directing or editing guide our perception. For project support, we work directly on your documents, with reasoned observations and suggestions for rewriting or development. The sessions devoted to a particular film are prepared around a work and questions defined together beforehand. I favour exchange and reflection: it is not about imposing a single interpretation or method on you, but about giving you the means to understand the possible choices, their consequences and their relevance according to your intentions. You will therefore leave with knowledge, working methods and, where the course allows, concrete suggestions to continue your progress. Who are my courses for? My courses are open to all levels and different profiles: - Film buffs and enthusiasts, wishing to deepen their understanding of films, explore film genres or discover the mechanisms of writing and directing. - Beginners and aspiring authors, eager to learn to write, structure their ideas or develop a film project. - Experienced screenwriters and authors, seeking an outside perspective on their work, dramaturgical support or tools to deepen their practice. - Students and candidates for film schools, wishing to progress in their studies, prepare for admission tests or benefit from methodological support. - Project leaders wishing to better understand the professional practices of film development and production. You can come with a screenplay in progress, a film idea, a work you wish to analyze, a file to prepare or simply a curiosity for cinema. Each course is built around what you want to learn, understand or develop, with support that takes into account your experience and objectives.

Solveig

35€

60-min

/h

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Introduction to digital drawing (Krita, and pad provided) – student in studio and Fine Arts

Introduction to digital drawing (Krita, and pad provided) – student in studio and Fine Arts

After studying art for fifteen years in a Parisian workshop and starting a preparatory course in Art at the Beaux-Arts de Lyon, I offer an introduction to digital drawing techniques. During my studio training, I experimented with numerous techniques (life drawing, still life, painting, cyanotype, engraving, pastel, charcoal, sculpture) which I now use in my digital drawings. I have been drawing on Krita for a year now, creating posters, original drawings, and animations. Today, I offer to guide people interested in digital drawing techniques for a few hours. During this introductory session, I can adapt to each individual's preferences, whether they focus on line work, color, or composition. My goal is to foster an interest in art and digital drawing in each and every one of my students, ensuring both enjoyable lessons and rapid progress. I look forward to seeing everyone's creations and am curious about your artistic ambitions. My teachings The aim of this introduction to digital drawing is to allow students to gain an initial appreciation of the techniques and potential of digital drawing. First, we will cover the basic parameters of the Krita software and install the necessary software to ensure access to its various features before exploring the artistic possibilities of this format. Throughout this introduction, my goal is also to ensure the student enjoys the process and, more generally, to encourage them to pursue their artistic interests and curiosities. We will use various digital drawing techniques: layers, masks, brushes, colors and the color triangle, animation (for beginners), coloring, and selection and transformation tools. If desired, I can also offer tests to check that the student has understood each step; however, in all cases, developing autonomy is central to this introduction, and this is achieved without the need for tests. Upon completion of this introductory course, students will be able to use Krita's basic tools independently, creating digital drawings and, if they wish, their first animations. They will be proficient in using the various tools covered. Results will be quickly visible, and each student will soon be able to implement their own projects, which I will be delighted to support. I offer this introductory course on Krita, which remains particularly accessible as it is free. Therefore, the financial commitment for this course does not include the purchase of software. Should the student wish to purchase software to further develop and professionalize their skills, I can recommend software based on their specialization (video editing, animation, digital painting, etc.). Digital drawing generally requires the purchase of a pad or tablet. For in-person classes, I provide the pad to minimize the financial commitment for what is, after all, an introductory course. This also gives students the opportunity to familiarize themselves with these tools, get comfortable with them, and make informed choices about their equipment. For online classes, however, students will need to purchase their own pad; I can then provide relevant recommendations. It is also possible to draw digitally without a pad using Krita, and although more challenging, it remains an interesting option for those who are not yet sure about continuing their digital drawing training. Course format Group classes for multiple students are also possible if each student has a tablet. In this case, I offer discounted rates per household to make this option attractive to everyone. If the student makes progress on their own outside of class, it is perfectly possible for me to take up their work and questions in the following class and therefore progress at their own pace. I offer both in-person and online classes. I have the necessary equipment to ensure successful online lessons. One of the advantages of digital drawing is that it is easy to teach remotely. For home lessons, an additional charge may apply when travel is particularly significant or when schedules are restrictive. Feel free to contact me with any further questions or if you require further clarification regarding the proposed format or the support provided.

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Breanna

32€

60-min

/h

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Modern Brush Calligraphy for Beginners | 2-Hour Lesson

Modern Brush Calligraphy for Beginners | 2-Hour Lesson

Have you always admired beautiful hand lettering and thought, “I could never do that”? You can. In this 2-hour structured beginner lesson, I teach modern brush calligraphy step-by-step in a clear, practical way. No artistic background required. No perfect handwriting needed. This is technique-based learning, not guessing from tutorials. ⸻ What You Will Learn • How to correctly hold and control a brush pen • The essential upstroke / downstroke technique • Lowercase and uppercase alphabet structure • Letter connections and spacing • How to create a finished word or short phrase By the end of the session, you will complete your first calligraphy piece. ⸻ Materials Required Students provide their own materials. For best results, please have: • Tombow Fudenosuke Hard Tip brush pen • Tombow Fudenosuke Soft Tip brush pen • Tombow Dual Brush Pen (any color) • Vellum or tracing paper (transparent) • Grid-lined paper (downloadable PDF provided) • Alphabet practice sheets (downloadable PDF provided) • Lettering practice guide (downloadable PDF provided) All digital worksheets and structured practice guides are included and sent after booking. ⸻ Who This Lesson Is For • Complete beginners • Creative hobbyists • Wedding DIY projects • Anyone wanting to develop controlled, elegant lettering ⸻ Interested in Turning This Into Income? Many beginners start by addressing envelopes, creating place cards, or taking small commissions for friends. If you’re curious, I can briefly explain: • How beginner projects are priced • What clients typically pay for • How to start small, realistically No pressure — just practical insight from real experience.

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Our students from France evaluate their Art teacher.

To ensure the quality of our Art teachers, we ask our students from France to review them.

Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 38 reviews.

“ Very sweet lady who is always asking how she can improve and cater her lessons towards your personal needs! Knows very well the French language and not on a fluent level, but also the technicalities behind it. Is willing to take time with you and work on your mistakes, as well as trying to explain some French key moments that are difficult to understand for foreign language speakers in a way that is understandable. Always makes sure to challenge you and sees how you can improve! Had a very lovely experience :) ”

To ensure the quality of our Art teachers, we ask our students from France to review them.

Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 38 reviews.

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