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Private lessonsMusic TheoryMusic Theory in Bristol

8 music theory teachers in Bristol

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8 music theory teachers in Bristol

Sachi - Bath1937 EGP
1937 EGPBeginner Flute Lessons - all ages and abilities welcome!
Have you always wanted to learn the flute but never knew where to start? Are you a student confused by your school lessons and wanting a little bit of practice outside of class? My name is Sachi, I'm an American-trained flautist, and I'd like to make learning an instrument accessible, fun, and easy for musicians of all ages and abilities. I am a 3rd year student at the University of Bath, but I first picked up music when I was 12. Growing up in America, I had the opportunity to participate in marching band, concert bands, wind ensembles, and orchestras. However, it was only when I began taking private lessons that I realized how incredible and transformative music can be. My lessons instilled a sense of discipline, confidence, and love for the arts that I would now like to share with you. This course begins with the basics, but can be adjusted for whatever level you are at! Items on the course include: - Flute set up: hand position and stability - Beginner's guide to reading music - Sight-reading - Tone and the 'sweet spot' - Breathing - From Classical to Baroque to Modern and everything in between! - Flute music from around the world - Extended techniques (singing and playing, harmonics) - ABRSM prep If you have any questions feel free to get in touch. Please provide your own flute (if you would like advice on purchasing a flute, let me know!). Music stand, flute stand, and beginner practice books would be helpful but can be purchased at a later date or lent from me.
Transverse flute · Sound (music) · Music theory
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(1 review)
Jacob - Bristol2007 EGP
2007 EGPTrombone Instrumental Tuition (Beginner to Advanced)
Trusted teacher: I am a Trombone, Music Theory, Music Technology, Studio Techniques and Composition tutor based in Bristol, UK, with over 10 years experience in performance and in the music industry. I love to teach and to see students excel to the best of their standards, and to reach their personal goals. Whether you are a beginner or looking to take your practice to a higher level, I can tailor my teaching to give a personalised experience for all age groups, with a dedication to helping you succeed. I have been playing trombone since the age of 9, and have studied and performed in a range of styles, from classical and jazz, to reggae, soul, funk, ska, pop and rock. I started playing with professional orchestras while still a teenager, and have studied with Amos Miller, Paul Nieman and Adrian France, each of whom have taught me essential practices and techniques in a variety of styles. I have performed and recorded with a number of successful groups, ensembles and projects, which include: Hotsteppas & Dub Princess, Timbali, Eastone Rockers, Lil Maxine, Fat Mark, Waggle Dance Records/The Co-operators, Wheel Up Records/Calculus, Gwari Music, Zoe Mazah, Rob Symmeonn, Urban Lions, Frankie and the Heartstrings, Euphony Collective, Toothless Mary, Sussex Jazz Orchestra, and Martha Hill. I studied for a year at the Royal College of Music aged 17, and went on to study at Newcastle University, achieving 2:1 honours in 2015. In September 2021, I graduated a Masters degree in Innovation In Sound with Distinction, from dBs Sound & Music Institute, which has led me to work as a recording and live sound engineer with Eastone Recordings, a small Bristol-based studio and production company. I have taught music theory for 7 years, helping students to reach Grade 5 and above, enabling them to progress in their musicianship, and to go on to study music at university. I believe that theory is not only an incredibly important part of learning music, but can also be a fun way to engage with the different elements of music. Practical application of theory as well as purely theoretical learning is an essential way of solidifying the knowledge, and how I believe theory should be taught. Having studied Trombone, Piano and Music Theory I have intimate knowledge of the ABRSM Grades, and can offer tuition to help students achieve the grades they need. I also offer Music Technology, Studio Techniques and Composition tuition which is informed by my work as a professional recording engineer, and through my research into experimental and extended studio practice. I have also gained writing and arranging credits for many of the groups listed above, composing for brass and whole ensembles. With this experience I can offer expert assistance and guidance with students’ compositions, as well as the equipment and set up to help with this process, both at home and at the studio I work in.
Trombone · Music theory · Music composition
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(31 reviews)
Lydia - Antwerp, BelgiumRecently active2817 EGP
2817 EGPPiano Lessons in Classical and Contemporary Styles for Beginning-Advanced Levels (ages 6 and up)
Trusted teacher: Welcome to my piano teaching studio! I am a professional pianist offering private piano and theory lessons for students of all levels. As a pianist with over 14 years of teaching experience in Europe and the USA, as well as over 23 years of playing/performing, I enjoy motivating my students with music of their own preferred style and interest, whether that be classical or contemporary. My main goal is to promote a positive experience and love for music-making during the learning process. If the student is interested in a more structured approach, I guide preparation for grades 1-8 of the Associated Board of the Royal Schools of Music (ABRSM) piano and music theory exams where my students consistently receive highest marks. I also have successful experience preparing students for conservatory entrance auditions, masterclasses, and competitions in the Europe, the USA, India, and Canada. We have class concerts at Pianos Maene for interested students twice per year. I am happy to provide either a more relaxed or a serious approach to learning piano, we simply need to discuss the personal goals and preferences of each student. My own studies are as follows: I have obtained two postgraduate performance degrees at the Royal Conservatory of Antwerp: "Concertsoloist" in Piano Performance and "Chamber Music” (under the guidance of esteemed professor Sergei Edelmann). Prior to this, I received my Bachelor and Masters degrees in Piano Performance/Music from the University of Minnesota - Minneapolis (with Prof. Lydia Artymiw) and Texas Christian University, Fort Worth (with Dr. Tamas Ungar). My experience includes collaboration with many different instrumentalists and singers, performing as a soloist and collaborative member in several orchestras, and receiving top prizes in several competitions. While maintaining my performance and recording career in Belgium at present, I am developing my private music studio in central Antwerp and look forward to meeting new students.
Piano · Keyboard (music) · Music theory
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(5 reviews)
Ziad - Magdeburg, GermanyRecently active1761 EGP
1761 EGPSolfege & Oriental Solfege: Quarter Note - Rast, Bayet, Siga, Kord, Hijaz, Ajam, Nahawand - Major & Minor Scales
Trusted teacher: With over 8 years of experience as a Solfege, Oriental Solfege, Oud, and Oriental singing teacher, I am a Lebanese musician currently residing in Mönchengladbach, Germany. I honed my skills for 8 years at the Lebanese National Conservatory. Prior to my relocation, I taught at Casa Beethoven Academy in Lebanon and also held private music lessons. As a concertmaster, I performed with the oriental orchestra "Loubnan Assalam" for over 5 years. My move to Germany was motivated by my pursuit of graduate studies at the University of Kamp-Lintfort. Fluent in English, Couramment en français, ولغتي الأم هي اللغة العربية. Aber leider spreche Ich ein bisschen Deutsch. Solfege, the foundation of music theory, is an essential tool for any musician who wishes to understand and create music. It provides a way to identify and communicate notes, intervals, and rhythms, and it is the key to developing musical literacy. In this class, you will delve into the world of scales, exploring the unique characteristics of Western and Oriental scales. We will study the following scales: Rast, Bayet, Siga, Kord, Hijaz, Ajam, Nahawand- Major & Minor Scales. In addition to these Western and Oriental scales, we will also introduce you to the quarter note, which is not traditionally found in Western music. It is a quarter note with a unique and distinct sound. Whether you are a beginner or an experienced musician, this class will provide you with the knowledge you need to use scales effectively for improvisation, singing, and playing any instrument. With this knowledge, you will be able to: * Read and write music (dictation) in solfège notation for both Western and Oriental scales. * Identify and communicate notes accurately in the context of various musical traditions. * Develop a deeper understanding of music theory and rhythmic concepts. * Infuse your musical performances with a broader range of expressive possibilities. We will use the book "المقامات الشرقية by Georges Farah" as the main reference for our study of Oriental solfège. This book is considered the best book in the Middle East to teach Oriental Solfège. Discover the power of solfège to enhance your musical skills and open up a world of new possibilities!
Music theory lessons · Music theory
Yuriy - New York, NY, United StatesRecently active1632 EGP
1632 EGPPrivate Piano Lessons. An Individual approach for your goals!
Hello! My name is Yuriy, and I am glad to welcome you to my page! I am a playing pianist and a private teacher of piano, synthesizer and music theory. Work experience I have been working for over ten years with children from 4 years old and adults. Both with those who study for themselves, and with those who need help in development or professional preparation for exams at a children's music school, college, university. I can help with: * playing your favorite pieces * learning various genres (classical, pop, pop, rock, jazz, boogie-woogie, etc.) * mastering all types of piano techniques * musical notation, music theory, solfeggio * preparing for professional exams or performances My approach I use an individual approach in my work, first of all I start from what the student needs, I listen to him, I look for an approach to help him improve his playing level. I consider this to be key in the learning process. The form of work, pieces, genres, the pace of learning, the depth of immersion, every question that arises - everything is decided individually and based on the benefit for your goals and your desires, and not in any particular lesson, but in each one. The lessons are adapted to the age of the student. Children usually prefer a game approach: a minimum of theory and a maximum of play. Education and achievements I started my education at the Stasov Music School in Moscow (piano), and then continued at the Ippolitov-Ivanov Music and Pedagogical College (piano). I received a bachelor's degree from the Jerusalem Academy of Music (piano). I am a diploma winner of the Moscow Piano Competition of Romantic Music (2018), and also a multiple participant in various concerts with solo and ensemble programs. I have more than 7 years of personal psychoanalytic work experience, which allows me to delve into the details of each student in detail. Work online Everything is the same as in person, due to detailed explanations and demonstration. I have several professional webcams for a view from different sides of my hands and seat (including from above), as well as several microphones so that you can hear and see both my voice and playing with high quality.
Piano · Keyboard (music) · Music theory
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Our students from Bristol evaluate their Music Theory teacher.

To ensure the quality of our Music Theory teachers, we ask our students from Bristol to review them.
Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 74 reviews.

(LIVE or ONLINE!) Piano, improvisation, composition and music theory lessons (Rotterdam)
David
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I had previously played some classical for a few years, but was looking to learn jazz piano and improvisation as well. For this David is ideal, as he studied both as a classical and jazz musician, and has a deep understanding of each. About half the lessons we focus on jazz improvisation. During the lessons I improvise over a few songs, and each session he gives feedback, while adding a new layer of difficulty. We've also worked a lot on rhythm, which has really helped me bridge the gap between classical and jazz. We spent a few lessons on classical pieces as well, to refine technique and musicality. My playing feels much more fluid and musical already, and he's really helpful/knowledgeable with the details. Also, on the weeks where I did have not had much time to practice, we do a more (jazz) theory oriented lesson, which has also helped alot with my improvisation. Overall, I only have positive things to say about the lessons! David is a very easy-going teacher, and from the first lesson I felt very comfortable asking him questions. He's very versatile as well, and easily adapts the lesson according to what suits us best that week.
Review by EDWARD
Learning to play classical, electric or acoustic guitar, bass and music theory
Sergio
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Great teacher! I started acoustic guitar lessons from zero and I have learned so much with Sergio, he is an excellent teacher, very knowledgeable and patient, he also encourage you to keep practicing to achieve your goals while providing you with very useful material to do it. I really recommend Sergio as a music teacher, he plays a lot of instruments. Excelente profesor, yo empecé clases de guitarra acústica desde cero y he aprendido mucho con Sergio, sabe mucho y es muy paciente, además te anima a seguir practicando para que alcances tus metas y te provee muy buen material para lograrlo. Súper recomiendo a Sergio como profesor de música, sabe tocar muchos instrumentos.
Review by VICTORIA
Piano Lessons in Classical and Contemporary Styles for Beginning-Advanced Levels (ages 6 and up) (Antwerp)
Lydia
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I had my first lesson today and I was immediately struck with the feeling that I am in the presence of a maestro in Piano playing, a professor in teaching and an extremely patient pedagogue. It was like Lydia knew me for years and instantaneously detected my strengths and my weaknesses in my piano playing and practice. I am an adult student and I highly recommend Lydia for all ages and all levels. An exceptional teacher that provides and exceptional lesson experience.
Review by CHAIM

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