I am a certified musician, teacher, and specialist in musical language, harmony, and music history, with over 20 years of experience training students at various levels. I have been a music language teacher and coordinator of the music theory course at the Juan Manuel Olivares Conservatory, and have also participated in various editions of the prestigious Alirio Díaz International Guitar Festival. My training includes a degree from the Juan Manuel Olivares Conservatory of Music, a Master's degree in classical guitar, and I am currently pursuing a Bachelor's degree in Musicology at the International University of Valencia (VIU). Throughout my career, I have worked with students of different ages and levels, helping them understand and apply music theory in practical and effective ways. 🎶 What can you expect from my classes? A structured, dynamic, and personalized approach, with teaching materials tailored to your level and goals. Whether you want to improve your music reading, strengthen your theoretical foundation, or prepare for exams, I will guide you through the process with a clear and accessible method. 🚀 Learning music has never been so accessible and enriching. I invite you to discover the theory in a practical, exciting way with real results. 💬 Don't hesitate to write to me for more information or to schedule your first class. I'm here to help you achieve your musical goals!

Internationally active composer and music theorist (M.Mus) currently accepting students for the following subjects (online sessions): -Music theory (basic to college level), including harmony, counterpoint, analysis -Western music history (medieval to contemporary), music appreciation -Composition, music notation (software + score preparation), electronic music, university application portfolio feedback and general application advising -English (for academic writing)

-------------------------- Only on this path do we attain a wealth of inner perfection and a refinement that is truly the true destiny and the only lasting happiness of mankind. I wish with all my heart that the son of the unforgettable Mozart may follow this path. His sincere friend Anton Eberl, July 18, 1801

What makes Baroque music different from Romantic? How did Mozart, Beethoven, and Stravinsky change the sound of the world? In this course, we’ll explore the major eras of Western classical music, from the ornate harmonies of the Baroque to the bold, theory-breaking works of the 20th century. Each lesson focuses on a different time period or movement, introducing key composers, musical styles, and the historical and cultural forces that shaped the sound of each era. This class is designed to be accessible and engaging, NOT theory heavy. No formal music training is required. We’ll focus on listening, storytelling, and historical context, helping you connect with music as both an art form and a reflection of its time. We’ll explore each period using musical excerpts, visual art, cultural history, and key ideas — with room for discussion, questions, and student interests. Topics Included: - Baroque Era: Bach, Vivaldi, sacred music, ornamentation, court life - Classical Era: Mozart, Haydn, balance, Enlightenment ideals - Romantic Era: Beethoven, Chopin, nationalism, emotion, revolution - Impressionism & Modernism: Debussy, Stravinsky, fragmentation, innovation - 20th Century and Beyond: Minimalism, film scores, electronic music, global voices Learning Goals: - How to identify musical styles and characteristics by era - Key composers and the cultural movements they reflected - How to listen critically and understand music’s relationship to its time - Confidence discussing music without needing formal training or theory background This class is perfect for music students, history lovers, or anyone curious about the evolution of classical music — and the stories it tells.

In this course I teach you to become familiar with the scores of the Gregorian Chant and its Vatican notation, which works in tetragram instead of staff, and does not have the conventional rhythmic figures. We will learn the Gregorian symbols and ways, while also awakening the voice and gaining notions of Latin, history and liturgy.

My teaching method is carefully tailored to the specific needs of each student, regardless of the subject we are working on (music theory, cello, music history, analysis, conducting, etc.). The pace of learning is always set by the student, ensuring that each lesson aligns realistically with their goals and interests. Whether you’re looking for a more flexible, amateur approach — open to diverse content — or require a rigorous plan oriented toward exams, auditions, or academic improvement, I design a personalized educational pathway. My approach is rooted in a highly practical vision of learning, based on the educational model in which I was trained during my master’s degrees in Conducting (Antwerp) and Historical Cello (Brussels). I understand teaching as a dynamic process where deep understanding takes precedence over rote memorization.

Professional saxophonist eager to teach and work to bring out the best version of yourself! The lessons are intended for all levels, children or adults. We follow a working method where you will continuously and deeply develop your musicality, way of playing, expressiveness and technique. -------------------------------------------------- ---------------------- Raúl is a Spanish saxophonist who finished his DIDACTIC MASTER in 2018 at the École Supérieure des Arts in Mons. Previously, he also completed a MASTER OF INTERPRETATION at the Royal Conservatory of Brussels (2015-2017) in the class of Alain Crepin and Simon Diricq. He studied at the "Musikene" (Higher Conservatory of Music of the Basque Country) with Eric Devallon, Tomás Jérez, Antonio Felipe Belijar and Miguel Ángel Lorente. Passionate about multidisciplinary artistic creation, he thinks of the mixing of all the arts in the same show as an aesthetic goal. This type of research could be observed in his project for his final master's recital in Brussels where he created a project based on Maslow's theory of the hierarchy of human needs where he mixed live, recorded music, dance, light shows and effects under the name: “according to Maslow... ” In terms of his career as a concert artist, he has played in different ensembles (solo performances, duo, trio, quartet, orchestra...) and different countries such as Japan (Artisanal Musical Fair "Suono Italia" 2010), Belgium (Festival Musiq3 2016), Artonov Festival at BOZAR in 2016...), France (Dax chamber music festival 2011) or Spain (Music Festival “Quincena Musical” 2015, Aste Nagusia 2015, Heineken Jazzaldia 2014, Festival Kutxa 2015, Intercentros Melómano 2010).

Have you ever listened to a piece of music and wanted to understand more about it? I’m offering personalized music lessons, where YOU decide what to explore! Whether you're curious about harmony, rhythm, musical styles from around the world, or any other concept, I will tailor each lesson to your interests. And if there’s a topic I’m not familiar with yet, I’ll take the time to learn and prepare the lesson just for you. Or, if you prefer, embark on a guided introduction to music, exploring essential concepts through carefully selected listening examples from across the globe.

HI, My name is Ewa and I have lived in Rome for more than 12 years and I have been playing the violin for approx. 30 years. I graduated from music institutes in Poland and the conservatories of Santa Cecilia and Rome and the one in Palermo. I have been teaching the violin to children, teenagers and adults of all ages for more than 20 years. My studio is located in the San Pietro area (near the San Pietro train station). Scientific research states that those who play the violin develop both cerebral hemispheres while normally only one develops. Furthermore, playing the violin can also offer various possibilities in life: perhaps you or yours no one knows yet. Call me just to find out more and I will give you all the information. Summing up what I offer are: VIOLIN LESSONS FOR CHILDREN, TEENAGERS AND ADULTS OF ALL AGES AND ALL LEVELS (Lessons can be held in Italian, Polish, English or German) Through practice on the instrument, supported by the use of educational books and repertoire pieces, the student begins the journey with the study of the bow, the sound, the use of the fingers, the reading of the notes on the staff, the position of the hand on the keyboard, the refinement of reading. The first structure and composition of the Violinstudio is perfect, with the melodies of the classical music starting ... For beginner students I offer my help in purchasing the suitable instrument and give all the notwendige advice on other things (shoulder rest, strings, rosin, music stand, etc.) to purchase. PROGRAM FOR BEGINNERS * Correct holding position of the violin * Correct headband holding position * Study of Empty Strings * Recognition of the duration values of notes and rests, work on the rhythm * The use of the arch at the heel, center and toe * Study of dynamics * The use of the fingers of the left hand: the first finger, the second finger, the third finger and the fourth finger * Reading of the score in association with what was played on the violin * Basic techniques of using the bow * One octave scales and arpeggios * Skala in first position INTERMEDIATE PROGRAM * Techniques for using the left hand: Vibrato, Trill etc. * Skaliert and two and three octave arpeggios * Positions II to VII * Exercises for changing positions * Study of musical pieces of medium technical and musical difficulty * Work on variety of musical styles PROGRAM FOR ADVANCED PEOPLE * Three-octave scales and arpeggios * Double ropes * In-depth study of the Baroque, Classical and Romantic repertoire * Vorbereitung for exams to obtain the Royal Schools of Music Certifications * Vorbereitung for auditions to enter the konservatorio and youth orchestras * Strengthening and development of students' personal expressive and creative skills. * In-depth analysis of the interpretative Kompetenz. BAROQUE VIOLIN This course is aimed at early music students of all levels, interested in baroque music and its performance practice, as well as all violinists interested in approaching and learning about the world of early music. During the course we will work on the following aspects: * Correct holding position of the violin * Correct bow holding position and in-depth knowledge of right hand technique * Development of bow technique, basic knowledge of the law of arches * First approaches with the Polyphonic Repertoire for Solo Violin * Performance of compositions of various levels of difficulty for solo violin and for violin and continuous bass using handwritten or printed sources from the Baroque era * Basic knowledge of the main violin schools of the Baroque era and their stylistic characteristics. * Strengthening and development of students' personal expressive and creative skills. * In-depth study of the interpretative kompetenz of the repertoire between the 17th and 18th centuries * Ornamentation and improvisation with the instrument COLLECTIVE KAMERA MUSIC LESSONS / ENSEMBLE MUSIC The music for the camera is the endgültige Grundlage für the Erstellung der Musik und die Kosten für the Music. Registration for the courses is open to both individual instrumentalists and already formed musical groups of different musical genres and styles. I have a Musik-Kamera-Kamera in der Basis aller personal Experiences, Interest in Music and Vorbereitung, um alles zu tun, was möglich ist. There is the possibility of creating groups of violinists to tackle chamber repertoires for violins alone. EARLY MUSIC WORKSHOPS (2-3 days) FOR MODERN AND BAROQUE VIOLINISTS 3-4 Volts. The workshops are open both to early music musicians with instruments with antique settings (baroque bow and gut strings) and also to students who use modern instruments. During the workshops we will address the repertoire that gehören the period between the 17th and 18th centuries

I am a Spanish composer studying at Estonian Academy of music and theater. I have a very deep background in teaching music in a private lessons. All my students in Spain could get a place at the conservatories or got the enough music skills for their goals. Learn how to write and compose music, how to read music, how to hear music... Learn all you need about music with a complete and dinamic method. If you have any questions, don ́t hesitate to contact me. I am very flexible and I can adapt to my students. We will talk together in what you need to improve and make a plan together to do it.

The course is aimed at any aspiring learner of modern piano, jazz, blues and whoever wants to take their first steps in the world of modern music. The classes go through a deep study of improvisation, composition and free creation through the keyboard, sheet music reading, ear tuning, musical theory and harmony, notions of the history of western and African-American music, depending on the route. , level and wishes of the student.

Former student of the Conservatoire National Supérieur de Musique et de Danse de Paris, editor-in-chief of the magazine Avant-Scène Opéra, editor for the Philharmonie du Luxembourg, I offer you the following lessons. Music theory and musical culture are essential tools for understanding and making music. Music theory, because it allows you to master the technical tools that allow you to make music, is fundamental for anyone who wants to progress in their instrument. Musical culture makes it possible to understand what goes on in music beyond the technique. From this knowledge (established over a lot of listening) we can develop an interpretation and go beyond technical issues. For music theory lessons only, I constantly articulate the different musical parameters (rhythm, intonation, ear, etc.) and draw my training from the repertoire, which has the advantage of making music from the start. Small technical exercises also allow you to focus on one or the other parameter, but the perspective remains mainly that of a global approach placing the music at the center. As far as musical culture is concerned, I use each of my professional experiences (Musicologist, playwright and music critic) to transmit my knowledge to you. Thus we will approach the history of music through works (history of forms and languages), interpretation and places of music. It is mainly through the study of documents (texts of musical criticism, iconography, scores, musical instruments...) that transmission takes place. Knowledge completes and informs this documentary study. Finally the study of document and the erudition have only one goal: to enlighten the listening of the works which I place at the heart of my teaching.

I teach Old-Time fiddle, beginning and intermediate level. I prefer students who have some experience with fiddle, violin, or bowed string instruments, but I will accept students with no experience, too. To make the most of your learning experience, weekly, one-hour lessons are highly encouraged. I will teach you fiddle bowing techniques, cross tuning, low tuning, learning tunes from ear, jam information, the social aspects of Old-Time music, as well as history of the tunes and the source fiddlers. My specialty is cross-over students, especially those coming from a background in classical music. Can't get your violin to sound like a fiddle? I can help.

Whatever you want to play or sing, be a musician worthy of the name! Music theory is not an abstract, boring subject disconnected from the music you love! Certainly it has been for many, but it should not. Music theory is understanding the music you love, and so it's your musical wings. ◾Methodology: The course adapts to the artistic and psychological profile of the student, to the objectives and tastes of each repertoire. Objectives: Sense of rhythm, accuracy, but we can go deeper into musical training with a more analytical understanding of a score, harmony, musical culture. I will adapt to your wishes, no obligation! But know that the so-called "music theory" is the great gateway to the wonderful world of music. Children or adults, welcome and without fear. It will always be a pleasure to share with you :-). Goodbye. ◾Course: *Professional musician and teacher for 19 years. *Diploma of Musical Studies from the conservatories of Nice and Perpignan. * Gold medals for violin with unanimous honors, chamber music, and specialization in musical training. *Some experiences: substitute violinist of the Philharmonic Orchestras of Nice and Cannes, music theory teacher (group lessons), violin teacher at the Cultural Center, violin, piano and chamber music at the Academy of Music, violin, piano and training music at Art, violin and piano at Mimet (13), violin at the Arpeggione school in Marseille. * Violin, piano and music theory teacher at home since 2003. *I have played in various departmental orchestras such as the Chamber Orchestra. Personal services organization (50% immediate tax credit advance for courses taken at your home).

My availability is constantly changing so please contact me to find a schedule together :) Music Theory for all levels. Either you are just starting or you want to strengthen some subjects, these classes are tailor-made for your needs. I can teach: - Music theory for all levels. (Analysis, notation, history) - Composition and arrangement for all levels. (Harmony, melody, composing processes, orchestration) - Ear training and solfeggio. (Melody, rhythm, memory, and coordination) I can help you to take the ARBSM theory examinations (Grades 1-8) and Associate and Licentiate diplomas.