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MAO, Ableton and music production: creating a song from A to Z

From 30 € /h

Do you feel held back in your learning and want to move to the next level?

Or do you feel ready to embark on the discovery of musical creation and to tame Ableton Live which is a UFO for you?

So learn from a sound professional graduated from the SAE institute, sound recording, composition, mixing and mastering.

Or?
At my studio, online, at home

What?
Learn how to use Ableton Live and progress according to your projects and desires. A non-paying 30-minute session allows you to target the student's needs before getting to the heart of the matter.

How? 'Or' What?
By zoom, in my home studio or at the student's home

Why Ableton?
I chose Ableton Live 10 for its many composition possibilities and audio + midi controls.

Themes:

Ableton Live Features Explained
Theory on the principles of sound
Composition
Mixing
mastering
Audio + MIDI recording
Sound synthesis and use of plugins like Serum, Komplete Kontrol, Omnisphere, Synlenth1, Keyscape, etc.
Ableton effects and external plugins
Routing
Folders and file locations
Equipment
Sound design
Sound synthesis
Sound recording

...

Answers to questions

Extra information

Computer-assisted music (MAO)

Since the 2000s, digital technology has offered us infinite possibilities in the creation of varied sound universes from real and virtual instruments, samples, sound synthesis and various tools allowing us to shape, sculpt and color sound.
Although music theory is sometimes useful, learning MAO can be done intuitively without theoretical knowledge of music theory or an instrument. However, sound creation on DAW (Ableton Live, Cubase, FL, etc.) is a vast and complex universe. It requires great perseverance to understand how the DAW works as well as a good knowledge of the tools and the composition of a sound.
Many people stop along the way, discouraged by the mass of information they must integrate before they can make a “good sound”. But professional quality sound can now be produced at home with minimal equipment!
To begin with, a computer, a DAW and a good monitoring system are enough to develop very rich and complex pieces. The possibilities for creating different combinations with additional hardware are very varied: synthesizers, sequencers, drum machines, real/virtual instruments, turntables, sound banks, midi controllers, inexpensive effects, etc.
The tools that certain computer programs (plugins) provide us with are sophisticated and, for the most part, inexpensive, allow us to learn different sound sculpting techniques in a very personal form. Learning computer music is therefore enriching in a multitude of aspects, which we discover throughout our projects and allow us to make our ideas real!

Location

Online from Switzerland

About Me

Fascinated since my childhood by this abstract mystery that is sound, I have accumulated knowledge for more than 10 years on the creation of immersive sound worlds and the embellishment of multiple sound projects. This knowledge was consolidated by a professional approach during a Bachelor at the SAE in Brussels.

Passing on my knowledge has become a new passion, accompanying beginners and more advanced to fulfill their dream: get out of their mind their creativity and develop their musical identity.

I participated in projects like those of Nathan Bonjour ("Niggas in Paris remix"), Juldem (EP "On our own"), YNK (Prod, compo, arrangement) 13 mini (Prod, compo, arrangement), etc...

I continue to develop my own universe of composition. Favorite styles: reggae, hip hop, trap, psy, cinematic.

In parallel, I mix and I also accompany the artists to help them develop their musical project, guiding them towards their own arrangements and a clear structure.

My work on computer is also accompanied by real instruments such as guitar or various instruments: harp, melodica, maracas,... .

Education

BA Sound Engineer, SAE Institute

I was trained at the SAE Institute for 3 years to consolidate my knowledge and acquire professional tools. It allow me to give complete cours about sound.

Experience / Qualifications

Music production for 10 years: hip hop, trap, psy, reggae, cinematic
Composition
Arrangement
Art direction
Post-production: cleaning soundtracks for movies, mixing, sound effects, ambiences
Recording artists in studio: sound recording, mixing, mastering
Mixing: rap, rock, orchestral music,...
Mastering: rap, pop,...

Collaborations: Juldem, Nathan, YNK, 13Mini, ...

Age

Children (7-12 years old)

Teenagers (13-17 years old)

Adults (18-64 years old)

Seniors (65+ years old)

Student level

Beginner

Intermediate

Advanced

Duration

60 minutes

The class is taught in

French

English

Skills

Computer generated music

Audio production

Ableton live

Reviews

Availability of a typical week

(GMT -05:00)

New York

Online via webcam

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

App

5.0

(2)

< Learning Piano is not merely about playing the piano >

Before starting to learn the piano, it’s essential to recognize that :

'' What we are actually learning is "Music", but not only "Piano". ''

The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym.

< Music is like cooking >

When we cook, to make roast beef tender, of course, it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beef won’t become tender merely by our tender heart.

By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling.

To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which the piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, and notes we write.

< Difference between an audience and a musician >

There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey.

The understanding of the mechanism behind music is essential, as cooking, and that is the difference between an audience and a musician. As an audience, one can simply feel the music. Like a chief who knows how to create a specific flavor to convey, a musician knows how to create the sound which can convey the feeling we want. While knowing which feeling we want is great, it’s merely the first step. Your emotions are not too different from Chopin, Beethoven, Adele or Taylor Swift, otherwise, they can’t resonate with you. But they know how to create the sound that conveys the feeling they want to their audience.

< Course Content >

I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects that are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more.
In avoid of confusion, let’s still call my course as "Piano Course”.

< Duration >

For each course, I will reserve at least 70 minutes in my schedule for you, including 60 minutes of class time and an additional 10 minutes for discussion and any questions you may have. This will ensure that your courses are not rushed by the next student. This ensures that there is enough time for you to solve your piano and music problems.

< Recording >

I highly encourage my students to record their progress. This can provide an objective standard for comparison and help you analyze your playing precisely. In my nine years of experience teaching music, I've found many students, including those advanced, already play certain sections very well, while other sections may not be not well enough. But they still try to improving those fine sections, while not aware of those weak sections.
Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals.

If you have a digital piano, I can help you produce a video of your performance for each session. This can be a tangible record of your efforts and you can share it with your friends and family via YouTube or other platforms.

Lucy

5.0

(2)

[EN below]

Do you have a passion for music and dream of learning to sing, play the piano, write your own songs, or even discover the magic of music production in Logic Pro X? Search no further!

Together we can search for the perfect lesson content that is specifically tailored to you, so that I can always offer what you want. Multiple interests? – then we can even combine different disciplines for an even richer learning path. The lesson material is infused with my personal experiences as a professional musician in the pop industry, knowledge from previous classical piano and theory lessons, singing lessons and the insights I gained during my completed studies at the Conservatorium van Amsterdam (Pop).

Expect a professional approach during class, combined with a fun and unique teaching experience designed especially for you.

-

Are you passionate about music and do you dream of learning to sing, play the piano, write your own songs, or dive into the enchanting world of music production using Logic Pro X? Look no further!

Together, let's embark on a journey to tailor the perfect lesson content to your desires, ensuring that I can always provide exactly what you're looking for. Multiple interests? – then we can even combine various disciplines for a more enriching learning experience. The teaching material is infused with my personal experiences as a professional musician in the pop industry, insights from earlier classical piano and theory classes, singing lessons and the knowledge acquired from my studies at the Conservatorium van Amsterdam (Pop).

Expect a professional approach during the lesson, paired with a warm and distinctive learning experience crafted just for you.

Alfred

5.0

(2)

Do you want to start playing bass, or are you already an experienced musician looking to deepen your connection with the instrument?

It doesn't matter if your goal is to develop new skills or enhance the ones you already have. These lessons will be tailored to both your level and personal musical taste.

My goal is to make you a better bass player, and to achieve that, we can cover a variety of topics depending on your needs, such as:

Stylistic variety: Jazz, Funk, Soul, Hip-Hop, Pop, Rock, Latin...
Technical skills
Audio production
Rhythm perception, polyrhythms, odd meters...
Music theory: Jazz harmony, sight-reading...
Ear training

Jasper

5.0

(2)

Do you want to learn to write, record or produce your own music? Or are you interested in sound design? Then I can help you further!
Music production and recording technology may seem complicated at first glance, but in our 1-on-1 private lessons we can discuss the creative and technical tools you need to unleash your own creativity.

Whether it's songwriting, recording techniques or beat making, we can do it all together. All genres are welcome.
During the lessons we can learn to work with different programs, such as Logic, Pro Tools or Ableton.
The lessons are for students of all ages and levels. Knowledge of solfège is not required.

I studied guitar and music production at the Conservatory in Ghent and have been active as a professional musician for several years. I have 12 years of experience as a private teacher.

Lessons take place in Gentbrugge near the Keizerpark.
We can determine the exact time of the lesson together. All very flexible.

Does this seem like something for you?
Don't hesitate to send me a message.

Hope to see you soon!
Jasper

Jaimy

5.0

(2)

Have you always wanted to compose your own music, but don't know where to start? In my music composition lessons you will learn step by step how to turn your ideas into music. Whether you are just starting out or already have some experience, I will give you practical tools and techniques to develop your skills.

We focus on music theory, creative methods and concrete composition tips, so you can get started right away. No fuss, just hands-on guidance to make your musical ideas a reality.

Matias

5.0

(2)

This class introduces the core concepts of film scoring and how music shapes story, emotion, and narrative in film and television. Students will learn how to support and move images through music, exploring timing, mood, theme, and structure. Lessons are tailored to each student’s interests and level, from complete beginners to advanced composers, and can focus on electronic, orchestral, or hybrid approaches.

The course also includes analysis and deconstruction of existing film scores to understand compositional techniques and storytelling strategies. Students will learn how to set up and optimize their digital audio workstation for film scoring, define personal creative goals, and work with industry-standard orchestral sample libraries and synthesizers such as Spitfire Audio, Orchestral Tools, and Cinematic Studio Series. Films with sound design and no music can be provided for hands-on scoring exercises, enabling practical experience working directly to picture.

Do you want to produce your tracks without getting lost in the technical details? I'll teach you Cubase and DAW software the way I learned it myself: without music theory, but with method and creativity.

The goal is not to apply formulas, but to develop a working method adapted to each project. This may involve analyzing a piece in progress, resolving technical or creative blocks, optimizing sound, or even organizing a Cubase session.

I offer concrete tools, attentive listening, and precise support to move your musical project forward in the right direction.

About the course:

Composition & Arrangement
Musical structure & storytelling: learning to build solid and coherent pieces (intro, bridges, choruses, etc.).

Creating guitar riffs and harmonies: rhythmic, melodic and stylistic work according to your level.

Text writing & vocal placement: rhythm, phrasing, accuracy of intentions.

Organization in the DAW (Cubase): clear structure, tempo, grids, dynamics.

Art direction & atmospheres: defining a unique and coherent sound universe, from the riff to the background texture.

Pre-production & Sound Design
Effective session preparation: choice of tools, sounds, project organization.

Custom guitar/bass sound creation: virtual amps, IRs, custom effects chains.

Modern recording techniques: layering, harmonies, double-tracking, multiple takes.

Sound sculpture & textures: asserting the personality of each instrument.

Integration of atmospheres and textures: cinematic, orchestral or electronic textures.

Advanced sound design: modulations, automation, unconventional effects.

Recording & Editing
Effective voice recording: artistic direction, placement, interpretation.

Fast & clean editing: assembly, alignment, natural corrections.

Collaboration & Communication
Knowing how to work with other musicians: conveying ideas, communicating with a mixer or sound engineer, maintaining an overall vision.

Mixing & Finalization
Clear and productive session organization: routing, buses, colors, naming.

Using the main mixing tools:

Compression: dynamic management

EQ: Frequency balance

Delay & Reverb: space and depth

Limiting: level control

Special FX (ring mods, filters, etc.): to go further with the texture

Export preparation: stereo, stems, separate tracks, formats suitable for mixing or mastering.

In summary
The goal is not to follow a fixed method, but to make concrete progress on a real musical project, regardless of the starting level.
The idea is to start with a desire, a sound, a riff, a feeling... and turn it into a solid, inspired, controlled piece.

This is what I have been doing for twenty years, and what I pass on here with rigor.

Online lessons are available. Cubase is recommended but not required. You can work with other DAWs or directly with stems/audio files as needed.

Alexander

5.0

(2)

Unlock the music within you? I help you find your way around Ableton so that you can be making your own music in no time. I learned my craft by trial and error over many years. I can teach you what I learned in a handful of classes and get you ready to experiment on your own.

OswalVrez

5.0

(2)

Digital Music and Music Creation with MIDI Technology.
Audio Editing, Mixing and Mastering.

Learn to produce from scratch using creative programs, MASTERING each stage of the sound process and let's achieve PROFESSIONALLY professional creations to release on platforms or, if you're more discerning, to perform in public.

Michiel

5.0

(2)

🎶I'll teach you all the basics of music production, songwriting, and mixing, and if you're already a bit more advanced, I'll help you grow and develop your sound. These lessons are for all levels!

📚With a bachelor's degree in music production from the Conservatory of Ghent and years of experience in the music industry, I am now ready to further spread my knowledge.

🎧We will work on your productions at your level, with the aim of bringing you closer to a professional sound and enabling you to express yourself through your productions.

I hope to find your own sound and develop it into a finished product!
I hope to see you in my studio soon! (see profile photo)

See you in class :))

Matt

5.0

(2)

Online sessions are held using Muse Sessions, which allows us to listen, view, and interact with your music software in real time.

My approach is fully tailored to your goals. Sessions typically focus on finishing tracks, developing ideas, improving arrangement and mixdowns, sound design, and building a more confident and efficient creative workflow.

We’ll work directly with your own music wherever possible, using it as the basis for focused, practical progress. We can also analyse and deconstruct released tracks that inspire you, breaking down structure, sound choices, and production techniques so you can apply them to your own work.

Alongside this, I’m happy to share insight from my own projects and releases, offering perspective on creative decision-making, workflow, and long-term development as an artist. For those interested in sound design, sessions can cover synthesis, samplers, effects, routing, modular and practical ways to get the most out of the tools you already use, whether software or hardware.

I also offer guidance on the wider industry side of music, including preparing music for release, getting signed, developing an artistic identity, self-releasing, content creation, and composing for film and TV.

These sessions are best suited to committed beginners through to intermediate producers who want clear feedback, direction, and momentum in their work.

Sebast

5.0

(2)

Bring me your material, songs/beats! My focus is to support you as best as I can in what you're doing. Would you like to learn more about mixing, sound design, sound synthesis, and composition? Would you like to learn more about the songwriting process? How do I start a song? What are some common pitfalls? I'm your guy! :) As a producer, I've worked with quite a few genres, so I'm very flexible in that respect.

📚training courses:
- secondary ASO Sint-Gummarus College Lier
- 7th year MUDA KSO Evergem
- university conservatory at KASK in Ghent (2022-2027)

Pietro

5.0

(2)

Do you have a song that you've written that you believe could be amazing? Do you already have some skills using a DAW like Logic, Ableton, Pro Tools or Garage band? Would you like a new set of 'arrangers/producers ears' to redefine your song, reimagine it or simply improve what you have to bring it up to the best possible level?

I have worked in these areas where the boundary between composition, production and arrangement becomes blurred. The truth is they are inseparable to the end result and imagination is everything. So is an extra set of ears! Thats were I can help.

Which instrument to use ? (bass guitar or bass synth), which keys sound and where to place it in the mix. Where to set that high pass filter on the vocal? How much saturation does the snare need?

Musical arrangement and instrumentation
Production techniques, in the context of mixing
How best to use harmony in string quartets, or choirs or horn sections
How to place the guitar? Does it even need one?

I can give creative input and advise having written and composed more than 150 songs and recorded approximately 100+. Having run a UK based record label for almost 20 years.

If using a studio DAW, my experience is mainly with LogicPro although most creative 'arrangement' decisions do not need to be technical knob twiddling.

My background as a musician is vocals and guitars but as an arranger I've worked with everything.

Innocent

5.0

(2)

Do you dream of making your own beats and sounds and compose them into your own electronic dance music track, but don't know where to start? Or maybe you already made your bangers but want to perform them live for your fans?Don't worry, I got you covered!

For the past 10 years I have been using Ableton Live for sound design and composition to pursue my own style.
For me the inspiration was in breakcore, dub, psytrance, hardcore, tekno, classical music, punk, metal, ... but for you it can be something completely different. Maybe you know exactly what you want to achieve. If not, we can explore together where the adventure of music production will take you.

It doesn't matter if you are just starting from scratch, or if you already learned some things but want to dive deeper into the software. For Advanced students, I also teach modular audio synthesis with the free software VCV Rack.