Playwriting lessons in Ghent

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1 playwriting teacher in Ghent

(8 reviews)
Dirk - Ghent$37
Trusted teacher: Articles, books, columns, film scripts, press releases, radio spots, reviews, TV scripts and simply copywriting with SEO: most of us have tried to squeeze one or more of these types of writing out of the (virtual) pen. However, it is not always easy to deliver good texts. One person has great ideas, but cannot convert them into ink (digital or otherwise); the other is creative, but makes too many spelling mistakes; and a third kind of person is a language Nazi, but fails to come up with fluent, natural-feeling dialogue. The writing course from offers solace. This way you can not only learn to act, but also get a taste of our courses in debate and presentation techniques (our TV course), communication, singing, improvisation, physical acting, lie detection, hypnosis, directing, or writing! Of course, it remains true: the more you follow one particular course, the faster you progress. Our writing course Our course covers all possible texts and can be followed both privately and in a small group. Moreover, we mainly teach you what you are interested in. During our first meeting we will discuss your goals in detail, after which we will focus the entire course on what you exactly want and need. All ages and levels are welcome with us, so we welcome you with open arms even if you have no experience at all or especially need tutoring! About our coach To be sure: our head coach is at home in all markets. He wrote his first book, the science fantasy Ice, the Lost Planet, when he was 11. The novel was published three years later, which earned Dirk his city's cultural merit prize and items on almost all national TV and radio stations, as well as articles in every leading newspaper and a large number of magazines. Dirk later also became the very first Flemish author whose books he himself had pinned in English were published by American publishers: Fates Worse than Death: Hunter by Vajra Enterprises and Baour, Strands of Death by BlackWyrm Publishing. In between Dirk became a journalist. He wrote - or still writes - for 'fanzines', magazines, newspapers and websites such as Zita, Skynet, The Fighting Bard, Mandragon, Dreun, Mindview, Keys & Chords, Bello Magazine, De Zondag, Doorgelicht.be, MetalBorn, BeauSense Magazine, PDF'zines, GameJunks, Rpg.net, the Delta Gids, Cerberus, Cerberus Too, Cerberus Food & Lifestyle, Wellness Insight, Care Insight, Move On, Cult of Cool, Cult of Chic and Cult of Design. Thanks to his wide range of interests, he could go just about anywhere to write passionately about his favorite topics, but there is more. Dirk wrote hundreds of press releases for PR agency Oskaar and later for his own PR agency, Badass PR - mainly for films, television series, the hospitality industry and various charities. He also provides numerous newsletters and social media for his clients. Dirk has been a coach since he was twenty – when he was still studying psychology at the KUL – and has written several film and short film scripts as an acting teacher and screenwriter. Numerous radio spots have also rolled out of his brain. The most startling assignment, however, came when Modiphius Entertainment – the largest independent producer and distributor of role-playing games in the world – hired him to write the film script and audio play for Achtung! Cthulhu to write. They were so well received that he is currently reading the complete audio series of Achtung! Cthulhu is finishing. In addition, he is busy working on Iron Sky: The Roleplaying Game, which has been delayed considerably due to the fact that the second film was released much later than expected, production problems, the death of one of the two lead writers and the corona crisis. , but will be released next year at the largest role-playing convention in the world, Gen Con in Indianapolis. About you During our writing course, it goes without saying that it is not about us, but about you and your writing! Few things we enjoy as much as watching someone progress and live their passions. That is why we often go a step further after class and continue to support you, whatever texts you want to write!
Writing · Creative writing · Playwriting
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Trusted teacher: I'm a professional theatre director, writer & teacher with 10 years experience in education & West End theatre. Previous credits include: Fiddler on the Roof (Olivier Award for Best Musical Revival); West Side Story; Macbeth; Top Hat; Bridges of Madison County' God of Carnage; Twelfth Night; She Loves Me; The Tempest This summer I was Children's Director and Associate Director to Sir Trevor Nunn on the smash hit musical of 'The Parent Trap', 'Identical', from the producers of 'Six'. I have directed several professional productions for the Young Shakespeare Company & run storytelling workshops for them around the country. I have also taught one-to-one and in drama schools including ArtsEd and Central School of Speech and Drama and at youth programmes such as BYMT, NYT, Stagebox, London Theatre Runway & Role Models. As a writer, my new pop-rock musical 'babies' is currently in commercial development with West End producers. I pride myself on getting the best out of people - performers, writers, students. My sessions have previously have included: Drama School Entrance (16+) LAMDA exams (7+) Scene study (all ages) Acting Through Song Professional Audition Prep Scriptwriting Creative Writing GCSE Drama Tutoring A Level Theatre Studies Tutoring BA Scriptwriting Tutoring Mentoring I have a 2.1 in Drama from the University of East Anglia, during which I completed a dissertation in scriptwriting. My sessions are flexible in length - though I tend to recommend 75 minutes.
Playwriting · Acting
Trusted teacher: ENGLISH BELOW Ik help je graag met het starten met schrijven en/of het verbeteren van je vaardigheden! Of je nu zoekt naar een coach die je begeleidt in en feedback geeft op blogs, columns, korte verhalen, fictie of non-fictie - ik stort me er graag op. Zelf ben ik voornamelijk werkzaam als schrijver van theaterteksten, maar ik heb ook ervaring met het schrijven van liedteksten, literaire vertalingen, essays etc.. Alle teksten benader ik dus vanuit een creatieve insteek en artistieke visie. Als theaterauteur houd ik me ook bezig met hoe een tekst klinkt - klinkt het niet prettig, dan kan hij vast beter geschreven worden. Als coach richt ik me vooral op het geven van feedback op de teksten die je schrijft en help ik je graag op weg met opdrachten om te beginnen met schrijven en/of om het gevreesde writersblock af te schudden. Vind je het fijner om meer stil te staan bij theorie rond het schrijven, dan help ik je daar natuurlijk ook graag bij. /// As a writer (mainly playwriting, but also songs, columns, literary translations and essays) I'm very interested in helping you either to start writing, or to better your writing. We'll work mostly by practicing and discussing your work. If you prefer to zoom in on theoretics, I'm happy to guide you in that as well. I'm a professional playwriter and dramaturg (and studied at LUCA School of Arts with Nico Boon, Freek Mariën and Nathan Vecht). I previously taught playwriting in different groups (CREA, Buitenkunst) and work as a scriptadvisor for professional theatre makers. Besides that, I often help people in writing resumes, papers and thesis papers.
Writing · Creative writing · Playwriting
This workshop will give you all the practical tools to aid your writing as well as giving you vital industry advice on how to best approach the theatre, film and television industries. Whilst talking about structure, character and dialogue, you’ll also learn how to use your own stories and tackle burning issues with confidence, experimentation and comedy. There will also be lots of discussions about the theatre industry itself, dispelling myths about an otherwise intimidating industry. Simple, constructive advice on how different theatres work, which courses to take next, different universities and simple advice on how to get your work staged and seen (without bankrupting yourself), as well as conversations about the TV and Film industry. Simply, this course will equip budding, passionate writers with the skills and knowledge they need to kick-start their script writing career and steer them in the right direction. The workshop will be led a playwright who has led similar groups for several years. This workshop is open to all writers with previous experience who are hoping to have their work staged. Max Max has been a recipient of the Peggy Ramsay Foundation, Screen to Screen Award, a finalist for the Papatango Prize, Theatre Uncut’s Prize for Political Writing and recently, the Nick Darke Award. He’s also collaborated with the Wooster Group in NYC, The English Theatre Berlin and the British Museum as a dramaturg. He’s had plays produced at Theatre 503, King’s Head Theatre, the Arcola, Paines Plough and many others across London as well as running playwriting workshops with The Yard, Flux, The Actor’s Centre, The Gate and the Southwark Playhouse.
Literature · Playwriting · Writing
Trusted teacher: I’m Craig, a theatre director and dramaturg who has worked with some of the UK’s leading theatre companies. Our sessions will be collaborative and supportive enabling your play to reach its full potential. We will discuss your work in detail and I will offer a bespoke response to your script and support you in developing the work further. Sessions will be held online on either Skype or Zoom. I am currently offering three strands of support/tutoring: A One-Off Session: I will read your script before a one-off feedback session with constructive and practical support on how to enhance your play’s concept, story, theme, characters, and dialogue. Three Session Package: I will offer notes on a first, second, and final draft of your script in three feedback sessions. We’ll cover the same areas as in a one-off session but I will also support you with redrafting and getting your script ready to be read by industry professionals. From Idea to Final Draft in 10 Sessions: Complete support as a tutor and dramaturg from the first idea to the final draft. We’ll begin with sessions on the fundamentals of playwrighting including: Character Dialogue Structure Subtext Theatricality Then I’ll support you every step of the way in drafting your play, after which we’ll look at the best places to send your work and discuss strategies for building a sustainable career as a Playwright. The Tutor: Craig Gilbert is currently the Amplify producer at Nottingham Playhouse (The Stage Regional Theatre of The Year 2019) where he supports the development of new work and new artists. Prior to this, he was the New Works Associate at the Liverpool Everyman and Playhouse where he acted as the in house dramaturg for the award-winning Everyman Company. He was the lead tutor on the Everyman Playwrights Programme, students from this course have gone on to receive professional commissions and have been shortlisted for major playwrighting prizes including the Bruntwood Prize and Verity Bargate Award. Craig has also worked as a director and dramaturg with some of the UK’s leading companies including Soho Theatre, the Royal Court, and the Young Vic.
Creative writing · Playwriting
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Only reviews of students are published and they are guaranteed by Apprentus. Rated 5.0 out of 5 based on 18 reviews.

Creative Writing Mentoring - helping you to progress in your creative life!
Ros
I decided to work with Ros because I had seen some of her plays and got to talk to her after a performance. I found both her work and her personality compelling and thought I could learn a lot from her to materialize my ideas and finish my draft'. In this first session, she was very personable and listened very well to where I was at with my creative work, it felt easy chatting with her about my writing. We talked about my aims as well - it felt good to find someone who took what I was wanting to do seriously! In the session we identified areas that I wanted to work on most and identified a plan for me to write for her and send for our next session. It was very helpful as it clarified my writing. The session felt great as I really felt involved in being able to get across what I wanted to concentrate on, as well as Ros helping me pinpoint what I needed - it felt really collaborative and supportive. In the second session, we worked on structure. Ros took a lot of time to go through it line by line, I was able to talk to her about my choices as well as her giving me feedback, the discussion felt respectful and responsive on both sides. Ros then gave me a few tips to help me be able to go forward about implementing what we had talked about. I loved that she was genuinely encouraging of what I was doing. It means so much to have good support!
Review by SABINA
Creative Writing, expert support across fiction, screenwriting, copywriting and school qualifications (Paris)
Amy
Thank you for the session! It's been excellent and valuable. I have learned a lot of helpful information, and Amy has answered all the questions that I had related to English grammar and copywriting.
Review by ANASTASIYA
Private singing coach - focus on technique and song interpretation (Leuven)
Sietse
Sietse is so professional. My son had such an excellent experience today. And I witnessed a dramatic change in the way he deliver a speech! We are so looking forward to our next lesson.
Review by AYA

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