First of all, you shouldn’t choose an amateur teacher for the reason of a cheap price. I struggled to play the piano at a young age because I had a bad amateur piano teacher before I found a better teacher who had certain experiences and knowledge as a concert pianist. After years of trying to remove serious bad behaviors and techniques in the piano, I became very conscious of using my body proper way while practicing. Since then I have had no injury and everything stays very natural in my body. It took more than 10 years to get this method in my body. Now I’m ready to share it but also I need a certain concentration from students in my lesson. Young students who need to prepare for competitions, auditions, and exams are appreciated with great passion. Also, serious amateurs and beginners are very welcome. Biography Shintaro is considered a unique pianist as performing modern and historical pianos parallel. He spent his childhood and student years in Japan. He already received first prizes at several known national piano competitions in Japan while he was studying at Kyoto City University of Arts. In the year of his master's graduation, he gave a solo recital in Kyoto, and his recital was considered as one of the best performances of over 200 concerts in the year by the AOYMA Music Foundation. He earned The AOYAMA Music Awards in 2010 and graduated master of piano performance in KCUA with summa cum laude. He continued his career as a soloist with several professional orchestras in Japan. Some of those concerts were broadcast on TV and radio. Shintaro continued studying the piano at Lucerne Conservatory with Konstantin Lifschitz supported by Hella Siegrist Fonds and AOYMA Music Foundation. He performed the Left-hand concerto by Ravel with the Lucerne Symphony Orchestra and James Gaffigan in KKL Lucerne Concert Hall in 2014. "A brilliant pianist with solid technique and sensitivities" - Luzerner Zeitung 2014 “Elegantly and with creative power, Shintaro presented Mozart's Piano Concerto in E-flat Major KV 449, the layers of sound always audible, the dynamics balanced. It was surprising that the jury awarded him second prize. “ - Freiburger Nachrichten 2015 At the same time, his interests carried forward him to play chamber music, Lied duo, and historical practices on historical fortepianos. He received the first prize at the Orpheus-Swiss Chamber Music Competition participated by master students of all Swiss conservatories in 2014, and the second prize at The Rotary International in Lugano. Shintaro moved to the Netherlands in 2015, and he completed his master of fortepiano (historical pianos) at The Hague Royal Conservatory. He has worked as an accompanist and ensemble pianist for the Rotterdam Philharmonic orchestra, Opera2day, Residentie Orkest in Den Haag, Noord Nederlands Orkest. He also performed Brahms's “Deutsch Requiem” with Shuann Chai on historical piano and Luthers Bach Choir on the tour in 2020, "Mad King" by Maxwell Davies in New European Ensemble on the tour in 2021, a chamber music concert with François Fernandez and Yun Kyung Kim at the Beethoven Festival in 2022. Shintaro is a member of the New European Ensemble for the new opera “Don Quichot” by Vanni Moretto (composer) and Stefano Pintor (Librettist) collaborated with Opera2day and La Fonte Musica in the tour 2023.