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Depuis juillet 2021
Professeur depuis juillet 2021
Mridangam an Indian percussion drum (Indische Perkussionstrommel)!
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Àpd 20 € /h
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I am a professional Mridangam player from India. I live in Germany since 2011. Here I would like to offer classes for those who are interested in learning this amazing percussion drum.

Ich bin ein professioneller Mridangam-Spieler aus Indien. Ich lebe seit 2011 in Deutschland. Hier möchte ich Kurse für diejenigen anbieten, die daran interessiert sind, diese erstaunliche Percussion-Trommel zu lernen.
Lieu
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En ligne depuis Allemagne
Age
Enfants (4-6 ans)
Enfants (7-12 ans)
Adolescents (13-17 ans)
Adultes (18-64 ans)
Niveau du Cours
Débutant
Intermédiaire
Avancé
Durée
45 minutes
60 minutes
90 minutes
Enseigné en
anglais
Compétences
Disponibilité semaine type
(GMT -05:00)
New York
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Cours par webcam
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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Daniel
Hello,

I offer drums lessons in a warm place or at your home. Come and discover the battery differently. My mission is to help you develop your own identity on the instrument. I offer you a fun approach that focuses on the pleasure of playing.

Having followed training and courses throughout my life (conservatory, schools ...), I am passionate and dedicated to sharing all of my experience with you. I practice in many music groups and other structures (schools, associations ...).

With more than 20 years of experience in drums and more than 10 years in percussion, I teach many musical genres (jazz through Latin music, pop, hip hop, rock, hard, punk, metal ..) , the double pedal, notions of music theory, rhythmic reading. Possibility of taking percussion lessons (darbuka, bongos, African djembe, congas, jaw harp, dhol).

The programs are directly inspired by internationally recognized methods, thus being able to adapt to the needs, levels and requirements of each individual. I travel but I also receive in a room with equipment available (any age and level of practice are allowed, from initialization to professionals).

A different approach to music lessons:
My teaching is resolutely modern. Classes are a moment of musical and human sharing where error is used as a positive experience to move forward.

We work by oral transmission to complete the scores. We use onomatopoeia to quickly develop musical and felt play, rather than just reading and playing.

So ... Tempted?

No excuse, I give you couses from Monday to Sunday from 8 am to 11 pm. FROM child (from 5 years old) to senior, and from beginner to professional.
Registration possible all year round.

Contact me for more info on prices and formulas ...
See you soon,
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Lucas
I've been a drummer for almost 20 years now, and I've graduated from both Brussels Royal Conservatory of Music (classical percussion) and Mons Royal Conservatory of Music (pedagogy). I've been teaching percussion, the drums and music theory for a little more than 4 years now.

My students are always the real actors of my courses. No matter what instrument you are learning, be it percussion, the drums, marimba, vibraphone, or music theory, I always pay close attention to your personal goals, and together we devise a unique learning plan that adapts to your strengths as well as your weaknesses.
My courses are aimed at anyone who is willing to put effort into learning music; children or adults, complete beginners or more advanced players who wish to receive additional feedback and insight.

Autonomy, creativity, curiosity and listening skills are the true pillars of my methodology. We pay as much attention to technique as to musicality or listening skills.
Additionally, I provide tailored exercises, on-demand sheet music and transcriptions according to your needs, as well as additional resources and recommendations on my website to nourish your musical life and journey.

I teach the following:
-the drums, in various styles (rock, funk, jazz, shuffle, pop, world music, latin music, on-demand songs) and forms (Moeller technique, speed, rudiments, syncopation, breaks, solo, independence, musicality, double pedal, push-pull, etc.);

-percussion (2 or 4-mallet marimba and vibraphone, xylophone, timpani, cajón, hand percussion), in both contemporary and classical music styles;

-music theory, which can and will easily be integrated into my drumming or percussion courses, or can be taught as a separate course for music students who are seeking remedial education;

-harmony;

-sight reading techniques;

-perfect and relative pitch (experimental)
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Stéphane-Miguel
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Instant backup, folder, package


THE LOGIC PRO INTERFACE

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Console Strip, Track, Region Inspectors, Using Help
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Command and display bar, the toolbar


MIDI IN LOGIC PRO

Instrument Track: Creating, Customizing the Track
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AUDIO EDITING IN LOGIC PRO

Take comping: audio editing and export
Editing tools: Selector, resizing, fade, crop...
Using Flex for Timestretch/Warp
Audio quantization and transient management
Flex Pitch: Correcting pitch and creating harmonies
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CONFIGURING GLOBAL TRACKS IN LOGIC PRO

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Markers: Landmarks and navigation
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Normalization and pre-mastering
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Contacter Balakrishna
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Le premier cours est couvert par notre Garantie Le-Bon-Prof
Cours Similaires
arrow icon previousarrow icon next
verified badge
Daniel
Hello,

I offer drums lessons in a warm place or at your home. Come and discover the battery differently. My mission is to help you develop your own identity on the instrument. I offer you a fun approach that focuses on the pleasure of playing.

Having followed training and courses throughout my life (conservatory, schools ...), I am passionate and dedicated to sharing all of my experience with you. I practice in many music groups and other structures (schools, associations ...).

With more than 20 years of experience in drums and more than 10 years in percussion, I teach many musical genres (jazz through Latin music, pop, hip hop, rock, hard, punk, metal ..) , the double pedal, notions of music theory, rhythmic reading. Possibility of taking percussion lessons (darbuka, bongos, African djembe, congas, jaw harp, dhol).

The programs are directly inspired by internationally recognized methods, thus being able to adapt to the needs, levels and requirements of each individual. I travel but I also receive in a room with equipment available (any age and level of practice are allowed, from initialization to professionals).

A different approach to music lessons:
My teaching is resolutely modern. Classes are a moment of musical and human sharing where error is used as a positive experience to move forward.

We work by oral transmission to complete the scores. We use onomatopoeia to quickly develop musical and felt play, rather than just reading and playing.

So ... Tempted?

No excuse, I give you couses from Monday to Sunday from 8 am to 11 pm. FROM child (from 5 years old) to senior, and from beginner to professional.
Registration possible all year round.

Contact me for more info on prices and formulas ...
See you soon,
verified badge
Lucas
I've been a drummer for almost 20 years now, and I've graduated from both Brussels Royal Conservatory of Music (classical percussion) and Mons Royal Conservatory of Music (pedagogy). I've been teaching percussion, the drums and music theory for a little more than 4 years now.

My students are always the real actors of my courses. No matter what instrument you are learning, be it percussion, the drums, marimba, vibraphone, or music theory, I always pay close attention to your personal goals, and together we devise a unique learning plan that adapts to your strengths as well as your weaknesses.
My courses are aimed at anyone who is willing to put effort into learning music; children or adults, complete beginners or more advanced players who wish to receive additional feedback and insight.

Autonomy, creativity, curiosity and listening skills are the true pillars of my methodology. We pay as much attention to technique as to musicality or listening skills.
Additionally, I provide tailored exercises, on-demand sheet music and transcriptions according to your needs, as well as additional resources and recommendations on my website to nourish your musical life and journey.

I teach the following:
-the drums, in various styles (rock, funk, jazz, shuffle, pop, world music, latin music, on-demand songs) and forms (Moeller technique, speed, rudiments, syncopation, breaks, solo, independence, musicality, double pedal, push-pull, etc.);

-percussion (2 or 4-mallet marimba and vibraphone, xylophone, timpani, cajón, hand percussion), in both contemporary and classical music styles;

-music theory, which can and will easily be integrated into my drumming or percussion courses, or can be taught as a separate course for music students who are seeking remedial education;

-harmony;

-sight reading techniques;

-perfect and relative pitch (experimental)
verified badge
Stéphane-Miguel
SOFTWARE AND HARDWARE REQUIREMENTS

Logic Pro 10 or 11: Overview, Highlights, Innovations, and Misconceptions
Connecting and configuring your devices
Choice of equipment according to your budget and your needs
Configuring and optimizing your Home Studio
Software Preferences and Settings
Downloading and managing sound libraries


PROJECT MANAGEMENT IN LOGIC PRO

Creating and configuring a new project
Managing Logic Pro Modes (Simplified or Expert)
Preferences and settings for the software and your projects
Tempo, metronome, count-in, time signature and key configuration
Instant backup, folder, package


THE LOGIC PRO INTERFACE

The different windows
Main and secondary tools, Zooms, keyboard shortcuts
Console Strip, Track, Region Inspectors, Using Help
The library, patches, modules (plug-ins), sounds
Logic Pro browsers (Apple loops, lists, etc.)
MIDI, Audio Editors and Session Player
The mixing table
Command and display bar, the toolbar


MIDI IN LOGIC PRO

Instrument Track: Creating, Customizing the Track
MIDI Recording
Setting the metronome, count-in and latency
Choose an instrument, a sound, a patch
Recording modes: Live, step, folder, autopunch
Editing: Tools, Piano Roll, Score Editor and Step Editor
Quantization, resizing, velocity, legato, expression, modulation
MIDI automation


THE LOGIC PRO SESSION PLAYER

The Session Player; Logic Pro's virtual instrumentalists
Acoustic Drummer: Choosing a drummer, modifying elements, editing the game, swinging and humanizing
Bass and Keyboard Player: Choosing a Sound, Articulations, Playing Mode and Variations
Structure


ULTRABEAT

Ultrabeat interface, sounds and styles of the 100 drum kits
Beat-Making: Internal sequencer, full view mode and pattern mode
Accent, Velocity, Gate and Swing parameters
Introduction to Step Sequencer associated with Ultrabeat, Pattern Regions

THE APPLE LOOPS

Loop Types: Audio, MIDI, Patterns and Session Player
Organization, filters and search by instrument, styles and sound
Browser, tempo, length, keys, modifications
Creating, saving and archiving personal Apple Loops
Building an arrangement with Apple Loops


DIGITAL AUDIO RECORDING

Recording: pre-amp, AD/DA conversion, latency, buffer and monitoring
Project Settings: Sample Rate and Bit Depth
Track-by-track recording and multi-track recording
Managing Autopunch and Replace modes
Take files and alternate tracks
Cycle Mode


EXPLORING KONTAKT

Kontakt is your gateway to an unparalleled treasure trove of virtual instruments. More than a sampler, Kontakt has powered two decades of blockbuster film scores and chart-topping hits, along with thousands of incredible instruments.


AUDIO EDITING IN LOGIC PRO

Take comping: audio editing and export
Editing tools: Selector, resizing, fade, crop...
Using Flex for Timestretch/Warp
Audio quantization and transient management
Flex Pitch: Correcting pitch and creating harmonies
Insert silences


CONFIGURING GLOBAL TRACKS IN LOGIC PRO

Layout: Structure of the arrangement
Markers: Landmarks and navigation
Alteration: General tonality and time signature
Tempo: Tempo changes in global tracks or the list editor
Chord tracks associated with Player Bass and Piano sessions


THE LOGIC PRO MIXING DESK

The different console slices
Track header components, mute, solo listens (tracks/region)
Panoramic management
Organize Track Stacks, Groups, VCAs
Bus and auxiliary management for routing
Insert and/or auxiliary processing and effects


AUTOMATION

General techniques for adding dynamics to your mixes
Recording automations: Read, touch, latch and write
Track/Region Automation and Automation Editing
Assigning Controllers to Automation Parameters


SHARING AND EXPORTING A PROJECT

Backup: folder or package, archiving, backup, Time Machine
Normalization and pre-mastering
Export to the correct format depending on the final media
Garantie Le-Bon-Prof
favorite button
message icon
Contacter Balakrishna