Music tuition (practical or theory) from an Oxford organ scholar.

Àpd 22.01 $ /h

Tuition in either music performance or in music theory.

Practical: Any keyboard students from beginner to grade 8. Structured learning based on developing technique and musicianship. Resources provided. Examples of proven methods used include the Czerny studies and Hanon exercises for piano and the David Sanger and Anne Marsden-Thomas methods for the organ.

Theory: GCSE or A-level course content covered. Tutoring for ABRSM theory exams available as well. Tuition is tailored to students needs. This means that whether historical context and essay writing skills are required or a focus on theoretical concepts I will provide the support necessary.

My experience: Grade 8 in Organ, Piano, Clarinet. A* at A-level music. Former organ scholar at Tewkesbury abbey. Current organ scholar at Pembroke college Oxford. Previously have tutored professionally and at my high school.

Informations supplémentaires

Access to a keyboard necessary for practical tuition. Nothing else needed - I can provide resources!

Lieu

En ligne depuis Royaume-Uni

Age

Enfants (7-12 ans)

Adolescents (13-17 ans)

Adultes (18-64 ans)

Seniors (65+ ans)

Niveau du Cours

Débutant

Intermédiaire

Avancé

Durée

60 minutes

Enseigné en

anglais

Compétences

Piano

Solfège

Orgue

Disponibilité semaine type

(GMT -04:00)

New York

Cours par webcam

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

App

5.0

(2)

< Learning Piano is not merely about playing the piano >

Before starting to learn the piano, it’s essential to recognize that :

'' What we are actually learning is "Music", but not only "Piano". ''

The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym.

< Music is like cooking >

When we cook, to make roast beef tender, of course, it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beef won’t become tender merely by our tender heart.

By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling.

To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which the piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, and notes we write.

< Difference between an audience and a musician >

There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey.

The understanding of the mechanism behind music is essential, as cooking, and that is the difference between an audience and a musician. As an audience, one can simply feel the music. Like a chief who knows how to create a specific flavor to convey, a musician knows how to create the sound which can convey the feeling we want. While knowing which feeling we want is great, it’s merely the first step. Your emotions are not too different from Chopin, Beethoven, Adele or Taylor Swift, otherwise, they can’t resonate with you. But they know how to create the sound that conveys the feeling they want to their audience.

< Course Content >

I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects that are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more.
In avoid of confusion, let’s still call my course as "Piano Course”.

< Duration >

For each course, I will reserve at least 70 minutes in my schedule for you, including 60 minutes of class time and an additional 10 minutes for discussion and any questions you may have. This will ensure that your courses are not rushed by the next student. This ensures that there is enough time for you to solve your piano and music problems.

< Recording >

I highly encourage my students to record their progress. This can provide an objective standard for comparison and help you analyze your playing precisely. In my nine years of experience teaching music, I've found many students, including those advanced, already play certain sections very well, while other sections may not be not well enough. But they still try to improving those fine sections, while not aware of those weak sections.
Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals.

If you have a digital piano, I can help you produce a video of your performance for each session. This can be a tangible record of your efforts and you can share it with your friends and family via YouTube or other platforms.

Ngoc

5.0

(2)

I am a Vietnamese pianist and I would love to share nice music with you in a friendly environment. I have finished my Master's in piano specialization at the Royal Conservatory of Liège and piano accompaniment at the Royal Conservatory of Brussels. Giving concerts, making some recordings, working in both classical and contemporary music, and with more than 10 years of experience in teaching, I would be happy to share all my knowledge and enjoy the music together!

Frederic

5.0

(2)

A conservatory graduate and music theory teacher gives piano lessons.
All styles combined (classical, rock, accompaniment piano, etc.)
Method suitable for the little ones 4-5 years old
First course without obligation.

Gema

5.0

(2)

The most important matter that I could write here about is my passion to teach. I've been teaching already for more than 10 years, from kids to adults. I'm a classical pianist, but I am opened to other musical styles. What I want you to get from your lessons with me, is not only a huge knowledge of theorical stuff or a great technique, I would like to show you my musical world, the imagination and inner exploration that is required to understand and to love music in a whole new level. Once you have found them, it will be very hard to quit playing!

The class duration: You can choose!
20 minutes (Great for the youngest : 3 years old)
30 minutes (Ideal for young beginners from 4 years old)
45 minutes (Intermediate+ adult beginners)
1 hour (Intermediate and combined with some Music Theory)

I use different methods depending on:
1) The goals of my student
2) The language that we will use on class
3) Age and musical preferences: I start to teach children from 3 years old, we make games and they learn to play through musical stories that I have created throughout my pedagogical career.

Hiba

5.0

(2)

Piano, Guitar & singing sessions for all levels for kids & adults. Music theory and music education classes. I give my sessions according to the student needs and interests . I help each of my students to achieve his goal in learning music.

Mayssa

5.0

(2)

I offer comprehensive guitar lessons for beginners, designed for those with no prior musical background who want to build a solid foundation in playing and reading music. The lessons follow a clear, progressive curriculum, combining practical application with theoretical understanding in a simple and enjoyable way.

Lesson content:

🎸 Guitar playing

Getting to know the parts of the guitar and the correct way to sit

Basics of using a quill and fingers

Exercises to strengthen the hands and improve coordination

Solo performance and vocal accompaniment

Developing a sense of rhythm and speed

🎼 Reading musical notation (from scratch)

Getting acquainted with the musical staff and basic notes

Reading sheet music on the guitar step by step

Practical exercises for linking musical notation and playing the instrument

Improving accuracy and avoiding common errors

🎶 Playing songs and musical pieces

Applying the lessons to well-known songs suitable for beginners

Playing simple musical pieces, then gradually increasing in complexity

Practicing musical technique and expression

Developing confidence in performance

📚 Music Theories

Basic musical scales

Rhythms and musical scale

Simple principles of harmony

Understanding the musical structure of songs

Teaching methodology:

Gradual and structured education

A simplified explanation with practical examples

Exercises tailored to the student's level

Continuous monitoring and evaluation of progress

An encouraging and stimulating learning environment

Who is this lesson for?

For complete beginners

For students wishing to learn guitar academically

For amateurs and music lovers

For children and adults alike

Nicolas

5.0

(2)

Je vous propose de travailler en duo "contrebasse piano" le répertoire jazz, musique brésilienne, au choix suivant vos affinités, nous aborderons :
Les conventions: c'est à dire les introductions, codas, la structure des morceaux.
Analyse harmonique: comprendre les accords et leurs fonctions.
Le rythme: chant rythmique, solfège, placement rythmique, accentuations et débits.
Thème et chorus: le choix des notes, du rythme afin de travailler les accompagnements, jouer les thèmes, construction d’un solo pas à pas.
Repiquer une musique complète: les étapes pour apprendre à décortiquer une morceau, repiquer à l’oreille les accords, les basses, la mélodie.
Chant: chanter ce que l’on entend, le but n’est pas de travailler la technique vocal mais son oreille, nous jouons ce que nous pouvons chanter!
Etant aussi pianiste et batteur nous jouerons en duo pour favoriser l’interplay.
Aussi deux fois par mois j’anime des Ateliers Jam Jazz dans un studio du 10EME avec d’autres musiciens, un moment dédié au jeu en groupe, à l’improvisation, le répertoire, apprentissage des conventions, dépasser le stress du jeu en groupe.
J’attache beaucoup d’importance à la respiration, la décontraction et la posture, un travail approfondi permet une plus grande agilité et prévient les douleurs liées à la pratique.
Chez moi, à domicile, venez faire un cours d’essais afin de vous faire une idée.
Avec rigueur et bienveillance je donne mes leçons en m’adaptant à votre niveau, vos ambitions.

John

5.0

(2)

I teach online via Zoom, using software which allows you to see the exact keys I'm playing on my keyboard.

My teaching method is to focus on whatever type of music the student loves most, and to build from there. I believe that many people give up their dream of playing an instrument simply because they aren't inspired enough, so my goal is to instill a love for music, whatever that means personally for each individual student.

Everyone learns differently and has their own pace and rhythm. I have some students who like to have a regular weekly or biweekly lesson, and others who just get in touch once in a while when they have digested the previous lesson and feel ready to build on it. Whatever the case, I am very flexible and we can figure out what works best for you.

A bit about me:

Originally honing my skills on the British jazz scene and holding residencies in restaurants and bars around the country, I then went on to tour the world playing on cruise ships, hotels and festivals. I returned to London to complete my master's in jazz piano at the Guildhall School of Music, and during this time performed regularly at Ronnie Scotts, The Vortex and many other venues across the UK. I then spent two years in South America learning about salsa and Cuban music. I now mainly work as a transcriber, writing sheet music for all instruments including full Big Band scores. I have also worked extensively in musical theatre, most recently as musical director for 'Jersey Boys', and on the first US national tour of 'Summer: the Donna Summer Musical'. The video shown below is from my stint playing and directing 'After Midnight', a show set to the music of the Duke Ellington Big Band.

Federico

5.0

(2)

I propose music lessons tailored to your level and interests.
Whether you are a complete beginner or already advanced, child, teenager or adult, the courses are adapted to your goals and musical desires.

You can choose from a wide variety of instruments and styles:

Guitar (classical, acoustic, electric, flamenco, folk, Latin American styles, fingerpicking, and more)

Ukulele and bass guitar

Singing lessons to develop your voice and interpretation

In addition, I offer training in music theory, harmony, and solfège, to give you a solid foundation and help you progress more quickly in your musical journey.

Learning is fun, creative, and personalized — so you can enjoy making music at your own pace while exploring different repertoires and techniques.

Maria

5.0

(2)

My room is insegnare for a child in the pianoforte and pure in the Clavicembalo. It is also available to insegnare to a person of a certain and to che vogliono iniziare a suonare or che vogliano ricominciare.

Julia

5.0

(2)

• Course duration: one hour.
• Once a week.
•Location: at the student's home (a quiet and suitable environment is required)
•A timetable that can be adapted to the needs of the students and the teacher.
•Classes are held in person, but can be given remotely if the teacher is unable to travel.

Emanuel

5.0

(2)

Learning the piano can be beneficial in many terms; it helps in marriages, churches, events, and many more places! I'm here to help students achieve this goal; from playing with one hand to both. I can teach that, but first I must teach student solfege (theory) if they don't know.

Xiaoxu

5.0

(2)

I offer double bass lessons for children and adults, beginners or more advanced. Lessons are adapted to each student's level, pace, and goals.

We will work on technique, musicality, and listening skills through various exercises and repertoires. For younger children, I also incorporate musical games to make learning natural and motivating.

My goal is to develop a solid foundation while cultivating the joy of making music in a relaxed and encouraging atmosphere.

Amandine

5.0

(2)

Je suis chanteuse et musicienne depuis plus de 20 ans. J’ai commencé très jeune avec une formation classique en chant, notamment au sein du Petit Chœur de l’Opéra de Paris.

Au fil des années, j’ai exploré différents univers musicaux : j’ai chanté dans un cabaret parisien, dans des groupes de rock, et sur scène dans divers projets musicaux. Cette diversité d’expériences me permet aujourd’hui d’accompagner les élèves aussi bien sur la technique vocale que sur l’interprétation.

Aujourd’hui, chanter est devenu mon métier et j’ai récemment sorti mon premier album.

Dans mes cours, j’attache beaucoup d’importance à transmettre la technique tout en gardant le plaisir de faire de la musique. Mon objectif est d’aider chaque élève à progresser, prendre confiance et trouver sa propre voix.

Mes cours s’adressent aux enfants comme aux adultes, débutants ou intermédiaires, qui souhaitent apprendre le chant ou le piano.

Ma particularité est de transmettre les bases musicales (rythme, oreille, solfège) directement à travers les chansons que vous aimez. L’objectif est de progresser de manière concrète et de devenir progressivement autonome pour apprendre et interpréter des morceaux.

Les cours peuvent être centrés sur le chant, sur le piano, ou sur l’accompagnement au piano pour chanter. Je privilégie une approche musicale et pratique plutôt que des cours de solfège théoriques.

Avec les enfants, les cours sont adaptés et ludiques afin de développer l’oreille musicale, la justesse et la confiance.

Chaque cours est personnalisé selon le niveau et les objectifs de l’élève.

Daria

5.0

(2)

Having graduated with a Bachelor of Arts in piano and as a student in the Master Concert program at the Haute École de Musique de Neuchâtel, I offer piano accompaniment sessions for opera singers (opera arias, melodies, lieder) as well as specific coaching for auditions, exams or concerts.

Work on musical breathing, nuances, style and pianist-singer collaboration.

Feel free to contact me to discuss your goals and arrange an initial lesson.