Theory, technique and musical creativity for Ukulele, Guitar and Bass. "Not because everyone is an artist, but because nobody will be a slave" Music is freedom and how and why you learn an instrument is something extremely subjective. Everyone searches and finds something different but in the end, they all share the same emotion: the joy of playing. Both for children and adults there are many positive aspects associated with learning music: from experimenting that with a little guided exercise you get good results and satisfaction, to the realization that you can put something of yourself and your own world in music. The meetings with me, in English or Italian, in Munich or in Milan or on-line, are structured on the basis of the requests of each student but always within a coherent path that really allows the achievement of concrete results. I studied - and I'm keeping studying - guitar and Greek bouzouki with different masters (Giovanni Monteforte, Carmelo Tartamella, Dimitris Kotsiouros, Walter Donatiello), as a boy I briefly attended the CPM (Music Profession Center) and now I'm studying jazz guitar at the Music School Claudio Abbado in Milan, combining formal education with a self-taught nature. I have solid foundations and I know how to adapt the contents according to the different needs of each student.

Theory, technique and musical creativity for Ukulele, Guitar and Bass. "Not because everyone is an artist, but because nobody will be a slave" Music is freedom and how and why you learn an instrument is something extremely subjective. Everyone searches and finds something different but in the end, they all share the same emotion: the joy of playing. Both for children and adults there are many positive aspects associated with learning music: from experimenting that with a little guided exercise you get good results and satisfaction, to the realization that you can put something of yourself and your own world in music. The meetings with me, in English or Italian, in Munich or in Milan or on-line, are structured on the basis of the requests of each student but always within a coherent path that really allows the achievement of concrete results. I studied - and I'm keeping studying - guitar and Greek bouzouki with different masters (Giovanni Monteforte, Carmelo Tartamella, Dimitris Kotsiouros, Walter Donatiello), as a boy I briefly attended the CPM (Music Profession Center) and now I'm studying jazz guitar at the Music School Claudio Abbado in Milan, combining formal education with a self-taught nature. I have solid foundations and I know how to adapt the contents according to the different needs of each student.