Proofreading for Bachelors, Masters and PhD Theses
From 41.91 $ /h
I am a Doctor of Philosophy with impeccable writing and grammar skills.
I am offering my academic services to anyone writing an essay, dissertation or thesis at Bachelor, Masters or PhD level.
I will provide detailed comments (as tracked changes in a word document or comments in a PDF) regarding spelling, grammar and advice on structure.
I am also available for discussions via webcam about if you need further clarification or advice. I am here to help you create the best piece of writing you possibly can.
I am offering my academic services to anyone writing an essay, dissertation or thesis at Bachelor, Masters or PhD level.
I will provide detailed comments (as tracked changes in a word document or comments in a PDF) regarding spelling, grammar and advice on structure.
I am also available for discussions via webcam about if you need further clarification or advice. I am here to help you create the best piece of writing you possibly can.
Location
Online from United Kingdom
About Me
Timothy is a London-based artist/filmmaker, creator of narrative short films such as Attack (2005) and Le Weekend (2007); which have been shown at more than 70 international film festivals; winning awards in Milan, Calgary, Oslo and Warsaw. More recently, Timothy has made experimental non-narrative films such as Béton brut (2014) and When we come to it (2015); which eventually led to Timothy undertaking his PhD and making works such as A Queering of Memory: Parts 1&2 (2017), Queer Babel (2018) and Queering di Teknolojik (2019). His experimental audiovisual work has screened in London at the BFI London Film Festival, BFI Flare and Fringe! Queer Film Fest; and internationally in Rotterdam, Barcelona and Montréal.
Timothy obtained his BA(Hons) in Film Production and Animation from Deakin University in Melbourne, Australia (where he was born and raised); and his MA in Art and Media Practice at the University of Westminster, in London. From 2008-2016 Timothy worked at the British Film Institute; initially as the Events Programmer for the BFI London Film Festival from 2008-10, returning to the LFF as Production Supervisor for BFI Live in 2011. Subsequently, he worked for the BFI on a part-time basis, producing cinema events, until he began his research degree in 2016 at the University of the Arts London.
Timothy obtained his BA(Hons) in Film Production and Animation from Deakin University in Melbourne, Australia (where he was born and raised); and his MA in Art and Media Practice at the University of Westminster, in London. From 2008-2016 Timothy worked at the British Film Institute; initially as the Events Programmer for the BFI London Film Festival from 2008-10, returning to the LFF as Production Supervisor for BFI Live in 2011. Subsequently, he worked for the BFI on a part-time basis, producing cinema events, until he began his research degree in 2016 at the University of the Arts London.
Education
• 2016 – 2020: Practice-Based PhD
(Funded by the Techne AHRC Doctoral Training Partnership).
Thesis title: A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice. University of the Arts London
• 2001 – 2002: MA Art & Media Practice - digital video & documentary
University of Westminster – London
• 1994 – 1997: BA(Hons) Media - film production & animation
Deakin University – Melbourne
(Funded by the Techne AHRC Doctoral Training Partnership).
Thesis title: A Queering of Memory, Temporality, Subjectivity: Subversive Methods in Audiovisual Practice. University of the Arts London
• 2001 – 2002: MA Art & Media Practice - digital video & documentary
University of Westminster – London
• 1994 – 1997: BA(Hons) Media - film production & animation
Deakin University – Melbourne
Experience / Qualifications
• 2017 – 2019: Summer School Co-convener. ‘Listening to: Field, Body, Voice’, an AHRC-funded collaboration between Royal Holloway University and University of the Arts London. Extended series of London-based seminars focusing on a wide range of critical theory and practice-based listening. The project culminated in a week-long, practice-based research trip to Bude, Cornwall in summer 2019.
Guest Lectures, Artist Talks, Conferences:
• 23/01/20: Artist Talk. Screen School Public Programme. London College of Communication.
• 15/01/20: Guest Lecture. Pop-up common room: ‘Putting PhD Practice at the Centre of the Conversation’. London College of Communication.
• 14/11/19: Panel discussion. 'The Abject Subject: Fiction, Fact, and Activism'. Fringe! Queer Film Fest, Barbican Cinema, London.
• 16/11/19: Artist Talk. Fringe! Queer Film Fest. Rose Lipman Building, London.
• 05/10/19: Artist Talk. BFI London Film Festival. British Film Institute, London.
• 27/03/19: Artist Talk. BFI Flare Film Festival. British Film Institute, London.
• 13/12/18: Symposium Presentation: Seven-minute interventions on the sonorous, the black sonic and methodologies. Techne Conflux: Art, Performance and the Sonorous. University of Roehampton.
• 18/11/18: Artist Talk. Fringe! Queer Film Fest. Hackney Showroom, London.
• 17/10/18: Guest Lecture. ‘Affective Listening and the Audiovisual Experience’. Points of Listening. London College of Communication.
• 23/05/18: Guest Lecture. CRiSAP Soirée. London College of Communication.
• 26/04/18: Guest Lecture. LCC Sound Arts Visiting Practitioner Series. London College of Communication.
• 27/03/18: Artist Talk. BFI Flare Film Festival. British Film Institute, London.
• 11/01/18: Conference Presentation. ‘Affect and Resonance: Moving towards a Theory of Haptic Aurality’. Flow & Flux Conference. Chelsea College of Art.
• 08/01/18: Conference Co-organiser. Large Objects Moving Air (LOMA) Conference. London College of Communication.
• 19/11/17: Artist Talk. Fringe! Queer Film Fest. Hackney Showroom, London.
• 17/11/17: Symposium Presentation: ‘Haptic Aurality & Queering of Memory’. High Fidelity Festival. Syracuse University, London.
Guest Lectures, Artist Talks, Conferences:
• 23/01/20: Artist Talk. Screen School Public Programme. London College of Communication.
• 15/01/20: Guest Lecture. Pop-up common room: ‘Putting PhD Practice at the Centre of the Conversation’. London College of Communication.
• 14/11/19: Panel discussion. 'The Abject Subject: Fiction, Fact, and Activism'. Fringe! Queer Film Fest, Barbican Cinema, London.
• 16/11/19: Artist Talk. Fringe! Queer Film Fest. Rose Lipman Building, London.
• 05/10/19: Artist Talk. BFI London Film Festival. British Film Institute, London.
• 27/03/19: Artist Talk. BFI Flare Film Festival. British Film Institute, London.
• 13/12/18: Symposium Presentation: Seven-minute interventions on the sonorous, the black sonic and methodologies. Techne Conflux: Art, Performance and the Sonorous. University of Roehampton.
• 18/11/18: Artist Talk. Fringe! Queer Film Fest. Hackney Showroom, London.
• 17/10/18: Guest Lecture. ‘Affective Listening and the Audiovisual Experience’. Points of Listening. London College of Communication.
• 23/05/18: Guest Lecture. CRiSAP Soirée. London College of Communication.
• 26/04/18: Guest Lecture. LCC Sound Arts Visiting Practitioner Series. London College of Communication.
• 27/03/18: Artist Talk. BFI Flare Film Festival. British Film Institute, London.
• 11/01/18: Conference Presentation. ‘Affect and Resonance: Moving towards a Theory of Haptic Aurality’. Flow & Flux Conference. Chelsea College of Art.
• 08/01/18: Conference Co-organiser. Large Objects Moving Air (LOMA) Conference. London College of Communication.
• 19/11/17: Artist Talk. Fringe! Queer Film Fest. Hackney Showroom, London.
• 17/11/17: Symposium Presentation: ‘Haptic Aurality & Queering of Memory’. High Fidelity Festival. Syracuse University, London.
Age
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
30 minutes
45 minutes
60 minutes
90 minutes
120 minutes
The class is taught in
English
Skills
Availability of a typical week
(GMT -05:00)
New York
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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