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Depuis décembre 2025
Professeur depuis décembre 2025
Docente di conservatorio e pianista offre lezioni di pianoforte a studenti di qualsiasi livello
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Àpd 378.05 CNY /h
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I graduated from the Palermo Conservatory with Professor Dorotea Cei, student of Lazar Berman, Clive Britton (student of Claudio Arrau) and Roberto Caglieri (student of Arturo Benedetti Michelangeli). In addition to a Master's degree in musical psychology in Romania, I also obtained a Master's degree in Advanced Music Performance at the ESMUC in Barcelona with Professor Vladislav Bronevetzky (student of Elisso Virsaladze). I have participated in several Masterclasses, including an annual course with Professor Roberto Plano and thanks to which I was able to acquire valuable teaching experience. Experiences that proved useful for teaching as a piano teacher in Bachelor and Master courses were at the Conservatory of Trapani “A. Scontrino”, at the Conservatory of Ferrara “G. Frescobaldi”, at the Sassari Conservatory “L. Canepa” and at the Palermo Conservatory “A. Scarlatti”.
During the lessons I attach great importance to artistic interpretation, emotional and psychological management during the study phase, before and during a performance, precision and respect for the score and the efficiency of the technique applied to the style and historical period.
I guide students by providing effective and optimizing study and learning strategies, also correcting factors such as posture and the correct use of the body at the piano and on the piano, the physiology of the hand and other factors such as economy of movement. All of these are factors that I have acquired from the great Russian schools from which I come directly and indirectly, with a very empathetic and organizational side I am able to give very satisfactory results to my students.
I recently collaborated as global professor of the Piania Conservatory in South Korea (Seoul) with currently virtual masterclasses and seminars and piano competitions. I recently held masterclasses at the Edward Said Conservatory of Ramallah in Palestine at the college of arts and the Philharmonic theater of Targu Mures in Romania, at the University of Music of Skopje and Sarajevo, at the University of Music in Kaunas (Lithuania) for various Italian associations including the Umbria Classica Association. I am often designated as commissioner in some piano competitions such as, for example, the International Henryk Mercel Piano Competition in Poznan organized by the Polish Calisia Art Foundation, the Malta International Piano Competition and others.
Lieu
location type icon
En ligne depuis Italie
Présentation
I am a piano teacher with more than 9 years of experience in the field of teaching both at Italian Conservatories, public and private music schools, online and privately. I had the opportunity to gain concert experience in Italy, Switzerland, Spain, Germany, the United Kingdom, Bulgaria, Belgium, Hungary, Romania, Macedonia, Palestine, Finland, the Netherlands and other countries outside the European Union. Attached to this letter you will find my CV and a biography with detailed information.
I graduated from the Palermo Conservatory with Professor Dorotea Cei, student of Lazar Berman, Clive Britton (student of Claudio Arrau) and Roberto Caglieri (student of Arturo Benedetti Michelangeli). In addition to a Master's degree in musical psychology in Romania, I also obtained a Master's degree in Advanced Music Performance at the ESMUC in Barcelona with Professor Vladislav Bronevetzky (student of Elisso Virsaladze). I have participated in several Masterclasses, including an annual course with Professor Roberto Plano and thanks to which I was able to acquire valuable teaching experience. Experiences that proved useful for teaching as a piano teacher in Bachelor and Master courses were at the Conservatory of Trapani “A. Scontrino”, at the Conservatory of Ferrara “G. Frescobaldi”, at the Sassari Conservatory “L. Canepa” and at the Palermo Conservatory “A. Scarlatti”.
During the lessons I attach great importance to artistic interpretation, emotional and psychological management during the study phase, before and during a performance, precision and respect for the score and the efficiency of the technique applied to the style and historical period.
I guide students by providing effective and optimizing study and learning strategies, also correcting factors such as posture and the correct use of the body at the piano and on the piano, the physiology of the hand and other factors such as economy of movement. All of these are factors that I have acquired from the great Russian schools from which I come directly and indirectly, with a very empathetic and organizational side I am able to give very satisfactory results to my students.
I recently collaborated as global professor of the Piania Conservatory in South Korea (Seoul) with currently virtual masterclasses and seminars and piano competitions. I recently held masterclasses at the Edward Said Conservatory of Ramallah in Palestine at the college of arts and the Philharmonic theater of Targu Mures in Romania, at the University of Music of Skopje and Sarajevo, at the University of Music in Kaunas (Lithuania) for various Italian associations including the Umbria Classica Association. I am often designated as commissioner in some piano competitions such as, for example, the International Henryk Mercel Piano Competition in Poznan organized by the Polish Calisia Art Foundation, the Malta International Piano Competition and others.
Education
I graduated from the Palermo Conservatory with Professor Dorotea Cei, student of Lazar Berman, Clive Britton (student of Claudio Arrau) and Roberto Caglieri (student of Arturo Benedetti Michelangeli). In addition to a Master's degree in musical psychology in Romania, I also obtained a Master's degree in Advanced Music Performance at the ESMUC in Barcelona with Professor Vladislav Bronevetzky (student of Elisso Virsaladze). I have participated in several Masterclasses, including an annual course with Professor Roberto Plano and thanks to which I was able to acquire valuable teaching experience. Experiences that proved useful for teaching as a piano teacher in Bachelor and Master courses were at the Conservatory of Trapani “A. Scontrino”, at the Conservatory of Ferrara “G. Frescobaldi”, at the Sassari Conservatory “L. Canepa” and at the Palermo Conservatory “A. Scarlatti”.
Expérience / Qualifications
teaching as a piano teacher in Bachelor and Master courses were at the Conservatory of Trapani “A. Scontrino”, at the Conservatory of Ferrara “G. Frescobaldi”, at the Sassari Conservatory “L. Canepa” and at the Palermo Conservatory “A. Scarlatti”.
Age
Enfants (7-12 ans)
Adolescents (13-17 ans)
Adultes (18-64 ans)
Seniors (65+ ans)
Niveau du Cours
Débutant
Intermédiaire
Avancé
Durée
30 minutes
45 minutes
60 minutes
90 minutes
120 minutes
Enseigné en
anglais
espagnol
italien
Disponibilité semaine type
(GMT -04:00)
New York
at teacher icon
Cours par webcam
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
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< Learning Piano is not merely about playing the piano >

Before starting to learn the piano, it’s essential to recognize that :

'' What we are actually learning is "Music", but not only "Piano". ''

The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym.

< Music is like cooking >

When we cook, to make roast beef tender, of course, it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beef won’t become tender merely by our tender heart.

By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling.

To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which the piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, and notes we write.


< Difference between an audience and a musician >

There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey.

The understanding of the mechanism behind music is essential, as cooking, and that is the difference between an audience and a musician. As an audience, one can simply feel the music. Like a chief who knows how to create a specific flavor to convey, a musician knows how to create the sound which can convey the feeling we want. While knowing which feeling we want is great, it’s merely the first step. Your emotions are not too different from Chopin, Beethoven, Adele or Taylor Swift, otherwise, they can’t resonate with you. But they know how to create the sound that conveys the feeling they want to their audience.

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I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects that are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more.
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Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals.

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Le premier cours est couvert par notre Garantie Le-Bon-Prof
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< Learning Piano is not merely about playing the piano >

Before starting to learn the piano, it’s essential to recognize that :

'' What we are actually learning is "Music", but not only "Piano". ''

The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym.

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When we cook, to make roast beef tender, of course, it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beef won’t become tender merely by our tender heart.

By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling.

To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which the piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, and notes we write.


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There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey.

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I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects that are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more.
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Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals.

If you have a digital piano, I can help you produce a video of your performance for each session. This can be a tangible record of your efforts and you can share it with your friends and family via YouTube or other platforms.
verified badge
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verified badge
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verified badge
The most important matter that I could write here about is my passion to teach. I've been teaching already for more than 10 years, from kids to adults. I'm a classical pianist, but I am opened to other musical styles. What I want you to get from your lessons with me, is not only a huge knowledge of theorical stuff or a great technique, I would like to show you my musical world, the imagination and inner exploration that is required to understand and to love music in a whole new level. Once you have found them, it will be very hard to quit playing!

The class duration: You can choose!
20 minutes (Great for the youngest : 3 years old)
30 minutes (Ideal for young beginners from 4 years old)
45 minutes (Intermediate+ adult beginners)
1 hour (Intermediate and combined with some Music Theory)


I use different methods depending on:
1) The goals of my student
2) The language that we will use on class
3) Age and musical preferences: I start to teach children from 3 years old, we make games and they learn to play through musical stories that I have created throughout my pedagogical career.
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verified badge
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verified badge
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My goal is to develop a solid foundation while cultivating the joy of making music in a relaxed and encouraging atmosphere.
verified badge
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Work on musical breathing, nuances, style and pianist-singer collaboration.


Feel free to contact me to discuss your goals and arrange an initial lesson.
verified badge
Hello!

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My approach is designed to be easy, fun, and comprehensive. Whether you're a complete beginner or a musician looking to deepen your knowledge, I adapt to your pace and musical tastes (Rock, Blues, Hard Rock, Pop, etc.).

The program includes:
Learning songs you love from the very first lessons.
Mastering fundamental techniques (chords, rhythm, improvisation).

In-depth exploration: pentatonic scales, triads, arpeggios, and playing with chord changes.
Theory and harmony applied directly to the fretboard to help you understand what you're playing.
My goal is to give you the tools to become independent and unleash your creativity, all in a relaxed and motivating atmosphere. Lessons are available for both children and adults.
Ready to take your game to the next level?

Contact me to schedule our first session!
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I propose the flute courses at the bec and/or de solfège, selon les primoins de chaque elève. You can choose to concentrate on the instrument, to apply your musical comprehension for the solfège, or to combine the two for a complete apprentissage. Pour la flûte à bec, nous travaillons souffle, doigté, articulation, posture, interprétation du répertoire ancien et contemporain, ornamentation, improvisation, etc. Pour le solfège, j'adapte ma méthode à votre level: lecture de notes et rythmes, écoute, repérage des intervalles, bases harmoniques, comprehension du langage musical. Mon approche est vivante, bienveillante et structurée, toujours à l'écoute du rythme et des intérêts de l'élève.
Garantie Le-Bon-Prof
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