Learn Electronic Music Production (Logic Pro X, FL Studio) and DJ-ing (Serato)

Àpd 32.16 € /h

Who I am :
Certified Music Producer from KM College of Music and Technology, India.
DJ-ing for the past 5 years.
I am a Pianist, Drummer, and percussionist.
I have a release that hit 450,00+ streams on Spotify and monthly listeners ranging from 50,000-100,000

What you can learn from me :
General basic music Knowledge.
Music theory
Music history
Rhythm
DAW ( Logic Pro X, FL studio)
Recording Gear
Recording techniques
Mic-ing

Informations supplémentaires

Bring your own Laptop.
You need to have one of the following DAWs :
Logic Pro X
FL Studio

Lieu

En ligne depuis Royaume-Uni

Présentation

Who I am :
Certified Music Producer from KM College of Music and Technology, India.
DJ-ing from the past 5 years.
I am a Pianist, Drummer, and percussionist.
I have a release that hit 350,00+ streams on Spotify and monthly listeners ranging from 100,00 to 150,00.

What you can learn from me :
General basic music Knowledge.
Music theory
Music history
Rhythm
DAW ( Logic Pro X, FL studio)
Recording Gear
Recording techniques
Micing

Education

Finished my 12th/Pre-university at St. Joseph's, Bangalore, India. Did Arts ( History, Pol Sc, Sociology, economics)
Certification in Electronic Music Production
Diploma in the foundation in Music Theory, music history, Sight-singing, sight-reading, and piano.

Expérience / Qualifications

In the music field since 2009.
I have been Producing music since 2014. (Certified now)
DJ-ing since 2015.
Drummer
Pianist
Vocalist

Age

Enfants (7-12 ans)

Adolescents (13-17 ans)

Adultes (18-64 ans)

Seniors (65+ ans)

Niveau du Cours

Débutant

Intermédiaire

Avancé

Durée

60 minutes

Enseigné en

anglais

Compétences

Son (musique)

Musique assistée par ordinateur (mao)

Dj (disc jockey)

Disponibilité semaine type

(GMT -04:00)

New York

Cours par webcam

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

App

5.0

(2)

< Learning Piano is not merely about playing the piano >

Before starting to learn the piano, it’s essential to recognize that :

'' What we are actually learning is "Music", but not only "Piano". ''

The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym.

< Music is like cooking >

When we cook, to make roast beef tender, of course, it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beef won’t become tender merely by our tender heart.

By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling.

To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which the piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, and notes we write.

< Difference between an audience and a musician >

There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey.

The understanding of the mechanism behind music is essential, as cooking, and that is the difference between an audience and a musician. As an audience, one can simply feel the music. Like a chief who knows how to create a specific flavor to convey, a musician knows how to create the sound which can convey the feeling we want. While knowing which feeling we want is great, it’s merely the first step. Your emotions are not too different from Chopin, Beethoven, Adele or Taylor Swift, otherwise, they can’t resonate with you. But they know how to create the sound that conveys the feeling they want to their audience.

< Course Content >

I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects that are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more.
In avoid of confusion, let’s still call my course as "Piano Course”.

< Duration >

For each course, I will reserve at least 70 minutes in my schedule for you, including 60 minutes of class time and an additional 10 minutes for discussion and any questions you may have. This will ensure that your courses are not rushed by the next student. This ensures that there is enough time for you to solve your piano and music problems.

< Recording >

I highly encourage my students to record their progress. This can provide an objective standard for comparison and help you analyze your playing precisely. In my nine years of experience teaching music, I've found many students, including those advanced, already play certain sections very well, while other sections may not be not well enough. But they still try to improving those fine sections, while not aware of those weak sections.
Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals.

If you have a digital piano, I can help you produce a video of your performance for each session. This can be a tangible record of your efforts and you can share it with your friends and family via YouTube or other platforms.

Camille

5.0

(2)

Folk or classical acoustic guitar.

The teaching philosophy is adapted to the level of each individual, according to the pace of work and motivation.

For example, for beginners: Technique of the plectrum or fingers, coordination and correction of the right and left hand. Learning basic chords, simple themes, simple rhythms, reading tablatures (...).

For intermediaries: development of rhythm, construction of chords, writing of tablatures, basic notions of harmony (...).

Depending on your goals, you can learn, if you wish, to play 60 to 80% of current music from the first lessons, which often use the same chords and the same techniques. The objectives take into consideration the following points:

-Study of various playing techniques, chords, harmony, music of your choice, rhythm, with reading of tablature, teaching structured around the repertoire you like, technique of developing the musical ear
- Discovery of the neck, notes and basic positions of open chords
- Left / right hand coordination and rhythm exercises for the right hand
- Learning of different pieces of your choice
- Left hand control exercises, speed and precision
- Learning arpeggios
- Work around muscle memory
- Learning improvisation, musical play with others
- Ear training: use your ears to find chords, melodies, sounds and techniques used
-Spend a pleasant moment of exchange, without unnecessary institutional pressure, while obtaining concrete results
-Understand and discover the many facets of an exciting and user-friendly instrument
- Benefit from personalized advice on your posture and certain pitfalls to avoid when starting alone
-Adjust and clarify your self-taught knowledge
- Learn tablatures / tabs & in English.

Note :
- Possibility to use the guitar available on site, during the test phase.
- As our teacher is also a singing teacher, it is possible to combine the two disciplines: guitar + vocal instrument, and to work on synchronization, style and accuracy.
- Possibility of offering this course (birthday, party, Christmas, event ...) to the person of your choice.

THE TEACHER :
Trained in Grande Ecole post-preparatory classes & Ivy League university in the United States, our teacher has specialized and has worked for more than 15 years, in Europe and North America, in the field, in renowned international public and private establishments, with careful pedagogy and methodology as the watchwords.

PLACES :
- Locations: Geneva-Lausanne-Friborg-Neuchâtel-Montreux-Bâle-Sion-Sierre-Morges-Bienne. But currently, only by videoconference in accordance with national recommendations on Covid. These sessions also seem to be perfectly unanimous since they have the advantages of direct (example: quality of the interaction), without its disadvantages (ex: loss of travel time), with additional advantages (ex: of notes on the chat, which can be reread afterwards). In this context, these videoconference sessions for which you have requested me, seem to arouse a certain enthusiasm (and a certain enthusiasm). At your request, I therefore continue to offer them.

Davide

5.0

(2)

This course is designed to teach how to make your voice sound more powerful, how to use vocal technique to expand your range and expression, and how to become more confident in vocal performances.

You will solve your registers, how to control your voice in every point of your range, to manage any dynamic, and find your own unique sound.
In the end of the course you will be able to sing effordlessly without microphone adding all the natural harmonics to your voice. You will learn how to use the diagram and the resonators naturally and effectively. How to do runs, scales, melodic embelishements as well as building a repertoire and start to plan for your future career.

Gaétan

5.0

(2)

Chaque personne est unique ! Étant à l'écoute des besoins de l'élève, j'adapte ma pédagogie et ma méthodologie que ce soit pour :

- La découverte de l'instrument
- Le loisir
- La remise à niveau
- Le perfectionnement du jeu

Les cours et les exercices que je propose sont personnalisés en fonction du projet de l'élève et s'accompagnent d'une fiche de suivi afin d'observer la progression dans le temps.

DÉBUTANTS, APPRENEZ VOS MORCEAUX PRÉFÉRÉS SANS SOLFÈGE

Oui, c'est tout à fait possible ! Je considère que la pratique de l'instrument passe avant le solfège.
Enfants, nous avons bien appris à savoir parler avant de savoir écrire, n'est-ce pas ?

THÉORIE & PRATIQUE

La pratique appelant la théorie, la théorie appelant à pratiquer, ici, pour les plus passionnés, nous verrons dans le détail :

- La construction des accords et leurs arpèges
- Les gammes & modes
- Les méthodes de visualisation
- L'Harmonie
- Le rythme
- L'improvisation
- La composition

TECHNIQUES QUE J'ENSEIGNE

- Aller-retour au médiator
- Economy picking
- Rythmiques
- Palm muting
- Hammer-ons et pull-offs
- Slides
- Bends
- Sweeping
- Tapping
- Harmoniques

Enfin, avec mon expérience de la scène en temps qu'instrumentiste, technicien du son et mon travail en tant que Sound Designer, je peux apporter des conseils et mon expertise pour :

- Le jeu de scène
- L'utilisation des tables de mixages pour les concerts/jam
- Les réglages et configurations du matériel audio et des pédales d'effets
- L'enregistrement en Home Studio
- Le mixage en MAO (Musique Assisté par Ordinateur)
- La musique à l'image

Simon

5.0

(2)

Do you want to produce your tracks without getting lost in the technical details? I'll teach you Cubase and DAW software the way I learned it myself: without music theory, but with method and creativity.

The goal is not to apply formulas, but to develop a working method adapted to each project. This may involve analyzing a piece in progress, resolving technical or creative blocks, optimizing sound, or even organizing a Cubase session.

I offer concrete tools, attentive listening, and precise support to move your musical project forward in the right direction.

About the course:

Composition & Arrangement
Musical structure & storytelling: learning to build solid and coherent pieces (intro, bridges, choruses, etc.).

Creating guitar riffs and harmonies: rhythmic, melodic and stylistic work according to your level.

Text writing & vocal placement: rhythm, phrasing, accuracy of intentions.

Organization in the DAW (Cubase): clear structure, tempo, grids, dynamics.

Art direction & atmospheres: defining a unique and coherent sound universe, from the riff to the background texture.

Pre-production & Sound Design
Effective session preparation: choice of tools, sounds, project organization.

Custom guitar/bass sound creation: virtual amps, IRs, custom effects chains.

Modern recording techniques: layering, harmonies, double-tracking, multiple takes.

Sound sculpture & textures: asserting the personality of each instrument.

Integration of atmospheres and textures: cinematic, orchestral or electronic textures.

Advanced sound design: modulations, automation, unconventional effects.

Recording & Editing
Effective voice recording: artistic direction, placement, interpretation.

Fast & clean editing: assembly, alignment, natural corrections.

Collaboration & Communication
Knowing how to work with other musicians: conveying ideas, communicating with a mixer or sound engineer, maintaining an overall vision.

Mixing & Finalization
Clear and productive session organization: routing, buses, colors, naming.

Using the main mixing tools:

Compression: dynamic management

EQ: Frequency balance

Delay & Reverb: space and depth

Limiting: level control

Special FX (ring mods, filters, etc.): to go further with the texture

Export preparation: stereo, stems, separate tracks, formats suitable for mixing or mastering.

In summary
The goal is not to follow a fixed method, but to make concrete progress on a real musical project, regardless of the starting level.
The idea is to start with a desire, a sound, a riff, a feeling... and turn it into a solid, inspired, controlled piece.

This is what I have been doing for twenty years, and what I pass on here with rigor.

Online lessons are available. Cubase is recommended but not required. You can work with other DAWs or directly with stems/audio files as needed.

Maria

5.0

(2)

This is not a technical DJ lecture. It is a creative lab.

In this workshop, we explore DJing as storytelling, cultural curation, and emotional architecture. Whether you are a beginner curious about mixing or a creative looking to refine your artistic identity.

We cover:

Software and hardware essentials

Track selection

How to build a narrative through sound

Reading the room and shaping energy

Developing your sonic identity

The relationship between DJing and community

Participants engage in listening exercises, mini curation challenges, and real-time feedback. Instead of rigid rules, we experiment. Instead of copying trends, we discover what we love.

This class is for DJs, music lovers, cultural organizers, and anyone who wants to understand how music moves people and spaces.

You will leave with practical tools, sharper ears, and a clearer sense of your creative voice behind the decks.

I have more than 6 years mixing in clubs, private parties and festivals. I have played in important stages in Mexico and Europe with names such as Solomun, Maceo Plex and Adriatique.

Maxime

5.0

(2)

As a producer and sound engineer based in Paris, I support artists and producers in developing their sound, from composition to a professional finish.

I offer personalized music production (MAO) courses adapted to all levels.

We can work on:
– Logic Pro / arrangement
– Structure and harmony
– Sound design
– Mixing
– Artistic development
– Piano and instrumental bases

Each session is geared towards concrete progress.
Objective: autonomy, clarity and professional sound.

Studio sessions in Paris or via video conference.

Benjamin

5.0

(2)

Discover the world of electronic music and develop your production skills on Ableton Live. Whether you're a beginner or already experienced, this course will allow you to:

Mastering Ableton Live: interface, instruments, effects and recording.

Understanding music theory applied to electronic creation: chords, rhythms, harmonies and arrangements.

Create your own beats, melodies and complete tracks.

Explore styles like deep house, techno, dub techno and more.

Develop your musical ear and your sonic creativity.

Each session combines theory, practice, and hands-on exercises so you can quickly produce your own tracks and progress at your own pace. Courses are suitable for teens or adults passionate about electronic music and digital production.

Khalil

5.0

(2)

Every producer or DJ has a different ear. I adapt my lessons to your favorite genre.
I focus on teaching you a fast workflow in Ableton Live so you can finish tracks instead of getting stuck on an 8 bar loop.
Lessons can be held via high quality audio streaming.
I am an active producer and DJ in the Montreal electronic scene. I don't just teach the manual; I share the studio secrets and industry standards that make a track sound professional on a club system.
My lessons are for complete beginners, immediate artists and hobbysits to pros

Xavier

5.0

(2)

Vous avez envi de maîtriser l’art du mix dans vos soirées : enchaîner des morceaux de manière fluide et harmonique, je vous propose de vous accompagner dans cet apprentissage...choisir ses morceaux, mettre les morceaux aux même BPM, caler les morceaux entre eux, lancer la piste suivante au bon moment pour créer une atmosphère musicale originale, utilisation des différentes commandes et effets,...(liste non-exhaustive selon vos attentes).

Hugo

5.0

(2)

Ma méthode d’enseignement est basée sur mon expérience et des acquis que j’ai eus en École d’ingénieur du son.
En France, la MAO n’est que peu présente dans les cursus classiques d’apprentissage de la musique, je souhaite donc transmettre mes connaissances pour vous aider à améliorer vos productions.

Mes objectifs sont :
- Vous donner les moyens d’utiliser le Logiciel en commençant par les bases (ou en les reprenant pour ceux qui connaissent un peu)
- Approfondir les possibilités du logiciel (notamment les automations, les différents effets..)
- Savoir créer et organiser sa banque de sons pour affiner son univers créatif (les samples, les plug-ins)
- Apprendre les bases du mixage (+tips)
- Si vous le souhaitez, écouter ensemble vos morceaux et vous faire un retour dessus.

Pour terminer, je serai ravi de répondre à vos questions, vous parler de mon expérience et de vous transmettre ce que je sais de ma passion pour la MAO.

Samuel

5.0

(2)

Do you want to learn music production software, produce your own tracks, improve your mixing skills, or finally finish your productions?
I offer tailor-made DAW courses in Bègles / Bordeaux and via webcam, for beginners as well as more advanced profiles.
Specializing in FL Studio, I can help you progress in composition, beatmaking, arrangement, sound design, music theory and mixing, with a practical, results-oriented approach.
I have worked with labels like Lofi Girl and on projects related to film and video games, but my current objective remains simple: to help you progress quickly, clearly, and on your own music.

Universes I particularly love: lofi, hip-hop, ambient, synthwave, electronica, soundtracks / cinematics.

I can help you if you want:
getting started with FL Studio or DAW
create your first beats / tracks
improve your mixing
better structure your arrangements
develop your sonic identity
make progress on an EP, album or professional project

For beginners :
getting started with the DAW
basics of rhythm, harmony, structure
first pieces

For intermediaries:
cleaner mix
improved sound management
more lively arrangements
faster workflow

For the advanced:
finishing pieces
artistic direction
in-depth sound design
support on a real project

Rémi

5.0

(2)

From idea to execution: Music Production Coaching, Mixing, DJ sets & Artist Strategy (10+ years of experience)
Music production and DJ mixing courses for all levels.
Each course is tailored to your objectives and learning profile.
The main idea is to give you the tools you need to progress quickly and become more independent.
Whether it's in music theory, composition, arrangement, mixing, mastering composition software, recording or developing a DJ set, I offer you the benefit of my 10+ years of experience.
I also coach professional artists to help them develop their projects. I am also a university professor specializing in creative industries and digital marketing. My approach is comprehensive and holistic.

Jean-Nicolas

5.0

(2)

Bonjour et bienvenue,

L’objectif de mes cours est de vous transmettre le plaisir de pratiquer la MAO, tout en vous apportant les bases nécessaires pour progresser efficacement. Une pratique régulière entre les séances est encouragée afin de consolider les acquis.
Les cours sont concrets, dynamiques et adaptés à vos envies comme à votre niveau. Nous pouvons aussi bien faire évoluer ou finaliser un morceau existant que créer un titre original étape par étape, dans le style que vous souhaitez.
Selon vos besoins, nous abordons les principaux aspects de la production musicale : composition, beatmaking, sampling, sound-design, arrangement, harmonie, théorie musicale, enregistrement, mixage et mastering.
Je travaille principalement sur Ableton Live (que je recommande fortement).
Il est possible de travailler sur un autre logiciel, sans problème.
Je propose une première séance gratuite de 30 minutes, sans engagement, pour faire connaissance, présenter ma pédagogie, comprendre vos attentes et définir une méthode de travail adaptée.
Pour toute question ou demande spécifique, vous pouvez me contacter directement. Je prends toujours le temps de répondre avec précision.

Mathéo

5.0

(2)

I offer personalized DAW courses for beginners, intermediate or artists wishing to professionalize their music production.

My courses are focused on practical application directly to your projects to allow you to progress quickly according to your style.

1°) Music production:

Understanding and mastering a DAW (Digital Audio Workstation) software (primarily Ableton Live)

Beat and instrumental creation

Arrangement and structuring of a piece

Use of virtual instruments and samples

Sound design and sound creation

2°) Registration:

Voice and instrument recording techniques

Microphone placement and signal optimization

Efficient production workflow

3°) Mixing:

Balancing and organizing a project

Equalization (EQ), compression and dynamic processing

Effects (reverb, delay, saturation...)

Advanced mixing techniques

4°) Mastering

Preparing a track for streaming

Optimization of volume and dynamics

Understanding Spotify / Apple Music / YouTube standards