Music Composition, Harmony and Orchestration – From Concept to Score

من 22.58 $ /س

In my lessons, we work deeply on harmonic analysis, counterpoint, and musical structure across the full spectrum of academic music from all historical periods, as well as jazz and popular music. A central pillar of the classes is the analysis of composers, which we approach as an essential tool for understanding musical language and developing a personal creative voice. Depending on the student’s interests, analysis may range from Mozart to Debussy, or from Beethoven to Bartók, among many others.
A strong emphasis is placed on counterpoint from all historical periods. I assist students with conservatory-level exercises, and we study contrapuntal techniques through the analysis and practice of Bach’s inventions and fugues, Renaissance counterpoint, and 20th-century contrapuntal approaches.
In composition classes, the content is fully adapted to the student’s creative needs and goals. The focus is on developing practical creative tools that support original thinking, with the clear objective of composing original pieces of short, medium, and long duration, tailored to each student’s artistic direction.
For orchestration, we explore writing techniques for a wide range of ensembles, including chamber music, full orchestra, and popular music formations such as quartets, quintets, big band, and tango orchestras. Particular attention is given to instrumental color, balance, articulation, and idiomatic writing.
As an Argentinian composer and educator, I offer a specialized perspective on tango, including in-depth analysis of composers such as Astor Piazzolla, as well as composition and orchestration techniques related to tango. Due to the geographical and cultural proximity, I also offer classes focused on Bossa Nova, exploring its harmonic language, rhythmic structures, and stylistic characteristics.
Lessons are suitable for students at different levels, from beginners to advanced musicians, and are tailored to individual academic, professional, or creative goals.

معلومات إضافية

bring your own laptot, music software (Sibelius, Finale, Musescore)

المكان

عبر الانترنت من الأرجنتين

من أنا؟

Nicolás (Lanús, Buenos Aires, December 21, 1982) is a composer, pianist, bassist, and music educator. He studied with Luis Arias, Luciano Sardo, Osvaldo Suárez, and Guillo Espel. He holds a Degree in Composition and Piano from the Julián Aguirre Conservatory, and a Degree in Bass Performance from EMPA (Escuela de Música Popular de Avellaneda).
His artistic activity spans both academic and popular music. In 2023, he released the Latin American jazz album Danza del Gallinal. In the academic field, he has developed an extensive compositional career, receiving the First Prize at the 70th Anniversary Composition Competition of the Julián Aguirre Conservatory for his Piano Trio Chaya Ganesha.
He was a finalist in the Kavala Tango Days International Composition Competition (Greece, 2022) with his work Orilleando la Sal, and received the Third Prize at the Concours International de Composition de Belfort (France, 2022) for his symphonic band work Sosteniendo el Sol.
In 2025, he worked as orchestrator for the Broadway musical comedy The Passion of Miss De Marco by composer Felix Graham (Unemployed Stenographer, New York). That same year, his tango for chamber sextet Fiu Fiu was premiered in Montevideo, Uruguay, performed by Sexteto Bailable as part of a tango concert series organized by SULOV.
As an arranger, he has collaborated with La Trúa Tango (Argentina), Wordsmith / Baltimore Orchestra (USA), Jukebox Clarinet Quartet (Slovenia), among others. He is currently a Harmony Piano instructor at the Julián Aguirre Conservatory.

المستوى التعليمي

He studied with Luis Arias, Luciano Sardo, Osvaldo Suárez, and Guillo Espel. He holds a Degree in Composition and Piano from the Julián Aguirre Conservatory, and a Degree in Bass Performance from EMPA (Escuela de Música Popular de Avellaneda).

الخبرة / المؤهلات

Third Prize at the Concours International de Composition de Belfort (France, 2022) for his symphonic band work Sosteniendo el Sol.

السن

الأطفال (7-12 سنة)

شباب (13-17 سنة)

الكبار (18-64 سنة)

الكبار (65 سنة فأكثر)

مستوى الطالب

مبتدئ

متوسط

متقدم

المدة

60 دقيقة

الدرس يدور باللغة

الإنجليزية

الإسبانية

مهارات

صولفيج

تلحين موسيقي

موسيقى الجاز

الجاهزية في الأسبوع العادي

(GMT -04:00)

نيويورك

على الانترنت عبر كاميرا ويب

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Sam

5.0

(14)

The guitar is undoubtedly one of the most popular instruments of the modern age. It is so versatile and used in many genres ranging from classical music to Death Metal and even Electronic Music.

I will teach you the basics of playing the guitar, and I'll spice it up later with my experience in composition and songwriting. We will learn by example through the famous songs that shaped our understanding of the guitar. Whether you prefer singer-songwriter-style songs, or thrash metal we'll get there together.

I will teach mainly using the guitar tablature format, we can do sheet music which is generally unneeded for anything besides classical, but I will need to refresh my music sheet reading skills as I haven't had to read any in the last 10 years.

Rafea

5.0

(14)

Professional academic lessons in an amusing way.
We will work on music theory and reading, and how to produce a good sound out of the violin with the right posture.
We are also going to work on sound production and how to have a distinct character in playing aside from developing the technical ability.

Yussif

5.0

(14)

I share you my skills in playing the double bass with different techniques for jazz, classical, early music as well as arranging, composition, harmony and rhythm.
I have masters in early music and classical double bass from Royal Conservatory of The Hague and active as jazz musician.

Mayssa

5.0

(14)

I offer comprehensive guitar lessons for beginners, designed for those with no prior musical background who want to build a solid foundation in playing and reading music. The lessons follow a clear, progressive curriculum, combining practical application with theoretical understanding in a simple and enjoyable way.

Lesson content:

🎸 Guitar playing

Getting to know the parts of the guitar and the correct way to sit

Basics of using a quill and fingers

Exercises to strengthen the hands and improve coordination

Solo performance and vocal accompaniment

Developing a sense of rhythm and speed

🎼 Reading musical notation (from scratch)

Getting acquainted with the musical staff and basic notes

Reading sheet music on the guitar step by step

Practical exercises for linking musical notation and playing the instrument

Improving accuracy and avoiding common errors

🎶 Playing songs and musical pieces

Applying the lessons to well-known songs suitable for beginners

Playing simple musical pieces, then gradually increasing in complexity

Practicing musical technique and expression

Developing confidence in performance

📚 Music Theories

Basic musical scales

Rhythms and musical scale

Simple principles of harmony

Understanding the musical structure of songs

Teaching methodology:

Gradual and structured education

A simplified explanation with practical examples

Exercises tailored to the student's level

Continuous monitoring and evaluation of progress

An encouraging and stimulating learning environment

Who is this lesson for?

For complete beginners

For students wishing to learn guitar academically

For amateurs and music lovers

For children and adults alike

Farah

5.0

(14)

My teaching method is based on dynamism and interactivity. My first objective is to ensure rich sessions during which I share my knowledge in a clear and easy to understand way. With a relevant lesson structure, I want students to understand the information that I transmit to them fluently. The teaching program is focused on modern kanun (playing technique, finger movement, independence between the hands, rhythm integration, etc.), guided by kanun books to allow the student to progress and maintain a permanent follow-up.

Celia

5.0

(14)

A personalized and relevant methodology for each of my students.

I accompany you step by step in order to achieve your goals, whether it is to learn classical piano or varieties, in a fun way or with certified academic methods.

I also give music theory lessons, including music theory, reading scores and musical dictation.

Music is the language of the soul and emotions, it has no age or limit. I will be delighted to accompany you during this adventure!

رامي

5.0

(14)

A course to learn the bouzouki or oud instrument for all age groups and for children over 7 years old.

You can learn from scratch if you have no previous experience

For students who have previous experience, we can follow up from the current student’s level.

The course curriculum varies from one student to another depending on his level of education on the instrument.

For students who have no previous experience, we start with special exercises for the right and left hand to play the instrument correctly and comfortably, in addition to learning to read the notes and solfege correctly, and then we continue and gradually increase the degree of difficulty of the exercises until you become able to play any note you want.

Youssef

5.0

(14)

I am a member of first coptic symphonic orchestra in the arab world..
As i helped many students of mine and i will be so glad to share my all knowledge with you..
I will be sharing my student's results with in order to motivate your practice and become the best Violinist version of you..
We will be teaching any kind of music ( Eastern - western....etc)
We will work on hearing skills as well..
I am in contact with my student 24 hr. With any questions and inquiries..

Ziad

5.0

(14)

Experienced teacher of Oud and oriental Arabic singing for over 11 years, I am Lebanese and currently residing in Germany. I studied for 8 years at the Lebanese National Conservatory. I taught at the Casa Beethoven Academy in Lebanon and gave private lessons. In addition, I was conductor of the Loubnan Assalam oriental orchestra for over 5 years.

My recommendation for learning the Oud is to start with the study of notes and musical notation before tackling pieces. Although some students prefer to play songs directly, understanding the basics of musical notation allows for faster progress in the long run. With determination and hard work, significant progress can be made in a year, allowing one to play simple melodies.

Please feel free to leave me a message, I will reply as soon as possible.

Mohamed

5.0

(14)

* Introduction to the Oud Instrument:
* History of the Oud and its significance in Arabic music.
* Different parts of the Oud (soundbox, face, neck, pegs, strings).
* Different types of Oud (Arabic, Turkish, Persian).
* How to hold the Oud and sit correctly.
* How to use the plectrum (risha/zend).
* Basics of Playing:
* Learning how to produce clear sounds from the strings.
* Exercises to strengthen fingers and improve hand coordination.
* Learning the names of the strings and how to tune them (Dozan).
* Introduction to basic musical modes (maqamat) in Arabic music (such as Maqam Rast, Nahawand, Hijaz).
* Learning basic musical notation and how to read it (if necessary).
* Simple Melodies and Exercises:
* Learning to play simple and well-known melodies.
* Exercises to develop a sense of rhythm.
For Advanced Levels:
* Deepening Knowledge of Maqamat:
* In-depth study of various Arabic maqamat and their branches.
* Learning how to modulate between maqamat.
* Analyzing melodies and musical pieces from the perspective of maqamat.
* Developing Playing Techniques:
* Learning advanced playing techniques such as trills, tremolos, and slides.
* Improving playing speed and accuracy.
* Developing the ability for musical expression.
* Improvisation and Taqasim:
* Introduction to the art of improvisation (taqasim) in Arabic music.
* Learning how to build improvisational taqasim based on maqamat.
* Developing the ability to listen and interact musically.
* Arabic Music Theory:
* In-depth study of Arabic music theory, including intervals, rhythms, and musical forms.
* Playing Advanced Musical Pieces:
* Learning to play classical and contemporary Arabic musical pieces.
* Analyzing and interpreting musical works.
Lessons may also include:
* Listening and Analysis: Listening to Oud music recordings and analyzing them.
* History and Culture: Exploring the history and culture of the Oud instrument in the Arab world.
* Basic Oud Maintenance: Learning how to care for and maintain the Oud.

Overall, the Oud lessons aim to provide students with the necessary skills and knowledge to understand and play Arabic music on this beautiful instrument.

Radwan

5.0

(14)

One-hour online lesson per week
Learning solfège and musical scales in an easy way.
You have over 25 years of teaching experience at all levels.
Providing follow-up for the student through social media.
Teaching musical theories and applying them practically to the oud.
Offers for teaching songs and providing sheet music and video explanations upon request.

David

5.0

(14)

Learning the saxophone by ear, including the basics and fundamentals of musical notation.
Learning keyboard playing and understanding its theories for beginners, which qualifies you to play with small bands.
8 years of experience playing the saxophone
15 years of experience playing the keyboard
Two years of experience in teaching saxophone
8 years of experience in keyboard training

Anass

5.0

(14)

My method: Practice before theory. With 6 years of experience and productions accumulating millions of streams, I offer a teaching method based on the reality of the current music market.

My goal isn't to make you read a manual, but to make you self-sufficient with FL Studio as quickly as possible. I teach the practical techniques I use daily to create tracks that sound "professional".

Typical course structure: Each session is tailored to your needs, but generally follows this structure:

Listening and analysis: We listen to your projects or reference pieces.

Targeted technique: Focus on a specific aspect (Composition, Sound Design, Vocal Mixing, Mastering...).

Practical application: We immediately apply the technique to an FL Studio project.

Debriefing: I give you exercises and tips to help you progress before the next lesson.

Who are these courses for?

For complete beginners who want to get to grips with FL Studio.

To intermediate beatmakers who feel their productions lack "punch" or clarity.

For artists who want to learn how to record and mix their own voices.

I help you develop your own sonic identity.

Emanuel

5.0

(14)

Learning the piano can be beneficial in many terms; it helps in marriages, churches, events, and many more places! I'm here to help students achieve this goal; from playing with one hand to both. I can teach that, but first I must teach student solfege (theory) if they don't know.

Khalil

5.0

(14)

Every producer or DJ has a different ear. I adapt my lessons to your favorite genre.
I focus on teaching you a fast workflow in Ableton Live so you can finish tracks instead of getting stuck on an 8 bar loop.
Lessons can be held via high quality audio streaming.
I am an active producer and DJ in the Montreal electronic scene. I don't just teach the manual; I share the studio secrets and industry standards that make a track sound professional on a club system.
My lessons are for complete beginners, immediate artists and hobbysits to pros