Learn The Basics of Djiing With A World Famous DJ + Journalist

Àpd 438.09 CNY /h

This class is either for:

1) Students who are studying music for GCSE where djiing is a part of the course curriculum which we will go through in depth

2) Music lovers who want to learn how to use the decks. The focus is to cover the basics of djiing from understanding how the equipment and software works to mixing techniques and effects.
Please note I'll be using a Traktor Kontrol S4 to teach.

I am a DJ / music producer / journalist with over a decade of experience playing for brands from the World Economic Forum in Davos to Pacha Destino in Ibiza and the BBC in London.

Informations supplémentaires

It would be ideal if you have an S4 with Traktor to make teaching seamless.

If you have an alternative controller let me know and if no controller we can still run through the basics on the software.

Lieu

En ligne depuis Royaume-Uni

Présentation

Education is such a precious journey. As someone who suffered from a learning disability (dyspraxia) that went undetected in one of the best academic schools in Britain, I've had to learn how to hack my brain to keep up with the educational system and excel!

I always remember the teachers that were patient throughout my journey and helped me unlock the secrets to learning and as a result, I've become incredibly passionate about empowering others through knowledge.

Education

(BA) Global Business Management - 2:1 - Regent's University, London
Film Scoring + Game Audio Course - Berklee, Boston
Advanced DJiing Course - Point Blank, London

Expérience / Qualifications

I regularly teach masterclasses on production + djiing and have taught for universities, high schools and primary schools.
My most rewarding class so far has been a room of 300 very curious students aged 7 in partnership with the Luxembourg Space Agency!

Age

Enfants (7-12 ans)

Adolescents (13-17 ans)

Adultes (18-64 ans)

Seniors (65+ ans)

Niveau du Cours

Débutant

Durée

30 minutes

45 minutes

60 minutes

Enseigné en

anglais

Compétences

Composition musicale

Son (musique)

Dj (disc jockey)

Disponibilité semaine type

(GMT -04:00)

New York

Cours par webcam

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Learn The Basics Of Music Production With A World Famous DJ

438.09 CNY /h

This class is for aspiring music producers at the beginning of their journey.

We'll explore the fundamentals of production from understanding your chosen genre, to navigating the software, learning how to record a basic beat, how to create melodies, sampling + creating an arrangement.

My tracks have been played on the BBC for over 30M people :-)

Lou-Indigo

4.87

(84)

The course that I propose is BILINGUAL FRENCH / ENGLISH, as well as 2 BOOKS.

Age and musical taste are not restrictive when in the program, you can with qualitative daily work (not quantitative) quickly observe your progress.

Here the pleasure of playing music is put forward.

The kind of music you love most will be the focus of the course, their codes and secrets will be the focus of our study, that's what I want to share with you.

We can do technical lessons and simply learn together how to play one or more songs of your choice or mine, enrich your game with this approach and your repertoire!

(For example, We can re-arrange the pieces and make them more original by approaching the system (CAGED), and enriching their chords, resulting in new positions, new techniques and new sounds, using arpeggio techniques rather than strumming for 4-chord pieces, voicing and fingerstyle techniques, in short, expanding the instrument's playing fields and playing skills to keep progressing in your game and improve your rehearsals ...)

If you make a request, this program is obviously accompanied by the pleasure of learning more in theory and being able to directly apply new knowledge on its instrument and identify its common or rare use in the pieces discussed in class.

In this case, the theory is translated to be accessible to anyone, both for those who are connoisseurs and for those who discover everything from absolute zero.
The exercises, songs, and theoretical explanations offered throughout the program are organized in an order of progressive difficulty.

I wrote and produced 2 books of my method to learn the guitar and the music, that I sell to accompany my course and your apprenticeship in the best conditions and so that you can continue the course even at home and to review etc ... .
There is ONE BOOK OF COURSES containing all the theoretical and practical program of the year, as well as a BOOK OF EXERCISE on the ranges and the modes that you can obtain directly.

You can find here an indicative list of objectives that I propose in my theoretical program, which can of course adapt to your request.

The general theoretical objectives of the course:

--- Tuning / tuning and knowing his guitar:
* Standard Tuning
* Drop Tuning
* Open Tuning
* Adjust the optimal tension of the strings
* Adjust the shaft axis
* Adjust the action of the strings
* Choose the strings adapted to the style of play / tuning
* Change his strings

-Know his chords:
* Triads: Fundamental State & Inversions
* Tetrads: Fundamental State & Inversions
* The chord progressions of the Range
* Arpeggio techniques (tapping, sweep, 1/2/4 fing.shape, etc ...)

--- Know his scales and his modes

* The Mode of the Major scale
* 3 Modes of the Minor scale: Natural / Melodic / Harmonic
* Modes of the Pentatonic range: 5 positions
* Modes of the Blues range: 5 positions
Etc ...

--- Technique to the Pick / Plectrum / Tab / Pick (Electric Guitar):
* Alternate Picking
* Fast Picking / Tremolo Picking
* Hybrid Picking
* Palm Mute
* Natural Harmonics
* Pinch Harmonics
* Artificial Harmonics
* Shredding
* Tapping
* Sweep Picking
* Legato Picking

--- Strumming / Hand Picking (Acoustic Guitar)
* "SnareDrum" percussion on the guitar
* Arpeggios pinched with 4 fingers + thumb
* Rasgueado (Flamenco Technique)
* Generic Strumming
* Fingerstyle Picking
* Two-finger picking + Legato for fast melodies (eg a solo)

-Play the metronome
* exercises on click
* practice on song riffs

-Learn his favorite songs
* without thinking about the difficulty, nothing is impossible with the right methodology

-Improvise
* choose ranges and positions
* to place oneself rhythmically, to finish on the judicious notes

-Theory of Harmony
* Understand harmonization and its practice

-Theory on the Melody

-Theory of Rhythm

Daniel

4.87

(84)

I am a multi-instrumentalist (saxophone, transverse flute, keyboard), composer and arranger (SACEM member since 2012), excellent improviser. This course will allow you quickly, whatever your instrument and your technical level, to understand and master the chord sequences and the articulation of musical language according to these sequences. In addition, you will learn the most frequent or rare harmonic structures used by composers. And, theory notwithstanding, you will learn to develop your ear to identify harmonic structures. This course also includes an introduction to the history of jazz.

App

4.87

(84)

< Learning Piano is not merely about playing the piano >

Before starting to learn the piano, it’s essential to recognize that :

'' What we are actually learning is "Music", but not only "Piano". ''

The goal of learning any instrument is to acquire the language of music, enabling us to express ourselves and enjoy music with others. Playing the piano is for creating beautiful sounds, not really for developing finger speed or strength. That’s the function of gym.

< Music is like cooking >

When we cook, to make roast beef tender, of course, it’s nice to have a tender heart, but without knowing how to control the temperature, the roast beef won’t become tender merely by our tender heart.

By only adding salt, the dish won’t be sweet. Similarly, simply playing or writing a C major triad chord won’t convey a sorrowful feeling.

To create the feeling we want, no matter how much sentiment we have in our hearts, to convey it via music, it needs to be translated into the language which the piano can understand, which means, how we press and lift the keys and pedals. Similarly, when we compose, it needs to be transferred into chords, and notes we write.

< Difference between an audience and a musician >

There is a common belief that a musician can make music with sentiment or feeling. While it’s partially true, the most essential thing is knowing ‘’How’’ to create the sound that conveys the feeling we want, rather than merely knowing ‘’What’' feeling we want to convey.

The understanding of the mechanism behind music is essential, as cooking, and that is the difference between an audience and a musician. As an audience, one can simply feel the music. Like a chief who knows how to create a specific flavor to convey, a musician knows how to create the sound which can convey the feeling we want. While knowing which feeling we want is great, it’s merely the first step. Your emotions are not too different from Chopin, Beethoven, Adele or Taylor Swift, otherwise, they can’t resonate with you. But they know how to create the sound that conveys the feeling they want to their audience.

< Course Content >

I consider my course to be a form of "Music Consultation" because it contains a wide range of subjects that are essential to a professional musician. While we focus on piano playing, there are also music theory, music history, instrument construction, ergonomics for performers, analysis of composer styles, composition, arrangement, recording, MIDI, computer music, the physics of sound, and more.
In avoid of confusion, let’s still call my course as "Piano Course”.

< Duration >

For each course, I will reserve at least 70 minutes in my schedule for you, including 60 minutes of class time and an additional 10 minutes for discussion and any questions you may have. This will ensure that your courses are not rushed by the next student. This ensures that there is enough time for you to solve your piano and music problems.

< Recording >

I highly encourage my students to record their progress. This can provide an objective standard for comparison and help you analyze your playing precisely. In my nine years of experience teaching music, I've found many students, including those advanced, already play certain sections very well, while other sections may not be not well enough. But they still try to improving those fine sections, while not aware of those weak sections.
Without an objective reference, it’s hard to distribute our effort precisely. This can lead to not only unstable performance, but also practicing without a precise goal can easily reduce enthusiasm. Recording your results and comparing them with those recordings you like on YouTube or Spotify can be an effective way to analyze your playing and set precise goals.

If you have a digital piano, I can help you produce a video of your performance for each session. This can be a tangible record of your efforts and you can share it with your friends and family via YouTube or other platforms.

Camille

4.87

(84)

Folk or classical acoustic guitar.

The teaching philosophy is adapted to the level of each individual, according to the pace of work and motivation.

For example, for beginners: Technique of the plectrum or fingers, coordination and correction of the right and left hand. Learning basic chords, simple themes, simple rhythms, reading tablatures (...).

For intermediaries: development of rhythm, construction of chords, writing of tablatures, basic notions of harmony (...).

Depending on your goals, you can learn, if you wish, to play 60 to 80% of current music from the first lessons, which often use the same chords and the same techniques. The objectives take into consideration the following points:

-Study of various playing techniques, chords, harmony, music of your choice, rhythm, with reading of tablature, teaching structured around the repertoire you like, technique of developing the musical ear
- Discovery of the neck, notes and basic positions of open chords
- Left / right hand coordination and rhythm exercises for the right hand
- Learning of different pieces of your choice
- Left hand control exercises, speed and precision
- Learning arpeggios
- Work around muscle memory
- Learning improvisation, musical play with others
- Ear training: use your ears to find chords, melodies, sounds and techniques used
-Spend a pleasant moment of exchange, without unnecessary institutional pressure, while obtaining concrete results
-Understand and discover the many facets of an exciting and user-friendly instrument
- Benefit from personalized advice on your posture and certain pitfalls to avoid when starting alone
-Adjust and clarify your self-taught knowledge
- Learn tablatures / tabs & in English.

Note :
- Possibility to use the guitar available on site, during the test phase.
- As our teacher is also a singing teacher, it is possible to combine the two disciplines: guitar + vocal instrument, and to work on synchronization, style and accuracy.
- Possibility of offering this course (birthday, party, Christmas, event ...) to the person of your choice.

THE TEACHER :
Trained in Grande Ecole post-preparatory classes & Ivy League university in the United States, our teacher has specialized and has worked for more than 15 years, in Europe and North America, in the field, in renowned international public and private establishments, with careful pedagogy and methodology as the watchwords.

PLACES :
- Locations: Geneva-Lausanne-Friborg-Neuchâtel-Montreux-Bâle-Sion-Sierre-Morges-Bienne. But currently, only by videoconference in accordance with national recommendations on Covid. These sessions also seem to be perfectly unanimous since they have the advantages of direct (example: quality of the interaction), without its disadvantages (ex: loss of travel time), with additional advantages (ex: of notes on the chat, which can be reread afterwards). In this context, these videoconference sessions for which you have requested me, seem to arouse a certain enthusiasm (and a certain enthusiasm). At your request, I therefore continue to offer them.

Gema

4.87

(84)

The most important matter that I could write here about is my passion to teach. I've been teaching already for more than 10 years, from kids to adults. I'm a classical pianist, but I am opened to other musical styles. What I want you to get from your lessons with me, is not only a huge knowledge of theorical stuff or a great technique, I would like to show you my musical world, the imagination and inner exploration that is required to understand and to love music in a whole new level. Once you have found them, it will be very hard to quit playing!

The class duration: You can choose!
20 minutes (Great for the youngest : 3 years old)
30 minutes (Ideal for young beginners from 4 years old)
45 minutes (Intermediate+ adult beginners)
1 hour (Intermediate and combined with some Music Theory)

I use different methods depending on:
1) The goals of my student
2) The language that we will use on class
3) Age and musical preferences: I start to teach children from 3 years old, we make games and they learn to play through musical stories that I have created throughout my pedagogical career.

Matteo

4.87

(84)

If you've been eager to get better in drums and therefore studying all its different styles and genres, I definitely can help you with that!
Particularly, I've studied in deep Tony Williams' and Elvin Jones' playing and the main drummers of the jazz era from the 50s to the 70s , so if you really want to improve that kind of vision and sound I can give you some great hints such as transcriptions, analysis, sound strategies and many video materials.
Also, I am specialized in Funk/Hip-Hop music and that kind of groovy world. So, I've been mastering a specific approach to this genre as well.

About me:
I've been playing drums since I was 6. I got my Master Degree in 2022 at Salerno Music Conservatory (Italy) in Jazz Drums and Percussion.
I've been doing the role of Assistant Professor at KCB with Stéphane Galland since 2023.

Since I moved to Belgium I had to chance to collaborate and sharing the stage at the moment with Manou Gallo, Zap MAMA, Stephane Mercier, David Linx and various others.

Maria

4.87

(84)

This is not a technical DJ lecture. It is a creative lab.

In this workshop, we explore DJing as storytelling, cultural curation, and emotional architecture. Whether you are a beginner curious about mixing or a creative looking to refine your artistic identity.

We cover:

Software and hardware essentials

Track selection

How to build a narrative through sound

Reading the room and shaping energy

Developing your sonic identity

The relationship between DJing and community

Participants engage in listening exercises, mini curation challenges, and real-time feedback. Instead of rigid rules, we experiment. Instead of copying trends, we discover what we love.

This class is for DJs, music lovers, cultural organizers, and anyone who wants to understand how music moves people and spaces.

You will leave with practical tools, sharper ears, and a clearer sense of your creative voice behind the decks.

I have more than 6 years mixing in clubs, private parties and festivals. I have played in important stages in Mexico and Europe with names such as Solomun, Maceo Plex and Adriatique.

Ali

4.87

(84)

Passionnée par la transmission du savoir musical, je propose des cours adaptés à tous les niveaux, des débutants (enfants et adultes) aux profils plus avancés.
Diplômée d'un Master en Musique de l'Université des Arts de Téhéran, j'ai acquis une solide base académique et une expérience pédagogique riche. Mon approche est personnalisée : j'aime rendre l'apprentissage de la musique à la fois ludique pour les plus jeunes et rigoureux pour ceux qui souhaitent approfondir leurs connaissances.

Ce que je propose :
Piano pour enfants & débutants : Une méthode douce pour découvrir l'instrument et prendre plaisir dès les premières notes.
Théorie Musicale, Harmonie et Contrepoint : Pour comprendre l'architecture de la musique et développer votre sens de la composition.
Le Santour (Instrument traditionnel persan) : Je vous invite à découvrir la sonorité magique de cet instrument millénaire. Une initiation à la musique orientale et ses modes (Dastgah).

Pourquoi me choisir ?
Une pédagogie patiente et structurée.
Un parcours académique de haut niveau (Master).
Cours disponibles en présentiel à Lyon ou via webcam.

N’hésitez pas à me contacter pour discuter de votre projet musical ou de celui de votre enfant. Au plaisir de partager cette passion avec vous !

Khalil

4.87

(84)

Every producer or DJ has a different ear. I adapt my lessons to your favorite genre.
I focus on teaching you a fast workflow in Ableton Live so you can finish tracks instead of getting stuck on an 8 bar loop.
Lessons can be held via high quality audio streaming.
I am an active producer and DJ in the Montreal electronic scene. I don't just teach the manual; I share the studio secrets and industry standards that make a track sound professional on a club system.
My lessons are for complete beginners, immediate artists and hobbysits to pros

Xavier

4.87

(84)

Vous avez envi de maîtriser l’art du mix dans vos soirées : enchaîner des morceaux de manière fluide et harmonique, je vous propose de vous accompagner dans cet apprentissage...choisir ses morceaux, mettre les morceaux aux même BPM, caler les morceaux entre eux, lancer la piste suivante au bon moment pour créer une atmosphère musicale originale, utilisation des différentes commandes et effets,...(liste non-exhaustive selon vos attentes).

Samuel

4.87

(84)

Do you want to learn music production software, produce your own tracks, improve your mixing skills, or finally finish your productions?
I offer tailor-made DAW courses in Bègles / Bordeaux and via webcam, for beginners as well as more advanced profiles.
Specializing in FL Studio, I can help you progress in composition, beatmaking, arrangement, sound design, music theory and mixing, with a practical, results-oriented approach.
I have worked with labels like Lofi Girl and on projects related to film and video games, but my current objective remains simple: to help you progress quickly, clearly, and on your own music.

Universes I particularly love: lofi, hip-hop, ambient, synthwave, electronica, soundtracks / cinematics.

I can help you if you want:
getting started with FL Studio or DAW
create your first beats / tracks
improve your mixing
better structure your arrangements
develop your sonic identity
make progress on an EP, album or professional project

For beginners :
getting started with the DAW
basics of rhythm, harmony, structure
first pieces

For intermediaries:
cleaner mix
improved sound management
more lively arrangements
faster workflow

For the advanced:
finishing pieces
artistic direction
in-depth sound design
support on a real project

Rémi

4.87

(84)

From idea to execution: Music Production Coaching, Mixing, DJ sets & Artist Strategy (10+ years of experience)
Music production and DJ mixing courses for all levels.
Each course is tailored to your objectives and learning profile.
The main idea is to give you the tools you need to progress quickly and become more independent.
Whether it's in music theory, composition, arrangement, mixing, mastering composition software, recording or developing a DJ set, I offer you the benefit of my 10+ years of experience.
I also coach professional artists to help them develop their projects. I am also a university professor specializing in creative industries and digital marketing. My approach is comprehensive and holistic.

Dan

4.87

(84)

I am a professional musician based in Lausanne and I offer singing, saxophone, bass and guitar lessons for all levels, from complete beginner to advanced musician.

My method is simple:

Learn by doing, quickly gain confidence and focus on the music you truly love.

Whether you want to sing your favorite songs, discover an instrument or perfect your technique, I adapt each lesson to your goals and pace.

During class, we can work on:

the technique and the basics
learning your favorite songs
improvisation and musicality
rhythm, ear training and creativity
self-confidence on stage

My goal is to create a relaxed and motivating environment where you can progress without pressure and enjoy learning.

Lessons are available in Lausanne or online.

Feel free to contact me if you have any questions; I'd be happy to help you get started! 🙂

Péguy

4.87

(84)

Le style musical désigne l’ensemble des caractéristiques sonores, rythmiques, mélodiques et culturelles qui permettent d’identifier et de distinguer une musique, un compositeur ou une époque, reflétant des choix esthétiques, des influences et des contextes historiques et sociaux spécifiques et distincts.

André

4.87

(84)

My name is Andre. I'm a professional musician with more than 10 years living through music. Despite having Jazz as the main focus of my study and practice I've learned to love all genres and absorb each unique values and strengths. Having them integrated in the musical projects I've created or participated on. Projects which revolve around Jazz, Pop, Rock, Psychedelic, Electronic and Reggae.
Throughout my professional career I've worked with music schools and private students (+200). During this years I've encountered a plethora of different kinds of students, all levels ranging from kids to seniors and even a good quantity of autistic or down syndrome students, which always made me more and more interested in the art of teaching and helping people grow, by balancing challenge and empathy.

My lessons are characterized by a practical approach combined with a theoretical component, that always caters to the student's interests, stimulating their musical taste and creativity. For this, I like to go across the board with disciplines such as:
Musical Theory
Technique
Ear training
Performance
Composition
Improvisation
Band/project guidance
Study methodoly
Reportoire

My main objectives as a mentor are:

- To captivate students with music and their learning process

- To stimulate healthy learning methods based on their own goals

- To develop the spirit and discipline of self-learning.

Frequency, duration, and format depend on each student's goals.