Violin lessons online and in person including music reading and theory. - Southampton - Nachhilfe

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Violin lessons online and in person including music reading and theory.

Von 32.73 Fr /Std

I started learning the violin at 6 years old and have many years of teaching and playing experience. I give classical lessons working towards ABRSM grades as well as music theory and technique from beginners to advanced. I encourage a love of music and the Instrument and set homework after each lesson.

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Beim Schüler zu Hause :

In der Umgebung von Southampton, Vereinigtes Königreich

Beim Lehrer zu Hause :

Cunningham Crescent, Sholing, Southampton, UK

Online aus Vereinigtes Königreich

Alter

Vorschulkinder (4-6 Jahre alt)

Kinder (7-12 Jahre alt)

Jugendliche (13-17 Jahre alt)

Erwachsene (18-64 Jahre alt)

Seniorinnen und Senioren (65+ Jahre alt)

Unterrichtsniveau

Anfänger

Mittel

Fortgeschritten

Dauer

30 Minuten

60 Minuten

Unterrichtet in

Englisch

Fachkenntnisse

Musikstile:

Klassik

Verfügbarkeit einer typischen Woche

(GMT -04:00)

New York

Beim Lehrer zu Hause und Online

Beim Schüler zu Hause

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

Rudolf’s apprenticeships with master-players and professional work alongside colleagues in eminent ensembles have made him aware of a wide range of techniques that suit individual players. It has accordingly given him a strong belief in the need to address students individually to get the best from them and ensure that they enjoy their playing and progress with it. For this reason Rudolf also feels strongly about students getting into good habits with their playing practice, not only musically but also physically.

One of the important aspects of his methodology of violin teaching is to ensure that students are instructed and helped to adopt healthy postures whilst playing. These good habits need to be instilled early in order to avoid muscle strains and tensions and later damage, so that students can play comfortably and healthily, and enjoy making music (such instruction is also good more broadly in ensuring good posture for class work and other situations throughout life). As part of this aspect of his teaching he also uses exercises with elements of the Alexander Technique, yoga and breathing techniques.

His formal studies in music pedagogy, and teaching practice along with his regular playing with internationally renowned ensembles, his private teaching of young violinists and work as a concertmaster, organising concerts with peers and students at Southampton, Winchester and Budapest, allows him to bring a range of experience and expertise, as well as enthusiasm, to teaching violin.

Rudolf’s apprenticeships with master-players and professional work alongside colleagues in eminent ensembles have made him aware of a wide range of techniques that suit individual players. It has accordingly given him a strong belief in the need to address students individually to get the best from them and ensure that they enjoy their playing and progress with it. For this reason Rudolf also feels strongly about students getting into good habits with their playing practice, not only musically but also physically.

One of the important aspects of his methodology of violin teaching is to ensure that students are instructed and helped to adopt healthy postures whilst playing. These good habits need to be instilled early in order to avoid muscle strains and tensions and later damage, so that students can play comfortably and healthily, and enjoy making music (such instruction is also good more broadly in ensuring good posture for class work and other situations throughout life). As part of this aspect of his teaching he also uses exercises with elements of the Alexander Technique, yoga and breathing techniques.

His formal studies in music pedagogy, and teaching practice along with his regular playing with internationally renowned ensembles, his private teaching of young violinists and work as a concertmaster, organising concerts with peers and students at Southampton, Winchester and Budapest, allows him to bring a range of experience and expertise, as well as enthusiasm, to teaching violin.

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