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Since June 2022
Instructor since June 2022
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Piano and Musical Training: Children, teenagers, adults
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From 295.6 CNY /h
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|Child beginner]

Blue Method

a method that prepares the child to understand the pitch of sounds, to read the notes, to learn the rhythm through card games and songs, by drawing, coloring, and of course the practice of the piano in a way alternate.

[Adult/Teen]

Christophe Astie method

Built to advance step by step and this from beginner level 0 in the understanding of the practice of the instrument and the music, it combines practice and musical theory, and this, in a very progressive way.

A piece or two mastered per week in just 10 to 15 minutes of daily practice are necessary at the start.

A rich and varied repertoire: Classical themes, film music, folk music, blues, boogie, ragtime. In the second half of the year, more pop songs are added.

[Advanced Pianist | Musicians]

After one to three years depending on your development and involvement or for already experienced musicians
Develop more advanced concepts if you already have a solid foundation by working on several modules of your choice:
- harmony
- writing
- the arrangement
- improvisation
- Rhythm
- The shade

The courses are aimed at all types of students wishing to reach a level equivalent to the 3rd cycle conservatory or moving towards free expression games and improvised music.

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assess your level:
BEGINNER
You are at Beginner 1 level if you start from zero at the piano Here is what you need to know to consider having acquired this level.

Theory: reading notes in central C position, SOL clef and FA clef / understanding the notions of tone and semitone / quickly identifying notes on the piano / distinguishing left hand and right hand on the score / repeat bar / simple rhythms (black, white, round)

Technique: knowing the numbers for fingering / playing legato on 5 notes, hands separated and hands together, starting on all the white keys / feeling the pulse while playing

Repertoire: pieces whose melody is separated between the 2 hands / many fingerings written so reading notes is optional / rhythms that are simple to read or easy to do by ear because you know the piece / one note at a time in each hand

The 2 pieces of Piano Subito (PBD) are good examples of pieces at this level.
Amazing Grace (gospel, simplified version)
Stand By Me (Ben E. King, simplified version)
Several pieces from Hal Leonard Methods vol. 1, preparatory Bastien and preparatory Alfred.
Several pieces from the book Favorite Classic Melodies (primer level) by James Bastien

INTERMEDIATE
Theory: notes can be read anywhere on the staff, in the 2 keys, including additional lines / formation of dominant seventh chords / good understanding of chord inversions / 6/8 as indicator numbers / classification and qualification of intervals (interval name + major, minor, perfect, augmented or diminished) / know the order of sharps and flats

Technique: scales on 2 octaves hands together (DO – G – D – A – E major, A – D – E, G, C minor) / chords of 3 notes and inversions in all these keys / arpeggios on 2 octaves in eighth hands separated and hands together, root position (DO – G major and A minor) / sequence of chords I-IV-V7-I in other known keys

Repertoire: pieces with arpeggios in the left hand / possible movements in both hands / integrated interpretative elements such as nuances, tempo modifications if requested, playing one hand stronger than the other / rhythm including sixteenth notes / on tackle the ornaments

Mia & Sebastian's Theme (La La Land, PBD version)
Minuet in G major or that in G minor (JS Bach)
Arabesque (Burgmüller)
Rhyme from another summer (Tiersen, simplified version)
Moonlight (Debussy, simplified version)
Soldier's March op. 68 No. 2 (Schumann)
All the boys and the girls (Françoise Hardy, PBD version)
Several pieces from Hal Leonard's Popular Piano Solos (level 3 and 4) notebooks.

Available during our sessions:
- Rönisch baby grand piano.
- a computer with licensed Ableton live 10 (MAO)
- Native Instrument komplete kontrol 13 licensed (MAO)
- Licensed Serum (MAO)
- 2 MIDI ESR 423 Yamaha Keyboards and Control S-88 Native Instrument. (MAO)

e conservatory or moving towards the games of writing and free expression (jazz and improvised music)
Extra information
Need to bring notebook with music paper, pencil, eraser, dictaphone if necessary.
Travel costs charged beyond 8KM from my place of work.
Location
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At student's location :
  • Around Toulouse, France
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At teacher's location :
  • Quadriphonik, Chemin de Saint-Amand, Toulouse, France
About Me
As Boris Vian says despite my turning him away: music is not a miner's task, the miner does not sing while working and Walt Disney has understood this well, which makes his dwarfs whistle. The miner blows while working so that the coal does not enter his mouth or elsewhere. The musical practice not being of the minor genre, it obviously plays a major role in the circumstances that give balm to the heart, finally admitting that it can breathe.

My professional training in music started at the age of seven and has never stopped since then, it can only be counted over several chapters, I have taken the liberty of making you a brief summary below. .. Or let you choose to read them.

I am Théo, my life is music, music is my job, however, I am no longer a musician, well almost...

From an eclectic background, music lover and musician from the bottle my father handed me, I was sometimes nourished by the sound of Callas and the great airs of Verdi's Norma, by Michael Jackson or by the harshness, the violence of the flavors of most hardcore music.

Today, I am a developer for several artists on the Toulouse scene in addition to managing a musical creation studio.

Pedagogy is not a discipline that I exercise by default or as something alimentary.
It's a passion, I like to transmit with all my heart to young and old alike. I chose the place of pedagogue, manager, developer in order to ensure the rear because that is where mine is: to work so that people, artists who take more pleasure than mine occupy the front of the stage.

I have a four-year university course in which I devoted myself to studying the processes of communication and relational so that with each one, I can find the method that suits to approach the learning of music, the most serious and pleasant way possible.

- Company supported by the Occitanie Entrepreneurs Management Office and AGEPHI.
- Course eligible for Chèque Emploi Service
- Planned parking space available if necessary.
Education
[Training]
- ENMD Nogent-Le-Roi (1998/2002)
- CRR of Chartres (2002/2006)
Certificate of End of Musical Studies (End of 3rd music cycle) 2006
Piano, Singing and Music Theory.
- Conservatory of Puteaux 2009
- Technical Certificate of Music Professions
Mention Major of France 2009
- License pro administration of cultural institutions 2014
- Master's degree in music mediation 2021
- Certification Toureur/network manager Octopus Occitanie 2022
Experience / Qualifications
[Activity]
- artist developer: Loud.Anonymity | Zitoune
- MAO Musical Creation Studio
- Programmer and manager: Bar & Club Le Chorus
- Pedagogue: Singing | FM | Piano | Mix (DJ) | MAO

[Artistic Journey]
- Master of Chartres: 2002/2006
- Paris Opera Chamber Choir 2007/2012
- Professional pianist until 2017
- Bass Music DJ: Fast Music Factory, Forever DNB, Liquidz Spirit, Wobo, Bass Fam, Studio Drum & Bass, Le 45 Tours, l'or en bar, multiple festivals.
Age
Children (7-12 years old)
Teenagers (13-17 years old)
Adults (18-64 years old)
Seniors (65+ years old)
Student level
Beginner
Intermediate
Advanced
Duration
30 minutes
45 minutes
60 minutes
The class is taught in
French
English
Availability of a typical week
(GMT -04:00)
New York
at teacher icon
At teacher's location
at home icon
At student's home
Mon
Tue
Wed
Thu
Fri
Sat
Sun
00-04
04-08
08-12
12-16
16-20
20-24
Declared activity
- Course eligible for Chèque Emploi Service (January)
- Parking space available

Available during our sessions:
Complete studio treated and isolated by HRD Acoustics (Gimms, Impact Music, Vici...)
- SC305 Eve Audio mid-range speaker
- ID44 Audio Interface - Audient
- APC40 Sequencer - AKAI
- Maschine MK3 - Native Instrument
- Ableton live 11 licensed
- Native Instrument komplete kontrol 13 licensed
- Licensed Serum
- Control S-88 Native Instrument midi keyboard.

You leave with the recorded session (audio and video). Possibility of streaming from the studio.

This training is aimed at people wishing to approach: Techno, Hip Hop, House, Bass Music...

MAO: Beginner to intermediate.

You don't know where to start to start Computer Aided Music?
I teach a method that allows you to approach and structure each stage of musical writing in a methodical way to build complete pieces.

Modules:
music history
Aesthetic codes in electronic music
The different types of “batteries”
The different types of bass
The Arrangement
The basics of mixing
Musical theory
The art of sampling.

[MAO: Intermediate to music industry]

In this module, you deepen the notions learned previously and will be able to propose productions that can lead to signing on a label. This is an opportunity to develop a dissemination strategy for your works and to promote them.

Modules:
The art of “sequencing”
bass processing
The arrangement (in-depth)
Mixing: tips and tricks
Musicality 2.0
battery treatment
Sound Design
Advice on the music market and the music industry

option: Support for artistic creation

- Design around the artistic identity
– Definition, Message, Image, Communication
- Graphic creation workshops on Canva
- Production of collaborative visual support, artwork design, graphic design creation
- Construction of a usual communication and distribution plan.
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Jacqueline
I introduce myself:
Classical singer, professional soloist, good level pianist,
graduated from conservatories
- from Toulouse: 1st prize for singing / 2nd prize for music theory and sight reading
- from Paris (CNSM) Certificates of musical and vocal culture and piano - singers

On the sidelines, then after a career as a lyrical artist in Paris (Opéra Comique/Théâtre Mogador/Espace Cardin, in the RTLN theaters (including Capitole de Toulouse) and abroad (Switzerland/Belgium/Mauritius) I I have been focused on teaching (singing, beginner piano, music theory) for around 25 years.
Experience with children / adults, amateurs / professionals, singers / instrumentalists
I teach traditional music theory which differs from FM (Musical Training), I briefly explain here the differences, the interest and the advantages.
It is based on tonal music, the progressive study of tones and not intervals outside tonal context.
It recommends the separate acquisition of its various components: rhythm, reading notes, intonation
it results in these well-integrated bases, sung sight reading and written dictation

Why work on music theory as a subject in its own right?
Because, in a course "piano / violin / vocals / clarinet ... + music theory", and as I myself have experienced, the pupil and the teacher, accomplices, always favor the instrument and the learning music theory is done in homeopathic doses. The study of the instrument is nevertheless also slowed down because of the multiple interruptions caused by ignorance of music theory.
I am not suggesting that you "get rid" of music theory because its study, contrary to its reputation, is very interesting. But to diversify the difficulties that you encounter: those relating to the instrumental technique and those due to music theory.

I accompany you on the piano and introduce you to the keyboard. A mini-keyboard allows you to work on your intonation at home also following my instructions.
If the level allows it, I also do instrumental and vocal music theory: music theory applied to the study of your pieces, analyzed, deciphered and accompanied on the piano.
Levels: for more precision, up to level "medium 2"
I recommend a weekly frequency (except possibly school holidays), essential for the effectiveness of the course, as well as a minimum personal work at home.
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Contact Théo
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** English version below **

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Sharing music and dialogue with the student are essential for me: I adapt to the needs/desires of each student by offering a musical and instrumental program (in addition to regular work based on technique). Students will be able to play along to playbacks (soundtracks), solo, or simply following a score. The courses will of course be focused on different points, according to your requests. I will use musical language, and teach you how to read a Drum score using simple and effective methods.
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A graduate of the Berklee College of Music in Boston, I offer drum lessons (all ages) to beginners, intermediates and advanced students.
Sharing music and dialogue with the student is essential to me: I adapt to the needs/desires of each student by offering a musical and instrumental program (in addition to regular technique-based work). Students will be able to play on playback tapes, solo, or simply follow a score. The lessons will of course be focused on different points, depending on your requests. I will use a musical language and teach you to read a drum score using simple and effective methods.
I propose a cultural approach of different styles to my students (funk, groove, hip-hop, rock, reggae, jazz, ...).
I also teach music theory, timpani, djembe, percussion, piano according to your request.
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Jacqueline
I introduce myself:
Classical singer, professional soloist, good level pianist,
graduated from conservatories
- from Toulouse: 1st prize for singing / 2nd prize for music theory and sight reading
- from Paris (CNSM) Certificates of musical and vocal culture and piano - singers

On the sidelines, then after a career as a lyrical artist in Paris (Opéra Comique/Théâtre Mogador/Espace Cardin, in the RTLN theaters (including Capitole de Toulouse) and abroad (Switzerland/Belgium/Mauritius) I I have been focused on teaching (singing, beginner piano, music theory) for around 25 years.
Experience with children / adults, amateurs / professionals, singers / instrumentalists
I teach traditional music theory which differs from FM (Musical Training), I briefly explain here the differences, the interest and the advantages.
It is based on tonal music, the progressive study of tones and not intervals outside tonal context.
It recommends the separate acquisition of its various components: rhythm, reading notes, intonation
it results in these well-integrated bases, sung sight reading and written dictation

Why work on music theory as a subject in its own right?
Because, in a course "piano / violin / vocals / clarinet ... + music theory", and as I myself have experienced, the pupil and the teacher, accomplices, always favor the instrument and the learning music theory is done in homeopathic doses. The study of the instrument is nevertheless also slowed down because of the multiple interruptions caused by ignorance of music theory.
I am not suggesting that you "get rid" of music theory because its study, contrary to its reputation, is very interesting. But to diversify the difficulties that you encounter: those relating to the instrumental technique and those due to music theory.

I accompany you on the piano and introduce you to the keyboard. A mini-keyboard allows you to work on your intonation at home also following my instructions.
If the level allows it, I also do instrumental and vocal music theory: music theory applied to the study of your pieces, analyzed, deciphered and accompanied on the piano.
Levels: for more precision, up to level "medium 2"
I recommend a weekly frequency (except possibly school holidays), essential for the effectiveness of the course, as well as a minimum personal work at home.
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