Modular synthesis: from your first patch to a live performance - Ghent - Private lessons

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Modular synthesis: from your first patch to a live performance

From 20.69 $ /h

Modular synthesis is the place to be when it comes to new electronic music technologies. The cool thing about working with eurorack (modular synthesis) is that you can build your own electronic music system as you go. In this series of lessons you will learn the ins and outs of a number of essential Eurorack modules, VCOs, VCFs, VCAs, etc., and you will get started with them. You don't have to pay anything at all, because VCV rack, a software program, is free.

Extra information

Bring your own laptop

Location

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At student's location :

Around Ghent, Belgium

At teacher's location :

Tennisstraat, Lievegem, België

Online from Belgium

About Me

Jeroen. I am a very calm and patient person. I will make adjustments where necessary and help you on your way. I'm more of a try-first-and-then-learn type of teacher. In the modular synthesis lessons it also helps to visualize a lot.

Education

LSS. Since the beginning of this year I have been taking a course on learning sound and synthesis given by Sarah Belle Reid. Through her I have studied modular synthesis and I want to share my knowledge with others.

Experience / Qualifications

I work every day with my modular synthesizer. In February I dropped an EP that I edited afterwards with my synthesizer and which I was then able to perform live.

Age

Children (7-12 years old)

Teenagers (13-17 years old)

Adults (18-64 years old)

Seniors (65+ years old)

Student level

Beginner

Intermediate

Duration

60 minutes

The class is taught in

Dutch

English

Skills

Computer generated music

Music composition

Reviews

Availability of a typical week

(GMT -05:00)

New York

At teacher's location and via webcam

At student's home

Mon

Tue

Wed

Thu

Fri

Sat

Sun

00-04

04-08

08-12

12-16

16-20

20-24

My lessons are not only about technique of violin playing but also about learning how to listen and deal with music through a certain instrument.
Lessons are adopted from the youngest ages (3+) to mature students.

If you already are familiar with music theory I offer advices in composition but also music theory lessons as a preparation for music composition.

In my classes you get to work on Ableton in a well-equiped home studio, with professional monitors, and a good deal of outboard gear.

Focus is to get you play with Ableton as if it were an extension of your arms.

We will do this by having you make your own track, in the style you had in mind.

By making your own track, you will start with the beginning, and work your way up to highly advanced stuff, including some harmony, sound synthesis techniques, mixing, and DYI mastering.

At the end of the course, you will have made your own track, in the style you envisaged, and with a superior, professional sound.

On myself:

I have been playing music since I was a kid, first the buegel, then piano, melodica and organ.

When I was in my early twenties, I jumped on computer generated music production, and finally obtained my master in electronic music production in the UK.

Online flute lessons for everyone.

Thirteen years of teaching experience. Tailored method to work with adult and senior beginners.

On-demand designed programs for amateurs of different levels, including music theory basics.

POP- ROCK- JAZZ- flute

Hey,
My name is Jasper and besides guitar lessons I also give private lessons in solfège!

For me it is important that you can develop your music knowledge in a motivating private lesson where the focus is on your interests.

In these lessons we can go through all the principles of music theory, from learning to read your first notes to chord theory to scales and beyond.
The lessons are for students of all ages and all levels.

I myself studied at the conservatory in Rotterdam and in Ghent and have been active as a professional musician for several years. I have 10 years of experience as a private teacher.

Lessons take place in Gentbrugge near the Keizerpark.
We can determine the exact time of the lesson together. All very flexible.

Does this seem like something for you?
Don't hesitate to send me a message.

Hope to see you soon!
Jasper

Hello!
My name is Alessandra and I am a violinist from Italy.
During my musical journey I have had the opportunity to come into contact with many different teachers and from them I learned the importance of finding a personal method.
I have a lot of experience in chamber music and professional orchestras.
What I offer are lessons for anyone who would like to play the violin. I will tailor my lessons to the needs and personality of each student.

My name is María, I am 25 years old and I am a professional cellist who graduated in Spain two years ago. Now I am doing a Master in Classical Music at the Royal Conservatory of Ghent.

For so many years I have been teaching music in different forms and ages (in already private schools): To people who wanted to get started in the musical language or start playing an instrument, to people who wanted to learn a score. or develop their musical tools, to people who wanted to continue growing as a musician and training their listening and people who wanted to improve their musical theoretical knowledge.

If you are just starting out with cello or music, if you want some extra lessons, if you need to prepare and an audition or an exam, if you are doing high level studies, I can help you. I have been studying and playing the cello for many years in different places (orchestras, conservatories, recordings, musicals...) so I think I can give you some good advice in different areas.

I like to think (and I do in my lessons) that music is a universal language and that anyone can learn and understand it. Also that each person can make their own approach to this wonderful language.

If you are interested in taking a lesson, let me know!

The (viola da) gamba is a bowed string instrument that was popular from the mid-16th to the mid-18th century. Like the recorder, the instrument comes in a variety of sizes, from small instruments in the register of the violin to large double bass ones. The best known and most commonly used type is the bass viol. The bass viol can best be described as a cross between a cello and a guitar: the tuning and left hand technique are close to the guitar, but playing position and bowing are reminiscent of the cello. Film buffs know the instrument from the movie 'Tous les Matins du Monde' in which the gamba music of Ste. Colombe and Marin Marais is central. The instrument is also known through the passions of JS Bach, in which it plays a prominent role. But the instrument also has a rich and diverse repertoire, ranging from late renaissance to early classical and an increasing number of contemporary pieces.

I studied gamba at the royal conservatory in The Hague with Wieland Kuijken. In the meantime I have about 30 years of experience in giving gamba lessons to children, young people and adults, ranging from absolute beginners to advanced players. In addition to the technique and the interpretation of the music on the instrument, I also offer support in the field of music theory and the historical context of the music. In addition to private lessons, I also teach gamba at music academy 'De Poel' in Ghent, the Municipal Conservatory of Bruges and KASK & Conservatory of Ghent.

My drum lessons can go in all directions. From jazz to pop and rock and hip hop. Always starting from a good technical basis and live guidance. For all levels and age groups. Usually I build up the lessons from technical exercises. These serve as a warm-up and basic vocabulary for the student. The technical exercises start with simple single strokes but quickly build up to rolls, accents, double strokes and flams. The second part of a lesson covers the knowledge of different grooves. Both two-part and three-part grooves are part of the lesson package, but also quintuplets of grooves. In the last part of the lesson, the student has the freedom to bring his own music and analyze it during the lesson.

I am a Belgian harpist (°1992) graduated from the conservatory of Antwerp, where I also followed the Alexander Technique. I gained experience in teaching at Art Academy De Poel (Ghent), Einstein Atheneum (Oostakker) and through private lessons. I like to pay a lot of attention to a good, relaxed posture and technique. This prevents complaints in the long term and also benefits a beautiful sound. Passionate pupils and students of all levels are welcome to explore the instrument, repertoire and music in general together. Improvisation and playing music by ear can also be part of the lesson if interested.

Welcome to my playful, tailor-made drum lessons.

I would be happy to help you with whatever you want to learn on the drums.
Do you want to work on timing and technique? Want to learn to groove and have fun? Maybe improvise a little? To be on a stage or not at all?
Everything is possible and everyone is welcome.

Having fun is what is central here.

If you have any questions or would like to make an appointment, please send me a message via Apprentus

See you soon
many greetings,
Wannes

I’ve been studying classical Piano since I was 9 years old,
At the age of 16 I was accepted in the Exceptional Young Talent program at the Vienna Konservatorium Budapest, after studying for 4 years and finishing the program, I moved to Belgium and I obtained my Bachelor at Royal Conservatory of Ghent and I’m pursuing my career here ever since, I have won International Piano Competitions, I have played solo concerts in Paris, Poland, Budapest, Vienna, Mallorca.
I teach with different methods depending the person’s age, and personality.

Music is a important part of many people's lives. I strive for excitement in all things music related, because I believe that if someone can get excited and feels genuine happiness while playing, they can achieve anything in their field.

I provide lessons for improvisation, composition and theory for all levels. I have been playing for 11 years both as an enthusiast, performer and teacher.

When you are writing music, it is very important that you show your music to people. Someone with experience in composition, even better. It is sometimes difficult to take that step to show your pieces that you have worked hard on. But this is a very important step, it makes you more confident in your own piece. From then on, people can receive feedback and evolve further. In my lessons, I work mainly on structure and learning to compose. If necessary, I will also work on details, but first the idea and the form have to be right. Composing is an evolution and I myself am getting better every year.

To compose better, thorough music theory is also important. Just as you can express yourself better with more vocabulary, you can write better music and translate your idea into notes better with more music knowledge. The importance of this is often underestimated. For me, music theory (all the basic knowledge but especially harmony and counterpoint) go hand in hand.

Bring me your material, songs/beats! My focus is to support you as best as I can in what you're doing. Would you like to learn more about mixing, sound design, sound synthesis, and composition? Would you like to learn more about the songwriting process? How do I start a song? What are some common pitfalls? I'm your guy! :) As a producer, I've worked with quite a few genres, so I'm very flexible in that respect.

📚training courses:
- secondary ASO Sint-Gummarus College Lier
- 7th year MUDA KSO Evergem
- university conservatory at KASK in Ghent (2022-2027)

Do you have a song that you've written that you believe could be amazing? Do you already have some skills using a DAW like Logic, Ableton, Pro Tools or Garage band? Would you like a new set of 'arrangers/producers ears' to redefine your song, reimagine it or simply improve what you have to bring it up to the best possible level?

I have worked in these areas where the boundary between composition, production and arrangement becomes blurred. The truth is they are inseparable to the end result and imagination is everything. So is an extra set of ears! Thats were I can help.

Which instrument to use ? (bass guitar or bass synth), which keys sound and where to place it in the mix. Where to set that high pass filter on the vocal? How much saturation does the snare need?

Musical arrangement and instrumentation
Production techniques, in the context of mixing
How best to use harmony in string quartets, or choirs or horn sections
How to place the guitar? Does it even need one?

I can give creative input and advise having written and composed more than 150 songs and recorded approximately 100+. Having run a UK based record label for almost 20 years.

If using a studio DAW, my experience is mainly with LogicPro although most creative 'arrangement' decisions do not need to be technical knob twiddling.

My background as a musician is vocals and guitars but as an arranger I've worked with everything.

My lessons are not only about technique of violin playing but also about learning how to listen and deal with music through a certain instrument.
Lessons are adopted from the youngest ages (3+) to mature students.

If you already are familiar with music theory I offer advices in composition but also music theory lessons as a preparation for music composition.

In my classes you get to work on Ableton in a well-equiped home studio, with professional monitors, and a good deal of outboard gear.

Focus is to get you play with Ableton as if it were an extension of your arms.

We will do this by having you make your own track, in the style you had in mind.

By making your own track, you will start with the beginning, and work your way up to highly advanced stuff, including some harmony, sound synthesis techniques, mixing, and DYI mastering.

At the end of the course, you will have made your own track, in the style you envisaged, and with a superior, professional sound.

On myself:

I have been playing music since I was a kid, first the buegel, then piano, melodica and organ.

When I was in my early twenties, I jumped on computer generated music production, and finally obtained my master in electronic music production in the UK.

Online flute lessons for everyone.

Thirteen years of teaching experience. Tailored method to work with adult and senior beginners.

On-demand designed programs for amateurs of different levels, including music theory basics.

POP- ROCK- JAZZ- flute

Hey,
My name is Jasper and besides guitar lessons I also give private lessons in solfège!

For me it is important that you can develop your music knowledge in a motivating private lesson where the focus is on your interests.

In these lessons we can go through all the principles of music theory, from learning to read your first notes to chord theory to scales and beyond.
The lessons are for students of all ages and all levels.

I myself studied at the conservatory in Rotterdam and in Ghent and have been active as a professional musician for several years. I have 10 years of experience as a private teacher.

Lessons take place in Gentbrugge near the Keizerpark.
We can determine the exact time of the lesson together. All very flexible.

Does this seem like something for you?
Don't hesitate to send me a message.

Hope to see you soon!
Jasper

Hello!
My name is Alessandra and I am a violinist from Italy.
During my musical journey I have had the opportunity to come into contact with many different teachers and from them I learned the importance of finding a personal method.
I have a lot of experience in chamber music and professional orchestras.
What I offer are lessons for anyone who would like to play the violin. I will tailor my lessons to the needs and personality of each student.

My name is María, I am 25 years old and I am a professional cellist who graduated in Spain two years ago. Now I am doing a Master in Classical Music at the Royal Conservatory of Ghent.

For so many years I have been teaching music in different forms and ages (in already private schools): To people who wanted to get started in the musical language or start playing an instrument, to people who wanted to learn a score. or develop their musical tools, to people who wanted to continue growing as a musician and training their listening and people who wanted to improve their musical theoretical knowledge.

If you are just starting out with cello or music, if you want some extra lessons, if you need to prepare and an audition or an exam, if you are doing high level studies, I can help you. I have been studying and playing the cello for many years in different places (orchestras, conservatories, recordings, musicals...) so I think I can give you some good advice in different areas.

I like to think (and I do in my lessons) that music is a universal language and that anyone can learn and understand it. Also that each person can make their own approach to this wonderful language.

If you are interested in taking a lesson, let me know!

The (viola da) gamba is a bowed string instrument that was popular from the mid-16th to the mid-18th century. Like the recorder, the instrument comes in a variety of sizes, from small instruments in the register of the violin to large double bass ones. The best known and most commonly used type is the bass viol. The bass viol can best be described as a cross between a cello and a guitar: the tuning and left hand technique are close to the guitar, but playing position and bowing are reminiscent of the cello. Film buffs know the instrument from the movie 'Tous les Matins du Monde' in which the gamba music of Ste. Colombe and Marin Marais is central. The instrument is also known through the passions of JS Bach, in which it plays a prominent role. But the instrument also has a rich and diverse repertoire, ranging from late renaissance to early classical and an increasing number of contemporary pieces.

I studied gamba at the royal conservatory in The Hague with Wieland Kuijken. In the meantime I have about 30 years of experience in giving gamba lessons to children, young people and adults, ranging from absolute beginners to advanced players. In addition to the technique and the interpretation of the music on the instrument, I also offer support in the field of music theory and the historical context of the music. In addition to private lessons, I also teach gamba at music academy 'De Poel' in Ghent, the Municipal Conservatory of Bruges and KASK & Conservatory of Ghent.

My drum lessons can go in all directions. From jazz to pop and rock and hip hop. Always starting from a good technical basis and live guidance. For all levels and age groups. Usually I build up the lessons from technical exercises. These serve as a warm-up and basic vocabulary for the student. The technical exercises start with simple single strokes but quickly build up to rolls, accents, double strokes and flams. The second part of a lesson covers the knowledge of different grooves. Both two-part and three-part grooves are part of the lesson package, but also quintuplets of grooves. In the last part of the lesson, the student has the freedom to bring his own music and analyze it during the lesson.

I am a Belgian harpist (°1992) graduated from the conservatory of Antwerp, where I also followed the Alexander Technique. I gained experience in teaching at Art Academy De Poel (Ghent), Einstein Atheneum (Oostakker) and through private lessons. I like to pay a lot of attention to a good, relaxed posture and technique. This prevents complaints in the long term and also benefits a beautiful sound. Passionate pupils and students of all levels are welcome to explore the instrument, repertoire and music in general together. Improvisation and playing music by ear can also be part of the lesson if interested.

Welcome to my playful, tailor-made drum lessons.

I would be happy to help you with whatever you want to learn on the drums.
Do you want to work on timing and technique? Want to learn to groove and have fun? Maybe improvise a little? To be on a stage or not at all?
Everything is possible and everyone is welcome.

Having fun is what is central here.

If you have any questions or would like to make an appointment, please send me a message via Apprentus

See you soon
many greetings,
Wannes

I’ve been studying classical Piano since I was 9 years old,
At the age of 16 I was accepted in the Exceptional Young Talent program at the Vienna Konservatorium Budapest, after studying for 4 years and finishing the program, I moved to Belgium and I obtained my Bachelor at Royal Conservatory of Ghent and I’m pursuing my career here ever since, I have won International Piano Competitions, I have played solo concerts in Paris, Poland, Budapest, Vienna, Mallorca.
I teach with different methods depending the person’s age, and personality.

Music is a important part of many people's lives. I strive for excitement in all things music related, because I believe that if someone can get excited and feels genuine happiness while playing, they can achieve anything in their field.

I provide lessons for improvisation, composition and theory for all levels. I have been playing for 11 years both as an enthusiast, performer and teacher.

When you are writing music, it is very important that you show your music to people. Someone with experience in composition, even better. It is sometimes difficult to take that step to show your pieces that you have worked hard on. But this is a very important step, it makes you more confident in your own piece. From then on, people can receive feedback and evolve further. In my lessons, I work mainly on structure and learning to compose. If necessary, I will also work on details, but first the idea and the form have to be right. Composing is an evolution and I myself am getting better every year.

To compose better, thorough music theory is also important. Just as you can express yourself better with more vocabulary, you can write better music and translate your idea into notes better with more music knowledge. The importance of this is often underestimated. For me, music theory (all the basic knowledge but especially harmony and counterpoint) go hand in hand.

Bring me your material, songs/beats! My focus is to support you as best as I can in what you're doing. Would you like to learn more about mixing, sound design, sound synthesis, and composition? Would you like to learn more about the songwriting process? How do I start a song? What are some common pitfalls? I'm your guy! :) As a producer, I've worked with quite a few genres, so I'm very flexible in that respect.

📚training courses:
- secondary ASO Sint-Gummarus College Lier
- 7th year MUDA KSO Evergem
- university conservatory at KASK in Ghent (2022-2027)

Do you have a song that you've written that you believe could be amazing? Do you already have some skills using a DAW like Logic, Ableton, Pro Tools or Garage band? Would you like a new set of 'arrangers/producers ears' to redefine your song, reimagine it or simply improve what you have to bring it up to the best possible level?

I have worked in these areas where the boundary between composition, production and arrangement becomes blurred. The truth is they are inseparable to the end result and imagination is everything. So is an extra set of ears! Thats were I can help.

Which instrument to use ? (bass guitar or bass synth), which keys sound and where to place it in the mix. Where to set that high pass filter on the vocal? How much saturation does the snare need?

Musical arrangement and instrumentation
Production techniques, in the context of mixing
How best to use harmony in string quartets, or choirs or horn sections
How to place the guitar? Does it even need one?

I can give creative input and advise having written and composed more than 150 songs and recorded approximately 100+. Having run a UK based record label for almost 20 years.

If using a studio DAW, my experience is mainly with LogicPro although most creative 'arrangement' decisions do not need to be technical knob twiddling.

My background as a musician is vocals and guitars but as an arranger I've worked with everything.

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Contact Jeroen